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Balalaika
The balalaika (russian: link=no, балала́йка, ) is a Russian stringed musical instrument with a characteristic triangular wooden, hollow body, fretted neck and three strings. Two strings are usually tuned to the same note and the third string is a perfect fourth higher. The higher-pitched balalaikas are used to play melodies and chords. The instrument generally has a short sustain, necessitating rapid strumming or plucking when it is used to play melodies. Balalaikas are often used for Russian folk music and dancing. The balalaika ''family of instruments'' includes instruments of various sizes, from the highest-pitched to the lowest: the piccolo balalaika, prima balalaika, secunda balalaika, alto balalaika, bass balalaika, and contrabass balalaika. There are balalaika orchestras which consist solely of different balalaikas; these ensembles typically play Classical music that has been arranged for balalaikas. The prima balalaika is the most common; the piccolo is rare. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balalaika Range2
The balalaika (russian: link=no, балала́йка, ) is a Russian string instrument, stringed musical instrument with a characteristic triangular wooden, hollow body, fretted neck and three strings. Two strings are usually tuned to the same note and the third string is a perfect fourth higher. The higher-pitched balalaikas are used to play melodies and chords. The instrument generally has a short sustain, necessitating rapid strumming or plucking when it is used to play melodies. Balalaikas are often used for Russian traditional music, Russian folk music and Russian folk dances, dancing. The balalaika ''family of instruments'' includes instruments of various sizes, from the highest-pitched to the lowest: the piccolo balalaika, prima balalaika, secunda balalaika, alto balalaika, bass balalaika, and contrabass balalaika. There are balalaika orchestras which consist solely of different balalaikas; these ensembles typically play Classical music that has been arranged for balalai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Traditional Music
Russian folk music specifically deals with the folk music traditions of the ethnic Russian people. Ethnic styles in the modern era The performance and promulgation of ethnic music in Russia has a long tradition. Initially it was intertwined with various forms of art music, however, in the late 19th century it began to take on a life of its own with the rise in popularity of folkloric ensembles, such as the folk choir movement led by Mitrofan Pyatnitsky and the Russian folk instrument movement pioneered by Vasily Andreyev. In Soviet Russia, folk music was categorized as being democratic (of the people) or proletarian (of the working class) as opposed to art music, which was often regarded as being bourgeois. After the revolution, along with proletarian "mass music" (music for the proletarian masses) it received significant support from the state. In Post World War II Russia, proletarian mass music however lost its appeal, whereas folkloric music continued to have a widespread supp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domra
The ''domra'' (Cyrillic: до́мра, ) is a long-necked Belarusian, Russian, and Ukrainian folk string instrument of the lute family with a round body and three or four metal strings. History The first known mention of domra is in ''Admonitions of Metropolitan Daniel'' (1530). This musical instument gained great popularity in the 16th–17th centuries, replacing gusli. There are numerous mentions of domra in historic documents of this period. In addition, medieval Russian illuminated manuscripts of the Psalter contain images of musicians with necked plucked-string instruments, and some of those miniatures are clearly captioned «depiction of domras». Judging by those images, late medieval Russian domras can be divided into two types: lute-shaped, which had five to six strings, a large body and а pegbox angled back, and tanbur-shaped, which had three to four strings, a small body and a straight pegbox. After the pious Tsar Alexis of Russia issued an edict ordering the pers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domra
The ''domra'' (Cyrillic: до́мра, ) is a long-necked Belarusian, Russian, and Ukrainian folk string instrument of the lute family with a round body and three or four metal strings. History The first known mention of domra is in ''Admonitions of Metropolitan Daniel'' (1530). This musical instument gained great popularity in the 16th–17th centuries, replacing gusli. There are numerous mentions of domra in historic documents of this period. In addition, medieval Russian illuminated manuscripts of the Psalter contain images of musicians with necked plucked-string instruments, and some of those miniatures are clearly captioned «depiction of domras». Judging by those images, late medieval Russian domras can be divided into two types: lute-shaped, which had five to six strings, a large body and а pegbox angled back, and tanbur-shaped, which had three to four strings, a small body and a straight pegbox. After the pious Tsar Alexis of Russia issued an edict ordering the pers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plucked String Instrument
Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum. Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck; the strings run along the neck and can be stopped at different pitches. The zither family (including the Qanún/kanun, autoharp, kantele, gusli, kannel, kankles, kokles, koto, guqin, gu zheng and many others) does not have a neck, and the strings are stretched across the soundboard. In the harp family (including the lyre), the strings are perpendicular to the soundboard and do not run across it. The harpsichord does not fit any of these categories but is also a plucked string instrument, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandolin
A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of 8 strings, although five (10 strings) and six (12 strings) course versions also exist. There are of course different types of strings that can be used, metal strings are the main ones since they are the cheapest and easiest to make. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin (G3, D4, A4, E5). Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass. There are many styles of mandolin, but the three most common types are the ''Neapolitan'' or ''round-backed'' mandolin, the ''archtop'' mandolin and the ''flat-backed'' mandolin. The round-backed version has a deep bottom, constructed of strips of wood, glued tog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topshur
The ''tovshuur'', also known as ''topshur'', ''topshuur'' or ''tovshuur'' (Mongolian Cyrillic: ; mn, , tobshiğur) is a two or three-stringed lute played by the Western Mongolian (Oirats) tribes called the Altai Urianghais, the Altais, Tuvans, and Khalkha peoples. The topshur is closely tied to the folklore of Western Mongolian people and accompanied the performances of storytellers, singing, and dancing. According to descriptions given by Marco Polo, the Mongols also played the instruments before a battle. Construction and design All tovshuur are homemade and because of this, the materials and shape of the tovshuur vary depending on the builder and the region. For example, depending on the tribe, the string might be made of horsehair or sheep intestine. The body of the tovshuur is bowl shaped and usually covered in tight animal skin. The Kalmykian tovshuur's form is more similar to that of the Kazakh Dombra The Hu - 2019159133009 2019-06-08 Rock am Ring - 0009 - AK8I7908 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Gogol
Nikolai Vasilyevich Gogol; uk, link=no, Мико́ла Васи́льович Го́голь, translit=Mykola Vasyliovych Hohol; (russian: Яновский; uk, Яновський, translit=Yanovskyi) ( – ) was a Russian novelist, short story writer and playwright of Ukrainian origin. Gogol was one of the first to use the technique of the grotesque, in works such as " The Nose", " Viy", " The Overcoat", and " Nevsky Prospekt". These stories, and others such as " Diary of a Madman", have also been noted for their proto-surrealist qualities. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. His early works, such as '' Evenings on a Farm Near Dikanka'', were influenced by his Ukrainian upbringing, Ukrainian culture and folklore. His later writing satirised political corruption in the Russian Empire ('' The Government Inspector'', '' Dead Souls''). The novel '' Taras Bulba'' (1835), the play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dead Souls
''Dead Souls'' (russian: «Мёртвые души», ''Mjórtvyje dúshi'') is a novel by Nikolai Gogol, first published in 1842, and widely regarded as an exemplar of 19th-century Russian literature. The novel chronicles the travels and adventures of Pavel Ivanovich Chichikov (Russian: Павел Иванович Чичиков) and the people whom he encounters. These people typify the Russian middle aristocracy of the time. Gogol himself saw his work as an " epic poem in prose", and within the book characterised it as a " novel in verse". Gogol intended the novel to be the first part of a three-volume work, but burned the manuscript of the second part shortly before his death. Although the novel ends in mid-sentence (like Sterne's ''Sentimental Journey''), it is regarded by some as complete in the extant form. Title The original title, as shown on the illustration (cover page), was "The Wanderings of Chichikov, or Dead Souls. ''Poema''", which contracted to merely "Dead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Guitar
The Russian guitar (sometimes referred to as a "Gypsy guitar") is an acoustic seven-string guitar that was developed in Russia toward the end of the 18th century: it shares most of its organological features with the Spanish guitar, although some historians insist on English guitar descent. It is known in Russian as the (), or affectionately as the (), which translates to "seven-stringer". These guitars are most commonly tuned to an open G chord as follows: . In classical literature, the lowest string (D) occasionally is tuned down to the C. History Although in a number of sources the invention of the Russian guitar is attributed to Andrei Sychra (1773–1850), there are strong reasons to believe that the instrument was already in use when Sychra began his career. It is true that Sychra was very influential in creating the school of Russian guitar playing. He left over a thousand compositions, seventy-five of which were republished in the 1840s by Stellovsky, and then again ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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