Avant-punk
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Avant-punk
Avant-punk is a punk music style characterized by "screeching experimentation," and a term by which critics used to describe the wave of American punk bands from the 1970s. It originated with the New York-based rock band the Velvet Underground, while antecedents included early Kinks and garage band one-shots collected on the '' Nuggets'' series of compilation albums. According to critic Robert Christgau, between 1966 and 1975, the only notable acts who could be categorized as "avant-punk" were the Velvets, MC5, Iggy Pop and the Stooges, the Modern Lovers, and the New York Dolls. References Punk rock genres Experimental music genres Punk Punk or punks may refer to: Genres, subculture, and related aspects * Punk rock, a music genre originating in the 1970s associated with various subgenres * Punk subculture, a subculture associated with punk rock, or aspects of the subculture s ... American rock music genres {{Punk-music-stub ...
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Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945, Paul Du Noyer (ed.), "Contemporary", in the ''Illustrated Encyclopedia of Music: From Rock, Pop, Jazz, Blues and Hip Hop to Classical, Folk, ...
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Avant-rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, avant-garde and contemporary classica ...
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Post-punk
Post-punk (originally called new musick) is a broad music genre, genre of Punk Music, punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the music production, production techniques of dub music, dub and disco; and ideas from art and politics, including critical theory, modernist art, Film, cinema and modernist literature, literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire (band), Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire (band), Cabaret Voltaire, Magazine (band), Magazine, Pere Ubu, Joy Division, Ta ...
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Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945, Paul Du Noyer (ed.), "Contemporary", in the ''Illustrated Encyclopedia of Music: From Rock, Pop, Jazz, Blues and Hip Hop to Classical, Folk, ...
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Nuggets (series)
''Nuggets'' is a series of compilation albums, started by Elektra Records in 1972 and continued by Rhino Records thereafter. The series focuses primarily on relatively obscure garage and psychedelic rock songs from the 1960s, but with some hits and pop-oriented songs also included. In 1972, Elektra released '' Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968'', compiled by Lenny Kaye. The later series by Rhino consists of 12 vinyl-only and three single-CD albums, all released during the 1980s. In 1998, Rhino issued a 4-CD ''Nuggets'' box set, which was essentially the original 1972 LP with 91 bonus tracks. Four more box sets and four single-CDs releases followed. The music on Rhino's 1984–1989 ''Nuggets'' series is similar to that on Kaye's original compilation. While many of the songs on the 1980s series' 15 albums appeared on the original ''Nuggets'' double LP, others were new to the series and some eventually wound up on Rhino's 1998 box set. Although ...
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Experimental Music Genres
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had begun using the term ''musique expérimentale ...
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Punk Rock Genres
A number of overlapping punk rock subgenres have developed since the emergence of punk rock (often shortened to ''punk'') in the mid-1970s. Even though punk genres at times are difficult to segregate, they usually show differing characteristics in overall structures, instrumental and vocal styles, and tempo. However, sometimes a particular trait is common in several genres, and thus punk genres are normally grouped by a combination of traits. Afro-punk Afro-punk (sometimes spelled AfroPunk) refers to the participation of African Americans in the punk and alternative music cultures. Afro-punks represent a majority in the punk culture in predominantly black regions of the world that have burgeoning punk communities, such as in parts of Africa. There are many punk rock bands with black members, and several with lineups that are all black. Notable bands that can be linked to the Afro-punk community include: Death, Pure Hell, Bad Brains, Suicidal Tendencies, Dead Kennedys, Fishbo ...
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New York Dolls
New York Dolls were an American rock band formed in New York City in 1971. Along with the Velvet Underground and the Stooges, they were one of the first bands of the early punk rock scenes. Although the band never achieved much commercial success and their original line-up fell apart quickly, the band's first two albums—'' New York Dolls'' (1973) and '' Too Much Too Soon'' (1974)—became among the most popular cult records in rock. The line-up at this time consisted of, vocalist David Johansen, guitarist Johnny Thunders, bassist Arthur Kane, guitarist and pianist Sylvain Sylvain, and drummer Jerry Nolan; the latter two had replaced Rick Rivets and Billy Murcia, respectively, in 1972. On stage, they donned an androgynous wardrobe, wearing high heels, eccentric hats, satin, makeup, spandex, and dresses. Nolan described the group in 1974 as "the Dead End Kids of today". According to the ''Encyclopedia of Popular Music'' (1995), the New York Dolls predated the punk and ...
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The Modern Lovers
The Modern Lovers were an American rock band led by Jonathan Richman in the 1970s and 1980s. The original band existed from 1970 to 1974 but their recordings were not released until 1976 or later. It featured Richman and bassist Ernie Brooks with drummer David Robinson (later of The Cars) and keyboardist Jerry Harrison (later of Talking Heads). The sound of the band owed a great deal to the influence of the Velvet Underground, and is now sometimes classified as "proto-punk". It pointed the way towards much of the punk rock, new wave, alternative and indie rock music of later decades. Their only album, the eponymous '' The Modern Lovers'', contained idiosyncratic songs about dating awkwardness, growing up in Massachusetts, love of life, and the USA. Later, between 1976 and 1988, Richman used the name Modern Lovers for a variety of backing bands, always billed as "Jonathan Richman and The Modern Lovers". These bands were quieter and featured more low-key, often near-childlike ...
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The Stooges
The Stooges, originally billed as the Psychedelic Stooges, also known as Iggy and the Stooges, was an American rock band formed in Ann Arbor, Michigan, in 1967 by singer Iggy Pop, guitarist Ron Asheton, drummer Scott Asheton, and bassist Dave Alexander. Initially playing a raw, primitive style of rock and roll, the band sold few records in their original incarnation and gained a reputation for their confrontational performances, which often involved acts of self-mutilation by Iggy Pop. After releasing two albums – '' The Stooges'' (1969) and '' Fun House'' (1970) – the group disbanded briefly, and reformed with an altered lineup (with Ron Asheton replacing Dave Alexander on bass and James Williamson taking up guitar) to release a third album, '' Raw Power'' (1973), before breaking up again in 1974. The band reunited in 2003 with Ron Asheton moving back to guitar and Mike Watt on bass, and the addition of saxophonist Steve Mackay, who had played briefly with the 1973†...
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Iggy Pop
James Newell Osterberg Jr. (born April 21, 1947), known professionally as Iggy Pop, is an American singer, musician, songwriter and actor. Called the " Godfather of Punk", he was the vocalist and lyricist of proto-punk band The Stooges, who were formed in 1967 and have disbanded and reunited many times since. Initially playing a raw, primitive style of rock and roll (progressing later towards more experimental and aggressive rock), the Stooges sold few records in their original incarnation and gained a reputation for their confrontational performances, which often involved acts of self-mutilation by Pop. He had a long collaborative relationship and friendship with David Bowie over the course of his career, beginning with the Stooges' album '' Raw Power'' in 1973. Both musicians went to West Berlin to wean themselves off their respective drug addictions and Pop began his solo career by collaborating with Bowie on the 1977 albums '' The Idiot'' and '' Lust for Life'', Pop usuall ...
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Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', '' Creem'', '' Newsday'', ''Playboy'', ''Rolling Stone'', '' Billboard'', NPR, '' Blender'', and '' MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a ...
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