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Arae
In Greek mythology, the Arae (; Ancient Greek: Αραι) were female spirits of curses, particularly of the curses placed by the dead upon those guilty of their death; they were associated with the underworld. Also they can curse men such that the cattle of the sun god Helios would have done if they were harmed by any man, as in Homer's ''Odyssey.''Aeschylus, ''Libation Bearers'' 406 Mythology The Arae are sometimes identified with the Erinyes. Bacchylides' account Aeschylus's accounts Suda Notes References * Aeschylus Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek ..., translated in two volumes. 1. ''Seven Against Thebes'' by Herbert Weir Smyth, Ph.D. Cambridge, MA. Harvard University Press. 1926Online version at the Perseus Digital Library.
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Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the origin and nature of the world, the lives and activities of deities, heroes, and mythological creatures, and the origins and significance of the ancient Greeks' own cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer's epic poems, the '' Iliad'' and the '' Odyssey''. Two poems by Homer's near contemporary Hesiod, the ''Theogony'' and the '' Works and Days'', contain accounts of the ...
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Thebes, Greece
Thebes (; ell, Θήβα, ''Thíva'' ; grc, Θῆβαι, ''Thêbai'' .) is a city in Boeotia, Central Greece. It played an important role in Greek myths, as the site of the stories of Cadmus, Oedipus, Dionysus, Heracles and others. Archaeological excavations in and around Thebes have revealed a Mycenaean settlement and clay tablets written in the Linear B script, indicating the importance of the site in the Bronze Age. Thebes was the largest city of the ancient region of Boeotia and was the leader of the Boeotian confederacy. It was a major rival of ancient Athens, and sided with the Persians during the 480 BC invasion under Xerxes I. Theban forces under the command of Epaminondas ended Spartan hegemony at the Battle of Leuctra in 371 BC, with the Sacred Band of Thebes, an elite military unit of male lovers celebrated as instrumental there. Macedonia would rise in power at the Battle of Chaeronea in 338 BC, bringing decisive victory to Philip II over an alliance of Theb ...
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Chthonic Beings
The word chthonic (), or chthonian, is derived from the Ancient Greek word ''χθών, "khthon"'', meaning earth or soil. It translates more directly from χθόνιος or "in, under, or beneath the earth" which can be differentiated from Γῆ, or "ge", which speaks to the living surface of land on the earth. In Greek, chthonic is a descriptive word for things relating to the underworld and can be used in the context of chthonic gods, chthonic rituals, chthonic cults, and more. This is as compared to the more commonly referenced Olympic gods and their associated rites and cults. Olympic gods are understood to reference that which exists above the earth, particularly in the sky. Gods that are related to agriculture are also considered to have chthonic associations as planting and growing takes place in part under the earth. Chthonic deities Chthonic and ouranic, or olympic, are not completely opposite descriptors. They do not cleanly differentiate types of gods and worship in ...
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Greek Underworld
In mythology, the Greek underworld, or Hades, is a distinct realm (one of the three realms that makes up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence (''psyche'') is separated from the corpse and is transported to the underworld. In early mythology (e.g., Homer's ''Iliad'' and ''Odyssey'') the dead were indiscriminately grouped together and lead a shadowy post-existence; however, in later mythology (e.g., Platonic philosophy) elements of post-mortem judgment began to emerge with good and bad people being separated (both spatially and with regards to treatment). The underworld itself— commonly referred to as Hades, after its patron god, but also known by various metonyms—is described as being located at the periphery of the earth, either associated with the outer limits of the ocean (i.e., ''Oceanus'', again also a god) or beneath the earth. Darkness and a lack of sunlig ...
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Characters In Greek Mythology
Character or Characters may refer to: Arts, entertainment, and media Literature * ''Character'' (novel), a 1936 Dutch novel by Ferdinand Bordewijk * ''Characters'' (Theophrastus), a classical Greek set of character sketches attributed to Theophrastus Music * ''Characters'' (John Abercrombie album), 1977 * ''Character'' (Dark Tranquillity album), 2005 * ''Character'' (Julia Kent album), 2013 * ''Character'' (Rachael Sage album), 2020 * ''Characters'' (Stevie Wonder album), 1987 Types of entity * Character (arts), an agent within a work of art, including literature, drama, cinema, opera, etc. * Character sketch or character, a literary description of a character type * Game character (other), various types of characters in a video game or role playing game ** Player character, as above but who is controlled or whose actions are directly chosen by a player ** Non-player character, as above but not player-controlled, frequently abbreviated as NPC Other uses in ar ...
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Personifications In Greek Mythology
Personification occurs when a thing or abstraction is represented as a person, in literature or art, as a type of anthropomorphic metaphor. The type of personification discussed here excludes passing literary effects such as "Shadows hold their breath", and covers cases where a personification appears as a character in literature, or a human figure in art. The technical term for this, since ancient Greece, is prosopopoeia. In the arts many things are commonly personified. These include numerous types of places, especially cities, countries and the four continents, elements of the natural world such as the months or Four Seasons, Four Elements, Four Winds, Five Senses, and abstractions such as virtues, especially the four cardinal virtues and seven deadly sins, the nine Muses, or death. In many polytheistic early religions, deities had a strong element of personification, suggested by descriptions such as "god of". In ancient Greek religion, and the related ancient Roman re ...
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Greek Goddesses
Greek may refer to: Greece Anything of, from, or related to Greece, a country in Southern Europe: *Greeks, an ethnic group. *Greek language, a branch of the Indo-European language family. **Proto-Greek language, the assumed last common ancestor of all known varieties of Greek. **Mycenaean Greek, most ancient attested form of the language (16th to 11th centuries BC). **Ancient Greek, forms of the language used c. 1000–330 BC. **Koine Greek, common form of Greek spoken and written during Classical antiquity. **Medieval Greek or Byzantine Language, language used between the Middle Ages and the Ottoman conquest of Constantinople. **Modern Greek, varieties spoken in the modern era (from 1453 AD). *Greek alphabet, script used to write the Greek language. *Greek Orthodox Church, several Churches of the Eastern Orthodox Church. *Ancient Greece, the ancient civilization before the end of Antiquity. * Old Greek, the language as spoken from Late Antiquity to around 1500 AD. Other uses * ' ...
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Underworld Goddesses
The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld. The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld, often for some heroic purpose. Other myths reinforce traditions that entrance of souls to the underworld requires a proper observation of ceremony, such as the ancient Greek story of the recently dead Patroclus haunting Achilles until his body could be properly buried for this purpose. Persons having social status were dressed and equipped in order to better navigate the underworld. A number of mythologies incorporate the concept of the soul of the deceased making its own journey to the underworld, with the dead needing to be taken ...
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Electra
Electra (; grc, Ήλέκτρα) is one of the most popular mythological characters in tragedies.Evans (1970), p. 79 She is the main character in two Greek tragedies, '' Electra'' by Sophocles and '' Electra'' by Euripides. She is also the central figure in plays by Aeschylus, Alfieri, Voltaire, Hofmannsthal, and Eugene O'Neill. She is a vengeful soul in ''The Libation Bearers'', the second play of Aeschylus' '' Oresteia'' trilogy. She plans out an attack with her brother to kill their mother, Clytemnestra. In psychology, the Electra complex is named after her. Family Electra's parents were King Agamemnon and Queen Clytemnestra. Her sisters were Iphigeneia and Chrysothemis, and her brother was Orestes. In the ''Iliad'', Homer is understood to be referring to Electra in mentioning "Laodice" as a daughter of Agamemnon. Murder of Agamemnon Electra was absent from Mycenae when her father, King Agamemnon, returned from the Trojan War. When he came back, he brought with him h ...
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Electra (Sophocles Play)
''Electra,'' ''Elektra, or The Electra'' ( grc, ΗΛΕΚΤΡΑ, ''Ēlektra'') is a Greek tragedy by Sophocles. Its date is not known, but various stylistic similarities with the '' Philoctetes'' (409 BC) and the ''Oedipus at Colonus'' (401 BC) lead scholars to suppose that it was written towards the end of Sophocles' career. Jebb dates it between 420 BC and 414 BC. Set in the city of Argos a few years after the Trojan War, the play tells of a bitter struggle for justice by Electra and her brother Orestes for the murder of their father Agamemnon by Clytemnestra and their stepfather Aegisthus. When King Agamemnon returns from the Trojan War, his wife Clytemnestra (who has taken Agamemnon's cousin Aegisthus as a lover) kills him. Clytemnestra believes the murder was justified, since Agamemnon had sacrificed their daughter Iphigenia before the war, as commanded by the gods. Electra, daughter of Agamemnon and Clytemnestra, rescued her younger brother Orestes from her mother by ...
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Sophocles
Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: ''Ajax'', '' Antigone'', ''Women of Trachis'', '' Oedipus Rex'', '' Electra'', '' Philoctetes'' and ''Oedipus at Colonus''. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four. The most famous tragedies of Sophocles ...
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Suda
The ''Suda'' or ''Souda'' (; grc-x-medieval, Σοῦδα, Soûda; la, Suidae Lexicon) is a large 10th-century Byzantine encyclopedia of the ancient Mediterranean world, formerly attributed to an author called Soudas (Σούδας) or Souidas (Σουίδας). It is an encyclopedic lexicon, written in Greek, with 30,000 entries, many drawing from ancient sources that have since been lost, and often derived from medieval Christian compilers. Title The derivation is probably from the Byzantine Greek word '' souda'', meaning "fortress" or "stronghold", with the alternate name, ''Suidas'', stemming from an error made by Eustathius, who mistook the title for the author's name. Paul Maas once ironized by suggesting that the title may be connected to the Latin verb ''suda'', the second-person singular imperative of ''sudāre'', meaning "to sweat", but Franz Dölger traced its origins back to Byzantine military lexicon (σοῦδα, "ditch, trench", then "fortress"). Silvio G ...
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