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Arachne
Arachne (; from , cognate with Latin ) is the protagonist of a tale in Greek mythology known primarily from the version told by the Roman poet Ovid (43 BCE–17 CE), which is the earliest extant source for the story. In Book Six of his epic poem ''Metamorphoses'', Ovid recounts how the talented mortal Arachne, daughter of Idmon, challenged Athena, goddess of wisdom and crafts, to a weaving contest. When Athena could find no flaws in the tapestry Arachne had woven for the contest, the goddess became enraged and beat the girl with her shuttle. After Arachne hanged herself out of shame, she was transformed into a spider. The myth both provides an aetiology of spiders' web-spinning abilities and is a cautionary tale warning mortals not to place themselves on an equal level with the gods. Biography According to the myth as recounted by Ovid, Arachne was a Lydian maiden who was the daughter of Idmon of Colophon, who was a famous dyer in purple. She was credited to have i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athena
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from '' polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Las Hilanderas (Velázquez)
''Las Hilanderas'' (; "The Spinners") is a painting by the Spanish painter Diego Velázquez, in the Museo del Prado of Madrid, Spain. It is also known by the title ''The Fable of Arachne''. It is usually regarded as a late work by the artist, dating from around 1657. Traditionally, it was believed that the painting depicted women workers in the tapestry workshop of Santa Isabel. In 1948, however, Diego Angula observed that the iconography suggested Ovid's Fable of Arachne, the story of the mortal Arachne who dared to challenge the goddess Athena to a weaving competition and, on winning the contest, was turned into a spider by the jealous goddess. This is now generally accepted as the correct interpretation of the painting. It was painted for Don Pedro de Arce, huntsman to King Philip IV. It entered the Spanish royal collection in the eighteenth century, and was probably damaged by the fire at the Royal Alcazar of Madrid in 1734. New sections were added at the sides (37&nbs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spider
Spiders (order Araneae) are air-breathing arthropods that have eight legs, chelicerae with fangs generally able to inject venom, and spinnerets that extrude silk. They are the largest order of arachnids and rank seventh in total species diversity among all orders of organisms. Spiders are found worldwide on every continent except for Antarctica, and have become established in nearly every land habitat. , 50,356 spider species in 132 families have been recorded by taxonomists. However, there has been debate among scientists about how families should be classified, with over 20 different classifications proposed since 1900. Anatomically, spiders (as with all arachnids) differ from other arthropods in that the usual body segments are fused into two tagmata, the cephalothorax or prosoma, and the opisthosoma, or abdomen, and joined by a small, cylindrical pedicel, however, as there is currently neither paleontological nor embryological evidence that spiders ever had a sep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypaepa
Hypaepa or Hypaipa ( grc, τὰ Ὕπαιπα) was an Ancient city and (arch)bishopric in ancient Lydia, near the north bank of the Cayster River, and 42 miles from Ephesus, Ephesus and remains a Latin Catholic titular see. Name and location Its name was derived from its situation at the foot of Mount Aipos, itself a southern foothill of Mount Tmolus, Its location was identified by the Frenchmen Cousinéry and Texier and confirmed by the excavations carried out by Demostene Baltazzi on behalf of the Ottoman government in 1892. The ruins are close to the present-day village of Günlüce (earlier known as Datbey or Tapaı; in the Ottoman vilayet of Smyrna), 4 kilometres northwest of the town of Ödemiş. Its position looking towards the plain of Caystrus, was a strategic one on the route between Sardis and Ephesus. History In 88 BC, Hypaepa rebelled against Mithridates VI of Pontus and was severely punished. Under Roman Emperor Tiberius (AD 14-37) it was selection as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Velázquez
Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c.1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece '' Las Meninas'' (1656). Velázquez's paintings became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images. Most of his work entered the Spanish royal collection, and by far the best collection is in the Museo del Prado in Madrid, tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ovid
Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Augustan literature (ancient Rome), Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the three Western canon, canonical poets of Latin literature. The Roman Empire, Imperial scholar Quintilian considered him the last of the Latin love wikt:elegist, elegists.Quint. ''Inst.'' 10.1.93 Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus banished him to Constanța, Tomis, a Dacian province on the Black Sea, where he remained a decade until his death. Overview A contemporary of the older poets Virgil and Horace, Ovid was the first major Roman poet to begin his career during Augustus's reign. Collectively, they are considered the three Western canon, canonical poets of Latin literature. The Roman Empire, Imperial scholar Quintilian described Ovid as the last of the Lati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metamorphoses
The ''Metamorphoses'' ( la, Metamorphōsēs, from grc, μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his '' magnum opus''. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry and some of the ''Metamorphoses'' derives from earlier treatment of the same myths; however, he diverged significantly from all of his models. One of the most influential works in Western culture, the ''Metamorphoses'' has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works of sculp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydians
The Lydians (known as ''Sparda'' to the Achaemenids, Old Persian cuneiform 𐎿𐎱𐎼𐎭) were Anatolian people living in Lydia, a region in western Anatolia, who spoke the distinctive Lydian language, an Indo-European language of the Anatolian group. Questions raised regarding their origins, as defined by the language and reaching well into the 2nd millennium BC, continue to be debated by language historians and archeologists. A distinct Lydian culture lasted, in all probability, until at least shortly before the Common Era, having been attested the last time among extant records by Strabo in Kibyra in south-west Anatolia around his time (1st century BC). The Lydian capital was at ''Sfard'' or Sardis. Their recorded history of statehood, which covers three dynasties traceable to the Late Bronze Age, reached the height of its power and achievements during the 7th and 6th centuries BC, a time which coincided with the demise of the power of neighboring Phrygia, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idmon
In Greek mythology, Idmon ( Ancient Greek: Ἴδμων means "having knowledge of" or "the knowing") may refer to the following individuals: *Idmon, one of the fifty sons of Aegyptus, who married and was killed by the Danaid Pylarge. * Idmon, father of Arachne. * Idmon, an Argonaut seer and son of Apollo or Abas. * Idmon, herald of Turnus. * Idmon, a figure briefly mentioned in Statius' ''Thebaid''. He came from Epidaurus and was portrayed in the poem cleansing Tydeus' wounds after a battle.Statius, ''Thebaid'3.399/ref> Notes References * Apollodorus, ''Apollodorus, The Library, with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes.'' Cambridge, Massachusetts, Harvard University Press; London, William Heinemann Ltd. 1921Online version at the Perseus Digital Library *Vergil Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the August ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muiopotmos
''Complaints'' is a poetry collection by Edmund Spenser, published in 1591. It contains nine poems. Its publisher, William Ponsonby, added an introduction of his own. ''The Ruins of Time'' The poem is narrated by Verulame, female spirit of Verulamium, and praises the late Robert Dudley, 1st Earl of Leicester, though perhaps in an ironic tone. ''The Teares of the Muses'' This poem was dedicated to Alice Spencer, Countess of Derby. It was composed around 1580. We hear from the Muses in order: Clio, Melpomene, Thalia, Euterpe, Terpsichore, Erato, Calliope, Urania, and Polyhymnia. The order is traditional, following a Latin mnemonic poem ''De musarum inventis'', and had been adopted by the earlier English writer Gabriel Harvey in his ''Smithus''. The poem is concerned with the state of contemporary literature, but also mourns the death of the poet Richard Willes in about 1579. It was suggested by William Warburton in the 18th century that the lines from Shakespeare's ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Complaints (Spenser)
''Complaints'' is a poetry collection by Edmund Spenser, published in 1591. It contains nine poems. Its publisher, William Ponsonby, added an introduction of his own. ''The Ruins of Time'' The poem is narrated by Verulame, female spirit of Verulamium, and praises the late Robert Dudley, 1st Earl of Leicester, though perhaps in an ironic tone. ''The Teares of the Muses'' This poem was dedicated to Alice Spencer, Countess of Derby. It was composed around 1580. We hear from the Muses in order: Clio, Melpomene, Thalia, Euterpe, Terpsichore, Erato, Calliope, Urania, and Polyhymnia. The order is traditional, following a Latin mnemonic poem ''De musarum inventis'', and had been adopted by the earlier English writer Gabriel Harvey in his ''Smithus''. The poem is concerned with the state of contemporary literature, but also mourns the death of the poet Richard Willes in about 1579. It was suggested by William Warburton in the 18th century that the lines from Shakespeare's ''A Midsumm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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