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Arabella
''Arabella'', Op. 79, is a lyric comedy, or opera, in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration. Performance history It was first performed on 1 July 1933 at the Dresden Sächsisches Staatstheater. The opera received its premiere in the UK on 17 May 1934 at London's Royal Opera House. Two decades later, on 10 February 1955, it was performed at the Metropolitan Opera in New York with Eleanor Steber in the title role. The Met has given numerous performances of the work since that date. At the 2008 Helpmann Awards, the production by Opera Australia won the Award for Best Opera."Best Opera"
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8th Helpmann Awards
The 2008 Helpmann Awards were presented on 28 July 2008 at the Lyric Theatre, Sydney. The ceremony was hosted by Jonathan Biggins and Julia Zemiro and was broadcast live on Bio. (Foxtel's biography channel). Nominees (winners are bolded) Theatre Musicals Opera and Classical Music Dance and Physical Theatre Contemporary Music Other Industry References External linksHelpmann Awards official site {{Helpmann Awards Helpmann Helpmann Helpmann Awards Helpmann Awards, 8th Helpmann Awards The Helpmann Awards are accolades for live entertainment and performing arts in Australia, presented by industry group Live Live Performance Australia (LPA) since 2001. The annual awards recognise achievements in the disciplines of musical th ...
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Viorica Ursuleac
Viorica Ursuleac (26 March 189422 October 1985) was a Romanian operatic soprano. Viorica Ursuleac was born the daughter of a Greek Orthodox archdeacon, in Chernivtsi, which is now in Ukraine. Following training in Vienna, she made her operatic debut in Zagreb (Agram), as Charlotte in Massenet's '' Werther'', in 1922. The soprano then appeared at the Vienna Volksoper (1924–26), Frankfurt Opera (1926–30), Vienna State Opera (1930–35), Berlin State Opera (1935–37), and Bavarian State Opera (1937–44). She married the Austrian conductor Clemens Krauss in Frankfurt during her time there. She was Richard Strauss's favorite soprano, and he called her ("the most faithful of all the faithful"). She sang in the world premieres of four of his operas: ''Arabella'' (1933), ''Friedenstag'' (which was dedicated to Ursuleac and Krauss, 1938), '' Capriccio'' (1942), and the public dress-rehearsal of ''Die Liebe der Danae'' (1944). She appeared at the Salzburg Festival (1930– ...
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Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was '' Don Juan'', and this was followed by other lauded works of this kind, including '' Death and Transfiguration'', '' Till Eulenspiegel's Merry Pranks'', '' Also sprach Zarathustra'', '' Don Quixote'', ''Ein Heldenl ...
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Margit Bokor
Margit Bokor, born Margit Wahl, (1 June 1903 or 1 April 1900 – 9 November 1949 in New York City) was a Hungarian operatic soprano. She created the role of Zdenka in ''Arabella'' by Richard Strauss at the Semperoper in 1933, but then had to leave Germany. She was a member of the Vienna State Opera from 1934 to 1938. She moved to Paris, then emigrated to the United States in 1939, continuing her career at opera houses of the Americas. Life and career Wahl was born in Losoncz, Kingdom of Hungary, in what was then the Hungarian Nógrád County, or perhaps in Budapest. She took singing lessons in Budapest and Vienna. She graduated in 1928 from the Budapest Conservatory, and made her stage debut the same year in the title role of Beethoven's ''Fidelio'' at the Leipzig Opera, where she was a member to 1930. She sang at the Semperoper of Dresden from 1930 to 1933. She appeared as Leonora both in Verdi's ''Il trovatore'' and his ''La forza del destino'', as Dorabella in Mozart's ''C ...
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Hugo Von Hofmannsthal
Hugo Laurenz August Hofmann von Hofmannsthal (; 1 February 1874 – 15 July 1929) was an Austrian novelist, librettist, poet, dramatist, narrator, and essayist. Early life Hofmannsthal was born in Landstraße, Vienna, the son of an upper-class Christian Austrian mother, Anna Maria Josefa Fohleutner (1852–1904), and a Christian Austrian–Italian bank manager, Hugo August Peter Hofmann, Edler von Hofmannsthal (1841–1915). His great-grandfather, Isaak Löw Hofmann, Edler von Hofmannsthal, from whom his family inherited the noble title " Edler von Hofmannsthal", was a Jewish tobacco farmer ennobled by the Austrian emperor. He was schooled in Vienna at Akademisches Gymnasium, where he studied the works of Ovid, later a major influence on his work. He began to write poems and plays from an early age. Some of his early works were written under pseudonyms, such as ''Loris Melikow'' and ''Theophil Morren'', because he was not allowed to publish as a student. He met the German ...
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Fiaker
A fiacre is a form of hackney coach, a horse-drawn four-wheeled carriage for hire. In Vienna such cabs are called . Origin The earliest use of the word in English is cited by the '' Oxford English Dictionary'' as from 1699 (" Fiacres or Hackneys, hung with Double Springs"). The name is derived indirectly from Saint Fiacre; the Hôtel de Saint Fiacre in Paris rented carriages from about the middle of the seventeenth century. Saint Fiacre was adopted as the cab drivers' patron saint because of the association of his name with the carriage. In Paris In 1645, Nicholas Sauvage, a coachbuilder from Amiens, decided to set up a business in Paris hiring out horses and carriages by the hour. He established himself in the Hôtel de Saint Fiacre and hired out his four-seater carriages at a rate of 10 sous an hour. Within twenty years, Sauvage's idea had developed into the first citywide public transport system: ''les carosses à 5 sous'' ("5-sou carriages"). These 8-seater carriages, forer ...
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Alfred Jerger
Alfred Jerger (9 June 1889 – 18 November 1976) was an Austrian operatic bass-baritone, who began his career as a conductor of operettas, and was also an interim director of the Vienna State Opera and a professor of the Vienna Music Academy. He appeared at the Salzburg Festival from 1922 to 1959, and created the leading role of Mandryka in ''Arabella'' by Richard Strauss, among others. Life and career Born Alois Wendelin in Brno, he is said to have studied at the University of Music and Performing Arts Vienna. He became operetta- Kapellmeister at the Stadttheater Passau in the 1912/13 season. The next season saw him in Winterthur and Zurich in 1915, where he served as répétiteur. A year later he also appeared as an actor, and from the 1915/16 season only as actor and singer. In 1917, he appeared as Lothario in '' Mignon'' by Ambroise Thomas. He appeared in the world premiere of Busoni's '' Turandot'' the same year. In 1919 he became a member of the Bavarian State Oper ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina ( Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, in ...
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Camilla Kallab
Camilla Kallab (born 22 October 1910 – ?) was an Austrian and later German operatic mezzo-soprano Life and career Born in Most, Kallab studied at the Frankfurt University of Music and Performing Arts and in Berlin, made her debut in 1930 at the Badisches Staatstheater Karlsruhe and was engaged by the Dresden State Opera from 1930 to 1934. At the 1932 Munich Opera Festival, she caused a sensation as Adriano in Wagner's ''Rienzi''. In Dresden in 1933, she sang Adelaide in the world premiere of ''Arabella'' by Richard Strauss. She made guest appearances in 1934 in Amsterdam, at the Teatro Colón in Buenos Aires and in ''Die Walküre'' at the opera in Rio de Janeiro. From 1934 to 1944 she was engaged at the Leipzig Opera. There she was involved in two world premieres - on 12 May 1941 in Winfried Zillig's ''Windsbraut'' and on 1 November 1942 in Franz Petyrek's ''Garden of Paradise''. The repertory archive of the Vienna State Opera so far records only two appearances by the artis ...
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Helpmann Award For Best Opera
The Helpmann Award for Best Opera is an award presented by Live Performance Australia (LPA), the "peak body for Australia’s live entertainment and performing arts industry". It has been handed out since 2001 at the annual Helpmann Awards, which "recognise distinguished artistic achievement and excellence in the many disciplines of Australia's vibrant live performance sectors". The award is presented to the producer of an opera, that is first performed in Australia during the eligibility period. Winners and nominees See also *Helpmann Awards The Helpmann Awards are accolades for live entertainment and performing arts in Australia, presented by industry group Live Live Performance Australia (LPA) since 2001. The annual awards recognise achievements in the disciplines of musical th ... References External linksThe official Helpmann Awards website {{HelpmannAward Opera Opera Opera competitions Opera-related lists Awards established in 2001 Classical music aw ...
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Opera Australia
Opera Australia is the principal opera company in Australia. Based in Sydney, its performance season at the Sydney Opera House accompanied by the Opera Australia Orchestra runs for approximately eight months of the year, with the remainder of its time spent in the Arts Centre Melbourne, where it is accompanied by Orchestra Victoria. In 2004, the company gave 226 performances in its subscription seasons in Sydney and Melbourne, attended by more than 294,000 people. It is funded by government grants, corporate sponsorship, private philanthropy, and ticket sales. The proportion of its revenue from ticket sales is considerably higher than that of most companies, approximately 75 per cent. The company is perhaps best known internationally for its association with Dame Joan Sutherland, for Baz Luhrmann's production of Puccini's ''La bohème'' in the early 1990s and more recently, for, apart from performances inside the opera house, large scale outdoor performances on Sydney Harb ...
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Clemens Krauss
Clemens Heinrich Krauss (31 March 189316 May 1954) was an Austrian conductor and opera impresario, particularly associated with the music of Richard Strauss, Johann Strauss and Richard Wagner. Krauss was born in Vienna to Clementine Krauss, then a 15-year-old dancer in the Vienna Imperial Opera Ballet, later a leading actress and operetta singer, niece of the prominent nineteenth-century operatic soprano Gabrielle Krauss. His natural father, Chevalier Hector (1851-1916), came from a family of wealthy Phanariot bankers resident in Vienna. Baltazzi's older sister Helene was married to Baron Albin Vetsera and was the mother of Baroness Mary Vetsera, who was accordingly Clemens Krauss' first cousin. Krauss sang in the Hofkapelle (Imperial Choir) as a Vienna Choir Boy. He graduated from the Vienna Conservatory in 1912, after studying composition with Hermann Graedener and theory with Richard Heuberger there. He was then appointed chorus master in the Brünn Theatre, Moravia ...
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