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Antonio Salieri
Antonio Salieri (18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy. Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Christoph Willibald Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers. Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career, he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Aus ...
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Antonio Salieri Painted By Joseph Willibrord Mähler
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician ...
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Johann Nepomuk Hummel
Johann Nepomuk Hummel (14 November 177817 October 1837) was an Austrian composer and virtuoso pianist. His music reflects the transition from the Classical to the Romantic musical era. He was a pupil of Mozart, Salieri and Clementi. He also knew Beethoven and Schubert. Life Early life Hummel was born as an only child (which was unusual for that period) in Pressburg, Kingdom of Hungary (now Bratislava, Slovakia). He was named after the Czech patron saint John of Nepomuk. His father, Johannes Hummel, was the director of the Imperial School of Military Music in Vienna; his mother, Margarethe Sommer Hummel, was the widow of the wigmaker Josef Ludwig. The couple married just four months beforehand. Hummel was a child prodigy. At the age of eight, he was offered music lessons by the classical composer Wolfgang Amadeus Mozart, who was impressed with his ability. Hummel was taught and housed by Mozart for two years free of charge and made his first concert appearance at the ...
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Thoroughbass
Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, or lute (or other instruments capable of playing chords) should play in relation to the bass note. Figured bass is closely associated with basso continuo: a historically improvised accompaniment used in almost all genres of music in the Baroque period of Classical music ( 1600–1750), though rarely in modern music. Figured bass is also known as thoroughbass. Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis; chord letters, sometimes used in modern musicology; the Nashville Number System; and various chord names and symbols used in jazz and popular music (e.g., C Major or simply C; D minor, Dm, or D−; G7, etc.) ...
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Giovanni Battista Pescetti
Giovanni Battista Pescetti (c. 170420 March 1766) was an organist, harpsichordist, and composer known primarily for his operas and keyboard sonatas. Musicologist and University of California, Santa Barbara professor John E. Gillespie wrote that Pescetti "stylistically stands as a bridge between Alberti and Domenico Scarlatti". Life Born in Venice, Pescetti was the son of organ builder Giacinto Pescetti. His mother, Giulia Pescetti (née Pollarolo), was the daughter of opera composer and organist Carlo Francesco Pollarolo and the sister of composer and organist Antonio Pollarolo. He studied in his native city under the organist and opera composer Antonio Lotti. He developed a friendship with Baldassare Galuppi, a fellow pupil of Lotti's, with whom he collaborated in creating and revising operas. From 1725 to 1732 he wrote operas for various theatres in Venice, sometimes in collaboration with Galuppi. Pescetti left Italy for London in 1736, where he initially worked as a harpsic ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po and the Piave rivers (more exactly between the Brenta and the Sile). In 2020, around 258,685 people resided in greater Venice or the '' Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua and Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC. The city was historica ...
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Mocenigo Family
The House of Mocenigo was a Venetian noble family of Lombard Dalmatian origin. Many of its members were doges, statesmen, and soldiers. Notable members * Tommaso Mocenigo (1343-1423), ''doge'' 1414-1423 * Pietro Mocenigo, ''doge'' from 1474 to 1476 * Giovanni Mocenigo, ''doge'' from 1478 to 1485 * Giovanni Zuane Mocenigo, (lived in 16th century) accused Giordano Bruno of blasphemy and heresy. * Luigi Mocenigo (Alvise I Mocenigo), ''doge'' from 1570 to 1577 * Tommaso Alvise Mocenigo (1583-1654), ''Capitano Generale da Mar'', (admiral) of the Venetian fleet 1648-1651, and again 1653-1654, during the Cretan War (1645–1669) (Fifth Turkish–Venetian War), commanding during two crucial engagements. He died in Venice soon after his last naval battle, and was memorialised in the church of San Lazzaro dei Mendicanti with a monument by sculptor Giuseppe Sardi (1624–1699) * Andrea Mocenigo (lived 15th-16th centuries), a senator of the republic and a historian * Lazzaro Mocenigo ...
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Padua
Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000 (). The city is sometimes included, with Venice (Italian ''Venezia'') and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Padua stands on the Bacchiglione River, west of Venice and southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (''Pianura Veneta''). To the city's south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley. Padua appears twice in the UNESCO World Heritage List: for its Botanical Garden, the most ancient of the world, and the 14th-century Frescoes, situated in dif ...
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Giovanni Battista Martini
Giovanni Battista or Giambattista Martini, O.F.M. Conv. (24 April 1706 – 3 August 1784), also known as Padre Martini, was an Italian Conventual Franciscan friar, who was a leading musician, composer, and music historian of the period and a mentor to Mozart. Biography Giovanni Battista Martini was born in Bologna, in that era part of the Papal States. His father, Antonio Maria Martini, a violinist, taught him the elements of music and the violin and he later learned singing and harpsichord playing from Padre Pradieri, and counterpoint from Antonio Riccieri and Giacomo Antonio Perti. Having received his education in classics from the priests of the Oratory of Saint Philip Neri, he afterwards entered the novitiate of the Conventual Franciscans at their friary in Lago, at the close of which he professed religious vows and received the religious habit of the Order on 11 September 1722. In 1725, though only nineteen years old, he received the appointment of ch ...
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Giuseppe Tartini
Giuseppe Tartini (8 April 1692 – 26 February 1770) was an Italian composer and violinist of the Baroque era born in the Republic of Venice. Tartini was a prolific composer, composing over a hundred of pieces for the violin with the majority of them being violin concertos. However, today, he is most famously remembered for his Violin Sonata in G Minor (the Devil's Trill Sonata). Biography Tartini was born on 8 April 1692 in Pirano (now part of Slovenia), a town on the peninsula of Istria, in the Republic of Venice to Gianantonio – native of Florence – and Caterina Zangrando, a descendant of one of the oldest aristocratic Piranese families. It appears Tartini's parents intended him to become a Franciscan friar and, in this way, he received basic musical training. Tartini studied violin first at the ''collegio delle Scuole Pie'' in Capodistria (today Koper). He studied law at the University of Padua, where he became skilled at fencing. After his father's death in 1710, he m ...
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Death Of Wolfgang Amadeus Mozart
On 5 December 1791, the composer Wolfgang Amadeus Mozart died at his home in Vienna, Austria at the age of 35. The circumstances of his death have attracted much research and speculation. The principal sources of contention are: (1) Whether Mozart declined gradually, experiencing great fear and sadness, or whether he was fundamentally in good spirits toward the end of his life, then felled by a relatively sudden illness; (2) Whether the cause of his death was from disease or poisoning; (3) Whether his funeral arrangements were the normal procedures for his day, or whether they were of a disrespectful nature. There are a range of views on each of these points, many of which have varied radically over time. The course of Mozart's final illness Traditional narrative Mozart scholarship long followed the accounts of early biographers, which proceeded in large part from the recorded memories of his widow Constanze and her sister Sophie Weber as they were recorded in the biographies ...
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Amadeus (film)
''Amadeus'' is a 1984 American period biographical drama film directed by Miloš Forman and adapted by Peter Shaffer from his 1979 stage play '' Amadeus''. Set in Vienna, Austria, during the latter half of the 18th century, the film is a fictionalized story of Wolfgang Amadeus Mozart from the time he left Salzburg, described by its writer as a "fantasia on the theme of Mozart and Salieri". Mozart's music is heard extensively in the soundtrack. The film follows a fictional rivalry between Mozart and Italian composer Antonio Salieri at the court of Emperor Joseph II. The film stars F. Murray Abraham as Salieri and Tom Hulce as Mozart. Abraham and Hulce were both nominated for the Academy Award for Best Actor, with Abraham winning. ''Amadeus'' was released by Orion Pictures on September 19, 1984, thirteen days following its world premiere in Los Angeles on September 6, 1984. Upon release, it received widespread acclaim and was a box office hit, grossing over $90 million. Consid ...
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Amadeus (play)
''Amadeus'' is a play by Peter Shaffer which gives a fictional account of the lives of composers Wolfgang Amadeus Mozart and Antonio Salieri, first performed in 1979. It was inspired by Alexander Pushkin's short 1830 play '' Mozart and Salieri'', which Nikolai Rimsky-Korsakov used in 1897 as the libretto for an opera of the same name. The play makes significant use of the music of Mozart, Salieri and other composers of the period. The premieres of Mozart's operas ''The Abduction from the Seraglio'', ''The Marriage of Figaro,'' '' Don Giovanni'', and '' The Magic Flute'' are the settings for key scenes. It was presented at the Royal National Theatre, London in 1979, then moved to Her Majesty's Theatre in the West End followed by a Broadway production. It won the 1981 Tony Award for Best Play and Shaffer adapted it for the 1984 film of the same name. Plot ince the play's original run, Shaffer extensively revised his play, including changes to plot details; the following i ...
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