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Algorave
An algorave (from an algorithm and rave) is an event where people dance to music generated from algorithms, often using live coding techniques. Alex McLean of Slub and Nick Collins coined the word "algorave" in 2011, and the first event under such a name was organised in London, UK. It has since become a movement, with algoraves taking place around the world. Description Algoraves can include a range of styles, including a complex form of minimal techno, and the movement has been described as a meeting point of hacker philosophy, geek culture, and clubbing. Although live coding is commonplace, any algorithmic music is welcome which is "wholly or predominantly characterised by the emission of a succession of repetitive conditionals", which is a corruption of the definition of rave music (“wholly or predominantly characterised by the emission of a succession of repetitive beats”) in the UK's Criminal Justice Act. Although algorave musicians have been compared with DJs, they ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Algorave Club Fierce 2014 1
An algorave (from an algorithm and rave) is an event where people dance to music generated from algorithms, often using live coding techniques. Alex McLean of Slub (band), Slub and Nick Collins (composer), Nick Collins coined the word "algorave" in 2011, and the first event under such a name was organised in London, UK. It has since become a movement, with algoraves taking place around the world. Description Algoraves can include a range of styles, including a complex form of minimal techno, and the movement has been described as a meeting point of hacker philosophy, geek culture, and clubbing. Although live coding is commonplace, any algorithmic music is welcome which is "wholly or predominantly characterised by the emission of a succession of repetitive conditionals", which is a corruption of the definition of rave music (“wholly or predominantly characterised by the emission of a succession of repetitive beats”) in the UK's Criminal Justice Act 2003, Criminal Justice Act. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Algorave Logo
An algorave (from an algorithm and rave) is an event where people dance to music generated from algorithms, often using live coding techniques. Alex McLean of Slub and Nick Collins coined the word "algorave" in 2011, and the first event under such a name was organised in London, UK. It has since become a movement, with algoraves taking place around the world. Description Algoraves can include a range of styles, including a complex form of minimal techno, and the movement has been described as a meeting point of hacker philosophy, geek culture, and clubbing. Although live coding is commonplace, any algorithmic music is welcome which is "wholly or predominantly characterised by the emission of a succession of repetitive conditionals", which is a corruption of the definition of rave music (“wholly or predominantly characterised by the emission of a succession of repetitive beats”) in the UK's Criminal Justice Act. Although algorave musicians have been compared with DJs, they a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alex McLean
Alex McLean (born 1975) is a British musician and researcher. He is notable for his key role in developing live coding as a musical practice, including for creating TidalCycles, a live-coding environment that allows programmer musicians to code simply and quickly, and for coining the term Algorave with Nick Collins. He is an active and influential member of the live coding community; he is a co-founder of TOPLAP and joint leader of the Live Coding Research Network. Alex is co-founder of the Chordpunch record label McLean is also known for his work in software art, winning the Transmediale award for software art in 2002 for ''forkbomb.pl'', a short Perl script which creates a unique image from an operating system under heavy load, and co-founding the runme.org software art repository with Olga Goriunova, Amy Alexander and Alexei Shulgin in 2003, which received an honorary mention in the Prix Ars Electronica netvision category in 2004. Alex McLean performs as a solo ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Dance Music Festivals
The following is an incomplete list of music festivals that feature electronic music, which encapsulates music featuring electronic instruments such as electric guitar and Keyboard instrument, keyboards, as well as recent genres such as electronic dance music (EDM). Many of the festivals in this list take place in the United States and Europe, though every year thousands of electronic-focused music festivals are held throughout the world. This list generally excludes multi-genre festivals with only a partial focus on electronic music (Glastonbury Festival, Glastonbury, Summer Sonic Festival, and Big Day Out) and festivals that have added EDM stages in later years. Since the early 1900s there have been music festivals that featured electronic instruments, as electronic sounds were used in experimental music such as electroacoustic music, electroacoustic and tape music. The use of live electronic music greatly expanded in the 1950s, along with the use of electric guitar and bass. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nick Collins (composer)
Nick Collins (born 1975) is a British academic and computer music composer. From 2006–2013 he lived in Brighton, UK, and ran the music informatics degrees at the University of Sussex. In 2013 he became Reader at the University of Durham. He is an experienced pianist and laptopist, and active in both instrumental and electronic music composition. He has toured extensively with the audiovisual duo 'klipp av' and as a solo musician. Alex McLean of Slub and Nick Collins are the inventors of the Algorave An algorave (from an algorithm and rave) is an event where people dance to music generated from algorithms, often using live coding techniques. Alex McLean of Slub and Nick Collins coined the word "algorave" in 2011, and the first event under su .... Books * Collins, Nick (2009). ''Introduction to Computer Music''. Chichester: Wiley * Collins, Nick and d'Escrivan, Julio (eds.) (2007). '' The Cambridge Companion to Electronic Music''. Cambridge: Cambridge University Press. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Coding
Live coding, sometimes referred to as on-the-fly programming,Wang G. & Cook P. (2004"On-the-fly Programming: Using Code as an Expressive Musical Instrument" In ''Proceedings of the 2004 International Conference on New Interfaces for Musical Expression (NIME)'' (New York: NIME, 2004). just in time programming and conversational programming, makes programming an integral part of the running program. It is most prominent as a performing arts form and a creativity technique centred upon the writing of source code and the use of interactive programming in an improvised way. Live coding is often used to create sound and image based digital media, as well as light systems, improvised dance and poetry, though is particularly prevalent in computer music usually as improvisation, although it could be combined with algorithmic composition. Typically, the process of writing source code is made visible by projecting the computer screen in the audience space, with ways of visualising the code ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Livecoding
Live coding, sometimes referred to as on-the-fly programming,Wang G. & Cook P. (2004"On-the-fly Programming: Using Code as an Expressive Musical Instrument" In ''Proceedings of the 2004 International Conference on New Interfaces for Musical Expression (NIME)'' (New York: NIME, 2004). just in time programming and conversational programming, makes programming an integral part of the running program. It is most prominent as a performing arts form and a creativity technique centred upon the writing of source code and the use of interactive programming in an improvised way. Live coding is often used to create sound and image based digital media, as well as light systems, improvised dance and poetry, though is particularly prevalent in computer music usually as improvisation, although it could be combined with algorithmic composition. Typically, the process of writing source code is made visible by projecting the computer screen in the audience space, with ways of visualising the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slub (band)
Slub is an algorave group formed in 2000 by Adrian Ward and Alex McLean, joined by Dave Griffiths in 2005 and Alexandra Cardenas in 2017. They are known for making their music exclusively from their own generative software, projecting their screens so their audience can see their handmade interfaces. Their music is improvised, and advertised as falling within the ambient gabba genre. Since 2005 slub performances have been exclusively live coded, using a variety of different self-built language environments. Fluxus, a Scheme game engine; and Tidal, a pure functional DSL embedded in Haskell. In 2011, while on the way to a gig, Alex McLean and Nick Collins invented the Algorave An algorave (from an algorithm and rave) is an event where people dance to music generated from algorithms, often using live coding techniques. Alex McLean of Slub and Nick Collins coined the word "algorave" in 2011, and the first event under su .... References {{Reflist External links slub offic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Electronic Music
Live electronic music (also known as live electronics) is a form of music that can include traditional electronic sound-generating devices, modified electric musical instruments, hacked sound generating technologies, and computers. Initially the practice developed in reaction to sound-based composition for fixed media such as musique concrète, electronic music and early computer music. Musical improvisation often plays a large role in the performance of this music. The timbres of various sounds may be transformed extensively using devices such as amplifiers, filters, ring modulators and other forms of circuitry. Real-time generation and manipulation of audio using live coding is now commonplace. History 1800s–1940s Early electronic instruments Early electronic instruments intended for live performance, such as Thaddeus Cahill's Telharmonium (1897) and instruments developed between the two world wars, such as the Theremin (1919), Spharophon (1924), ondes Martenot (1928), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rave
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farmers Manual
Farmers Manual is an electronic music and visual art group, founded in Vienna in the beginning of the 1990s. The core members of the collective are Mathias Gmachl, Stefan Possert, Oswald Berthold, Gert Brantner, and Nik Gaffney. Part of the very lively Viennese electronic music scene of the 1990s, Farmers Manual were successfully crossing the boundaries between electronic music, live visuals, experimental graphics, and web design for Zeta Industries. Their CDs, published through avant-garde labels such as Mego, Tray or OR, often contained multimedia content. Their most significant release might be ''RLA'' (which stands for "Recent Live Archive"), a DVD released on Mego in 2003, which contains the band's extensive backcatalogue of live concert recordings from 1995 to 2003, compressed in MP3 format - totalling 3 days and 20 hours of audio content and released under a Copyleft licence. As visual artists, Farmers Manual have been included in numerous international festivals, such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
