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Alegrías
''Alegrías'' () is a flamenco palo or musical form, which has a rhythm consisting of 12 beats. It is similar to Soleares. Its beat emphasis is as follows: 1 2 '' 4 5 '' 7 '' 9 0'' 11 2''. Alegrías originated in Cádiz. Alegrías belongs to the group of ''palos'' called Cantiñas and it is usually played in a lively rhythm (120-170 beats per minute). The livelier speeds are chosen for dancing, while quieter rhythms are preferred for the song alone. One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (literally "a tap of the foot") and bulerías. This structure though, is not followed when alegrías are sung as a standalone song (with no dancing). In that case, the stanzas are combined freely, sometimes together with other types of cantiñas. Recommended listenings for this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco Styles
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantiñas
The ''cantiñas'' () is a group of flamenco ''palos'' (musical forms), originated in the area of Cádiz in Andalusia (although some styles of cantiña have developed in the province of Seville). They share the same '' compás'' or rhythmic pattern with the ''soleá'' and are usually sung in a lively rhythm (between 120 and 160 beats per minute). They are normally sung in a major mode and have a festive mood. The usual chord positions for the tonic chord in the guitar are those of E major, C major and, occasionally, A major, the latter usually reserved for solo guitar pieces. The chord progression is normally of the simple tonic-dominant type, although modern guitar players introduce other transitional chords. The ''palos'' classified under this group are: * ''Alegrías'' * '' Romeras'' * ''Caracoles'' * '' Mirabrás'' * Other ''cantiñas'', including the ''"cantiñas de Pinini"'' (or ''"cantiñas de Utrera''), ''"cantiña del contrabandista"'', ''"cantes de las Mirris"'' or "''ale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantiñas
The ''cantiñas'' () is a group of flamenco ''palos'' (musical forms), originated in the area of Cádiz in Andalusia (although some styles of cantiña have developed in the province of Seville). They share the same '' compás'' or rhythmic pattern with the ''soleá'' and are usually sung in a lively rhythm (between 120 and 160 beats per minute). They are normally sung in a major mode and have a festive mood. The usual chord positions for the tonic chord in the guitar are those of E major, C major and, occasionally, A major, the latter usually reserved for solo guitar pieces. The chord progression is normally of the simple tonic-dominant type, although modern guitar players introduce other transitional chords. The ''palos'' classified under this group are: * ''Alegrías'' * '' Romeras'' * ''Caracoles'' * '' Mirabrás'' * Other ''cantiñas'', including the ''"cantiñas de Pinini"'' (or ''"cantiñas de Utrera''), ''"cantiña del contrabandista"'', ''"cantes de las Mirris"'' or "''ale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manolo Caracol
Manuel Ortega Juárez (9 July 1909 – 24 February 1973) was a Spanish flamenco cantaor (singer). Life and family Born in Seville, Spain, he was descended from a long line of flamenco artists including Enrique Ortega (father and son) and Curro Dulce, and he was possibly related to and El Fillo. The family was also known for its bull fighters. Under the stage name ''El Caracol'', he "gained international fame as much for his flamboyant personality as for his extraordinary '' cante''." Later his ''juergas'' (days long flamenco parties) became notorious. Although as a singer he always retained the ability to deliver the core of the traditional art, he was not ashamed to commercialize flamenco to attract a mass popularity; then he gained fame and fortune, as well as adding to a checkered reputation. For the most part, this was during what was later widely known as a decadent age in the history of the art, the age of Ópera flamenca. In 1922 as a youth, he had been awarded the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andalusian Music
The Music of Andalusia encompasses a range of traditional and modern musical genres which originate in the territory of Andalusia in southern Spain. The most famous are copla and flamenco, the latter being sometimes used as a portmanteau term for various regional musical traditions within Andalusia. Today, Andalusia has a rich and thriving musical scene, which draws from its own musical traditions as well as from external influences such as salsa, jazz or pop music. Historical influences on Andalusian music Andalusia was probably the main route of transmission of a number of Near-Eastern musical instruments used in classical music; the rebec (ancestor of violin) from the ''Maghreb rebab'', the guitar from ''qitara'' and naker from ''naqareh''. Further terms fell into disuse in Europe; adufe from '' al-duff'', alboka from ''al-buq'', ''anafil'' from '' al-nafir'', exabeba from ''al-shabbaba'' (flute), atabal (bass drum) from ''al-tabl'', atambal from ''al-tinbal'', the balab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Music
In Spain, music has a long history. It has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance styles across the regions. For example, music from the north-west regions is heavily reliant on bagpipes, the jota is widespread in the centre and north of the country, and flamenco originated in the south. Spanish music played a notable part in the early developments of western classical music, from the 15th through the early 17th century. The breadth of musical innovation can be seen in composers like Tomás Luis de Victoria, styles like the zarzuela of Spanish opera, the ballet of Manuel de Falla, and the classical guitar music of Francisco Tárrega. Nowadays commercial pop music dominates. Origins of the music of Spain The Iberian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cante Chico
The cante flamenco (), meaning "flamenco singing", is one of the three main components of flamenco, along with ''toque'' (playing the guitar) and ''baile'' (dance). Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form — in fact, it is the ''cante'' which is the heart and soul of the genre. A ''cante'' singer is a ''cantaor'' or ''cantaora''. The cante flamenco is part of musical tradition in the Andalusian region of Spain. Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Islamic Empire, the Jewish synagogue chants, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for the Fandango), and Andalusian regional folk forms, as well as West African and South American influences as seen in the '' cante ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camarón De La Isla
José Monje Cruz (5 December 1950 – 2 July 1992), better known by his stage name Camarón de la Isla (), was a Spanish Romani flamenco singer. Considered one of the all-time greatest flamenco singers, he was noted for his collaborations with Paco de Lucía and Tomatito, and the three of them were of major importance to the revival of flamenco in the second half of the 20th century. Early life He was born in San Fernando, Cádiz, Spain, into a Spanish Romani family, the seventh of eight children. His mother was Juana Cruz Castro, a "Canastera", literally a basket weaver, and meaning from a wandering Roma family, and whose gift of singing was a strong early influence. His father, Juan Luis Monje, was also a singer as well as a blacksmith, and had a forge where Camarón worked as a boy. His uncle José nicknamed him ''Camarón'' (Spanish for "Shrimp") because he was blonde and fair skinned. When his father died of asthma, while still very young, the family went throug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Niña De Los Peines
Pastora Pavón Cruz, known as La Niña de los Peines (10 February 1890 – 26 November 1969), is considered the most important woman flamenco singer of the 20th century. She was a sister of singers Arturo Pavón and Tomás Pavón, also an important flamenco singer, and aunt to Arturo Pavón, the first flamenco pianist. Both brothers, Pastora and Tomás, together with singer Manuel Torre, were the inspiring models for the next generation of singers like Antonio Mairena, Pepe de la Matrona or Fosforito, who led the movement towards the revival of traditional forms in the decades of the 1950s-1970s. Biography Born in the famous quarter of Alameda de Hércules, in Seville, she started singing for the public as at the age of 8, in the Seville Spring Fair. Later, when she was singing at Café de la Marina, a café cantante in Madrid, she acquired the nickname ''La Niña de los Peines'' (''The Girl of the Combs'', a nickname she never liked), as she usually sang a stanza in tangos st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Perla De Cádiz
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurelio Sellé
Aurelio may refer to: People Politicians * Aurelio D. Gonzales Jr. (born 1964), congressman in the Philippines *Aurélio de Lira Tavares (1905–1998), President of Brazil *Aurelio Martínez, Honduran politician *Aurelio Mosquera (1883–1939), President of Ecuador * Aurelio Sousa Matute (1860–1925), Peruvian lawyer and politician Footballers *Aurelio Andreazzoli (born 1953), Italian football coach and manager * Aurelio Domínguez, Chilean footballer *Aurelio González (footballer) (1905–1997), Paraguayan footballer *Aurelio Vidmar (born 1967), Australian footballer *Fábio Aurélio (born 1979), Brazilian footballer *José Aurelio Gay (born 1965), Spanish footballer and manager * Marcos Aurelio Di Paulo (1920–1996), Argentine footballer who played for FC Barcelona * Salvatore Aurelio (born 1986), Italian footballer Baseball players * Aurelio López (1948–1992), Mexican professional baseball player *Aurelio Monteagudo (1943–1990), pitcher who played in Major League Baseba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
