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Akallabêth
''The Silmarillion'' () is a collection of myths and stories in varying styles by the English writer J. R. R. Tolkien. It was edited and published posthumously by his son Christopher Tolkien in 1977, assisted by the fantasy author Guy Gavriel Kay. It tells of Eä, a fictional universe that includes the Blessed Realm of Valinor, the once-great region of Beleriand, the sunken island of Númenor, and the continent of Middle-earth, where Tolkien's most popular works—''The Hobbit'' and ''The Lord of the Rings''—are set. After the success of ''The Hobbit'', Tolkien's publisher Stanley Unwin requested a sequel, and Tolkien offered a draft of the writings that would later become ''The Silmarillion''. Unwin rejected this proposal, calling the draft obscure and "too Celtic", so Tolkien began working on a new story that eventually became ''The Lord of the Rings''. ''The Silmarillion'' has five parts. The first, ''Ainulindalë'', tells in mythic style of the creation of Eä, the "wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Númenor
Númenor, also called Elenna-nórë or Westernesse, is a fictional place in J. R. R. Tolkien's writings. It was the kingdom occupying a large island to the west of Middle-earth, the main setting of Tolkien's writings, and was the greatest civilization of Man (Middle-earth), Men. However, after centuries of prosperity many of the inhabitants ceased to worship the One God, Eru Ilúvatar, and rebelled against the Vala (Middle-earth), Valar, resulting in the destruction of the island and the death of most of its people. Tolkien intended Númenor to allude to the legendary Atlantis., ##131, 154, 156, 227. Commentators have noted that the destruction of Númenor echoes the Biblical stories of the fall of man and the destruction of Sodom and Gomorrah, and John Milton's ''Paradise Lost''. Fictional geography Physical geography ''A Description of the Island of Númenor'', published in ''Unfinished Tales'', was supposedly derived from the archives of Gondor. The island of Númenor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akallabêth
''The Silmarillion'' () is a collection of myths and stories in varying styles by the English writer J. R. R. Tolkien. It was edited and published posthumously by his son Christopher Tolkien in 1977, assisted by the fantasy author Guy Gavriel Kay. It tells of Eä, a fictional universe that includes the Blessed Realm of Valinor, the once-great region of Beleriand, the sunken island of Númenor, and the continent of Middle-earth, where Tolkien's most popular works—''The Hobbit'' and ''The Lord of the Rings''—are set. After the success of ''The Hobbit'', Tolkien's publisher Stanley Unwin requested a sequel, and Tolkien offered a draft of the writings that would later become ''The Silmarillion''. Unwin rejected this proposal, calling the draft obscure and "too Celtic", so Tolkien began working on a new story that eventually became ''The Lord of the Rings''. ''The Silmarillion'' has five parts. The first, ''Ainulindalë'', tells in mythic style of the creation of Eä, the "wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quenta Silmarillion
''The Silmarillion'' () is a collection of myths and stories in varying styles by the English writer J. R. R. Tolkien. It was edited and published posthumously by his son Christopher Tolkien in 1977, assisted by the fantasy author Guy Gavriel Kay. It tells of Eä, a fictional universe that includes the Blessed Realm of Valinor, the once-great region of Beleriand, the sunken island of Númenor, and the continent of Middle-earth, where Tolkien's most popular works—'' The Hobbit'' and '' The Lord of the Rings''—are set. After the success of ''The Hobbit'', Tolkien's publisher Stanley Unwin requested a sequel, and Tolkien offered a draft of the writings that would later become ''The Silmarillion''. Unwin rejected this proposal, calling the draft obscure and "too Celtic", so Tolkien began working on a new story that eventually became ''The Lord of the Rings''. ''The Silmarillion'' has five parts. The first, ''Ainulindalë'', tells in mythic style of the creation of Eä, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valaquenta
''The Silmarillion'' () is a collection of myths and stories in varying styles by the English writer J. R. R. Tolkien. It was edited and published posthumously by his son Christopher Tolkien in 1977, assisted by the fantasy author Guy Gavriel Kay. It tells of Eä, a fictional universe that includes the Blessed Realm of Valinor, the once-great region of Beleriand, the sunken island of Númenor, and the continent of Middle-earth, where Tolkien's most popular works—''The Hobbit'' and ''The Lord of the Rings''—are set. After the success of ''The Hobbit'', Tolkien's publisher Stanley Unwin requested a sequel, and Tolkien offered a draft of the writings that would later become ''The Silmarillion''. Unwin rejected this proposal, calling the draft obscure and "too Celtic", so Tolkien began working on a new story that eventually became ''The Lord of the Rings''. ''The Silmarillion'' has five parts. The first, ''Ainulindalë'', tells in mythic style of the creation of Eä, the "wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vala (Middle-earth)
The Valar (; singular Vala) are characters in J. R. R. Tolkien's legendarium. They are "angelic powers" or "gods", #154 to Naomi Mitchison, September 1954 subordinate to the one God ( Eru Ilúvatar). The Ainulindalë describes how those of the Ainur who chose to enter the World (Arda) to complete its material development after its form was determined by the Music of the Ainur are called the Valar, or "the Powers of the World". The Valaquenta indicates that the Elves generally reserved the term "Valar" for the mightiest of these, calling the others the Maiar. The Valar are mentioned briefly in ''The Lord of the Rings'' but were developed earlier in material published posthumously in ''The Silmarillion'', ''The History of Middle-earth'', and ''Unfinished Tales''. Scholars have noted that the Valar resemble angels in Christianity but that Tolkien presented them rather more like pagan gods. Their role in providing what the characters on Middle-earth experience as luck or provi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second Age
In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth, began when the Ainur entered Arda, following the creation events in the Ainulindalë and long ages of labour throughout Eä, the fictional universe. Time from that point was measured using Valian Years, though the subsequent history of Arda was divided into three time periods using different years, known as the Years of the Lamps, the Years of the Trees and the Years of the Sun. A separate, overlapping chronology divides the history into 'Ages of the Children of Ilúvatar'. The first such Age began with the Awakening of the Elves during the Years of the Trees and continued for the first six centuries of the Years of the Sun. All the subsequent Ages took place during the Years of the Sun. Most Middle-earth stories take place in the first three Ages of the Children of Ilúvatar. Major themes of the history are the divine creation of the world, followed by the splintering of the cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Age
In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth, began when the Ainur entered Arda, following the creation events in the Ainulindalë and long ages of labour throughout Eä, the fictional universe. Time from that point was measured using Valian Years, though the subsequent history of Arda was divided into three time periods using different years, known as the Years of the Lamps, the Years of the Trees and the Years of the Sun. A separate, overlapping chronology divides the history into 'Ages of the Children of Ilúvatar'. The first such Age began with the Awakening of the Elves during the Years of the Trees and continued for the first six centuries of the Years of the Sun. All the subsequent Ages took place during the Years of the Sun. Most Middle-earth stories take place in the first three Ages of the Children of Ilúvatar. Major themes of the history are the divine creation of the world, followed by the splintering of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valinor
Valinor (Quenya'': Land of the Valar'') or the Blessed Realms is a fictional location in J. R. R. Tolkien's legendarium, the home of the immortal Valar on the continent of Aman, far to the west of Middle-earth; he used the name Aman mainly to mean Valinor. It included Eldamar, the land of the Elves, who as immortals were permitted to live in Valinor. Aman was known somewhat misleadingly as "the Undying Lands", but the land itself does not cause mortals to live forever., #156 to Father R. Murray, SJ, November 1954 However, only immortal beings were generally allowed to reside there. Exceptions were made for the surviving bearers of the One Ring: Bilbo and Frodo Baggins and Sam Gamgee, who dwelt there for a time, and the dwarf Gimli., "The Grey Havens", and Appendix B, entry for S.R. 1482 and 1541., #249 to Michael George Tolkien, October 1963 Scholars have described the similarity of Tolkien's myth of the attempt of Númenor to capture Aman to the biblical Tower of Babe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ainulindalë
The ''Ainulindalë'' (; "Music of the Ainur") is the creation account in J. R. R. Tolkien's legendarium, published posthumously as the first part of '' The Silmarillion'' in 1977. The "''Ainulindalë''" sets out a central part of the cosmology of Tolkien's legendarium, telling how the Ainur, a class of angelic beings, perform a great music prefiguring the creation of the material universe, '' Eä'', including Middle-Earth. The creator Eru Ilúvatar introduces the theme of the sentient races of Elves and Men, not anticipated by the Ainur, and gives physical being to the prefigured universe. Some of the Ainur decide to enter the physical world to prepare for their arrival, becoming the Valar and Maiar. Tolkien wrote the initial version of the "''Ainulindalë''" between November 1919 and the spring of 1920 as "Music of the Ainur", and then completely rewrote it in 1930. He continued to make further revisions throughout his life. The early version was eventually published b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle-earth
Middle-earth is the fictional setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the '' Miðgarðr'' of Norse mythology and ''Middangeard'' in Old English works, including ''Beowulf''. Middle-earth is the human-inhabited world, that is, the central continent of the Earth, in Tolkien's imagined mythological past. Tolkien's most widely read works, '' The Hobbit'' and ''The Lord of the Rings'', are set entirely in Middle-earth. "Middle-earth" has also become a short-hand term for Tolkien's legendarium, his large body of fantasy writings, and for the entirety of his fictional world. Middle-earth is the main continent of Earth (Arda) in an imaginary period of the Earth's past, ending with Tolkien's Third Age, about 6,000 years ago. Tolkien's tales of Middle-earth mostly focus on the north-west of the continent. This part of Middle-earth is suggestive of Europe, the north-west of the Old World, with the environs of the Shire reminiscen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finnish Mythology
Finnish mythology is a commonly applied description of the folklore of Finnish paganism, of which a modern revival is practiced by a small percentage of the Finnish people. It has many features shared with Estonian and other Finnic mythologies, but also shares some similarities with neighbouring Baltic, Slavic and, to a lesser extent, Norse mythologies. Finnish mythology survived within an oral tradition of mythical poem-singing and folklore well into the 19th century. Of the animals, the most sacred was the bear, whose real name was never uttered out loud, lest his kind be unfavorable to the hunting. The bear ("karhu" in Finnish) was seen as the embodiment of the forefathers, and for this reason it was called by many circumlocutions: ''mesikämmen'' ("mead-paw"), ''otso'' ("browed one"), ''kontio'' ("dweller of the land"), ''metsän kultaomena'' ("the golden apple of the forest") but not a god. Study of Finnish mythological and religious history The first historical menti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silmaril
The Silmarils (Quenya in-universe ''pl''. ''Silmarilli'', ''radiance of pure light'' Tolkien, J. R. R., "Addenda and Corrigenda to the Etymologies — Part Two" (edited by Carl F. Hostetter and Patrick H. Wynne), in ''Vinyar Tengwar'', 46, July 2004, p. 11) are three fictional brilliant jewels in J. R. R. Tolkien's legendarium. They were made by the elf Fëanor, capturing the unmarred light of the Two Trees of Valinor. The Silmarils play a central role in Tolkien's book ''The Silmarillion'', which tells of the creation of Eä (the universe) and the beginning of Elves, Dwarves and Men. Tolkien, a philologist, derived the idea of Silmarils, jewels that actually contained light, from the Old English word ''Siġelwara''; he concluded that ''Siġel'' meant both ''sun'' and ''jewel''. Scholars have described the Silmarils as embodying elvish pride in their own creation, or a Biblical desire for knowledge of good and evil as in the Genesis story of Garden of Eden. Verlyn Flieger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
