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Ainulindalë
The ''Ainulindalë'' (; "Music of the Ainur") is the creation account in J. R. R. Tolkien's legendarium, published posthumously as the first part of '' The Silmarillion'' in 1977. The "''Ainulindalë''" sets out a central part of the cosmology of Tolkien's legendarium, telling how the Ainur, a class of angelic beings, perform a great music prefiguring the creation of the material universe, '' Eä'', including Middle-Earth. The creator Eru Ilúvatar introduces the theme of the sentient races of Elves and Men, not anticipated by the Ainur, and gives physical being to the prefigured universe. Some of the Ainur decide to enter the physical world to prepare for their arrival, becoming the Valar and Maiar. Tolkien wrote the initial version of the "''Ainulindalë''" between November 1919 and the spring of 1920 as "Music of the Ainur", and then completely rewrote it in 1930. He continued to make further revisions throughout his life. The early version was eventually published b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmology Of Tolkien's Legendarium
The cosmology of J. R. R. Tolkien's legendarium combines aspects of Christian theology and metaphysics with pre-modern cosmological concepts in the flat Earth paradigm, along with the modern spherical Earth view of the Solar System. The created world, ''Eä'', includes the planet Arda, corresponding to the Earth. It is created flat, with the dwelling of the godlike Valar at its centre. When this is marred by the evil Vala Melkor, the world is reshaped, losing its perfect symmetry, and the Valar move to Valinor, but the Elves can still sail there from Middle-earth. When Men try to go there, hoping for immortality, Valinor and its continent of Aman are removed from Arda, which is reshaped as a round world. Scholars have compared the implied cosmology with that of Tolkien's religion, Roman Catholicism, and of Medieval poetry such as ''Pearl'' or Dante's '' Paradiso'', where there are three parts, Earth, Purgatory or the Earthly Paradise, and Heaven or the Celestial Paradise. Schol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arda (Middle-earth)
The cosmology of J. R. R. Tolkien's legendarium combines aspects of Christian theology and metaphysics with pre-modern cosmological concepts in the flat Earth paradigm, along with the modern spherical Earth view of the Solar System. The created world, ''Eä'', includes the planet Arda, corresponding to the Earth. It is created flat, with the dwelling of the godlike Valar at its centre. When this is marred by the evil Vala Melkor, the world is reshaped, losing its perfect symmetry, and the Valar move to Valinor, but the Elves can still sail there from Middle-earth. When Men try to go there, hoping for immortality, Valinor and its continent of Aman are removed from Arda, which is reshaped as a round world. Scholars have compared the implied cosmology with that of Tolkien's religion, Roman Catholicism, and of Medieval poetry such as ''Pearl'' or Dante's '' Paradiso'', where there are three parts, Earth, Purgatory or the Earthly Paradise, and Heaven or the Celestial Paradise. Schol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eru Ilúvatar
The cosmology of J. R. R. Tolkien's legendarium combines aspects of Christian theology and metaphysics with pre-modern cosmological concepts in the flat Earth paradigm, along with the modern spherical Earth view of the Solar System. The created world, ''Eä'', includes the planet Arda, corresponding to the Earth. It is created flat, with the dwelling of the godlike Valar at its centre. When this is marred by the evil Vala Melkor, the world is reshaped, losing its perfect symmetry, and the Valar move to Valinor, but the Elves can still sail there from Middle-earth. When Men try to go there, hoping for immortality, Valinor and its continent of Aman are removed from Arda, which is reshaped as a round world. Scholars have compared the implied cosmology with that of Tolkien's religion, Roman Catholicism, and of Medieval poetry such as ''Pearl'' or Dante's '' Paradiso'', where there are three parts, Earth, Purgatory or the Earthly Paradise, and Heaven or the Celestial Paradise. Schol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Children Of Ilúvatar
The cosmology of J. R. R. Tolkien's legendarium combines aspects of Christian theology and metaphysics with pre-modern cosmological concepts in the flat Earth paradigm, along with the modern spherical Earth view of the Solar System. The created world, ''Eä'', includes the planet Arda, corresponding to the Earth. It is created flat, with the dwelling of the godlike Valar at its centre. When this is marred by the evil Vala Melkor, the world is reshaped, losing its perfect symmetry, and the Valar move to Valinor, but the Elves can still sail there from Middle-earth. When Men try to go there, hoping for immortality, Valinor and its continent of Aman are removed from Arda, which is reshaped as a round world. Scholars have compared the implied cosmology with that of Tolkien's religion, Roman Catholicism, and of Medieval poetry such as ''Pearl'' or Dante's '' Paradiso'', where there are three parts, Earth, Purgatory or the Earthly Paradise, and Heaven or the Celestial Paradise. Scho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eru Iluvatar
The cosmology of J. R. R. Tolkien's legendarium combines aspects of Christian theology and metaphysics with pre-modern cosmological concepts in the flat Earth paradigm, along with the modern spherical Earth view of the Solar System. The created world, ''Eä'', includes the planet Arda, corresponding to the Earth. It is created flat, with the dwelling of the godlike Valar at its centre. When this is marred by the evil Vala Melkor, the world is reshaped, losing its perfect symmetry, and the Valar move to Valinor, but the Elves can still sail there from Middle-earth. When Men try to go there, hoping for immortality, Valinor and its continent of Aman are removed from Arda, which is reshaped as a round world. Scholars have compared the implied cosmology with that of Tolkien's religion, Roman Catholicism, and of Medieval poetry such as ''Pearl'' or Dante's '' Paradiso'', where there are three parts, Earth, Purgatory or the Earthly Paradise, and Heaven or the Celestial Paradise. Schol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melkor
Morgoth Bauglir (; originally Melkor ) is a character, one of the godlike Valar, from Tolkien's legendarium. He is the main antagonist of ''The Silmarillion'', ''The Children of Húrin'', ''Beren and Lúthien'' and ''The Fall of Gondolin''. Melkor was the most powerful of the Valar but turned to darkness and was renamed Morgoth, the definitive antagonist of Arda. All evil in the world of Middle-earth ultimately stems from him. One of the Maiar of Aulë betrayed his kind and became Morgoth's principal lieutenant and successor, Sauron. Melkor has been interpreted as analogous to Satan, once the greatest of all God's angels, Lucifer, but fallen through pride; he rebels against his creator. Scholars have likened Morgoth, too, to John Milton's fallen angel in ''Paradise Lost''. Tom Shippey has written that ''The Silmarillion'' maps the book of Genesis with its creation and its fall, even Melkor having begun with good intentions. Marjorie Burns has commented that Tolkien used the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Years Of The Lamps
In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth, began when the Ainur entered Arda, following the creation events in the Ainulindalë and long ages of labour throughout Eä, the fictional universe. Time from that point was measured using Valian Years, though the subsequent history of Arda was divided into three time periods using different years, known as the Years of the Lamps, the Years of the Trees and the Years of the Sun. A separate, overlapping chronology divides the history into 'Ages of the Children of Ilúvatar'. The first such Age began with the Awakening of the Elves during the Years of the Trees and continued for the first six centuries of the Years of the Sun. All the subsequent Ages took place during the Years of the Sun. Most Middle-earth stories take place in the first three Ages of the Children of Ilúvatar. Major themes of the history are the divine creation of the world, followed by the splintering of the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Silmarillion
''The Silmarillion'' () is a collection of myths and stories in varying styles by the English writer J. R. R. Tolkien. It was edited and published posthumously by his son Christopher Tolkien in 1977, assisted by the fantasy author Guy Gavriel Kay. It tells of Eä, a fictional universe that includes the Blessed Realm of Valinor, the once-great region of Beleriand, the sunken island of Númenor, and the continent of Middle-earth, where Tolkien's most popular works—'' The Hobbit'' and ''The Lord of the Rings''—are set. After the success of ''The Hobbit'', Tolkien's publisher Stanley Unwin requested a sequel, and Tolkien offered a draft of the writings that would later become ''The Silmarillion''. Unwin rejected this proposal, calling the draft obscure and "too Celtic", so Tolkien began working on a new story that eventually became ''The Lord of the Rings''. ''The Silmarillion'' has five parts. The first, '' Ainulindalë'', tells in mythic style of the creation of Eä, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vala (Middle-earth)
The Valar (; singular Vala) are characters in J. R. R. Tolkien's legendarium. They are "angelic powers" or "gods", #154 to Naomi Mitchison, September 1954 subordinate to the one God ( Eru Ilúvatar). The Ainulindalë describes how those of the Ainur who chose to enter the World (Arda) to complete its material development after its form was determined by the Music of the Ainur are called the Valar, or "the Powers of the World". The Valaquenta indicates that the Elves generally reserved the term "Valar" for the mightiest of these, calling the others the Maiar. The Valar are mentioned briefly in ''The Lord of the Rings'' but were developed earlier in material published posthumously in ''The Silmarillion'', ''The History of Middle-earth'', and ''Unfinished Tales''. Scholars have noted that the Valar resemble angels in Christianity but that Tolkien presented them rather more like pagan gods. Their role in providing what the characters on Middle-earth experience as luck or provi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle-earth
Middle-earth is the fictional setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the '' Miðgarðr'' of Norse mythology and ''Middangeard'' in Old English works, including ''Beowulf''. Middle-earth is the human-inhabited world, that is, the central continent of the Earth, in Tolkien's imagined mythological past. Tolkien's most widely read works, '' The Hobbit'' and ''The Lord of the Rings'', are set entirely in Middle-earth. "Middle-earth" has also become a short-hand term for Tolkien's legendarium, his large body of fantasy writings, and for the entirety of his fictional world. Middle-earth is the main continent of Earth (Arda) in an imaginary period of the Earth's past, ending with Tolkien's Third Age, about 6,000 years ago. Tolkien's tales of Middle-earth mostly focus on the north-west of the continent. This part of Middle-earth is suggestive of Europe, the north-west of the Old World, with the environs of the Shire reminiscen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Middle-earth
The music of Middle-earth consists of the music mentioned by J. R. R. Tolkien in his Middle-earth books, the music written by other artists to accompany performances of his work, whether individual songs or adaptations of his books for theatre, film, radio, and games, and music more generally inspired by his books. Music is at the heart of the ''Ainulindalë'' ("The Music of the Ainur"), the creation myth that begins ''The Silmarillion''. Music and singing are mentioned also in the many songs embedded in ''The Hobbit'' and ''The Lord of the Rings'', especially in the accounts of places such as Rivendell. Scholars have noted that while readers often skip Tolkien's poetry and songs at a first reading, these in fact are highly relevant and give insight into the meaning of his books. Peter Jackson's ''Lord of the Rings'' film trilogy is accompanied by Howard Shore's long, varied, and prizewinning score. The Tolkien Ensemble has set all the songs in ''The Lord of the Rings'' to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle-Earth
Middle-earth is the fictional setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the '' Miðgarðr'' of Norse mythology and ''Middangeard'' in Old English works, including ''Beowulf''. Middle-earth is the human-inhabited world, that is, the central continent of the Earth, in Tolkien's imagined mythological past. Tolkien's most widely read works, '' The Hobbit'' and ''The Lord of the Rings'', are set entirely in Middle-earth. "Middle-earth" has also become a short-hand term for Tolkien's legendarium, his large body of fantasy writings, and for the entirety of his fictional world. Middle-earth is the main continent of Earth (Arda) in an imaginary period of the Earth's past, ending with Tolkien's Third Age, about 6,000 years ago. Tolkien's tales of Middle-earth mostly focus on the north-west of the continent. This part of Middle-earth is suggestive of Europe, the north-west of the Old World, with the environs of the Shire reminiscen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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