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New Poetry Movement ( Vietnamese : ''Phong-trào Thơ-mới'') was a literary movement in 1930s colonial Vietnam, abandoning the stylized forms of Chinese-influenced poetry in Hán-Nôm for free verse in Latin-alphabet Quốc ngữ. __TOC__


History

The initial impetus was the result of exposure to French poetry, and failures in attempts to translate
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Baudelaire Charles Pierre Baudelaire (, ; ; 9 April 1821 – 31 August 1867) was a French poet who also produced notable work as an essayist and art critic. His poems exhibit mastery in the handling of rhyme and rhythm, contain an exoticism inherited fro ...
into the old Chinese-derived poetry forms. Since the 1950s most poetry in Vietnam is written in free verse. The New Poetry Movement did not just depart from Sino-Vietnamese poetic forms and script, it also introduced more lyrical, emotional and individualistic expression. This poetic movement was contemporary with, and inter-related with, the French
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-inspired realist novels of the Tự Lực văn đoàn ("Self-Strengthening Literary Group"). Among the poets of the "New Poetry," Nguyễn Khắc Hiếu, better known by pen-name Tản Đà, (1889–1939) was one of the transitional poets between the old and "New." In terms of literary criticism, Hoài Thanh (1909-1982) was the first to make a systematic comparison of the Tho Moi movement with Western poetry.Viet Nam social sciences 1999 "Here, for the first time Hoai Thanh made a systematic comparison of New Poetry Movement with Western poetry. He pointed out the influence of French poetry on Tho moi, an important influence besides the influence of the tradition ..."


References

{{reflist Literary movements