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Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late
Middle Ages In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire ...
and
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ide ...
. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as
contrapuntal In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...
. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to "successive composition", where voices were written in an order with each new voice fitting into the whole so far constructed, which was previously assumed. The term ''polyphony'' is also sometimes used more broadly, to describe any musical texture that is not monophonic. Such a perspective considers homophony as a sub-type of polyphony.


Origins

Traditional (non-professional) polyphony has a wide, if uneven, distribution among the peoples of the world. Most polyphonic regions of the world are in
sub-Saharan Africa Sub-Saharan Africa is, geographically, the area and regions of the continent of Africa that lies south of the Sahara. These include West Africa, East Africa, Central Africa, and Southern Africa. Geopolitically, in addition to the List of sov ...
, Europe and Oceania. It is believed that the origins of polyphony in traditional music vastly predate the emergence of polyphony in European professional music. Currently there are two contradictory approaches to the problem of the origins of vocal polyphony: the Cultural Model, and the Evolutionary Model. According to the Cultural Model, the origins of polyphony are connected to the development of human musical culture; polyphony came as the natural development of the primordial monophonic singing; therefore polyphonic traditions are bound to gradually replace monophonic traditions. According to the Evolutionary Model, the origins of polyphonic singing are much deeper, and are connected to the earlier stages of human evolution; polyphony was an important part of a defence system of the hominids, and traditions of polyphony are gradually disappearing all over the world. Although the exact origins of polyphony in the Western church traditions are unknown, the treatises '' Musica enchiriadis'' and '' Scolica enchiriadis'', both dating from ''c''. 900, are usually considered the oldest extant written examples of polyphony. These treatises provided examples of two-voice note-against-note embellishments of chants using parallel octaves, fifths, and fourths. Rather than being fixed works, they indicated ways of improvising polyphony during performance. The '' Winchester Troper'', from ''c''. 1000, is the generally considered to be the oldest extant example of notated polyphony for chant performance, although the notation does not indicate precise pitch levels or durations. However, a two-part antiphon to Saint Boniface recently discovered in the
British Library The British Library is the national library of the United Kingdom and is one of the largest libraries in the world. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the Briti ...
, is thought to have originated in a monastery in north-west Germany and has been dated to the early tenth century.


European polyphony


Historical context

European polyphony rose out of
melismatic Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is ref ...
organum, the earliest harmonization of the chant. Twelfth-century composers, such as Léonin and Pérotin developed the organum that was introduced centuries earlier, and also added a third and fourth voice to the now homophonic chant. In the thirteenth century, the chant-based tenor was becoming altered, fragmented, and hidden beneath secular tunes, obscuring the sacred texts as composers continued to play with this new invention called polyphony. The lyrics of love poems might be sung above sacred texts in the form of a
trope Trope or tropes may refer to: Arts, entertainment, and media * Trope (cinema), a cinematic convention for conveying a concept * Trope (literature), a figure of speech or common literary device * Trope (music), any of a variety of different things ...
, or the sacred text might be placed within a familiar secular melody. The oldest surviving piece of six-part music is the English
rota Rota or ROTA may refer to: Places * Rota (island), in the Marianas archipelago * Rota (volcano), in Nicaragua * Rota, Andalusia, a town in Andalusia, Spain * Naval Station Rota, Spain People * Rota (surname), a surname (including a list of peop ...
'' Sumer is icumen in'' (c. 1240). These musical innovations appeared in a greater context of societal change. After the first millennium, European monks started translating Greek philosophy into the vernacular. In the Middle Ages Western Europeans' ignorance of ancient Greek meant they lost touch with works by
Plato Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution ...
,
Socrates Socrates (; ; –399 BC) was a Greek philosopher from Athens who is credited as the founder of Western philosophy and among the first moral philosophers of the ethical tradition of thought. An enigmatic figure, Socrates authored no t ...
, and
Hippocrates Hippocrates of Kos (; grc-gre, Ἱπποκράτης ὁ Κῷος, Hippokrátēs ho Kôios; ), also known as Hippocrates II, was a Greek physician of the classical period who is considered one of the most outstanding figures in the history o ...
. Translations into Latin from Arabic allowed these philosophical works to impact Western
Europe Europe is a large peninsula conventionally considered a continent in its own right because of its great physical size and the weight of its history and traditions. Europe is also considered a Continent#Subcontinents, subcontinent of Eurasia ...
. This sparked a number of innovations in medicine, science, art, and music.


Western Europe and Roman Catholicism

European polyphony rose prior to, and during the period of the Western Schism. Avignon, the seat of
pope The pope ( la, papa, from el, πάππας, translit=pappas, 'father'), also known as supreme pontiff ( or ), Roman pontiff () or sovereign pontiff, is the bishop of Rome (or historically the patriarch of Rome), head of the worldwide Cathol ...
s and then antipopes, was a vigorous center of secular music-making, much of which influenced sacred polyphony. The notion of secular and sacred music merging in the papal court also offended some medieval ears. It gave church music more of a jocular performance quality supplanting the solemnity of worship they were accustomed to. The use of and attitude toward polyphony varied widely in the Avignon court from the beginning to the end of its religious importance in the fourteenth century. Harmony was considered frivolous, impious, lascivious, and an obstruction to the audibility of the words. Instruments, as well as certain modes, were actually forbidden in the church because of their association with secular music and pagan rites. After banishing polyphony from the Liturgy in 1322, Pope John XXII warned against the unbecoming elements of this musical innovation in his 1324 bull '' Docta Sanctorum Patrum''. In contrast Pope Clement VI indulged in it. The oldest extant polyphonic setting of the
mass Mass is an intrinsic property of a body. It was traditionally believed to be related to the quantity of matter in a physical body, until the discovery of the atom and particle physics. It was found that different atoms and different ele ...
attributable to one composer is Guillaume de Machaut's Messe de Nostre Dame, dated to 1364, during the pontificate of Pope Urban V. The Second Vatican Council said Gregorian chant should be the focus of liturgical services, without excluding other forms of sacred music, including polyphony.


Notable works and artists

*
Tomás Luis de Victoria Tomás Luis de Victoria (sometimes Italianised as ''da Vittoria''; ) was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Re ...
* William Byrd, ''
Mass for Five Voices The Mass for Five Voices is a choral Mass setting by the English composer William Byrd (c. 1540–1623). It was probably written c. 1594 during the reign of Queen Elizabeth I, and is one of three settings of the Mass Ordinary which Byrd publishe ...
'' *
Thomas Tallis Thomas Tallis (23 November 1585; also Tallys or Talles) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music. Tallis is considered one o ...
, '' Spem in alium'' * Orlandus Lassus, Missa super Bella'Amfitrit'altera * Guillaume de Machaut, '' Messe de Nostre Dame'' * Geoffrey Chaucer * Jacob Obrecht * Palestrina, '' Missa Papae Marcelli'' * Josquin des Prez, '' Missa Pange Lingua'' * Gregorio Allegri, '' Miserere''


Protestant Britain and the United States

English Protestant
west gallery music __NOTOC__ West gallery music, also known as Georgian psalmody, refers to the sacred music (metrical psalms, with a few hymns and anthems) sung and played in English parish churches, as well as nonconformist chapels, from 1700 to around 1850. In ...
included polyphonic multi-melodic harmony, including fuguing tunes, by the mid-18th century. This tradition passed with emigrants to North America, where it was proliferated in tunebooks, including
shape-note Shape notes are a musical notation designed to facilitate congregational and social singing. The notation, introduced in late 18th century England, became a popular teaching device in American singing schools. Shapes were added to the notehe ...
books like ''
The Southern Harmony The ''Southern Harmony, and Musical Companion'' is a shape note hymn and tune book compiled by William Walker, first published in 1835. The book is notable for having originated or popularized several hymn tunes found in modern hymnals and sha ...
'' and ''
The Sacred Harp Sacred Harp singing is a tradition of sacred choral music that originated in New England and was later perpetuated and carried on in the American South. The name is derived from ''The Sacred Harp'', a ubiquitous and historically important tune ...
''. While this style of singing has largely disappeared from British and North American sacred music, it survived in the rural
Southern United States The Southern United States (sometimes Dixie, also referred to as the Southern States, the American South, the Southland, or simply the South) is a geographic and cultural region of the United States of America. It is between the Atlantic Ocean ...
, until it again began to grow a following throughout the United States and even in places such as Ireland, the United Kingdom, Poland, Australia and New Zealand, among others.


Balkan region

Polyphonic singing in the Balkans is traditional folk singing of this part of southern Europe. It is also called ''ancient'', ''archaic'' or ''old-style'' singing. *
Byzantine chant Byzantine music (Greek: Βυζαντινή μουσική) is the music of the Byzantine Empire. Originally it consisted of songs and hymns composed to Greek texts used for courtly ceremonials, during festivals, or as paraliturgical and liturgical ...
* Ojkanje singing, in
Croatia , image_flag = Flag of Croatia.svg , image_coat = Coat of arms of Croatia.svg , anthem = " Lijepa naša domovino"("Our Beautiful Homeland") , image_map = , map_caption = , capi ...
,
Serbia Serbia (, ; Serbian: , , ), officially the Republic of Serbia ( Serbian: , , ), is a landlocked country in Southeastern and Central Europe, situated at the crossroads of the Pannonian Basin and the Balkans. It shares land borders with Hu ...
and
Bosnia and Herzegovina Bosnia and Herzegovina ( sh, / , ), abbreviated BiH () or B&H, sometimes called Bosnia–Herzegovina and often known informally as Bosnia, is a country at the crossroads of south and southeast Europe, located in the Balkans. Bosnia and ...
* Ganga singing, in Croatia,
Montenegro ) , image_map = Europe-Montenegro.svg , map_caption = , image_map2 = , capital = Podgorica , coordinates = , largest_city = capital , official_languages = ...
and
Bosnia and Herzegovina Bosnia and Herzegovina ( sh, / , ), abbreviated BiH () or B&H, sometimes called Bosnia–Herzegovina and often known informally as Bosnia, is a country at the crossroads of south and southeast Europe, located in the Balkans. Bosnia and ...
* Epirote singing, in northern
Greece Greece,, or , romanized: ', officially the Hellenic Republic, is a country in Southeast Europe. It is situated on the southern tip of the Balkans, and is located at the crossroads of Europe, Asia, and Africa. Greece shares land borders wi ...
and southern Albania (see below) * Iso-polyphony, in southern Albania (see below) * Gusle singing, in
Serbia Serbia (, ; Serbian: , , ), officially the Republic of Serbia ( Serbian: , , ), is a landlocked country in Southeastern and Central Europe, situated at the crossroads of the Pannonian Basin and the Balkans. It shares land borders with Hu ...
,
Montenegro ) , image_map = Europe-Montenegro.svg , map_caption = , image_map2 = , capital = Podgorica , coordinates = , largest_city = capital , official_languages = ...
, Bosnia and Herzegovina, Croatia and Albania *
Izvika Izvika ( sr-cyr, извика), Naglas (наглас) or Kajda (кајда) is a traditional polyphonic folk singing in southwestern Serbia, in the Zlatibor region (Užice), although similar styles are also found in Vlasotince and other parts of t ...
singing, in Serbia *Woman choirs of Shopi (
Bistritsa Babi Bistritsa Babi ( bg, Бистришките баби, ) are an elderly/multi-generational women's choir carrying on the traditional dances and polyphonic singing of the Shopluk region of Bulgaria. Founded in 1939, the group won the European Fo ...
) and Pirin, in
Bulgaria Bulgaria (; bg, България, Bǎlgariya), officially the Republic of Bulgaria,, ) is a country in Southeast Europe. It is situated on the eastern flank of the Balkans, and is bordered by Romania to the north, Serbia and North Macedo ...
and those in
North Macedonia North Macedonia, ; sq, Maqedonia e Veriut, (Macedonia before February 2019), officially the Republic of North Macedonia,, is a country in Southeast Europe. It gained independence in 1991 as one of the successor states of Socialist Feder ...
Incipient polyphony (previously primitive polyphony) includes antiphony and call and response, drones, and parallel intervals. Balkan drone music is described as polyphonic due to Balkan musicians using a literal translation of the Greek ('many voices'). In terms of Western classical music, it is not strictly polyphonic, due to the drone parts having no melodic role, and can better be described as ''multipart''. A free, unpublished version of this passage is available o
Google Books
The polyphonic singing tradition of Epirus is a form of traditional folk polyphony practiced among
Aromanians The Aromanians ( rup, Armãnji, Rrãmãnji) are an ethnic group native to the southern Balkans who speak Aromanian, an Eastern Romance language. They traditionally live in central and southern Albania, south-western Bulgaria, northern and ...
, Albanians, Greeks, and ethnic Macedonians in southern Albania and northwestern Greece. This type of folk vocal tradition is also found in
North Macedonia North Macedonia, ; sq, Maqedonia e Veriut, (Macedonia before February 2019), officially the Republic of North Macedonia,, is a country in Southeast Europe. It gained independence in 1991 as one of the successor states of Socialist Feder ...
and
Bulgaria Bulgaria (; bg, България, Bǎlgariya), officially the Republic of Bulgaria,, ) is a country in Southeast Europe. It is situated on the eastern flank of the Balkans, and is bordered by Romania to the north, Serbia and North Macedo ...
. Albanian polyphonic singing can be divided into two major stylistic groups as performed by the Tosks and Labs of southern Albania. The drone is performed in two ways: among the Tosks, it is always continuous and sung on the syllable 'e', using staggered breathing; while among the Labs, the drone is sometimes sung as a rhythmic tone, performed to the text of the song. It can be differentiated between two-, three- and four-voice polyphony. In
Aromanian music Aromanian music ( rup, Muzica armãneascã) is the music characteristic of the Aromanians. The Aromanians are an ethnic group scattered throughout the Balkans, living in Albania, Bulgaria, Greece, North Macedonia, Romania and Serbia. Aromanian ...
, polyphony is common, and polyphonic music follows a set of common rules. The phenomenon of Albanian folk iso-polyphony ( Albanian iso-polyphony) has been proclaimed by UNESCO a "
Masterpiece of the Oral and Intangible Heritage of Humanity The Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity was made by the Director-General of UNESCO starting in 2001 to raise awareness of intangible cultural heritage and encourage local communities to protect them and th ...
". The term ''iso'' refers to the drone, which accompanies the iso-polyphonic singing and is related to the ison of
Byzantine The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinopl ...
church music, where the drone group accompanies the song.


Corsica

The French island Corsica has a unique style of music called Paghjella that is known for its polyphony. Traditionally, Paghjella contains a staggered entrance and continues with the three singers carrying independent melodies. This music tends to contain much melisma and is sung in a nasal temperament. Additionally, many paghjella songs contain a picardy third. After paghjella's revival in the 1970s, it mutated. In the 1980s it had moved away from some of its more traditional features as it became much more heavily produced and tailored towards western tastes. There were now four singers, significantly less melisma, it was much more structured, and it exemplified more homophony. To the people of Corsica, the polyphony of paghjella represented freedom; it had been a source of cultural pride in Corsica and many felt that this movement away from the polyphonic style meant a movement away from paghjella's cultural ties. This resulted in a transition in the 1990s. Paghjella again had a strong polyphonic style and a less structured meter.


Sardinia

Cantu a tenore The ( sc, su tenòre, su cuncòrdu, su cuntràttu, su cussèrtu, s'agorropamèntu, su cantu a pròa; it, canto a tenore) is a style of polyphonic folk singing characteristic of the island of Sardinia ( Italy's second largest island), particularl ...
is a traditional style of polyphonic singing in
Sardinia Sardinia ( ; it, Sardegna, label=Italian, Corsican and Tabarchino ; sc, Sardigna , sdc, Sardhigna; french: Sardaigne; sdn, Saldigna; ca, Sardenya, label= Algherese and Catalan) is the second-largest island in the Mediterranean Sea, aft ...
.


Caucasus region


Georgia

Polyphony in the Republic of Georgia is arguably (but no any strong confirmation) the oldest polyphony in the Christian world. Georgian polyphony is traditionally sung in three parts with strong dissonances, parallel fifths, and a unique tuning system based on perfect fifths. Georgian polyphonic singing has been proclaimed by UNESCO an Intangible Cultural Heritage of Humanity. Popular singing has a highly valued place in Georgian culture. There are three types of polyphony in Georgia: complex polyphony, which is common in Svaneti; polyphonic dialogue over a bass background, prevalent in the Kakheti region in Eastern Georgia; and contrasted polyphony with three partially improvised sung parts, characteristic of western Georgia. The Chakrulo song, which is sung at ceremonies and festivals and belongs to the first category, is distinguished by its use of metaphor and its yodel, the krimanchuli and a “cockerel’s crow”, performed by a male falsetto singer. Some of these songs are linked to the cult of the grapevine and many date back to the eighth century. The songs traditionally pervaded all areas of everyday life, ranging from work in the fields (the Naduri, which incorporates the sounds of physical effort into the music) to songs to curing of illnesses and to Christmas Carols (Alilo). Byzantine liturgical hymns also incorporated the Georgian polyphonic tradition to such an extent that they became a significant expression of it.


Chechens and Ingushes

Chechen and Ingush traditional music can be defined by their tradition of vocal polyphony. Chechen and Ingush polyphony is based on a drone and is mostly three-part, unlike most other north Caucasian traditions' two-part polyphony. The middle part carries the main melody accompanied by a double drone, holding the interval of a fifth around the melody. Intervals and chords are often dissonances (sevenths, seconds, fourths), and traditional Chechen and Ingush songs use sharper dissonances than other North Caucasian traditions. The specific cadence of a final, dissonant three-part chord, consisting of fourth and the second on top (c-f-g), is almost unique. (Only in western Georgia do a few songs finish on the same dissonant c-f-g chord).


Oceania

Parts of
Oceania Oceania (, , ) is a geographical region that includes Australasia, Melanesia, Micronesia, and Polynesia. Spanning the Eastern and Western hemispheres, Oceania is estimated to have a land area of and a population of around 44.5 million ...
maintain rich polyphonic traditions.


Melanesia

The peoples of New Guinea Highlands including the Moni, Dani, and Yali use vocal polyphony, as do the people of Manus Island. Many of these styles are
drone Drone most commonly refers to: * Drone (bee), a male bee, from an unfertilized egg * Unmanned aerial vehicle * Unmanned surface vehicle, watercraft * Unmanned underwater vehicle or underwater drone Drone, drones or The Drones may also refer to: ...
-based or feature close, secondal harmonies dissonant to western ears. Guadalcanal and the
Solomon Islands Solomon Islands is an island country consisting of six major islands and over 900 smaller islands in Oceania, to the east of Papua New Guinea and north-west of Vanuatu. It has a land area of , and a population of approx. 700,000. Its capit ...
are host to instrumental polyphony, in the form of bamboo
panpipe A pan flute (also known as panpipes or syrinx) is a musical instrument based on the principle of the closed tube, consisting of multiple pipes of gradually increasing length (and occasionally girth). Multiple varieties of pan flutes have bee ...
ensembles.


Polynesia

Europeans were surprised to find drone-based and dissonant polyphonic singing in Polynesia. Polynesian traditions were then influenced by Western choral church music, which brought counterpoint into Polynesian musical practice.


Africa

''See Also Traditional sub-Saharan African harmony'' Numerous Sub-Saharan African music traditions host polyphonic singing, typically moving in parallel motion.


East Africa

While the Maasai people traditionally sing with drone polyphony, other East African groups use more elaborate techniques. The Dorze people, for example, sing with as many as six parts, and the Wagogo use counterpoint.


Central Africa

The music of African Pygmies (e.g. that of the
Aka people Aka, AKA or a.k.a. may refer to: * "Also known as", used to introduce an alternative name Languages * Aka language (Sudan) * Aka language, in the Central African Republic * Hruso language, in India, also referred to as Aka * a prefix in the na ...
) is typically ostinato and contrapuntal, featuring yodeling. Other Central African peoples tend to sing with parallel lines rather than counterpoint.


Southern Africa

The singing of the
San people The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer cultures that are the first cultures of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zam ...
, like that of the pygmies, features melodic repetition, yodeling, and counterpoint. The singing of neighboring
Bantu peoples The Bantu peoples, or Bantu, are an ethnolinguistic grouping of approximately 400 distinct ethnic groups who speak Bantu languages. They are native to 24 countries spread over a vast area from Central Africa to Southeast Africa and into Souther ...
, like the Zulu, is more typically parallel.


West Africa

The peoples of tropical
West Africa West Africa or Western Africa is the westernmost region of Africa. The United Nations defines Western Africa as the 16 countries of Benin, Burkina Faso, Cape Verde, The Gambia, Ghana, Guinea, Guinea-Bissau, Ivory Coast, Liberia, Mali ...
traditionally use parallel harmonies rather than counterpoint.


See also

*
Micropolyphony Micropolyphony is a kind of polyphonic musical texture developed by György Ligeti which consists of many lines of dense canons moving at different tempos or rhythms, thus resulting in tone clusters vertically. According to David Cope, "micropoly ...
* Polyphonic Era * Venetian polychoral style


References


External links


Thirteenth-Century PolyphonyTuning and Intonation in Fifteenth and Sixteenth Century PolyphonyWorld Routes in Albania – Iso-Polyphony in Southern Albania
on BBC Radio 3
World Routes in Georgia – Ancient polyphony from the Caucasus region
on BBC Radio 3
Aka Pygmy Polyphony
African Pygmy music, with photos and soundscapes {{Authority control Harmony Musical texture