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A panel painting is a painting made on a flat panel of
wood Wood is a porous and fibrous structural tissue found in the stems and roots of trees and other woody plants. It is an organic materiala natural composite of cellulose fibers that are strong in tension and embedded in a matrix of lignin ...
, either a single piece or a number of pieces joined together. Until
canvas Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbag ...
became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall (
fresco Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plast ...
) or on
vellum Vellum is prepared animal skin or membrane, typically used as writing material. Parchment is another term for this material, from which vellum is sometimes distinguished, when it is made from calfskin, as opposed to that made from other anim ...
(used for miniatures in
illuminated manuscript An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, th ...
s). Wood panels were also used for mounting vellum paintings.


History

Panel painting is very old; it was a very prestigious medium in Greece and Rome, but only very few examples of ancient panel paintings have survived. A series of 6th century BC painted tablets from Pitsa (
Greece Greece,, or , romanized: ', officially the Hellenic Republic, is a country in Southeast Europe. It is situated on the southern tip of the Balkans, and is located at the crossroads of Europe, Asia, and Africa. Greece shares land borders wi ...
) represent the oldest surviving Greek panel paintings. Most classical Greek paintings that were famous in their day seem to have been of a size comparable to smaller modern works – perhaps up to a half-length portrait size. However, for a generation in the second quarter of the fifth-century BC there was a movement, called the "new painting" and led by Polygnotus, for very large painted friezes, apparently painted on wood, decorating the interiors of public buildings with very large and complicated subjects containing numerous figures at least half life-size, and including battle scenes. We can only attempt to imagine what these looked like from some detailed literary descriptions and vase-paintings that appear to echo their compositions. The first century BC to third century AD
Fayum mummy portraits Mummy portraits or Fayum mummy portraits are a type of naturalistic painted portrait on wooden boards attached to upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art ...
, preserved in the exceptionally dry conditions of Egypt, provide the bulk of surviving panel painting from the Imperial Roman period – about 900 face or bust portraits survive. The Severan Tondo, also from Egypt (about 200AD) is one of the handful of non-funerary Graeco-Roman specimens to survive. Wood has always been the normal support for the
Icon An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The mos ...
s of
Byzantine art Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted u ...
and the later Orthodox traditions, the earliest of which (all in
Saint Catherine's Monastery Saint Catherine's Monastery ( ar, دير القدّيسة كاترين; grc-gre, Μονὴ τῆς Ἁγίας Αἰκατερίνης), officially the Sacred Autonomous Royal Monastery of Saint Katherine of the Holy and God-Trodden Mount Sinai, ...
) date from the 5th or 6th centuries, and are the oldest panel paintings which seem to be of the highest contemporary quality. Encaustic and tempera are the two techniques used in antiquity. Encaustic largely ceased to be used after the early Byzantine icons. Although there seem from literary references to have been some panel paintings produced in Western Europe through the centuries between
Late Antiquity Late antiquity is the time of transition from classical antiquity to the Middle Ages, generally spanning the 3rd–7th century in Europe and adjacent areas bordering the Mediterranean Basin. The popularization of this periodization in English h ...
and the Romanesque period, and Byzantine icons were imported, there are next to no survivals in an unaltered state. In the 12th century panel painting experienced a revival because of new liturgical practices—the priest and congregation were now on the same side of the altar, leaving the space behind the altar free for the display of a holy image—and thus altar decorations were in demand. The earliest forms of panel painting were
dossal A Dossal (or dossel, dorsel, dosel), from French ''dos'' (''back''), is one of a number of terms for something rising from the back of a church altar. In modern usage, it primarily refers to cloth hangings but it can also denote a board, ofte ...
s (altar backs), altar fronts and crucifixes. All were painted with religious images, commonly the Christ or the Virgin, with the saints appropriate to the dedication of the church, and the local town or diocese, or to the donor.
Donor portrait A donor portrait or votive portrait is a portrait in a larger painting or other work showing the person who commissioned and paid for the image, or a member of his, or (much more rarely) her, family. ''Donor portrait'' usually refers to the portr ...
s including members of the donor's family are also often shown, usually kneeling to the side. They were for some time a cheaper alternative to the far more prestigious equivalents in metalwork, decorated with gems, enamels, and perhaps ivory figures, most of which have long been broken up for their valuable materials. Painted panels for altars are most numerous in Spain, especially
Catalonia Catalonia (; ca, Catalunya ; Aranese Occitan: ''Catalonha'' ; es, Cataluña ) is an autonomous community of Spain, designated as a '' nationality'' by its Statute of Autonomy. Most of the territory (except the Val d'Aran) lies on the no ...
, which is explained by the poverty of the country at this time, as well as the lack of Reformation
iconoclasm Iconoclasm (from Greek: grc, εἰκών, lit=figure, icon, translit=eikṓn, label=none + grc, κλάω, lit=to break, translit=kláō, label=none)From grc, εἰκών + κλάω, lit=image-breaking. ''Iconoclasm'' may also be consid ...
. The 13th and 14th centuries in Italy were a great period of panel painting, mostly
altarpiece An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting ...
s or other religious works. However, it is estimated that of all the panel paintings produced there, 99.9 percent have been lost. The vast majority of Early Netherlandish paintings are on panel, and these include most of the earliest
portrait A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this ...
s, such as those by Jan van Eyck, and some other secular scenes. However, one of the earliest surviving oils on
canvas Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbag ...
is a French ''Madonna with angels'' of about 1410 in the Gemäldegalerie, Berlin, which is very early indeed for oil painting also. In these works the frame and panel are sometimes a single piece of wood, as with Portrait of a Man (Self Portrait?) by van Eyck ( National Gallery, London), where the frame was also painted, including an inscription done illusionistically to resemble carving. By the 15th century with the increased wealth of Europe, and later the appearance of humanism, and a changing attitude about the function of art and patronage, panel painting went in new directions. Secular art opened the way to the creation of chests, painted beds, birth trays and other furniture. Many such works are now detached and hung framed on walls in museums. Many double-sided wings of altarpieces (see picture at top) have also been sawn into two one-sided panels. Canvas took over from panel in Italy by the first half of the 16th century, a change led by Mantegna and the artists of Venice (which made the finest canvas at this point, for sails). In the
Netherlands ) , anthem = ( en, "William of Nassau") , image_map = , map_caption = , subdivision_type = Sovereign state , subdivision_name = Kingdom of the Netherlands , established_title = Before independence , established_date = Spanish Netherl ...
the change took about a century longer, and panel paintings remained common, especially in Northern Europe, even after the cheaper and more portable canvas had become the main support medium. The young Rubens and many other painters preferred it for the greater precision that could be achieved with a totally solid support, and many of his most important works also used it, even for paintings over four metres long in one dimension. His panels are of notoriously complicated construction, containing as many as seventeen pieces of wood (''Het Steen'', National Gallery, London). For smaller
cabinet painting A cabinet painting (or "cabinet picture") is a small painting, typically no larger than two feet (0.6 meters) in either dimension, but often much smaller. The term is especially used for paintings that show full-length figures or landscapes at a ...
s, copper sheets (often old
printmaking Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed techniqu ...
plates) were another rival support, from the end of the 16th century, used by many artists including Adam Elsheimer. Many Dutch painters of the
Golden Age The term Golden Age comes from Greek mythology, particularly the '' Works and Days'' of Hesiod, and is part of the description of temporal decline of the state of peoples through five Ages, Gold being the first and the one during which the G ...
used panel for their small works, including Rembrandt on occasion. By the 18th century it had become unusual to paint on panel, except for small works to be inset into furniture, and the like. But, for example, The National Gallery in London has two Goya portraits on panel. Many other painting traditions also painted, and still paint, on wood, but the term is usually only used to refer to the Western tradition described above.


Panel construction and preparation

The technique is known to us through Cennino Cennini's ''The Craftsman's Handbook'' (''Il libro dell' arte'') published in 1390, and other sources. It changed little over the centuries. It was a laborious and painstaking process: *A carpenter would construct a solid wood piece the size of the panel needed. Usually a radial cut piece was preferred (across rather than along the length of the tree; the opposite of most timber cuts), with the outer sapwood excluded. In Italy it was usually seasoned poplar, willow or linden. It would be planed and sanded and if needed, joined with other pieces to obtain the desired size and shape. *The wood would be coated with a mixture of animal-skin glues and resin and covered with linen (the mixture and linen combination was known as a "size"); this might be done by a specialist, or in the artists studio. *Once the size had dried, layer upon layer of gesso would be applied, each layer sanded down before the next applied, sometimes as many as 15 layers, before a smooth hard surface emerged, not unlike ivory. This stage was not necessarily done after the 16th century, or darker grounds were used.


Painting techniques

Once the panel construction was complete, the design was laid out, usually in charcoal. The usual ancient painting technique was encaustic, used at Al-Fayum and in the earliest surviving Byzantine icons, which are at the Saint Catherine's Monastery. This uses heated wax as the medium for the pigments. This was replaced before the end of first millennium by tempera, which uses an egg-yolk medium. Using small brushes dipped in a mixture of pigment and egg-yolk, the paint was applied in very small, almost transparent, brushstrokes. Thin layers of paint would be used to create volumetric forms. By the beginning of the 15th century,
oil painting Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest ...
was developed. This was more tolerant, and allowed the exceptional detail of Early Netherlandish art. This used a very painstaking multi-layered technique, where the painting, or a particular part of it, had to be left for a couple of days for one layer to dry before the next was applied.


Conservation and scientific analysis

Wood panels, especially if kept with too little humidity, often warp and crack with age, and from the 19th century, when reliable techniques were developed, many have been transferred to canvas or modern board supports. Wood panel is now rather more useful to art historians than canvas, and in recent decades there has been great progress in extracting this information. Many fakes have been discovered and mistaken datings corrected. Specialists can identify the tree species used, which varied according to the area where the painting was made.
Carbon-dating Radiocarbon dating (also referred to as carbon dating or carbon-14 dating) is a method for determining the age of an object containing organic material by using the properties of radiocarbon, a radioactive isotope of carbon. The method was dev ...
techniques can give an approximate date-range (typically to a range of about 20 years), and
dendrochronology Dendrochronology (or tree-ring dating) is the scientific method of dating tree rings (also called growth rings) to the exact year they were formed. As well as dating them, this can give data for dendroclimatology, the study of climate and atm ...
sequences have been developed for the main source areas of timber for panels. Italian paintings used local or sometimes
Dalmatia Dalmatia (; hr, Dalmacija ; it, Dalmazia; see names in other languages) is one of the four historical regions of Croatia, alongside Croatia proper, Slavonia, and Istria. Dalmatia is a narrow belt of the east shore of the Adriatic Sea, str ...
n wood, most often poplar, but including
chestnut The chestnuts are the deciduous trees and shrubs in the genus ''Castanea'', in the beech family Fagaceae. They are native to temperate regions of the Northern Hemisphere. The name also refers to the edible nuts they produce. The unrel ...
, walnut, oak and other woods. The Netherlands ran short of local timber early in the 15th century, and most Early Netherlandish masterpieces are Baltic oak, often Polish, cut north of
Warsaw Warsaw ( pl, Warszawa, ), officially the Capital City of Warsaw,, abbreviation: ''m.st. Warszawa'' is the capital and largest city of Poland. The metropolis stands on the River Vistula in east-central Poland, and its population is officiall ...
and shipped down the
Vistula The Vistula (; pl, Wisła, ) is the longest river in Poland and the ninth-longest river in Europe, at in length. The drainage basin, reaching into three other nations, covers , of which is in Poland. The Vistula rises at Barania Góra in ...
, across the
Baltic Baltic may refer to: Peoples and languages *Baltic languages, a subfamily of Indo-European languages, including Lithuanian, Latvian and extinct Old Prussian *Balts (or Baltic peoples), ethnic groups speaking the Baltic languages and/or originatin ...
to the Netherlands. Southern German painters often used
pine A pine is any conifer tree or shrub in the genus ''Pinus'' () of the family (biology), family Pinaceae. ''Pinus'' is the sole genus in the subfamily Pinoideae. The World Flora Online created by the Royal Botanic Gardens, Kew and Missouri Botanic ...
, and
mahogany Mahogany is a straight- grained, reddish-brown timber of three tropical hardwood species of the genus '' Swietenia'', indigenous to the AmericasBridgewater, Samuel (2012). ''A Natural History of Belize: Inside the Maya Forest''. Austin: U ...
imported into Europe was used by later painters, including examples by Rembrandt and Goya. In theory, dendro-chronology gives an exact felling date, but in practice allowances have to be made for a seasoning period of several years, and a small panel may be from the centre of the tree, with no way of knowing how many rings outside the panel there were. So dendro-chronological conclusions tend to be expressed as a "terminus post quem" or an earliest possible date, with a tentative estimate of an actual date, that may be twenty or more years later. The so-called ''Panel Paintings Initiative'' is a multi-year project in collaboration between the Getty Conservation Institute, the
Getty Foundation The Getty Foundation, based in Los Angeles, California at the Getty Center, awards grants for "the understanding and preservation of the visual arts".Getty FoundationAbout the Foundation. Retrieved September 18, 2008. In the past, it funded the ...
, and the J. Paul Getty Museum. The Panel Paintings Initiative is a response to the growing recognition that significant collections of paintings on wood panels may be at risk in coming decades due to the waning numbers of conservators and craftspeople with the highly specialized skills required for the conservation of these complex works of art.


Types of wood

Artists would typically use wood native to the region.
Albrecht Dürer Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Due ...
(1471–1528), for example, painted on poplar when he was in Venice and on oak when in the Netherlands and southern Germany.
Leonardo da Vinci Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on ...
(1452–1519) used oak for his paintings in France; Hans Baldung Grien (1484/5–1545) and Hans Holbein (1497/8–1543) used oak while working in southern Germany and England. In the Middle Ages, spruce and lime were used in the Upper Rhine and often in Bavaria. Outside of the Rhineland, softwood (such as pinewood) was mainly used. Of a group of twenty Norwegian altar frontals from the Gothic period (1250–1350) fourteen were made of fir, two of oak, and four of pine (Kaland 1982). Large altars made in Denmark during the fifteenth century used oak for the figures as well as for the painted wings. Lime was popular with Albrecht Altdorfer (c. 1480–1538), Baldung Grien, Christoph Amberger (d. 1562), Dürer, and
Lucas Cranach the Elder Lucas Cranach the Elder (german: Lucas Cranach der Ältere ;  – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is kno ...
(1472–1553). Cranach often used
beech Beech (''Fagus'') is a genus of deciduous trees in the family Fagaceae, native to temperate Europe, Asia, and North America. Recent classifications recognize 10 to 13 species in two distinct subgenera, ''Engleriana'' and ''Fagus''. The ''Engl ...
wood—an unusual choice. In Northern Europe, poplar is very rarely found, but walnut and
chestnut The chestnuts are the deciduous trees and shrubs in the genus ''Castanea'', in the beech family Fagaceae. They are native to temperate regions of the Northern Hemisphere. The name also refers to the edible nuts they produce. The unrel ...
are not uncommon. In the northeast and south, coniferous trees such as
spruce A spruce is a tree of the genus ''Picea'' (), a genus of about 35 species of coniferous evergreen trees in the family Pinaceae, found in the northern temperate and boreal (taiga) regions of the Earth. ''Picea'' is the sole genus in the subfam ...
, and various types of fir, and
pine A pine is any conifer tree or shrub in the genus ''Pinus'' () of the family (biology), family Pinaceae. ''Pinus'' is the sole genus in the subfamily Pinoideae. The World Flora Online created by the Royal Botanic Gardens, Kew and Missouri Botanic ...
have been used. Fir wood is shown to have been used in the Upper and Middle Rhine,
Augsburg Augsburg (; bar , Augschburg , links=https://en.wikipedia.org/wiki/Swabian_German , label=Swabian German, , ) is a city in Swabia, Bavaria, Germany, around west of Bavarian capital Munich. It is a university town and regional seat of the ' ...
,
Nuremberg Nuremberg ( ; german: link=no, Nürnberg ; in the local East Franconian dialect: ''Nämberch'' ) is the second-largest city of the German state of Bavaria after its capital Munich, and its 518,370 (2019) inhabitants make it the 14th-largest ...
, and
Saxony Saxony (german: Sachsen ; Upper Saxon German, Upper Saxon: ''Saggsn''; hsb, Sakska), officially the Free State of Saxony (german: Freistaat Sachsen, links=no ; Upper Saxon: ''Freischdaad Saggsn''; hsb, Swobodny stat Sakska, links=no), is a ...
. Pinewood was used mainly in Tirol and beech wood only in
Saxony Saxony (german: Sachsen ; Upper Saxon German, Upper Saxon: ''Saggsn''; hsb, Sakska), officially the Free State of Saxony (german: Freistaat Sachsen, links=no ; Upper Saxon: ''Freischdaad Saggsn''; hsb, Swobodny stat Sakska, links=no), is a ...
. However, in general, oak was the most common substrate used for panel making in the
Low Countries The term Low Countries, also known as the Low Lands ( nl, de Lage Landen, french: les Pays-Bas, lb, déi Niddereg Lännereien) and historically called the Netherlands ( nl, de Nederlanden), Flanders, or Belgica, is a coastal lowland region in N ...
, northern Germany, and the
Rhineland The Rhineland (german: Rheinland; french: Rhénanie; nl, Rijnland; ksh, Rhingland; Latinised name: ''Rhenania'') is a loosely defined area of Western Germany along the Rhine, chiefly its middle section. Term Historically, the Rhinelands ...
around
Cologne Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western state of North Rhine-Westphalia (NRW) and the fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 millio ...
. In France, until the seventeenth century, most panels were made from oak, although a few made of walnut and poplar have been found. The oak favored as a support by the painters of the northern school was, however, not always of local origin. In the seventeenth century about four thousand full-grown oak trees were needed to build a medium-sized merchant ship; thus, imported wood was necessary. Oak coming from Königsberg as well as
Gdańsk Gdańsk ( , also ; ; csb, Gduńsk;Stefan Ramułt, ''Słownik języka pomorskiego, czyli kaszubskiego'', Kraków 1893, Gdańsk 2003, ISBN 83-87408-64-6. , Johann Georg Theodor Grässe, ''Orbis latinus oder Verzeichniss der lateinischen Benen ...
is often found among works by Flemish and Dutch artists from the 15th through the 17th centuries; the origin can be established by the patterns of growth rings. In the last decade of the seventeenth century,
Wilhelmus Beurs Wilhelmus Beurs (1656–1700) was a Dutch Golden Age painter. Biography Beurs was born in Dordrecht. According to Houbraken, he was the son of a shoemaker and a quick study who was able to produce a good landscape after only a year's instruc ...
, a Dutch writer on painting techniques, considered oak to be the most useful wooden substrate on which to paint. However, exceptions are seen rather early in the seventeenth century: sometimes walnut,
pear Pears are fruits produced and consumed around the world, growing on a tree and harvested in the Northern Hemisphere in late summer into October. The pear tree and shrub are a species of genus ''Pyrus'' , in the Family (biology), family Rosacea ...
wood, cedarwood, or Indian woods were used.
Mahogany Mahogany is a straight- grained, reddish-brown timber of three tropical hardwood species of the genus '' Swietenia'', indigenous to the AmericasBridgewater, Samuel (2012). ''A Natural History of Belize: Inside the Maya Forest''. Austin: U ...
was already in use by a number of painters during the first decades of the seventeenth century and was used often in the Netherlands in the nineteenth century. Even so, when canvas or copper was not used, the main oeuvre of the northern school was painted on oak panels.Wadum pp. 149–177


See also

* Cradling (art restoration) * Gothic art * Medieval art


Notes


References

* Boardman, John ed., ''The Oxford History of Classical Art'', 1993, OUP, *Campbell, Lorne. National Gallery Catalogues (new series): ''The Fifteenth Century Netherlandish Paintings'', 1998, *''The Structural Conservation of Panel Paintings – Proceedings of a Symposium'' at the J. Paul Getty Museum, April 1995, Edited by Kathleen Dardes and Andrea Rothe, *Dodwell, C. R.; ''The Pictorial arts of the West, 800–1200'', 1993, Yale UP, *Gealt, Adelheid M. (1989). "Panel Painting". ''
Dictionary of the Middle Ages The ''Dictionary of the Middle Ages'' is a 13-volume encyclopedia of the Middle Ages published by the American Council of Learned Societies between 1982 and 1989. It was first conceived and started in 1975 with American medieval historian Jos ...
''. Vol. 9. *Heydenreich, Gunnar, ''Lucas Cranach the Elder: Painting materials, techniques and workshop practice'', Amsterdam University Press 2007, *Wadum, Jørgen, 'Historical Overview of Panel-Making Techniques in the Northern Countries', in ''The Structural Conservation of Panel Paintings – Proceedings of a Symposium'' at the J. Paul Getty Museum, April 1995, Edited by Kathleen Dardes and Andrea Rothe, pp. 149–177.
Dendrochronology (Tree-Ring Dating) of Panel Paintings, Cornell


External links


"Panel Painting"
In ''
Encyclopædia Britannica The (Latin for "British Encyclopædia") is a general knowledge English-language encyclopaedia. It is published by Encyclopædia Britannica, Inc.; the company has existed since the 18th century, although it has changed ownership various t ...
'' Online.
National Gallery GlossaryOnline demonstration from the Fitzwilliam Museum
{{DEFAULTSORT:Panel Painting Painting techniques Medieval art Gothic art Painting materials