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Oil painting is the process of
painting Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and a ...
with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by
Buddhist Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and ...
artists in
Afghanistan Afghanistan, officially the Islamic Emirate of Afghanistan,; prs, امارت اسلامی افغانستان is a landlocked country located at the crossroads of Central Asia and South Asia. Referred to as the Heart of Asia, it is borde ...
and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ide ...
, oil painting techniques had almost completely replaced the use of tempera paints in the majority of Europe.
Oil paint Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and ...
was used by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ide ...
, oil painting techniques had almost completely replaced the use of
egg tempera Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done ...
paints for panel paintings in most of Europe, though not for Orthodox
icon An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The mos ...
s or wall paintings, where tempera and fresco, respectively, remained the usual choice. Commonly used drying oils include linseed oil, poppy seed oil, walnut oil, and safflower oil. The choice of oil imparts a range of properties to the paint, such as the amount of yellowing or drying time. The paint could be thinned with
turpentine Turpentine (which is also called spirit of turpentine, oil of turpentine, terebenthene, terebinthine and (colloquially) turps) is a fluid obtained by the distillation of resin harvested from living trees, mainly pines. Mainly used as a special ...
. Certain differences, depending on the oil, are also visible in the sheen of the paints. An artist might use several different oils in the same painting depending on specific pigments and effects desired. The paints themselves also develop a particular consistency depending on the medium. The oil may be boiled with a
resin In polymer chemistry and materials science, resin is a solid or highly viscous substance of plant or synthetic origin that is typically convertible into polymers. Resins are usually mixtures of organic compounds. This article focuses on nat ...
, such as pine resin or frankincense, to create a varnish prized for its body and gloss. The paint itself can be molded into different textures depending on its plasticity.


Techniques

Traditional oil painting techniques often begin with the artist sketching the subject onto the canvas with charcoal or thinned paint.
Oil paint Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and ...
is usually mixed with linseed oil, artist grade
mineral spirits White spirit (AU, UK & Ireland)Primarily in the United Kingdom and Australia. In New Zealand "white spirit" can also refer to Coleman fuel ( white gas). or mineral spirits (US, Canada), also known as mineral turpentine (AU/NZ), turpentine substi ...
, or other solvents to make the paint thinner, faster or slower-drying. (Because the solvents thin the oil in the paint, they can also be used to clean paint brushes.) A basic rule of oil paint application is '
fat over lean Fat over lean refers to the principle in oil painting of applying paint with a higher oil to pigment ratio ('fat') over paint with a lower oil to pigment ratio ('lean') to ensure a stable paint film, since it is believed that the paint with the high ...
', meaning that each additional layer of paint should contain more oil than the layer below to allow proper drying. If each additional layer contains less oil, the final painting will crack and peel. The consistency on the canvas depend on the layering of the oil paint. This rule does not ensure permanence; it is the quality and type of oil that leads to a strong and stable paint film. There are other media that can be used with the oil, including cold wax, resins, and varnishes. These additional media can aid the painter in adjusting the translucency of the paint, the sheen of the paint, the density or 'body' of the paint, and the ability of the paint to hold or conceal the brushstroke. These aspects of the paint are closely related to the expressive capacity of oil paint. Traditionally, paint was most often transferred to the painting surface using paintbrushes, but there are other methods, including using
palette knives Palette may refer to: * Cosmetic palette, an archaeological form * Palette, another name for a color scheme * Palette (painting), a wooden board used for mixing colors for a painting ** Palette knife, an implement for painting * Palette (company) ...
and rags. Palette knives can scrape off any paint from a canvas and can also be used for application. Oil paint remains wet longer than many other types of artists' materials, enabling the artist to change the color, texture or form of the figure. At times, the painter might even remove an entire layer of paint and begin anew. This can be done with a rag and some
turpentine Turpentine (which is also called spirit of turpentine, oil of turpentine, terebenthene, terebinthine and (colloquially) turps) is a fluid obtained by the distillation of resin harvested from living trees, mainly pines. Mainly used as a special ...
for a time while the paint is wet, but after a while the hardened layer must be scraped off. Oil paint dries by
oxidation Redox (reduction–oxidation, , ) is a type of chemical reaction in which the oxidation states of substrate change. Oxidation is the loss of electrons or an increase in the oxidation state, while reduction is the gain of electrons or ...
, not evaporation, and is usually dry to the touch within a span of two weeks (some colors dry within days).


History

The earliest known surviving oil paintings are Buddhist murals created circa 650AD in Bamiyan,
Afghanistan Afghanistan, officially the Islamic Emirate of Afghanistan,; prs, امارت اسلامی افغانستان is a landlocked country located at the crossroads of Central Asia and South Asia. Referred to as the Heart of Asia, it is borde ...
. Bamiyan is an historic settlement along the silk road and is famous for the Bamiyan Buddhas, a series of giant statues, behind which rooms and tunnels are carved from the rock. The murals are located in these rooms. The artworks display a wide range of pigments and ingredients, and even included the use of a final varnish layer. The refinement of this painting technique and the survival of the paintings into the present day suggests that oil paints had been used in Asia for some time before the 7th century. This technique of binding pigments in oil, first seen in the Bamiyan cave paintings of South Asia, was later brought to Europe about 900 years later, in the 15th century. Europeans adopted the technique with Early Netherlandish painting in Northern Europe, and later, during the Renaissance, oil painting techniques had almost completely replaced the earlier use of tempera paints in the majority of Europe. Most European Renaissance sources, in particular
Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculpt ...
, falsely credit northern European painters of the 15th century, and Jan van Eyck in particular, with the invention of oil paints However, Theophilus (
Roger of Helmarshausen Roger of Helmarshausen (fl. 12th century) was a well-known goldsmith and metalwork artist, and also a Benedictine monk. Artistic career Roger is first heard of in connection with Stavelot Abbey in the Meuse valley, a centre of Mosan art, and espe ...
?) clearly gives instructions for oil-based painting in his treatise, ''On Various Arts'', written about 1125. At this period, it was probably used for painting sculptures, carvings and wood fittings, perhaps especially for outdoor use. Outdoor surfaces and surfaces like shields—both those used in tournaments and those hung as decorations—were more durable when painted in oil-based media than when painted in the traditional tempera paints. However, early Netherlandish painting with artists like Van Eyck and Robert Campin in the early and mid-15th century were the first to make oil the usual painting medium, and explore the use of layers and glazes, followed by the rest of Northern Europe, and only then Italy. Such works were painted on wooden panels, but towards the end of the 15th century canvas began to be used as a support, as it was cheaper, easier to transport, allowed larger works, and did not require complicated preliminary layers of gesso (a fine type of plaster).
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
, where sail-canvas was easily available, was a leader in the move to canvas. Small
cabinet painting A cabinet painting (or "cabinet picture") is a small painting, typically no larger than two feet (0.6 meters) in either dimension, but often much smaller. The term is especially used for paintings that show full-length figures or landscapes at a ...
s were also made on metal, especially copper plates. These supports were more expensive but very firm, allowing intricately fine detail. Often printing plates from printmaking were reused for this purpose. The increasing use of oil spread through Italy from Northern Europe, starting in Venice in the late 15th century. By 1540, the previous method for painting on panel (tempera) had become all but extinct, although Italians continued to use chalk-based fresco for wall paintings, which was less successful and durable in damper northern climates. Renaissance techniques used a number of thin almost transparent layers or glazes, usually each allowed to dry before the next was added, greatly increasing the time a painting took. The underpainting or ground beneath these was usually white (typically gesso coated with a primer), allowing light to reflect back through the layers. But van Eyck, and Robert Campin a little later, used a
wet-on-wet Wet-on-wet, or ''alla prima'' (Italian, meaning ''at first attempt''), direct painting or au premier coup, is a painting technique in which layers of wet paint are applied to previously administered layers of wet paint. Used mostly in oil paint ...
technique in places, painting a second layer soon after the first. Initially the aim was, as with the established techniques of tempera and fresco, to produce a smooth surface when no attention was drawn to the brushstrokes or texture of the painted surface. Among the earliest impasto effects, using a raised or rough texture in the surface of the paint, are those from the later works of the Venetian painter Giovanni Bellini, around 1500. This became much more common in the 16th century, as may painters began to draw attention to the process of their painting, by leaving individual brushstrokes obvious, and a rough painted surface. Another Venetian, Titian, was a leader in this. In the 17th century some artists, including Rembrandt, began to use dark grounds. Until the mid-19th century there was a division between artists who exploited "effects of handling" in their paintwork, and those who continued to aim at "an even, glassy surface from which all evidences of manipulation had been banished". Before the 19th century, artists or their apprentices ground pigments and mixed their paints for the range of painting media. This made portability difficult and kept most painting activities confined to the studio. This changed when tubes of oil paint became widely available following the American portrait painter
John Goffe Rand John Goffe Rand (27 January 1801–23 January 1873) was an American painter and inventor. He lived and worked in Boston, London, and New York. Rand invented and patented the first collapsible artist's paint tube. The tin tube allowed unused oil ...
's invention of the squeezable or collapsible metal tube in 1841. Artists could mix colors quickly and easily, which enabled, for the first time, relatively convenient
plein air ''En plein air'' (; French for 'outdoors'), or ''plein air'' painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting ...
painting (a common approach in French
Impressionism Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passa ...
)


Ingredients

The linseed oil itself comes from the flax seed, a common fiber crop. Linen, a "support" for oil painting (see relevant section), also comes from the flax plant. Safflower oil or the walnut or poppyseed oil are sometimes used in formulating lighter colors like white because they "yellow" less on drying than linseed oil, but they have the slight drawback of drying more slowly and may not provide the strongest paint film. Linseed oil tends to dry yellow and can change the hue of the color. Recent advances in
chemistry Chemistry is the scientific study of the properties and behavior of matter. It is a natural science that covers the elements that make up matter to the compounds made of atoms, molecules and ions: their composition, structure, proper ...
have produced modern
water miscible oil paint Water-miscible oil paint (also called water-soluble oil paint or water-mixable oil paint) is oil paint either engineered or to which an emulsifier has been added, allowing it to be thinned and cleaned up with water. These paints make it possible t ...
s that can be used and cleaned up with water. Small alterations in the molecular structure of the oil creates this water miscible property.


Supports for oil painting

The earliest oil paintings were almost all panel paintings on wood, which had been
seasoned Seasoning is the process of supplementing food via herbs, spices, salts, and/or sugar, intended to enhance a particular flavour. General meaning Seasonings include herbs and spices, which are themselves frequently referred to as "seasonings". Ho ...
and prepared in a complicated and rather expensive process with the panel constructed from several pieces of wood, although such a support has a tendency to warp. Panels continued to be used well into the 17th century, including by Rubens, who painted several large works on wood. The artists of the Italian regions moved towards canvas in the early 16th century, led partly by a wish to paint larger images, which would have been too heavy as panels. Canvas for sails was made in
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
and so easily available and cheaper than wood. Smaller paintings, with very fine detail, were easier to paint on a very firm surface, and wood panels or copper plates, often reused from printmaking, were often chosen for small
cabinet painting A cabinet painting (or "cabinet picture") is a small painting, typically no larger than two feet (0.6 meters) in either dimension, but often much smaller. The term is especially used for paintings that show full-length figures or landscapes at a ...
s even in the 19th century. Portrait miniatures normally used very firm supports, including ivory, or stiff paper card. Traditional artists' canvas is made from linen, but less expensive
cotton Cotton is a soft, fluffy staple fiber that grows in a boll, or protective case, around the seeds of the cotton plants of the genus '' Gossypium'' in the mallow family Malvaceae. The fiber is almost pure cellulose, and can contain minor pe ...
fabric has been used. The artist first prepares a wooden frame called a "stretcher" or "strainer". The difference between the two names is that ''stretchers'' are slightly adjustable, while ''strainers'' are rigid and lack adjustable corner notches. The canvas is then pulled across the wooden frame and tacked or stapled tightly to the back edge. Then the artist applies a "
size Size in general is the magnitude or dimensions of a thing. More specifically, ''geometrical size'' (or ''spatial size'') can refer to linear dimensions ( length, width, height, diameter, perimeter), area, or volume. Size can also be me ...
" to isolate the canvas from the acidic qualities of the paint. Traditionally, the canvas was coated with a layer of animal glue (modern painters will use rabbit skin glue) as the size and primed with lead white paint, sometimes with added chalk. Panels were prepared with a ''gesso'', a mixture of glue and chalk. Modern acrylic " gesso" is made of
titanium dioxide Titanium dioxide, also known as titanium(IV) oxide or titania , is the inorganic compound with the chemical formula . When used as a pigment, it is called titanium white, Pigment White 6 (PW6), or CI 77891. It is a white solid that is insolu ...
with an acrylic binder. It is frequently used on canvas, whereas real gesso is not suitable for canvas. The artist might apply several layers of gesso, sanding each smooth after it has dried. Acrylic gesso is very difficult to sand. One manufacturer makes a "sandable" acrylic gesso, but it is intended for panels only and not canvas. It is possible to make the gesso a particular color, but most store-bought gesso is white. The gesso layer, depending on its thickness, will tend to draw the oil paint into the porous surface. Excessive or uneven gesso layers are sometimes visible in the surface of finished paintings as a change that's not from the paint. Standard sizes for oil paintings were set in France in the 19th century. The standards were used by most artists, not only the French, as it was—and evidently still is—supported by the main suppliers of artists' materials. Size 0 (''toile de 0'') to size 120 (''toile de 120'') is divided in separate "runs" for figures (''figure''), landscapes (''paysage'') and marines (''marine'') that more or less preserve the diagonal. Thus a ''0 figure'' corresponds in height with a ''paysage 1'' and a ''marine 2''. Although surfaces like linoleum, wooden panel,
paper Paper is a thin sheet material produced by mechanically or chemically processing cellulose fibres derived from wood, rags, grasses or other vegetable sources in water, draining the water through fine mesh leaving the fibre evenly distribu ...
, slate, pressed wood, Masonite, and
cardboard Cardboard is a generic term for heavy paper-based products. The construction can range from a thick paper known as paperboard to corrugated fiberboard which is made of multiple plies of material. Natural cardboards can range from grey to light b ...
have been used, the most popular surface since the 16th century has been canvas, although many artists used panel through the 17th century and beyond. Panel is more expensive, heavier, harder to transport, and prone to warp or split in poor conditions. For fine detail, however, the absolute solidity of a wooden panel has an advantage.


Process

Oil paint is made by mixing pigments of colors with an oil medium. Since the 19th century the different main colors are purchased in paint tubes pre-prepared before painting begins, further shades of color are usually obtained by mixing small quantities together as the painting process is underway. An artist's palette, traditionally a thin wood board held in the hand, is used for holding and mixing paints. Pigments may be any number of natural or synthetic substances with color, such as
sulphide Sulfide (British English also sulphide) is an inorganic anion of sulfur with the chemical formula S2− or a compound containing one or more S2− ions. Solutions of sulfide salts are corrosive. ''Sulfide'' also refers to chemical compounds lar ...
s for yellow or cobalt salts for blue. Traditional pigments were based on minerals or plants, but many have proven unstable over long periods of time. Modern pigments often use synthetic chemicals. The pigment is mixed with oil, usually linseed, but other oils may be used. The various oils dry differently, which creates assorted effects. A
brush A brush is a common tool with bristles, wire or other filaments. It generally consists of a handle or block to which filaments are affixed in either a parallel or perpendicular orientation, depending on the way the brush is to be gripped durin ...
is most commonly employed by the artist to apply the paint, often over a sketched outline of their subject (which could be in another medium). Brushes are made from a variety of fibers to create different effects. For example, brushes made with hog bristle might be used for bolder strokes and impasto textures. Fitch hair and mongoose hair brushes are fine and smooth, and thus answer well for portraits and detail work. Even more expensive are red sable brushes (
weasel Weasels are mammals of the genus ''Mustela'' of the family Mustelidae. The genus ''Mustela'' includes the least weasels, polecats, stoats, ferrets and European mink. Members of this genus are small, active predators, with long and slend ...
hair). The finest quality brushes are called " kolinsky sable"; these brush fibers are taken from the tail of the Siberian weasel. This hair keeps a superfine point, has smooth handling, and good memory (it returns to its original point when lifted off the canvas), known to artists as a brush's "snap". Floppy fibers with no snap, such as squirrel hair, are generally not used by oil painters. In the past few decades, many synthetic brushes have been marketed. These are very durable and can be quite good, as well as cost efficient. Brushes come in multiple sizes and are used for different purposes. The ''type'' of brush also makes a difference. For example, a "round" is a pointed brush used for detail work. "Flat" brushes are used to apply broad swaths of color. "Bright" is a flat brush with shorter brush hairs, used for "scrubbing in". "Filbert" is a flat brush with rounded corners. "Egbert" is a very long, and rare, filbert brush. The artist might also apply paint with a palette knife, which is a flat metal blade. A palette knife may also be used to remove paint from the canvas when necessary. A variety of unconventional tools, such as rags, sponges, and cotton swabs, may be used to apply or remove paint. Some artists even paint with their fingers. Old masters usually applied paint in thin layers known as "glazes" that allow light to penetrate completely through the layer, a method also simply called "indirect painting". This technique is what gives oil paintings their luminous characteristics. This method was first perfected through an adaptation of the
egg tempera Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done ...
painting technique (egg yolks used as a binder, mixed with pigment), and was applied by the Early Netherlandish painters in Northern Europe with pigments usually ground in linseed oil. This approach has been called the "mixed technique" or "mixed method" in modern times. The first coat (the underpainting) is laid down, often painted with egg tempera or turpentine-thinned paint. This layer helps to "tone" the canvas and to cover the white of the gesso. Many artists use this layer to sketch out the composition. This first layer can be adjusted before proceeding further, an advantage over the "cartooning" method used in fresco technique. After this layer dries, the artist might then proceed by painting a "mosaic" of color swatches, working from darkest to lightest. The borders of the colors are blended together when the "mosaic" is completed and then left to dry before applying details. Artists in later periods, such as the Impressionist era (late 19th century), often expanded on this
wet-on-wet Wet-on-wet, or ''alla prima'' (Italian, meaning ''at first attempt''), direct painting or au premier coup, is a painting technique in which layers of wet paint are applied to previously administered layers of wet paint. Used mostly in oil paint ...
method, blending the wet paint on the canvas without following the Renaissance-era approach of layering and glazing. This method is also called " alla prima". This method was created due to the advent of painting outdoors, instead of inside a studio, because while outside, an artist did not have the time to let each layer of paint dry before adding a new layer. Several contemporary artists use a combination of both techniques to add bold color (wet-on-wet) and obtain the depth of layers through glazing. When the image is finished and has dried for up to a year, an artist often seals the work with a layer of varnish that is typically made from dammar gum crystals dissolved in turpentine. Such varnishes can be removed without disturbing the oil painting itself, to enable cleaning and
conservation Conservation is the preservation or efficient use of resources, or the conservation of various quantities under physical laws. Conservation may also refer to: Environment and natural resources * Nature conservation, the protection and manageme ...
. Some contemporary artists decide not to varnish their work, preferring the surface unvarnished.


Examples of famous works

File:Van Eyck - Arnolfini Portrait.jpg, ''
Arnolfini Portrait ''The Arnolfini Portrait'' (or ''The Arnolfini Wedding'', ''The Arnolfini Marriage'', the ''Portrait of Giovanni Arnolfini and his Wife'', or other titles) is a 1434 oil painting on oak panel by the Early Netherlandish painter Jan van Eyck. It for ...
'', Jan van Eyck, ''1434'' (on panel) File:La donna velata v2.jpg, '' La donna velata'',
Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual ...
, ''1516'' File:Tizian 085.jpg, '' The Rape of Europa'', Titian, ''1562'' File:Peter Paul Rubens - De kruisoprichting.JPG, ''
The Raising of the Cross The raising of the Cross or elevation of the Cross has been a distinct subject in the Life of Christ in art depicting the start of the Crucifixion of Jesus.
'',
Peter Paul Rubens Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradit ...
, ''1610–11'' File:Rembrandt - The Anatomy Lesson of Dr Nicolaes Tulp.jpg, ''
The Anatomy Lesson of Dr. Nicolaes Tulp ''The Anatomy Lesson of Dr. Nicolaes Tulp'' is a 1632 oil painting on canvas by Rembrandt housed in the Mauritshuis museum in The Hague, the Netherlands. The painting is regarded as one of Rembrandt's early masterpieces. In the work, Nicolaes Tu ...
'', Rembrandt, ''1632'' File:Innocent-x-velazquez.jpg, '' Innocent X'', Velázquez, ''c 1650'' File:Johannes Vermeer - Het melkmeisje - Google Art Project.jpg, '' The Milkmaid'', Johannes Vermeer, ''1658–1660'' File:Largillierre belle Strasbourgeoise mba mb.jpg, '' La Belle Strasbourgeoise'',
Nicolas de Largillière Nicolas de Largillière (; 10 October 1656 – 20 March 1746) was a French portrait painter, born in Paris. Biography Early life Largillière's father, a merchant, took him to Antwerp at the age of three. As a boy, he spent nearly two years i ...
, ''1703'' File:The Toilet of Venus, by François Boucher.jpg, ''The Toilet of Venus'', François Boucher, ''1751'' File:The Blue Boy.jpg, ''
The Blue Boy ''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the ...
'', Thomas Gainsborough, ''1770'' File:Battle of Somosierra by Piotr Michałowski.PNG, '' Battle of Somosierra'',
Piotr Michałowski Piotr Michałowski (July 2, 1800 – June 9, 1855) was a Polish painter of the Romantic period, especially known for his many portraits, and oil studies of horses. Broadly educated, he was also a social activist, legal advocate, city administr ...
, 1837 File:Claude Monet - Woman with a Parasol - Madame Monet and Her Son - Google Art Project.jpg, '' Woman with a Parasol – Madame Monet and Her Son,
Claude Monet Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During ...
, ''1875'' File:Pierre-Auguste Renoir, Le Moulin de la Galette.jpg, '' Bal du moulin de la Galette'', Pierre-Auguste Renoir ''1876'' File:Portrait of Dr. Gachet.jpg, '' Portrait of Dr. Gachet'', Vincent van Gogh, ''1890'' File:Paul Cézanne, 1892-95, Les joueurs de carte (The Card Players), 60 x 73 cm, oil on canvas, Courtauld Institute of Art, London.jpg, ''
The Card Players ''The Card Players'' is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size, the number of ...
'',
Paul Cézanne Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically d ...
, ''1892'' File:Old guitarist chicago.jpg, '' The Old Guitarist'', Pablo Picasso, 1903 File:Henri Le Sidaner Le Grand Canal, Venise (1906).jpg, ''Le Grand Canal'', ''Venice'',
Henri Le Sidaner Henri Eugène Augustin Le Sidaner (7 August 1862 – 14 July 1939) who was a contemporary of the Post-impressionists, was an intimist painter known for his paintings of domestic interiors and quiet street scenes. His style contained elements o ...
, 1906 File:Les Demoiselles d'Avignon.jpg, '' Les Demoiselles d'Avignon'', Pablo Picasso, 1907 File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg, '' The Kiss (Der Kuß)'', Gustav Klimt, 1907/8 File:Vassily Kandinsky, 1913 - Composition 7.jpg, ''Composition VII'', Wassily Kandinsky, ''1913'' File:Chagall Bella.jpg, '' Bella with White Collar'', Marc Chagall, ''1917'' File:Villem Ormisson, Tartu vaade (1937).jpg, ''Motive from Tartu'', Villem Ormisson, ''1937'' File:Nighthawks by Edward Hopper 1942.jpg, '' Nighthawks'', Edward Hopper, 1942


Notes


References

* Borchert, Till-Holger. ''Van Eyck''. London: Taschen, 2008. *Osborne, Harold (ed), ''The Oxford Companion to Art'', 1970, OUP,


Further reading

* Chieffo, Clifford T.:Contemporary Oil Painter's Handbook, Prentice Hall, 1976 * ''
The Artist's Handbook of Materials and Techniques ''The Artist's Handbook of Materials and Techniques'' is a reference book by Ralph Mayer (1895–1979). Intended by the author for use by professional artists, it deals mostly with the chemical and physical properties of traditional painterly mater ...
'', comprehensive reference book by Ralph Mayer (1940) {{Authority control