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Multitrack recording (MTR), also known as multitracking or tracking, is a method of
sound recording Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording ...
developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different
audio channel An audio signal is a representation of sound, typically using either a changing level of electrical voltage for analog signals, or a series of binary numbers for digital signals. Audio signals have frequencies in the audio frequency range of roug ...
s to separate discrete "tracks" on the same
reel-to-reel tape Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the ''supply reel'' (or ''feed reel'') containing the tape is plac ...
was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and each individual drum in the kit can all be recorded separately using a multitrack recorder. This allows each track to be fine-tuned individually, such as increasing the voice or lowering the chimes, before combining them into the final product. Prior to the development of multitracking, the sound recording process required all of the singers, band instrumentalists, and/or
orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...
accompanists to perform at the same time in the same space. Multitrack recording was a significant technical improvement as it allowed studio engineers to record all of the instruments and vocals for a piece of music separately. Multitracking allowed the engineer to adjust the levels and tone of each individual track, and if necessary, redo certain tracks or
overdub Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more av ...
parts of the track to correct errors or get a better "take". As well, different
electronic effects An electronic effect influences the structure, reactivity, or properties of molecule but is neither a traditional bond nor a steric effect. In organic chemistry, the term stereoelectronic effect is also used to emphasize the relation between th ...
such as
reverb Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is abs ...
could be applied to specific tracks, such as the lead vocals, while not being applied to other tracks where this effect would not be desirable (e.g., on the
electric bass The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and s ...
). Multitrack recording was much more than a technical innovation; it also enabled
record producer A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure. Virgil Moorefield"Introduction" ''The Producer as ...
s and artists to create new sounds that would be impossible to create outside of the studio, such as a lead singer adding many
harmony vocal In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, ...
s with their own voice to their own lead vocal part, an electric guitar player playing many harmony parts along with their own guitar solo, or even recording the drums and replaying the track backwards for an unusual effect. In the 1980s and 1990s, computers provided means by which both
sound recording and reproduction Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording ...
could be digitized, revolutionizing audio recording and distribution. In the 2000s, multitracking hardware and software for computers was of sufficient quality to be widely used for high-end audio recordings by both professional
sound engineer An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproductio ...
s and by bands recording without studios using widely available programs, which can be used on a high-end
laptop computer A laptop, laptop computer, or notebook computer is a small, portable personal computer (PC) with a screen and alphanumeric keyboard. Laptops typically have a clam shell form factor with the screen mounted on the inside of the upper li ...
. Though magnetic tape has not been replaced as a recording medium, the advantages of
non-linear editing Non-linear editing is a form of offline editing for audio, video, and image editing. In offline editing, the original content is not modified in the course of editing. In non-linear editing, edits are specified and modified by specialized sof ...
(NLE) and recording have resulted in digital systems largely superseding tape. Even in the 2010s, with digital multitracking being the dominant technology, the original word "track" is still used by audio engineers.


Process

Multi-tracking can be achieved with
analogue recording Analog recording is a technique used for the recording of analog signals which, among many possibilities, allows analog audio for later playback. Analog audio recording began with mechanical systems such as the phonautograph and phonograph. L ...
, tape-based equipment (from simple, late-1970s cassette-based four-track Portastudios, to eight-track cassette machines, to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk-based systems often employing a computer and audio recording software. Multi-track recording devices vary in their specifications, such as the number of simultaneous tracks available for recording at any one time; in the case of tape-based systems this is limited by, among other factors, the physical size of the tape employed. With the introduction of
SMPTE timecode SMPTE timecode ( or ) is a set of cooperating standards to label individual frames of video or film with a timecode. The system is defined by the Society of Motion Picture and Television Engineers in the SMPTE 12M specification. SMPTE revised ...
in the early 1970s, engineers began to use computers to perfectly synchronize separate audio and video playback, or multiple audio tape machines. In this system, one track of each machine carried the timecode signal, while the remaining tracks were available for sound recording. Some large studios were able to link multiple 24-track machines together. An extreme example of this occurred in 1982, when the rock group Toto recorded parts of '' Toto IV'' on three synchronized 24-track machines.Classic Tracks: Toto's "Africa"
Mixonline.com, Retrieved June 30, 2015.
This setup theoretically provided for up to 69 audio tracks. For computer-based systems, the trend in the 2000s is towards unlimited numbers of record/playback tracks, although issues such as
RAM Ram, ram, or RAM may refer to: Animals * A male sheep * Ram cichlid, a freshwater tropical fish People * Ram (given name) * Ram (surname) * Ram (director) (Ramsubramaniam), an Indian Tamil film director * RAM (musician) (born 1974), Dutch * ...
memory and CPU available do limit this from machine to machine. Moreover, on computer-based systems, the number of simultaneously available recording tracks is limited by the number of
sound card A sound card (also known as an audio card) is an internal expansion card that provides input and output of audio signals to and from a computer under the control of computer programs. The term ''sound card'' is also applied to external audio ...
discrete analog or digital inputs. When recording, audio engineers can select which track (or tracks) on the device will be used for each instrument, voice, or other input and can even blend one track with two instruments to vary the music and sound options available. At any given point on the tape, any of the tracks on the recording device can be recording or playing back using
sel-sync Sel-Sync or Selective Synchronous recording is the process of selectively using audio tape record heads as play back heads so that new signals can be recorded on other tracks in perfect sync with the existing tracks. Sel-sync recording dramaticall ...
or Selective Synchronous recording. This allows an artist to be able to record onto track 2 and, simultaneously, listen to track 1, 3 and 7, allowing them to sing or to play an accompaniment to the performance already recorded on these tracks. They might then record an alternate version on track 4 while listening to the other tracks. All the tracks can then be played back in perfect synchrony, as if they had originally been played and recorded together. This can be repeated until all of the available tracks have been used, or in some cases, reused. During mixdown, a separate set of playback heads with higher fidelity are used. Before all tracks are filled, any number of existing tracks can be "bounced" into one or two tracks, and the original tracks erased, making more room for more tracks to be reused for fresh recording. In 1963,
the Beatles The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time and were integral to the developmen ...
were using twin track for ''
Please Please Me ''Please Please Me'' is the debut studio album by the English rock band the Beatles. Produced by George Martin, it was released on EMI's Parlophone label on 22 March 1963 in the United Kingdom, following the success of the band's first two s ...
''. The Beatles' producer
George Martin Sir George Henry Martin (3 January 1926 – 8 March 2016) was an English record producer, arranger, composer, conductor, and musician. He was commonly referred to as the " Fifth Beatle" because of his extensive involvement in each of the ...
used this technique extensively to achieve multiple-track results, while still being limited to using only multiple four-track machines, until an eight-track machine became available during the recording of the Beatles' self-titled ninth album.
The Beach Boys The Beach Boys are an American rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by the ...
' ''
Pet Sounds ''Pet Sounds'' is the 11th studio album by American rock band the Beach Boys, released on May 16, 1966, by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on the ...
'' also made innovative use of multitracking with eight-track machines of the day (circa 1965). Motown also began recording with eight-track machines in 1965, before moving to 16-track machines in mid-1969. Multitrack recording also allows any recording artist to record multiple "takes" of any given section of their performance, allowing them to refine their performance to virtual perfection by making additional "takes" of songs or instrumental tracks. A recording engineer can record only the section being worked on, without erasing any other section of that track. This process of turning the recording mechanism on and off is called "punching in" and "punching out". (See " Punch in / out".) When recording is completed, the many tracks are "mixed down" through a
mixing console A mixing console or mixing desk is an electronic device for Audio mixing (recorded music), mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals fro ...
to a two-track stereo recorder in a format which can then be duplicated and distributed. (Movie and DVD soundtracks can be mixed down to four or more tracks, as needed, the most common being five tracks, with an additional Low Frequency Effects track, hence the "5.1" surround sound most commonly available on DVDs.) Most of the records, CDs and cassettes commercially available in a music store are recordings that were originally recorded on multiple tracks, and then mixed down to stereo. In some rare cases, as when an older song is technically "updated", these stereo (or mono) mixes can in turn be recorded (as if it were a "submix") onto two (or one) tracks of a multitrack recorder, allowing additional sound (tracks) to be layered on the remaining tracks.


Flexibility

During multitracking, multiple musical instruments (and vocals) can be recorded, either one at a time or simultaneously, onto individual tracks, so that the sounds thus recorded can be accessed, processed and manipulated individually to produce the desired results. In the 2010s, many rock and pop bands record each part of the song one after the other. First, the bass and drums are often recorded, followed by the chordal rhythm section instruments. Then the lead vocals and guitar solos are added. As a last step, the
harmony vocals Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical c ...
are added. On the other hand,
orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...
s are always recorded with all 70 to 100 instrumentalists playing their parts simultaneously. If each group of instrument has its own microphone, and each instrument with a solo melody has its own microphone, the different microphones can record on multiple tracks simultaneously. After recording the orchestra, the record producer and conductor can adjust the balance and tone of the different instrument sections and solo instruments, because each section and solo instrument was recorded to its own track. With the rock or pop band example, after recording some parts of a song, an artist might listen to ''only'' the guitar part, by 'muting' all the tracks except the one on which the guitar was recorded. If one then wanted to listen to the lead vocals in isolation, one would do so by muting all the tracks apart from the lead vocals track. If one wanted to listen to the entire song, one could do so by un-muting all the tracks. If one did not like the guitar part, or found a mistake in it, and wanted to replace it, one could do so by re-recording ''only'' the guitar part (i.e., re-recording only the track on which the guitar was recorded), rather than re-recording the entire song. If all the voices and instruments in a recording are individually recorded on distinct tracks, then the artist is able to retain complete control over the final sculpting of the song, during the mix-down (re-recording to two stereo tracks for mass distribution) phase. For example, if an artist wanted to apply one
effects unit An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in el ...
to a synthesizer part, a different effect to a guitar part, a 'chorused reverb' effect to the lead vocals, and different effects to all the drums and percussion instruments, they could not do so if they had all been originally recorded together onto the same track. However, if they had been recorded onto separate tracks, then the artist could blend and alter all of the instrument and vocal sounds with complete freedom. Multitracking a song also leaves open the possibilities of remixes by the same or future artists, such as DJs. If the song was not available in a multitrack format recording, the job of the remixing artist was very difficult, or impossible, because, once the tracks had been re-recorded together onto a single track ('mixed down'), they were previously considered inseparable. More recent software allows sound source separation, whereby individual instruments, voices and effects can be 'upmixed' — isolated from a single-track source — in high quality. This has permitted the production of stereophonic or surround sound mixes of recordings that were originally mastered and released in mono.


History

The process was conceived and developed by Ross Snyder at
Ampex Ampex is an American electronics company founded in 1944 by Alexander M. Poniatoff as a spin-off of Dalmo-Victor. The name AMPEX is a portmanteau, created by its founder, which stands for Alexander M. Poniatoff Excellence.AbramsoThe History ...
in 1955 resulting in the first Sel-Sync machine, an 8-track machine which used one-inch tape. This 8-track recorder was sold to the American guitarist, songwriter, luthier, and inventor Les Paul for $10,000. It became known as the "Octopus". Les Paul, Mary Ford and Patti Page used the technology in the late 1950s to enhance vocals and instruments. From these beginnings, it evolved in subsequent decades into a mainstream recording technique.


With computers

Since the early 1990s, many performers have recorded music using only a Mac or PC equipped with multitrack recording software as a tracking machine. The computer must have a sound card or other type of
audio interface An audio interface is a piece of computer hardware that allows the input and output of audio signals to and from a host computer or recording device. Audio interfaces are closely related to computer sound cards, but whereas sound cards are opti ...
with one or more
Analog-to-digital converter In electronics, an analog-to-digital converter (ADC, A/D, or A-to-D) is a system that converts an analog signal, such as a sound picked up by a microphone or light entering a digital camera, into a digital signal. An ADC may also provide ...
s.
Microphone A microphone, colloquially called a mic or mike (), is a transducer that converts sound into an electrical signal. Microphones are used in many applications such as telephones, hearing aids, public address systems for concert halls and publ ...
s are needed to record the sounds of vocalists or acoustic instruments. Depending on the capabilities of the system, some instruments, such as a synthesizer or
electric guitar An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic gu ...
, can also be sent to an interface directly using
Line level Line level is the specified strength of an audio signal used to transmit analog audio between components such as CD and DVD players, television sets, audio amplifiers, and mixing consoles. Line level sits between other levels of audio signal ...
or
MIDI MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and ...
inputs. Direct inputs eliminate the need for microphones and can provide another range of sound control options. There are tremendous differences in computer audio interfaces. Such units vary widely in price, sound quality, and flexibility. The most basic interfaces use audio circuitry that is built into the computer motherboard. The most sophisticated audio interfaces are external units of professional studio quality which can cost thousands of dollars. Professional interfaces usually use one or more
IEEE 1394 IEEE 1394 is an interface standard for a serial bus for high-speed communications and isochronous real-time data transfer. It was developed in the late 1980s and early 1990s by Apple in cooperation with a number of companies, primarily Sony an ...
(commonly known as FireWire) connections. Other types of interfaces may use internal PCI cards, or external USB connections. Popular manufacturers of high-quality interfaces include
Apogee Electronics Apogee Electronics is an American manufacturer of audio interfaces and audio converters, USB & iOS microphones as well as audio production software. History Apogee Electronics was founded in December 1985 by Soundcraft USA president Betty B ...
, Avid Audio (formerly Digidesign), Echo Digital Audio,
Focusrite Focusrite PLC is an English music and audio products group based in High Wycombe, England (with its history in Focusrite Audio Engineering Ltd.). The Focusrite Group trades under eight brands: Focusrite, Focusrite Pro, Martin Audio, ADAM Audi ...
, MOTU, RME Audio,
M-Audio M-Audio (formerly Midiman) is a business unit of inMusic Brands that designs and markets audio and MIDI interfaces, keyboards and MIDI controllers, synthesizers, loudspeakers, studio monitors, digital DJ systems, microphones, and music softw ...
and PreSonus. Microphones are often designed for highly specific applications and have a major effect on recording quality. A single studio-quality microphone can cost $5,000 or more, while consumer-quality recording microphones can be bought for less than $50 each. Microphones also need some type of
microphone preamplifier The term microphone preamplifier can either refer to the electronic circuitry within a microphone, or to a separate device or circuit that the microphone is connected to. In either instance, the purpose of the microphone preamplifier is the same. ...
to prepare the signal for use by other equipment. These preamplifiers can also have a major effect on the sound and come in different price ranges, physical configurations, and capability levels. Microphone preamplifiers may be external units or a built in feature of other audio equipment.


Software

Software for multitrack recording can record multiple tracks at once. It generally uses graphic notation for an interface and offers a number of views of the music. Most multitrackers also provide audio playback capability. Some multitrack software also provides
MIDI MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and ...
playback functions not just for audio; during playback the MIDI data is sent to a
softsynth A software synthesizer or softsynth is a computer program that generates digital audio, usually for music. Computer software that can create sounds or music is not new, but advances in processing speed now allow softsynths to accomplish the sam ...
or virtual instrument (e.g., VSTi) which converts the data to audio sound. Multitrack software may also provide other features that qualify it being called a
digital audio workstation A digital audio workstation (DAW) is an electronic device or application software used for recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrat ...
(DAW). These features may include various displays including showing the score of the music, as well as editing capability. There is often overlap between many of the categories of musical software. In this case scorewriters and full featured multitrackers such as DAWs have similar features for playback, but may have less similarity for editing and recording. Multitrack recording software varies widely in price and capability. Popular multitrack recording software programs include:
Reason Reason is the capacity of consciously applying logic by drawing conclusions from new or existing information, with the aim of seeking the truth. It is closely associated with such characteristically human activities as philosophy, science, ...
,
Ableton Live Ableton Live is a digital audio workstation for macOS and Windows developed by the German company Ableton. In contrast to many other software sequencers, Ableton Live is designed to be an instrument for live performances as well as a tool ...
, FL Studio,
Adobe Audition Adobe Audition is a digital audio workstation developed by Adobe Inc. featuring both a multitrack, non-destructive mix/edit environment and a destructive-approach waveform editing view. Origins Syntrillium Software was founded in the early 19 ...
,
Pro Tools Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology (formerly Digidesign) for Microsoft Windows and macOS. It is used for music creation and production, sound for picture ( sound design, audio post-produ ...
, Digital Performer, Cakewalk Sonar, Samplitude, Nuendo,
Cubase Cubase is a digital audio workstation (DAW) developed by Steinberg for music and MIDI recording, arranging and editing. The first version, which was originally only a MIDI sequencer and ran on the Atari ST computer, was released in 1989. Cut-dow ...
and
Logic Logic is the study of correct reasoning. It includes both formal and informal logic. Formal logic is the science of deductively valid inferences or of logical truths. It is a formal science investigating how conclusions follow from premise ...
. Lower-cost alternatives include Mixcraft,
REAPER A reaper is a farm implement or person that reaps (cuts and often also gathers) crops at harvest when they are ripe. Usually the crop involved is a cereal grass. The first documented reaping machines were Gallic reapers that were used in Roma ...
and n-Track Studio. Open-source and
free software Free software or libre software is computer software distributed under terms that allow users to run the software for any purpose as well as to study, change, and distribute it and any adapted versions. Free software is a matter of liberty, no ...
programs are also available for multitrack recording. These range from very basic programs such as Jokosher to Ardour and Audacity, which are capable of performing many functions of the most sophisticated programs. Instruments and voices are usually recorded as individual files on a computer hard drive. These function as tracks which can be added, removed or processed in many ways. Effects such as
reverb Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is abs ...
, chorus, and delays can be applied by electronic devices or by computer software. Such effects are used to shape the sound as desired by the producer. When the producer is satisfied with the recorded sound finished tracks can be mixed into a new stereo pair of tracks within the multitrack recording software. Finally, the final stereo recording can be written to a CD, which can be copied and distributed.


Order of recording

In modern popular songs, drums,
percussion instrument A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Ex ...
sPrince - School Of Funk
'' Modern Drummer Magazine''. Accessed July 14, 2010 and
electric bass The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and s ...
are often among the first instruments to be recorded. These are the core instruments of the rhythm section. Musicians recording later tracks use the precise attack of the drum sounds as a rhythmic guide. In some styles, the drums may be recorded for a few bars and then looped. Click (
metronome A metronome, from ancient Greek μέτρον (''métron'', "measure") and νομός (nomós, "custom", "melody") is a device that produces an audible click or other sound at a regular interval that can be set by the user, typically in beats pe ...
) tracks are also often used as the first sound to be recorded, especially when the drummer is not available for the initial recording, and/or the final mix will be synchronized with motion picture and/or video images. One reason that a band may start with just the drums is because this allows the band to pick the song's key later on. The producer and the musicians can experiment with the song's key and musical arranger, arrangement against the basic rhythm track. Also, though the drums might eventually be mixed down to a couple of tracks, each individual drum and percussion instrument might be initially recorded to its own individual track. The drums and percussion combined can occupy a large number of tracks utilized in a recording. This is done so that each percussion instrument can be processed individually for maximum effect. Equalization (audio), Equalization (or EQ) is often used on individual drums, to bring out each one's characteristic sound. The last tracks recorded are often the vocals (though a temporary vocal track may be recorded early on either as a reference or to guide subsequent musicians; this is sometimes called a "guide vocal", "ghost vocal" or "scratch vocal"). One reason for this is that singers will often temper their vocal expression in accordance with the accompaniment. Producers and songwriters can also use the guide/scratch vocal when they have not quite ironed out all the lyrics or for flexibility based on who sings the lead vocal (as The Alan Parsons Project's Eric Woolfson often did).


Concert music

For classical and jazz recordings, particularly instrumentals where multitracking is chosen as the recording method (as opposed to direct to stereo, for example), a different arrangement is used; all tracks are recorded simultaneously. Sound barriers are often placed between different groups within the orchestra, e.g. pianists, violinists, percussionists, etc. When barriers are used, these groups listen to each other via headphones. Multitrack live recording is a lot like gigging – a lot of planning ahead of time, a lot of gear to carry and set up, a lot of waiting, and then a lot of hectic activity over the next 40 minutes or so! There's little doubt that a pseudolive studio performance can enhance certain forms of music, particularly those with a lot of intensity in the live performance, but it still lacks the atmosphere of a real gig. You may record the moment with a portable setup during the performance. You can produce wonderful live recordings with just two microphones and a building's inherent acoustics, but that will have to wait for another day. Taking a feed from the front of house (or FOH) desk directly to tape or DAT is another technique of live recording, although this will only work in large venues where everything is run through the PA system. Even so, a loud backline will result in less guitar and bass being routed via the main PA system, resulting in an unbalanced mix. A multitrack recording has distinct advantages: it allows you more control after the event because you may fine-tune the mix and correct any obvious mistakes without sacrificing the thrill of the live performance. It does, however, necessitate a lot more pre-gig planning as well as a lot more equipment.


See also

* Click track * Comparison of digital audio editors * Digital audio workstation * Dynamic range compression * Fostex * List of musical works released in a stem format * MIDI mockup * Module file * Overdubbing * Portastudio * Surround sound * Quadraphonic sound * Remix * Reverb * Sound effects#Techniques * TASCAM * Revox


References


External links


n-Track Studio - Multitrack recording software

"All You Need is Ears" by George Martin, p. 148-157










{{DEFAULTSORT:Multitrack Recording Multitrack recording, Sound recording Tape recording ja:マルチトラック・レコーダー