HOME

TheInfoList



OR:

A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...
,
operetta Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its ...
,
masque The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masq ...
,
oratorio An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is ...
,
cantata A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning o ...
or
musical Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film Musical film is a film genre in which songs by the characters are interwo ...
. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the
Mass Mass is an intrinsic property of a body. It was traditionally believed to be related to the quantity of matter in a physical body, until the discovery of the atom and particle physics. It was found that different atoms and different ele ...
,
requiem A Requiem or Requiem Mass, also known as Mass for the dead ( la, Missa pro defunctis) or Mass of the dead ( la, Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, ...
and sacred cantata, or the story line of a
ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form ...
. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word '' libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or
scenario In the performing arts, a scenario (, ; ; ) is a synoptical collage of an event or series of actions and events. In the ''commedia dell'arte'', it was an outline of entrances, exits, and action describing the plot of a play, and was literally pi ...
of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some
ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form ...
historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by scene.See, for example The relationship of the librettist (that is, the writer of a libretto) to the
composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Def ...
in the creation of a musical work has varied over the centuries, as have the sources and the writing techniques employed. In the context of a modern English language musical theatre piece, the libretto is often referred to as the
book A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical ...
of the work, though this usage typically excludes sung lyrics.


Relationship of composer and librettist

Libretti for operas,
oratorio An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is ...
s and
cantata A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning o ...
s in the 17th and 18th centuries were generally written by someone other than the composer, often a well-known poet. Pietro Trapassi, known as
Metastasio Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Me ...
(1698–1782) was one of the most highly regarded librettists in Europe. His libretti were set many times by many different composers. Another noted 18th-century librettist was
Lorenzo Da Ponte Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italian, later American, opera librettist, poet and Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Mozart's most celebrated operas: ''The Marr ...
. He wrote the libretti for three of
Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...
's greatest operas, and for many other composers as well.
Eugène Scribe Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of ma ...
was one of the most prolific librettists of the 19th century, providing the words for works by
Meyerbeer Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le d ...
(with whom he had a lasting collaboration), Auber, Bellini, Donizetti,
Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards ...
and
Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the ...
. The French writers' duo Henri Meilhac and Ludovic Halévy wrote many
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...
and
operetta Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its ...
libretti for the likes of
Jacques Offenbach Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ' ...
,
Jules Massenet Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and '' Werther ...
and
Georges Bizet Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', whi ...
.
Arrigo Boito Arrigo Boito (; 24 February 1842 10 June 1918) (whose original name was Enrico Giuseppe Giovanni Boito and who wrote essays under the anagrammatic pseudonym of Tobia Gorrio) was an Italian poet, journalist, novelist, librettist and composer, best ...
, who wrote libretti for, among others,
Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
and
Amilcare Ponchielli Amilcare Ponchielli (, ; 31 August 1834 – 16 January 1886) was an Italian opera composer, best known for his opera ''La Gioconda''. He was married to the soprano Teresina Brambilla. Life and work Born in Paderno Fasolaro (now Paderno Ponchiell ...
, also composed two operas of his own. The libretto is not always written before the music. Some composers, such as
Mikhail Glinka Mikhail Ivanovich Glinka ( rus, link=no, Михаил Иванович Глинка, Mikhail Ivanovich Glinka., mʲɪxɐˈil ɪˈvanəvʲɪdʑ ˈɡlʲinkə, Ru-Mikhail-Ivanovich-Glinka.ogg; ) was the first Russian composer to gain wide recogni ...
,
Alexander Serov Alexander Nikolayevich Serov (russian: Алекса́ндр Никола́евич Серо́в, Saint Petersburg, – Saint Petersburg, ) was a Russian composer and music critic. He is notable as one of the most important music critics in ...
, Rimsky-Korsakov, Puccini and Mascagni wrote passages of music without text and subsequently had the librettist add words to the vocal melody lines. (This has often been the case with American popular song and musicals in the 20th century, as with
Richard Rodgers Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American ...
and
Lorenz Hart Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include "Blue Moon", " The Lady Is a Tramp", "Manhattan", " Bewitched, B ...
's collaboration, although with the later team of
Rodgers and Hammerstein Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their popular ...
the
lyrics Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a " libretto" and their writer, ...
were generally written first, which was Rodgers' preferred modus operandi.) Some composers wrote their own libretti.
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
is perhaps most famous in this regard, with his transformations of Germanic legends and events into epic subjects for his operas and music dramas.
Hector Berlioz In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense o ...
, too, wrote the libretti for two of his best-known works, ''
La damnation de Faust ''La damnation de Faust'' (English: ''The Damnation of Faust''), Op. 24 is a work for four solo voices, full seven-part chorus, large children's chorus and orchestra by the French composer Hector Berlioz. He called it a "''légende dramatique'' ...
'' and ''
Les Troyens ''Les Troyens'' (; in English: ''The Trojans'') is a French grand opera in five acts by Hector Berlioz. The libretto was written by Berlioz himself from Virgil's epic poem the ''Aeneid''; the score was composed between 1856 and 1858. ''Les T ...
''.
Alban Berg Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively sm ...
adapted
Georg Büchner Karl Georg Büchner (17 October 1813 – 19 February 1837) was a German dramatist and writer of poetry and prose, considered part of the Young Germany movement. He was also a revolutionary and the brother of physician and philosopher Ludwig Büc ...
's play ''
Woyzeck ''Woyzeck'' () is a stage play written by Georg Büchner. Büchner wrote the play between July and October 1836, yet left it incomplete at his death in February 1837. The play first appeared in 1877 in a heavily edited version by Karl Emil Fr ...
'' for the libretto of ''
Wozzeck ''Wozzeck'' () is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. The opera is based on the drama '' Woyzeck'', which the German playwright Georg Büchner left incomplete at ...
''. Sometimes the libretto is written in close collaboration with the composer; this can involve adaptation, as was the case with Rimsky-Korsakov and his librettist
Vladimir Belsky Vladimir Ivanovich Belsky (russian: Владимир Иванович Бельский; 28 February 1946) was a Russian poet and opera librettist, known for his collaborations with the composer Nikolai Rimsky-Korsakov (1844-1908). Biography Bel ...
, or an entirely original work. In the case of musicals, the music, the lyrics and the "book" (i.e., the spoken dialogue and the stage directions) may each have its own author. Thus, a musical such as ''
Fiddler on the Roof ''Fiddler on the Roof'' is a musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein, set in the Pale of Settlement of Imperial Russia in or around 1905. It is based on ''Tevye and his Daughters'' (or ''Tevye the ...
'' has a composer (
Jerry Bock Jerrold Lewis Bock (November 23, 1928November 3, 2010) was an American musical theater composer. He received the Tony Award for Best Musical and the Pulitzer Prize for Drama with Sheldon Harnick for their 1959 musical ''Fiorello!'' and the To ...
), a lyricist (
Sheldon Harnick Sheldon Mayer Harnick (born April 30, 1924) is an American lyricist and songwriter best known for his collaborations with composer Jerry Bock on musicals such as ''Fiorello!'' and '' Fiddler on the Roof''. Early life Sheldon Mayer Harnick was ...
) and the writer of the "book" (
Joseph Stein Joseph Stein (May 30, 1912 – October 24, 2010) was an American playwright best known for writing the books for such musicals as ''Fiddler on the Roof'' and '' Zorba''. Biography Born in New York City to Jewish parents, Charles and Emma ( ...
). In rare cases, the composer writes everything except the dance arrangements – music, lyrics and libretto, as
Lionel Bart Lionel Bart (1 August 1930 – 3 April 1999) was a British writer and composer of pop music and musicals. He wrote Tommy Steele's " Rock with the Caveman" and was the sole creator of the musical ''Oliver!'' (1960). With ''Oliver!'' and his wor ...
did for ''
Oliver! ''Oliver!'' is a Coming-of-age story, coming-of-age Musical theatre, stage musical, with book, music and lyrics by Lionel Bart. The musical is based upon the 1838 novel ''Oliver Twist'' by Charles Dickens. It premiered at the Wimbledon Theatre ...
''. Other matters in the process of developing a libretto parallel those of spoken
drama Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has b ...
s for stage or screen. There are the preliminary steps of selecting or suggesting a subject and developing a sketch of the action in the form of a
scenario In the performing arts, a scenario (, ; ; ) is a synoptical collage of an event or series of actions and events. In the ''commedia dell'arte'', it was an outline of entrances, exits, and action describing the plot of a play, and was literally pi ...
, as well as revisions that might come about when the work is in production, as with out-of-town tryouts for
Broadway Broadway may refer to: Theatre * Broadway Theatre (disambiguation) * Broadway theatre, theatrical productions in professional theatres near Broadway, Manhattan, New York City, U.S. ** Broadway (Manhattan), the street **Broadway Theatre (53rd Stree ...
musicals, or changes made for a specific local audience. A famous case of the latter is Wagner's 1861 revision of the original 1845
Dresden Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label= Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth ...
version of his opera ''
Tannhäuser Tannhäuser (; gmh, Tanhûser), often stylized, "The Tannhäuser," was a German Minnesinger and traveling poet. Historically, his biography, including the dates he lived, is obscure beyond the poetry, which suggests he lived between 1245 and ...
'' for Paris.


Literary characteristics

The opera libretto from its inception (ca. 1600) was written in verse, and this continued well into the 19th century, although genres of musical theatre with spoken dialogue have typically alternated verse in the musical numbers with spoken prose. Since the late 19th century some opera composers have written music to prose or free verse libretti. Much of the
recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat ...
s of
George Gershwin George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ' ...
's opera ''
Porgy and Bess ''Porgy and Bess'' () is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play '' Porgy'', ...
'', for instance, are merely DuBose and
Dorothy Heyward Dorothy Heyward (née Kuhns; June 6, 1890 – November 19, 1961) was an American playwright. In addition to several works of her own, she co-authored the play '' Porgy'' (1927) with her husband DuBose Heyward, adapting it from his novel by the ...
's play '' Porgy'' set to music as written – in prose – with the lyrics of the
aria In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompa ...
s,
duet A duet is a musical composition for two performers in which the performers have equal importance to the piece, often a composition involving two singers or two pianists. It differs from a harmony, as the performers take turns performing a sol ...
s, trios and choruses written in verse. The libretto of a musical, on the other hand, is almost always written in prose (except for the song lyrics). The libretto of a musical, if the musical is adapted from a play (or even a novel), may even borrow their source's original dialogue liberally – much as ''
Oklahoma! ''Oklahoma!'' is the first musical written by the duo of Rodgers and Hammerstein. The musical is based on Lynn Riggs' 1931 play, ''Green Grow the Lilacs''. Set in farm country outside the town of Claremore, Indian Territory, in 1906, it tell ...
'' used dialogue from
Lynn Riggs Rollie Lynn Riggs (August 31, 1899 – June 30, 1954) was an American author, poet, playwright and screenwriter. His 1931 play ''Green Grow The Lilacs'' was adapted into the landmark 1943 musical ''Oklahoma!''. Early life Riggs was born on a ...
's ''
Green Grow the Lilacs Green Grow the Lilacs is a folk song of Irish origin that was popular in the United States during the mid-19th century. The song title is the source of a folk etymology for the word ''gringo'' that states that the Mexicans misheard U.S. troops si ...
'', ''
Carousel A carousel or carrousel (mainly North American English), merry-go-round (international), roundabout (British English), or hurdy-gurdy (an old term in Australian English, in SA) is a type of amusement ride consisting of a rotating circular pl ...
'' used dialogue from
Ferenc Molnár Ferenc Molnár ( , ; born Ferenc Neumann; 12 January 18781 April 1952), often anglicized as Franz Molnar, was a Hungarian-born author, stage-director, dramatist, and poet, widely regarded as Hungary’s most celebrated and controversial play ...
's ''
Liliom ''Liliom'' is a 1909 play by the Hungarian playwright Ferenc Molnár. It was well known in its own right during the early to mid-20th century, but is best known today as the basis for the Rodgers and Hammerstein 1945 musical ''Carousel''. P ...
'', ''
My Fair Lady ''My Fair Lady'' is a musical based on George Bernard Shaw's 1913 play '' Pygmalion'', with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The story concerns Eliza Doolittle, a Cockney flower girl who takes speech lessons ...
'' took most of its dialogue word-for-word from
George Bernard Shaw George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from ...
's '' Pygmalion'', ''
Man of La Mancha ''Man of La Mancha'' is a 1965 musical with a book by Dale Wasserman, music by Mitch Leigh, and lyrics by Joe Darion. It is adapted from Wasserman's non-musical 1959 teleplay '' I, Don Quixote'', which was in turn inspired by Miguel de Cerva ...
'' was adapted from the 1959 television play ''
I, Don Quixote ''I, Don Quixote'' is a non-musical play written for television and directed by Karl Genus. It was broadcast in season 3 of the CBS anthology series '' DuPont Show of the Month'' on the evening of November 9, 1959. Written by Dale Wasserman, the ...
'', which supplied most of the dialogue, and the 1954 musical version of ''
Peter Pan Peter Pan is a fictional character created by Scottish novelist and playwright J. M. Barrie. A free-spirited and mischievous young boy who can fly and never grows up, Peter Pan spends his never-ending childhood having adventures on the mythi ...
'' used
J. M. Barrie Sir James Matthew Barrie, 1st Baronet, (; 9 May 1860 19 June 1937) was a Scottish novelist and playwright, best remembered as the creator of Peter Pan. He was born and educated in Scotland and then moved to London, where he wrote several succ ...
's dialogue. Even the musical ''
Show Boat ''Show Boat'' is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 novel of the same name. The musical follows the lives of the performers, stagehands and dock worke ...
'', which is greatly different from the Edna Ferber novel from which it was adapted, uses some of Ferber's original dialogue, notably during the
miscegenation Miscegenation ( ) is the interbreeding of people who are considered to be members of different races. The word, now usually considered pejorative, is derived from a combination of the Latin terms ''miscere'' ("to mix") and ''genus'' ("race") ...
scene. And
Lionel Bart Lionel Bart (1 August 1930 – 3 April 1999) was a British writer and composer of pop music and musicals. He wrote Tommy Steele's " Rock with the Caveman" and was the sole creator of the musical ''Oliver!'' (1960). With ''Oliver!'' and his wor ...
's ''
Oliver! ''Oliver!'' is a Coming-of-age story, coming-of-age Musical theatre, stage musical, with book, music and lyrics by Lionel Bart. The musical is based upon the 1838 novel ''Oliver Twist'' by Charles Dickens. It premiered at the Wimbledon Theatre ...
'' uses chunks of dialogue from
Charles Dickens Charles John Huffam Dickens (; 7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian er ...
's novel ''
Oliver Twist ''Oliver Twist; or, The Parish Boy's Progress'', Charles Dickens's second novel, was published as a serial from 1837 to 1839, and as a three-volume book in 1838. Born in a workhouse, the orphan Oliver Twist is bound into apprenticeship with ...
'', although it bills itself as a "free adaptation" of the novel.


Language and translation

As the originating language of opera, Italian dominated that genre in Europe (except in France) well through the 18th century, and even into the next century in Russia, for example, when the Italian opera troupe in
Saint Petersburg Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), i ...
was challenged by the emerging native Russian repertory. Significant exceptions before 1800 can be found in
Purcell Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest Eng ...
's works, German opera of
Hamburg Hamburg (, ; nds, label=Hamburg German, Low Saxon, Hamborg ), officially the Free and Hanseatic City of Hamburg (german: Freie und Hansestadt Hamburg; nds, label=Low Saxon, Friee un Hansestadt Hamborg),. is the List of cities in Germany by popul ...
during the Baroque,
ballad opera The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier '' comédie en vaudeville'' and the later ''Singspiel'', its dist ...
and
Singspiel A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and aria In music, an aria ( Italian: ; plur ...
of the 18th century, etc. Just as with literature and song, the libretto has its share of problems and challenges with
translation Translation is the communication of the meaning of a source-language text by means of an equivalent target-language text. The English language draws a terminological distinction (which does not exist in every language) between ''transla ...
. In the past (and even today), foreign musical stage works with spoken dialogue, especially comedies, were sometimes performed with the sung portions in the original language and the spoken dialogue in the vernacular. The effects of leaving lyrics untranslated depend on the piece. Many musicals, such as the old
Betty Grable Elizabeth Ruth Grable (December 18, 1916 – July 2, 1973) was an American actress, pin-up girl, dancer, model, and singer. Her 42 films during the 1930s and 1940s grossed more than $100 million; for 10 consecutive years (1942–1951) she reign ...
Don Ameche Don Ameche (; born Dominic Felix Amici; May 31, 1908 – December 6, 1993) was an American actor, comedian and vaudevillian. After playing in college shows, stock, and vaudeville, he became a major radio star in the early 1930s, which ...
Carmen Miranda Carmen Miranda, (; born Maria do Carmo Miranda da Cunha, 9 February 1909 – 5 August 1955) was a Portuguese-born Brazilian samba singer, dancer, Broadway actress and film star who was active from the late 1920s onwards. Nicknamed "The Br ...
vehicles, are largely unaffected, but this practice is especially misleading in translations of musicals like ''
Show Boat ''Show Boat'' is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 novel of the same name. The musical follows the lives of the performers, stagehands and dock worke ...
'', '' The Wizard of Oz'', ''My Fair Lady'' or ''Carousel'', in which the lyrics to the songs and the spoken text are often or always closely integrated, and the lyrics serve to further the plot. Availability of printed or projected translations today makes singing in the original language more practical, although one cannot discount the desire to hear a sung drama in one's own language. The Spanish words ''libretista'' (playwright, script writer or screenwriter) and ''libreto'' (script or screen play), which are used in the Hispanic TV and cinema industry, derived their meanings from the original operatic sense.


Status

Librettists have historically received less prominent credit than the composer. In some 17th-century operas still being performed, the name of the librettist was not even recorded. As the printing of libretti for sale at performances became more common, these records often survive better than music left in manuscript. But even in late 18th century London, reviews rarely mentioned the name of the librettist, as
Lorenzo Da Ponte Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italian, later American, opera librettist, poet and Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Mozart's most celebrated operas: ''The Marr ...
lamented in his memoirs. By the 20th century some librettists became recognised as part of famous collaborations, as with
Gilbert and Sullivan Gilbert and Sullivan was a Victorian era, Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900), who jointly created fourteen comic operas between 1871 and 1896, of which ...
or
Rodgers and Hammerstein Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their popular ...
. Today the composer (past or present) of the musical score to an opera or operetta is usually given top billing for the completed work, and the writer of the lyrics relegated to second place or a mere footnote, a notable exception being
Gertrude Stein Gertrude Stein (February 3, 1874 – July 27, 1946) was an American novelist, poet, playwright, and art collector. Born in Pittsburgh, Pennsylvania, in the Allegheny West neighborhood and raised in Oakland, California, Stein moved to Paris ...
, who received top billing for ''
Four Saints in Three Acts ''Four Saints in Three Acts'' is an opera composed in 1928 by Virgil Thomson, setting a libretto written in 1927 by Gertrude Stein. It contains about 20 saints and is in at least four acts. It was groundbreaking in form, content, and for its all-b ...
''. Another exception was
Alberto Franchetti Alberto Franchetti (18 September 1860 – 4 August 1942) was an Italian composer, best known for the 1902 opera ''Germania''. Biography Alberto Franchetti was born in Turin, a Jewish nobleman of independent means. He studied first in Venice, th ...
's 1906 opera '' La figlia di Iorio'' which was a close rendering of a highly successful play by its librettist, Gabriele D'Annunzio, a celebrated Italian poet, novelist and dramatist of the day. In some cases, the operatic adaptation has become more famous than the literary text on which it was based, as with
Claude Debussy (Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most infl ...
's '' Pelléas et Mélisande'' after a play by
Maurice Maeterlinck Maurice Polydore Marie Bernard Maeterlinck (29 August 1862 – 6 May 1949), also known as Count (or Comte) Maeterlinck from 1932, was a Belgian playwright, poet, and essayist who was Flemish but wrote in French. He was awarded the Nobel Prize in ...
. The question of which is more important in opera – the music or the words – has been debated over time, and forms the basis of at least two operas,
Richard Strauss Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
's '' Capriccio'' and
Antonio Salieri Antonio Salieri (18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy ...
's ''
Prima la musica e poi le parole (First the music and then the words) is an opera in one act by Antonio Salieri to a libretto by Giovanni Battista Casti. The work was first performed on 7 February 1786 in Vienna, following a commission by the Emperor Joseph II.
''.


Publication

Libretti have been made available in several formats, some more nearly complete than others. The text – i.e., the spoken dialogue, song lyrics and stage directions, as applicable – is commonly published separately from the music (such a booklet is usually included with sound recordings of most operas). Sometimes (particularly for operas in the
public domain The public domain (PD) consists of all the creative work to which no exclusive intellectual property rights apply. Those rights may have expired, been forfeited, expressly waived, or may be inapplicable. Because those rights have expired ...
) this format is supplemented with melodic excerpts of
musical notation Music notation or musical notation is any system used to visually represent aurally perceived music played with instruments or sung by the human voice through the use of written, printed, or otherwise-produced symbols, including notation f ...
for important numbers. Printed scores for operas naturally contain the entire libretto, although there can exist significant differences between the score and the separately printed text. More often than not, this involves the extra repetition of words or phrases from the libretto in the actual score. For example, in the
aria In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompa ...
"
Nessun dorma "" (; English: "Let no one sleep") is an aria from the final act of Giacomo Puccini's opera ''Turandot'' (text by Giuseppe Adami and Renato Simoni) and one of the best-known tenor arias in all opera. It is sung by Calaf, (the unknown prince), ...
" from Puccini's ''
Turandot ''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is " Nessun dorma", ...
'', the final lines in the libretto are "Tramontate, stelle! All'alba, vincerò!" (Fade, you stars! At dawn, I will win!). However, in the score they are sung as "Tramontate, stelle! Tramontate, stelle! All'alba, vincerò! Vincerò! Vincerò!" Because the modern musical tends to be published in two separate but intersecting formats (i.e., the book and lyrics, with all the words, and the piano-vocal score, with all the musical material, including some spoken cues), both are needed in order to make a thorough reading of an entire show.


See also

*
List of opera librettists This is an incomplete list of authors who have written libretto, libretti for operas. Only librettists with their own articles in Wikipedia are listed. The name of the composer of each opera is also given. List of operas by librettist's last name ...


References


Further reading

* Kennedy, Michael (2006), ''The Oxford Dictionary of Music'', 985 pages, *MacNutt, Richard (1992), "Libretto" in ''
The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...
'', ed.
Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was pub ...
(London) *Neville, Don (1990). ''Frontier Research in Opera and Multimedia Preservation: a Project Involving the Documentation and Full Text Retrieval of the Libretti of Pietro Metastasio''. London: Faculty of Music, University of Western Ontario. Without ISBN * *Smith, Patrick J. ''The Tenth Muse: a Historical Study of the Opera Libretto''. First ed. New York: A.A. Knopf, 1970. xxii, 417, xvi p. + 6p. of b&w ill. Without ISBN or SBN * Warrack, John and West, Ewan (1992), ''The Oxford Dictionary of Opera'', 782 pages,


External links


Public Domain opera libretti and other vocal texts
Selected operas with corresponding libretti
OperaFolio.com
Index of over 1000 opera libretti
opera-guide.ch
opera libretti in German translation and their original languages

at
Naxos Naxos (; el, Νάξος, ) is a Greek island and the largest of the Cyclades. It was the centre of archaic Cycladic culture. The island is famous as a source of emery, a rock rich in corundum, which until modern times was one of the best ab ...

Либретто во сне и наяву
(Libretto in dream and in reality), holding Russian and some Western libretti (in the Russian language, as Microsoft Word files), notably
Libretti of classic Russian operas
(in Russian)

{{Authority control Italian opera terminology Musical theatre Fiction forms