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The heist film or caper film is a
subgenre Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other for ...
of
crime film Crime film is a film belonging to the crime fiction genre. Films of this genre generally involve various aspects of crime and fiction. Stylistically, the genre may overlap and combine with many other genres, such as Drama (film and television), dr ...
s and the caper story, focused on the planning, execution, and aftermath of a significant
robbery Robbery is the crime of taking or attempting to take anything of value by force, threat of force, or use of fear. According to common law, robbery is defined as taking the property of another, with the intent to permanently deprive the person o ...
. One of the early defining heist films was '' The Asphalt Jungle'' (1950), which ''Film Genre 2000'' wrote "almost single-handedly popularized the genre for mainstream cinema". It featured robbers whose personal failings ultimately led to the failure of their robbery. Similar films using this formula were '' Armored Car Robbery'' (1950), '' The Killing'' (1956), and '' The Getaway'' (1972). By the 1990s, heist films began to "experiment and play with these conventions," incorporating elements such as comedy into their stories.


Characteristics of the genre

While there is no unanimous agreement on what constitutes a heist film, there are some common characteristics that most films in the genre share. The most basic is that films in the genre tend to follow the planning, execution and aftermath of one large robbery. While there can be smaller crimes leading up to the major crime, this major crime is the centerpiece of the film and is the event which informs much of the film's plot. As a result of this, heist films tend to focus on the process of the crime, often planned in great detail, followed by extended exposition of the heist itself. The genre is also distinct for almost exclusively following those committing the crime rather than whoever is trying to stop them. This often leads to the viewer building some form of sympathy or respect for the criminals. Another common characteristic is the assembling of a team to complete the heist, with each member contributing a unique skill or trait needed to complete the job. Over time filmmakers have taken these characteristics and changed them to create interesting plays on the genre. For example, '' Reservoir Dogs'' (1992) skips the execution of the heist and most of its planning, choosing instead to focus almost exclusively on the aftermath. Another example of this is '' The Italian Job'' (1969), which shows the planning and execution of the heist but doesn't fully show the aftermath. Other tropes of the genre include the failure of the heist due to fate, or the traits of the criminals involved. Among them is one of the participants getting injured during the heist, or betraying the others during or after. This trend started as a result of the initial films in the genre being made in Hollywood during the
Motion Picture Production Code The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the Cinema of the United States, United States from 1934 to 1968. It ...
, which prohibited criminals from getting away with their crime. While this has changed since the disappearance of the code, the trope of failed heists still remains. One of the most dynamic examples is ''Reservoir Dogs'', which focuses solely on trying to figure out which of their group members betrayed them after a failed heist. Another popular trope is "one last job", whereby a criminal looking to quit the life enlists the team to commit one last heist so they will have money for the rest of their days. This can be seen in early films such as '' The Asphalt Jungle'' (1950) as well as more recent like ''
Heat In thermodynamics, heat is energy in transfer between a thermodynamic system and its surroundings by such mechanisms as thermal conduction, electromagnetic radiation, and friction, which are microscopic in nature, involving sub-atomic, ato ...
'' (1995).


History

While elements of the heist film can be seen in movies as early as '' The Great Train Robbery'' (1903), the genre didn't become fully fledged until the late 1940s and the early 1950s. The film widely agreed upon as the first to do so is John Huston's 1950 ''The Asphalt Jungle'', starring Sterling Hayden and Sam Jaffee (with
Marilyn Monroe Marilyn Monroe ( ; born Norma Jeane Mortenson; June 1, 1926 August 4, 1962) was an American actress and model. Known for playing comic "Blonde stereotype#Blonde bombshell, blonde bombshell" characters, she became one of the most popular sex ...
in a supporting role). It contains many of the heist hallmarks, focusing from the criminal's perspective on the elaborate planning, flawed execution, and calamitous aftermath of a single heist. It also devotes a large amount of time to the recruiting of variously skilled criminals to form a team. Two earlier films that some consider prior examples of the genre, and others just key to its development, are '' Criss Cross'' (1949) and '' The Killers'' (1946). While these do follow the planning, execution, and aftermath of a single heist from the criminals' perspective, some critics argue that they devote too much time to the planning and aftermath of the crime and too little to the actual job. All of these films are also notable for having elements which are indebted to
film noir Film noir (; ) is a style of Cinema of the United States, Hollywood Crime film, crime dramas that emphasizes cynicism (contemporary), cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of Ameri ...
, including their moody, expressionistic black and white cinematography and dark fatalistic tone. As a result, scholars such as Daryl Lee refer to such examples as “noir heists”. Anne Billson of the
BBC The British Broadcasting Corporation (BBC) is a British public service broadcaster headquartered at Broadcasting House in London, England. Originally established in 1922 as the British Broadcasting Company, it evolved into its current sta ...
cites
Akira Kurosawa was a Japanese filmmaker who List of works by Akira Kurosawa, directed 30 feature films in a career spanning six decades. He is widely regarded as one of the greatest and most influential filmmakers in the History of film, history of cinema ...
's '' Seven Samurai'' (1954) as an influence on the "assembling the team" trope that later became a common characteristic of heist films. The period between 1955 and 1975 is considered by scholars to be the most productive for the heist genre. It began with American filmmakers continuing the noir heist trend in films like '' 5 Against the House'' (1955) and '' The Killing'' (1956). The ‘50s also saw the release of the first international heist films. Notably, a handful made in France were influenced by and responding to the American style. Two notable examples are ''
Rififi ''Rififi'' () is a 1955 French crime film adaptation of Auguste Le Breton's novel of the same name. Directed by American blacklisted filmmaker Jules Dassin, the film stars Jean Servais as the aging gangster Tony "le Stéphanois", Carl Möhn ...
'' (1955), which is known for its detailed 30 minute heist sequence, and '' Bob Le Flambeur'' (1956), known for an ending which plays with the conventions of the genre. The 1950s also marked the beginning of British heist film, including ''
The Lavender Hill Mob ''The Lavender Hill Mob'' is a 1951 British comedy film from Ealing Studios, written by T. E. B. Clarke, directed by Charles Crichton, starring Alec Guinness and Stanley Holloway and featuring Sid James and Alfie Bass. The title refers ...
'' (1951) and ''The Lady Killers'' (1955), pictures which introduced comedy to the genre. A notable Italian heist film from this period is '' Big Deal on Madonna Street'' (1958), a parody of the genre. In the 1960s heist stories became more mainstream, with glossier and higher-budget heist films which moved away from the fatalism and darkness present in the earlier noir heists. Two examples of this from the early 1960s are the British film ''
The League of Gentlemen ''The League of Gentlemen'' is a British surreal comedy horror series that premiered on BBC Two in 1999. The programme is set in Royston Vasey, a fictional town in northern England originally based on Alston, Cumbria, and follows the lives ...
'' (1960) and the American film '' Seven Thieves'' (1960). Despite having conventional heist plots about gathering together a group to commit a heist, both films balance comedy and drama, unlike the darkness of the earlier noir heist films. The mainstream shift as well as a growing cultural interest in travel led to a wave of glossy heist films involving exotic international locals, such as '' Topkapi'' (1964) and '' How to Steal a Million'' (1966). In France ''Rififi'' spawned a number of lower-budget crime films which often used ''Rififi'' as part of their title. These include films such as '' Rififi in Tokyo'' (1963) and '' Du rififi à Paname'' (1966). As the decade continued, the French also began to produce more glossy heist films which served as star vehicles for big names of the time, such as '' Any Number Can Win'' (1963) starring Alain Delon and '' Greed in the Sun'' (1964) starring Jean-Paul Belmondo. The most celebrated French heist films of this time were directed by Jean-Pierre Melville, whose heist film '' Le Cercle Rouge'' (1970) is often regarded as one of the greatest heist movies of all time. This expansion of the genre in the 1960s also led to remakes of older heist movies, with an early example being ''Cairo'' (1963), which is a remake of ''The Asphalt Jungle''. In 1968, the motion picture production code was abolished, paving the way for a number of heist films that didn't shy away from portraying graphic violence. This included films like '' Charley Varrick'' (1973) and '' The Getaway'' (1972). The period between 1975 and the early 1990s is considered a low point for productivity in the heist genre. While some were made, such as '' Thief'' (1981) and a remake of ''Big Deal on Madonna Street'' called '' Crackers'' (1984), some critics do not consider them as meaningful developments of the genre. The 1990s would see the return of the heist film, with a number creating new interest. While pictures like John Woo's '' Once a Thief'' (1991) and
Steven Soderbergh Steven Andrew Soderbergh ( ; born January 14, 1963) is an American film director, producer, screenwriter, cinematographer, and editor. A pioneer of modern Independent film, independent cinema, Soderbergh later drew acclaim for formally inventiv ...
's '' Out of Sight'' (1998) would bring some attention to the genre, the three that returned the genre to prominence were '' Reservoir Dogs'' (1992), ''
Heat In thermodynamics, heat is energy in transfer between a thermodynamic system and its surroundings by such mechanisms as thermal conduction, electromagnetic radiation, and friction, which are microscopic in nature, involving sub-atomic, ato ...
'' (1995) and '' The Usual Suspects'' (1995). This led to a large output of heist films throughout the 2000s. These range from British efforts like '' Snatch'' (2000) and '' Sexy Beast'' (2000) to kids' films like '' Fantastic Mr. Fox'' (2009) to popular Hollywood films like '' Inside Man'' (2006) and remakes of heist classics like '' The Italian Job'' (2003). Some of the most popular heist films of this era are the remake of '' Ocean's 11'' (2001) and its sequels '' Ocean's 12'' (2004) and '' Ocean's 13'' (2007), which remain so today.


List of heist films


References


Further reading

* * {{Authority control Film genres