A clown is a person who
performs comedy
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term o ...
and
arts in a
state of open-mindedness using
physical comedy
Physical comedy is a form of comedy focused on manipulation of the body for a humorous effect. It can include slapstick, clowning, mime, physical stunts, or making funny faces.
Physical comedy originated as part of the Commedia dell'arte. It ...
, typically while wearing distinct makeup or costuming and reversing
folkway-norms.
History
The most ancient clowns have been found in the
Fifth Dynasty of Egypt
The Fifth Dynasty of ancient Egypt (notated Dynasty V) is often combined with Dynasties III, IV and VI under the group title the Old Kingdom. The Fifth Dynasty pharaohs reigned for approximately 150 years, from the early 25th century BC unti ...
, around 2400 BC.
Unlike
court jesters
The Court Jesters is a professional improv company founded in 1989 and based in Christchurch, New Zealand. It is a subsidiary of the Court Theatre professional theatre company, acting as a second company within the theatre.
The group provide e ...
, clowns have traditionally served a socio-religious and psychological role, and traditionally the roles of
priest
A priest is a religious leader authorized to perform the sacred rituals of a religion, especially as a mediatory agent between humans and one or more deities. They also have the authority or power to administer religious rites; in partic ...
and clown have been held by the same persons.
Peter Berger writes, "It seems plausible that folly and fools, like religion and magic, meet some deeply rooted needs in human society."
For this reason, clowning is often considered an important part of training as a
physical performance discipline, partly because tricky subject matter can be dealt with, but also because it requires a high level of risk and play in the performer.
In anthropology, the term ''clown'' has been extended to comparable jester or fool characters in non-Western cultures. A society in which such clowns have an important position are termed ''
clown societies'', and a clown character involved in a religious or ritual capacity is known as a ''
ritual clown
The Pueblo clowns (sometimes called sacred clowns) are jesters or tricksters in the Kachina religion (practiced by the Pueblo natives of the southwestern United States). It is a generic term, as there are a number of these figures in the ritual ...
''.
A
Heyoka is an individual in Lakota and Dakota culture cultures who lives outside the constraints of normal cultural roles, playing the role of a backwards clown by doing everything in reverse. The Heyoka role is sometimes best filled by a
Winkte.
Many native tribes have a history of clowning. The
Canadian clowning
The Canadian Clowning technique is a mask-based style of performance created by Richard Pochinko."Canadian clown theatre goes to a whole new level". ''Victoria Times-Colonist'', March 13, 2005. Also known as the "Pochinko Method" or "Clown Through ...
method developed by
Richard Pochinko and furthered by his former apprentice, Sue Morrison, combines European and Native American clowning techniques. In this tradition, masks are made of clay while the creator's eyes are closed. A mask is made for each direction of the
medicine wheel
To some indigenous peoples of North America, the medicine wheel is a metaphor for a variety of spiritual concepts. A medicine wheel may also be a stone monument that illustrates this metaphor.
Historically, most medicine wheels follow the basic ...
. During this process, the clown creates a personal mythology that explores their personal experiences.
Modern clowns are strongly associated with the tradition of the
circus clown
Clowns have always been an integral part of the circus, offering a source of amusement for patrons and providing relief from the array of animal acts and performances by acrobats and novelty artistes.
Traditional types
Traditionally, there are ...
, which developed out of earlier comedic roles in theatre or ''Varieté'' shows during the 19th to mid 20th centuries. This recognizable character features outlandish costumes, distinctive makeup, colorful wigs, exaggerated footwear, and colorful clothing, with the style generally being designed to entertain large audiences.
The first mainstream clown role was portrayed by
Joseph Grimaldi (who also created the traditional whiteface make-up design). In the early 1800s, he expanded the role of Clown in the
harlequinade that formed part of British
pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speakin ...
s, notably at the
Theatre Royal, Drury Lane and the
Sadler's Wells and
Covent Garden theatres. He became so dominant on the London comic stage that harlequinade Clowns became known as "Joey", and both the nickname and Grimaldi's whiteface make-up design are still used by other clowns.
The
comedy
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term o ...
that clowns perform is usually in the role of a fool whose everyday actions and tasks become extraordinary—and for whom the ridiculous, for a short while, becomes ordinary. This style of comedy has a long history in many countries and cultures across the world. Some writers have argued that due to the widespread use of such comedy and its long history it is a need that is part of the human condition.
Origin
The ''clown'' character developed out of the
zanni ''rustic fool'' characters of the early modern
commedia dell'arte, which were themselves directly based on the ''rustic fool'' characters of ancient
Greek and
Roman theatre
Roman theatres derive from and are part of the overall evolution of earlier Greek theatres. Indeed, much of the architectural influence the Romans came from the Greeks, and theatre structural design was no different from other buildings. However ...
. Rustic buffoon characters in Classical Greek theater were known as ''sklêro-paiktês'' (from ''paizein'': ''to play (like a child)'') or ''deikeliktas'', besides other generic terms for ''rustic'' or ''peasant''. In Roman theater, a term for clown was ''fossor'', literally ''digger; labourer''.
The English word ''
clown'' was first recorded c. 1560 (as ''clowne, cloyne'') in the generic meaning ''rustic, boor, peasant''. The origin of the word is uncertain, perhaps from a Scandinavian word cognate with ''clumsy''. It is in this sense that ''Clown'' is used as the name of
fool characters in Shakespeare's ''
Othello'' and ''
The Winter's Tale''. The sense of ''clown'' as referring to a professional or habitual fool or jester developed soon after 1600, based on
Elizabethan ''rustic fool'' characters such as Shakespeare's.
The
harlequinade developed in England in the 17th century, inspired by
Arlecchino and the commedia dell'arte. It was here that ''
Clown'' came into use as the given name of a stock character. Originally a foil for Harlequin's slyness and adroit nature, Clown was a buffoon or bumpkin fool who resembled less a jester than a comical idiot. He was a lower class character dressed in tattered servants' garb.
The now-classical features of the clown character were developed in the early 1800s by
Joseph Grimaldi, who played Clown in
Charles Dibdin's 1800 pantomime ''Peter Wilkins: or Harlequin in the Flying World'' at
Sadler's Wells Theatre, where Grimaldi built the character up into the central figure of the harlequinade.
Modern circuses
The
circus clown
Clowns have always been an integral part of the circus, offering a source of amusement for patrons and providing relief from the array of animal acts and performances by acrobats and novelty artistes.
Traditional types
Traditionally, there are ...
developed in the 19th century. The modern circus derives from
Philip Astley
Philip Astley (8 January 1742 – 20 October 1814) was an English equestrian, circus owner, and inventor, regarded as being the " father of the modern circus". Modern circus, as an integrated entertainment experience that includes music, domes ...
's London riding school, which opened in 1768. Astley added a clown to his shows to amuse the spectators between equestrian sequences. American
comedian
A comedian or comic is a person who seeks to entertain an audience by making them laugh. This might be through jokes or amusing situations, or acting foolish (as in slapstick), or employing prop comedy. A comedian who addresses an audienc ...
George L. Fox became known for his clown role, directly inspired by Grimaldi, in the 1860s.
Tom Belling senior (1843–1900) developed the ''red clown'' or ''Auguste'' (''Dummer August'') character c. 1870, acting as a foil for the more sophisticated ''white clown''. Belling worked for
Circus Renz
Circus Renz was a German circus company. It was established in 1842 in Berlin by Ernst Jakob Renz (1815–1892) as ''Circus Olympic'' and existed until 1897. The company had several stationary buildings in Berlin, Hamburg, Bremen, Breslau and ...
in Vienna. Belling's costume became the template for the modern stock character of circus or children's clown, based on a lower class or ''hobo'' character, with red nose, white makeup around the eyes and mouth, and oversized clothes and shoes. The clown character as developed by the late 19th century is reflected in
Ruggero Leoncavallo
Ruggero (or Ruggiero) Leoncavallo ( , , ; 23 April 18579 August 1919) was an Italian opera composer and librettist. Although he produced numerous operas and other songs throughout his career it is his opera '' Pagliacci'' (1892) that remained ...
's 1892 opera ''
Pagliacci
''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who ...
'' (''Clowns'').
Belling's ''Auguste'' character was further popularized by
Nicolai Poliakoff's ''Coco'' in the 1920s to 1930s.
The English word ''clown'' was borrowed, along with the circus clown act, by many other languages, such as French ''clown'', Russian (and other Slavic languages) кло́ун, Greek κλόουν, Danish/Norwegian ''klovn'', Romanian ''clovn'' etc.
Italian retains ''Pagliaccio'', a Commedia dell'arte
zanni character, and derivations of the Italian term are found in other Romance languages, such as French ''Paillasse'', Spanish ''payaso'', Catalan/Galician ''pallasso'', Portuguese ''palhaço'', Greek παλιάτσος, Turkish ''palyaço'', German ''Pajass'' (via French) Yiddish פּאַיאַץ (''payats''), Russian пая́ц, Romanian ''paiață''.
20th-century North America
In the early 20th century, with the disappearance of the rustic simpleton or village idiot character of everyday experience, North American circuses developed characters such as the
tramp or
hobo. Examples include
Marceline Orbes
Isidro Marcelino Orbés Casanova (May 15, 1873November 5, 1927), best known simply as Marceline, was a world-renowned clown during the late 19th and early 20th century.Cullen, Frank et alVaudeville old & new, Vol. 1 p. 719 (2007)(21 September 191 ...
, who performed at the
Hippodrome Theater (1905),
Charlie Chaplin
Sir Charles Spencer Chaplin Jr. (16 April 188925 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is conside ...
's ''
The Tramp'' (1914), and
Emmett Kelly's ''Weary Willie'' based on hobos of the Depression era. Another influential tramp character was played by
Otto Griebling during the 1930s to 1950s.
Red Skelton
Richard Red Skelton (July 18, 1913September 17, 1997) was an American entertainer best known for his national radio and television shows between 1937 and 1971, especially as host of the television program ''The Red Skelton Show''. He has stars ...
's Dodo the Clown in ''
The Clown'' (1953), depicts the circus clown as a tragicomic stock character, "a funny man with a drinking problem".
In the United States,
Bozo the Clown was an influential ''Auguste'' character since the late 1950s. ''
The Bozo Show'' premiered in 1960 and appeared nationally on cable television in 1978.
McDonald's
McDonald's Corporation is an American multinational fast food chain, founded in 1940 as a restaurant operated by Richard and Maurice McDonald, in San Bernardino, California, United States. They rechristened their business as a hambur ...
derived its mascot clown,
Ronald McDonald, from the ''Bozo'' character in the 1960s.
Willard Scott, who had played ''Bozo'' during 1959–1962, performed as the mascot in 1963 television spots. The McDonald's trademark application for the character dates to 1967.
Based on the ''Bozo'' template, the US custom of birthday clown, private contractors who offer to perform as clowns at children's parties, developed in the 1960s to 1970s. The strong association of the (''Bozo''-derived) clown character with children's entertainment as it has developed since the 1960s also gave rise to
Clown Care
Clown Care, also known as hospital clowning, is a program in health care facilities involving visits from specially trained clowns. They are colloquially called "clown doctors" which is a trademarked name in several countries. These visits to hospi ...
or ''hospital clowning'' in children's hospitals by the mid-1980s.
Clowns of America International
Clowns of America International Inc., (COAI) is a Minnesota-based nonprofit
A nonprofit organization (NPO) or non-profit organisation, also known as a non-business entity, not-for-profit organization, or nonprofit institution, is a legal ...
(established 1984) and
World Clown Association
The World Clown Association (WCA) is a worldwide organization for clowns, jugglers, magicians, and face painters. It holds an annual convention, mainly in the United States.
Origin and history
Herb Metz was the main instigator and driving f ...
(established 1987) are associations of semi-professionals and professional performers.
The shift of the ''Auguste'' or ''red clown'' character from his role as a foil for the white in circus or pantomime shows to a ''Bozo''-derived standalone character in children's entertainment by the 1980s also gave rise to the
evil clown character, with the attraction of clowns for small children being based in their fundamentally threatening or frightening nature. The fear of clowns, particularly circus clowns, has become known by the term "coulrophobia."
Types
There are different types of clowns portrayed around the world. They include
* Auguste
*
Blackface
* Buffoon
*
Harlequin
Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque pronunciation ) is the best-known of the '' zanni'' or comic servant characters from the Italian '' commedia dell'arte'', associated with the city of Bergamo. The role is traditional ...
*
Jester
*
Mime artist
*
Pierrot
*
Pueblo
*
Rodeo clown
* Tramp
* Whiteface
Circus
Pierrot and Harlequin
The classical pairing of the White Clown with Auguste in modern tradition
has a precedent in the pairing of
Pierrot and
Harlequin
Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque pronunciation ) is the best-known of the '' zanni'' or comic servant characters from the Italian '' commedia dell'arte'', associated with the city of Bergamo. The role is traditional ...
in the
Commedia dell'arte.
Originally, Harlequin's role was that of a light-hearted, nimble and astute servant, paired with the sterner and melancholic Pierrot.
In the 18th-century English
Harlequinade, Harlequin was now paired with Clown.
As developed by Joseph Grimaldi around 1800, Clown became the mischievous and brutish foil for the more sophisticated Harlequin, who became more of a romantic character. The most influential such pair in Victorian England were the Payne Brothers, active during the 1860s and 1870s.
White and Auguste
The ''white clown'', or ''clown blanc'' in French, is a sophisticated character, as opposed to the clumsy Auguste. The two types are also distinguished as the ''sad clown'' (blanc) and ''happy clown'' (Auguste).
The Auguste face base makeup color is a variation of pink, red, or tan rather than white. Features are exaggerated in size, and are typically red and black in color. The mouth is thickly outlined with white (called the muzzle) as are the eyes. Appropriate to the character, the Auguste can be dressed in either well-fitted garb or a costume that does not fit – oversize or too small, either is appropriate. Bold colors, large prints or patterns, and suspenders often characterize Auguste costumes.
The Auguste character-type is often an anarchist, a joker, or a fool. He is clever and has much lower status than the whiteface. Classically the whiteface character instructs the Auguste character to perform his bidding. The Auguste has a hard time performing a given task, which leads to funny situations. Sometimes the Auguste plays the role of an anarchist and purposefully has trouble following the whiteface's directions. Sometimes the Auguste is confused or is foolish and makes errors less deliberately.
The ''contra-auguste'' plays the role of the mediator between the white clown and the Auguste character. He has a lower status than the white clown but a higher status than the Auguste. He aspires to be more like the white clown and often mimics everything the white clown does to try to gain approval. If there is a contra-auguste character, he often is instructed by the whiteface to correct the Auguste when he is doing something wrong.
There are two major types of clowns with whiteface makeup:
The classic ''white clown'' is derived from the
Pierrot character. His makeup is white, usually with facial features such as eyebrows emphasized in black. He is the more intelligent and sophisticated clown, contrasting with the rude or grotesque ''Auguste'' types.
Francesco Caroli and
Glenn "Frosty" Little are examples of this type. The second type of whiteface is the buffoonish clown of the ''
Bozo'' type, known as ''Comedy'' or ''Grotesque Whiteface''. This type has grotesquely emphasized features, especially a red nose and red mouth, often with partial (mostly red) hair.
In the comedic partnership of
Abbott and Costello, Bud Abbot would have been the classic whiteface and Lou Costello the comedy whiteface or Auguste.
Traditionally, the whiteface clown uses ''clown white'' makeup to cover the entire face and neck, leaving none of the underlying natural skin visible.
In the European whiteface makeup, the ears are painted red.
Whiteface makeup was originally designed by
Joseph Grimaldi in 1801. He began by painting a white base over his face, neck and chest before adding red triangles on the cheeks, thick eyebrows and large red lips set in a mischievous grin. Grimaldi's design is used by many modern clowns. According to Grimaldi's biographer Andrew McConnell Stott, it was one of the most important theatrical designs of the 1800s.
America's first great whiteface clown was stage star
George "G.L." Fox. Inspired by Grimaldi, Fox popularised the Humpty Dumpty stories throughout the U.S. in the 1860s.
Scary and Evil
The scary clown, also known as the evil clown or killer clown, is a subversion of the traditional comic clown character, in which the playful trope is instead depicted in a more disturbing nature through the use of
horror elements and
dark humor
Black comedy, also known as dark comedy, morbid humor, or gallows humor, is a style of comedy that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to disc ...
. The character can be seen as playing on the sense of unease felt by those with coulrophobia, the
fear
Fear is an intensely unpleasant emotion in response to perceiving or recognizing a danger or threat. Fear causes physiological changes that may produce behavioral reactions such as mounting an aggressive response or fleeing the threat. Fear ...
of clowns. The modern archetype of the evil clown was popularized by
DC Comics
DC Comics, Inc. ( doing business as DC) is an American comic book publisher and the flagship unit of DC Entertainment, a subsidiary of Warner Bros. Discovery.
DC Comics is one of the largest and oldest American comic book companies, with the ...
character
the Joker starting in 1940 and again by
Pennywise in
Stephen King's novel ''
IT'', which introduced the fear of an evil clown to a modern audience. In the novel, the eponymous character is a pan-dimensional monster which feeds mainly on children by luring them in the form of a clown, named "Pennywise", and then assuming the shape of whatever the victim fears the most.
Character
The character clown adopts an eccentric character of some type, such as a butcher, a baker, a policeman, a housewife or
hobo. Prime examples of this type of clown are the circus tramps
Otto Griebling and
Emmett Kelly.
Red Skelton
Richard Red Skelton (July 18, 1913September 17, 1997) was an American entertainer best known for his national radio and television shows between 1937 and 1971, especially as host of the television program ''The Red Skelton Show''. He has stars ...
,
Harold Lloyd,
Buster Keaton
Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, and filmmaker. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression ...
,
Charlie Chaplin
Sir Charles Spencer Chaplin Jr. (16 April 188925 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is conside ...
,
Rowan Atkinson and
Sacha Baron Cohen would all fit the definition of a character clown.
The character clown makeup is a comic slant on the standard human face. Their makeup starts with a flesh tone base and may make use of anything from glasses, mustaches and beards to freckles, warts, big ears or strange haircuts.
The most prevalent character clown in the American circus is the ''hobo'', ''tramp'' or ''bum'' clown. There are subtle differences in the American character clown types. The primary differences among these clown types is
attitude
Attitude may refer to:
Philosophy and psychology
* Attitude (psychology), an individual's predisposed state of mind regarding a value
* Metaphysics of presence
* Propositional attitude, a relational mental state connecting a person to a propo ...
. According to American circus expert
Hovey Burgess, they are:
* The Hobo: Migratory and finds work where he travels. Down on his luck but maintains a positive
attitude
Attitude may refer to:
Philosophy and psychology
* Attitude (psychology), an individual's predisposed state of mind regarding a value
* Metaphysics of presence
* Propositional attitude, a relational mental state connecting a person to a propo ...
.
* The Tramp: Migratory and does not work where he travels. Down on his
luck
Luck is the phenomenon and belief that defines the experience of improbable events, especially improbably positive or negative ones. The naturalistic interpretation is that positive and negative events may happen at any time, both due to rand ...
and depressed about his situation.
* The Bum: Non-migratory and non-working.
Organizations
The
World Clown Association
The World Clown Association (WCA) is a worldwide organization for clowns, jugglers, magicians, and face painters. It holds an annual convention, mainly in the United States.
Origin and history
Herb Metz was the main instigator and driving f ...
is a worldwide organization for clowns, jugglers, magicians, and face painters. It holds an annual convention, mainly in the United States.
Clowns of America International
Clowns of America International Inc., (COAI) is a Minnesota-based nonprofit
A nonprofit organization (NPO) or non-profit organisation, also known as a non-business entity, not-for-profit organization, or nonprofit institution, is a legal ...
is a Minnesota-based non-profit clown arts membership organization which aims "to share, educate, and act as a gathering place for serious minded amateurs, semiprofessionals, and professional clowns".
Clowns International is a British clowning organisation dating back to the 1940s. It is responsible for the
Clown Egg Register.
Terminology
Roles and skills
In the circus, a clown might perform other circus roles or skills. Clowns may perform such skills as
tightrope,
juggling,
unicycling,
Master of Ceremonies, or ride an animal. Clowns may also "sit in" with the
orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families.
There are typically four main sections of instruments:
* bowed string instruments, such as the violin, viola, c ...
. Other circus performers may also temporarily stand in for a clown and perform their skills in clown costume.
Frameworks
Frameworks are the general outline of an act that clowns use to help them build out an act.
Frameworks can be loose, including only a general beginning and ending to the act, leaving it up to the clown's creativity to fill in the rest, or at the other extreme a fully developed script that allows very little room for creativity.
Shows are the overall production that a clown is a part of, it may or may not include elements other than clowning, such as in a circus show. In a circus context, clown shows are typically made up of some combination of ''entrées, side dishes, clown stops, track gags, gags'' and ''bits''.
Gags, bits and business
* Business – the individual motions the clown uses, often used to express the clown's character.
* Gag – very short piece of clown comedy that, when repeated within a ''bit'' or ''routine'', may become a ''
running gag''. Gags are, loosely, the jokes clowns play on each other. A gag may have a beginning, a middle, and an end – or may not. Gags can also refer to the prop stunts/tricks or the stunts that clowns use, such as a squirting flower.
* Bit – the clown's sketch or routine, made up of one or more gags either worked out and timed before going on stage, or impromptu bits composed of familiar improvisational material
Menu
* Entrée — clowning acts lasting 5–10 minutes. Typically made up of various gags and bits, usually within a clowning framework. Entrées almost always end with a ''blow-off'' — the comedic ending of a show segment, bit, gag, stunt, or routine.
* Side dish — shorter feature act. Side dishes are essentially shorter versions of the ''entrée,'' typically lasting 1–3 minutes. Typically made up of various gags and bits, side dishes are usually within a clowning framework. Side dishes almost always end with a ''blow-off.''
Interludes
''Clown Stops'' or ''interludes'' are the brief appearances of clowns in a circus while the props and rigging are changed. These are typically made up of a few ''gags'' or several ''bits''. Clown stops will always have a beginning, a middle, and an end to them, invariably culminating in a blow-off. These are also called ''reprises'' or ''run-ins'' by many, and in today's circus they are an art form in themselves. Originally they were bits of ''business'' usually parodying the preceding act. If for instance there had been a
tightrope walker
Tightrope walking, also called funambulism, is the skill of walking along a thin wire or rope. It has a long tradition in various countries and is commonly associated with the circus. Other skills similar to tightrope walking include slack rop ...
the reprise would involve two chairs with a piece of rope between and the clown trying to imitate the ''artiste'' by trying to walk between them, with the resulting falls and cascades bringing laughter from the audience. Today, interludes are far more complex, and in many modern shows the clowning is a thread that links the whole show together.
Prop stunts
Among the more well-known clown stunts are: squirting flower; the ''
too-many-clowns-coming-out-of-a-tiny-car'' stunt; doing just about anything with a
rubber chicken, tripping over one's own feet (or an air pocket or imaginary blemish in the floor), or riding any number of ridiculous vehicles or
clown bicycle
A clown bicycle or clown bike is a bicycle designed for comedic visual effect or stunt riding, typically by circus clowns. It is sometimes called a circus bike.
Types of clown bike
*'' BMX bicycle''
*''bucking bike'' (with one or more eccentri ...
s. Individual prop stunts are generally considered individual bits.
Gallery
File:Joseph-Grimaldi-head.jpg, Joseph Grimaldi as Clown, showing his own make-up design (1820)
File:Actor in clown costume - Weir Collection.jpg, Actor in a clown costume ()
File:SAND Maurice Masques et bouffons 05.jpg, The Italian of c. 1600 (Maurice Sand, ''Masques et bouffons (Comedie Italienne)'', 1860)
File:Paillasse.jpg, The French character (1885 engraving)
File:Chuchin the clown.jpg, '' Chuchín'' (José de Jesus Medrano), a famous Mexican circus clown from the late 1960s to 1984
File:Arm & Hammer Brand Soda poster ca. 1900.jpg, A circus clown
Clowns have always been an integral part of the circus, offering a source of amusement for patrons and providing relief from the array of animal acts and performances by acrobats and novelty artistes.
Traditional types
Traditionally, there are ...
in an ''Arm & Hammer Brand Soda'' advertisement poster ()
File:Paul Cézanne- Pierrot and Harlequin.JPG, ''Pierrot and Harlequin'' by Paul Cézanne
Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically d ...
(1898)
File:Smilie 2.JPG, Smilie The Clown
File:Geclown.jpg, Swedish actor Gösta Ekman senior (1890-1938) as a whiteface clown in the play ''Han som får örfilarna'' ( He Who Gets Slapped) by Leonid Andreyev (1926)
File:Lasse Beischer (2686825990).jpg, Typical aspects of an Auguste; white muzzle and eyes (Swedish actor in a performance of , 2008 photograph)
File:Inger-Nilsson-1970-in-Helsinki.jpg, 10-year-old Swedish actress Inger Nilsson
Karin Inger Monica Nilsson (born 4 May 1959) is a Swedish actress and singer. She is a former child actress. She is primarily known for her portrayal of Pippi Longstocking in the Swedish-produced TV series of the same name during 1969 which was ...
during her visit to Helsinki
Helsinki ( or ; ; sv, Helsingfors, ) is the Capital city, capital, primate city, primate, and List of cities and towns in Finland, most populous city of Finland. Located on the shore of the Gulf of Finland, it is the seat of the region of U ...
, Finland in February 1970; she is here seen with the Finnish clown Onni Gideon in Helsinki Ice Hall
File:Bozo's Circus 1968.JPG, 1968 postcard, main cast of '' Bozo's Circus'' ( WGN-TV); left to right, ''Ringmaster Ned'' ( Ned Locke), ''Mr. Bob'' (bandleader Bob Trendler
Robert Trendler (May 11, 1912 – July 18, 2011) was an American bandleader, songwriter, and musical director of the WGN Orchestra from 1956 till 1975. Trendler was known in Chicago as Mr. Bob the bandleader of Bozo's Big Top Band, on The Bozo Sho ...
), '' Bozo the Clown'' ( Bob Bell), ''Oliver O. Oliver'' ( Ray Rayner), ''Sandy the Clown'' ( Don Sandburg)
File:Aquatic team with clowns at Kirk Kove (I0005668).tif, Aquatic team with clowns at Kirk Kove, 1959
File:Colorful Clown 3.jpg, Toddles The Clown
File:Clown chili peppers.jpg, Clown at a Memorial Day parade, 2004
File:Clown dusseldorf.jpg, Clown of Düsseldorf
Düsseldorf ( , , ; often in English sources; Low Franconian and Ripuarian: ''Düsseldörp'' ; archaic nl, Dusseldorp ) is the capital city of North Rhine-Westphalia, the most populous state of Germany. It is the second-largest city in ...
File:Motley (PSF).png, a person attached or owing service to a household to provide casual entertainment and commonly dressed in motley with cap, bells, and bauble
Joker.jpg, Joker Clown
Carnival Joker.jpg, Carnival Joker
See also
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List of clowns
This is a list of notable clowns.
Circus-style
* Albert Alter - American clown
* António Branco – '' Batatinha'' (literally ''Little Potato''), from Portugal
* Arthur Vercoe Pedlar – "Vercoe", an English clown
* Barry Lubin – "Grandma" ...
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Bouffon
Bouffon (English originally from French: "farceur", "comique", "jester") is a modern French theater term that was re-coined in the early 1960s by Jacques Lecoq at his L'École Internationale de Théâtre Jacques Lecoq in Paris to describe a spec ...
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Clown car
A clown car is a prop in a circus clown routine, which involves an implausibly large number of clowns emerging from a very small car. The first performance of this routine was in the Cole Bros. Circus during the 1950s. The effect is produced by s ...
Notes
References
Bibliography
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External links
Quotes by and about ClownsCollection: "Clowns"from the
University of Michigan Museum of Art
{{Authority control
Comedy
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Entertainment occupations
Performing arts
Stock characters
Articles containing video clips