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The avant-garde (; In 'advance guard' or '
vanguard The vanguard (also called the advance guard) is the leading part of an advancing military formation. It has a number of functions, including seeking out the enemy and securing ground in advance of the main force. History The vanguard derives f ...
', literally 'fore-guard') is a person or work that is experimental,
radical Radical may refer to: Politics and ideology Politics * Radical politics, the political intent of fundamental societal change *Radicalism (historical), the Radical Movement that began in late 18th century Britain and spread to continental Europe an ...
, or unorthodox with respect to art,
culture Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups ...
, or
society A society is a group of individuals involved in persistent social interaction, or a large social group sharing the same spatial or social territory, typically subject to the same political authority and dominant cultural expectations. Soc ...
.John Picchione,
The New Avant-garde in Italy: Theoretical Debate and Poetic Practices
' (Toronto: University of Toronto Press, 2004), p. 64 .
It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the norm or the ''
status quo is a Latin phrase meaning the existing state of affairs, particularly with regard to social, political, religious or military issues. In the sociological sense, the ''status quo'' refers to the current state of social structure and/or values. ...
'', primarily in the cultural realm. The avant-garde is considered by some to be a hallmark of
modernism Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, an ...
. Many
artists An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse refers to a practitioner in the visual arts only. However, the ...
have aligned themselves with the avant-garde movement, and still continue to do so, tracing their history from
Dada Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Pari ...
through the Situationists and to postmodern artists such as the
Language poets The Language poets (or ''L=A=N=G=U=A=G=E'' poets, after the magazine of that name) are an avant-garde group or tendency in United States poetry that emerged in the late 1960s and early 1970s. The poets included: Bernadette Mayer, Leslie Scal ...
around 1981. The avant-garde also promotes radical social reforms. This meaning was evoked by the
Saint Simonian Saint-Simonianism was a French political, religious and social movement of the first half of the 19th century, inspired by the ideas of Claude Henri de Rouvroy, comte de Saint-Simon (1760–1825). Saint-Simon's ideas, expressed largely through a ...
Olinde Rodrigues Benjamin Olinde Rodrigues (6 October 1795 – 17 December 1851), more commonly known as Olinde Rodrigues, was a French banker, mathematician, and social reformer. In mathematics Rodrigues is remembered for Rodrigues' rotation formula for vectors ...
in his essay, "L'artiste, le savant et l'industriel" ("The artist, the scientist and the industrialist", 1825). This essay contains the first use of "avant-garde" in its now customary sense; there, Rodrigues called on artists to "serve as
he people's He or HE may refer to: Language * He (pronoun), an English pronoun * He (kana), the romanization of the Japanese kana へ * He (letter), the fifth letter of many Semitic alphabets * He (Cyrillic), a letter of the Cyrillic script called ''He'' in ...
avant-garde", insisting that "the power of the arts is indeed the most immediate and fastest way" to social, political and economic reform.


History

The term was originally used by the French military to refer to a small
reconnaissance In military operations, reconnaissance or scouting is the exploration of an area by military forces to obtain information about enemy forces, terrain, and other activities. Examples of reconnaissance include patrolling by troops ( skirmishe ...
group that scouted ahead of the main force. It also became associated with
left-wing Left-wing politics describes the range of political ideologies that support and seek to achieve social equality and egalitarianism, often in opposition to social hierarchy. Left-wing politics typically involve a concern for those in soci ...
French radicals in the 19th century who were agitating for political reform. At some point in the middle of that century, the term was linked to art through the idea that art is an instrument for
social change Social change is the alteration of the social order of a society which may include changes in social institutions, social behaviours or social relations. Definition Social change may not refer to the notion of social progress or soci ...
. Only toward the end of the century did ''l'art d'avant-garde'' begin to break away from its identification with left-wing social causes to become more aligned with cultural and artistic issues. This trend toward increased emphasis on
aesthetic Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed t ...
issues has continued to the present. Avant-garde today generally refers to groups of intellectuals, writers, and artists, including architects, who voice ideas and experiment with artistic approaches that challenge current cultural values. Avant-garde ideas, especially if they embrace
social issue A social issue is a problem that affects many people within a society. It is a group of common problems in present-day society and ones that many people strive to solve. It is often the consequence of factors extending beyond an individual's cont ...
s, often are gradually assimilated by the societies they confront. The radicals of yesterday become mainstream, creating the environment for a new generation of radicals to emerge. The challenging of social and cultural values was apparent in American culture as it expanded due to the idea of mass culture in the 1960s. The amount of avant-garde art that was developed in the time of this new American culture represented the opposition to the accepted mass culture and mass consumerism.


Theories

Several writers have attempted to map the parameters of avant-garde activity. Italian essayist Renato Poggioli provides one of the earliest analyses of
vanguardism Vanguardism in the context of Leninist revolutionary struggle, relates to a strategy whereby the most class-conscious and politically "advanced" sections of the proletariat or working class, described as the revolutionary vanguard, form orga ...
as a cultural phenomenon in his 1962 book, ''Teoria dell'arte d'avanguardia'' (''The Theory of the Avant-Garde''). Surveying the historical, social, psychological and philosophical aspects of vanguardism, Poggioli reaches beyond individual instances of art, poetry, and music to show that vanguardists may share certain ideals or values, which manifest themselves in the non-conformist lifestyles they adopt. He sees vanguard culture as a variety or subcategory of
Bohemianism Bohemianism is the practice of an unconventional lifestyle, often in the company of like-minded people and with few permanent ties. It involves musical, artistic, literary, or spiritual pursuits. In this context, bohemians may be wanderers, a ...
. Other authors have attempted both to clarify and to extend Poggioli's study. The
German German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Ge ...
literary critic Peter Bürger's ''Theory of the Avant-Garde'' (1974) looks at
the Establishment ''The Establishment'' is a term used to describe a dominant group or elite that controls a polity or an organization. It may comprise a closed social group that selects its own members, or entrenched elite structures in specific institution ...
's embrace of socially critical works of art, and suggests that in complicity with capitalism, "art as an institution neutralizes the political content of the individual work."
Raymond Williams Raymond Henry Williams (31 August 1921 – 26 January 1988) was a Welsh socialist writer, academic, novelist and critic influential within the New Left and in wider culture. His writings on politics, culture, the media and literature contrib ...
devotes two chapters of his book, ''The Politics of Modernism''(1989), to a discussion of the politics and language of the avant-garde. Bürger's essay also greatly influenced the work of contemporary American art historians such as the German
Benjamin H. D. Buchloh Benjamin Heinz-Dieter Buchloh (born November 15, 1941) is a German art historian. Between 2005 and 2021 he was the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University. Education and ca ...
(born 1941). Buchloh, in the collection of essays ''Neo-avantgarde and Culture Industry'' (2000), critically argues for a dialectical approach to these positions. Subsequent criticism theorized the limitations of these approaches, noting their circumscribed areas of analysis, including Eurocentric, chauvinist, and genre-specific definitions.


Relation to mainstream society

The concept of avant-garde refers primarily to artists, writers, composers, and thinkers whose work is opposed to mainstream cultural values, and often has a trenchant social or political edge.Jim Samson, "Avant garde", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by
Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was pub ...
and John Tyrrell (London: Macmillan Publishers, 2001).
Many writers, critics, and theorists made assertions about vanguard culture during the formative years of modernism, although the initial definitive statement on the avant-garde was the essay " Avant-Garde and Kitsch", by New York art critic
Clement Greenberg Clement Greenberg () (January 16, 1909 – May 7, 1994), occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formali ...
. It was published in ''
Partisan Review ''Partisan Review'' (''PR'') was a small-circulation quarterly "little magazine" dealing with literature, politics, and cultural commentary published in New York City. The magazine was launched in 1934 by the Communist Party USA–affiliated Joh ...
'' in 1939. Greenberg argued that vanguard culture has historically been opposed to "high" or "mainstream" culture, and that it has also rejected the artificially synthesized
mass culture Popular culture (also called mass culture or pop culture) is generally recognized by members of a society as a set of practices, beliefs, artistic output (also known as, popular art or mass art) and objects that are dominant or prevalent in ...
that has been produced by industrialization. Each of these media is a direct product of
capitalism Capitalism is an economic system based on the private ownership of the means of production and their operation for profit. Central characteristics of capitalism include capital accumulation, competitive markets, price system, private ...
—they are all now substantial industries—and as such, they are driven by the same profit-fixated motives of other sectors of manufacturing, not the ideals of true art. For Greenberg, these forms were therefore ''
kitsch Kitsch ( ; loanword from German) is a term applied to art and design that is perceived as naïve imitation, overly-eccentric, gratuitous, or of banal taste. The avant-garde opposed kitsch as melodramatic and superficial affiliation wi ...
'' - phony, faked, or mechanical culture. Such things often pretended to be more than they were by using formal devices stolen from vanguard culture. For instance, during the 1930s, the advertising industry was quick to take visual mannerisms from
surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to ...
, but this does not mean that 1930s advertising photographs are truly surreal. Similar views were argued by members of the
Frankfurt School The Frankfurt School (german: Frankfurter Schule) is a school of social theory and critical philosophy associated with the Institute for Social Research, at Goethe University Frankfurt in 1929. Founded in the Weimar Republic (1918–1933), dur ...
, the originators of
Critical Theory A critical theory is any approach to social philosophy that focuses on society and culture to reveal, critique and challenge power structures. With roots in sociology and literary criticism, it argues that social problems stem more from s ...
, an approach to
social philosophy Social philosophy examines questions about the foundations of social institutions, social behavior, and interpretations of society in terms of ethical values rather than empirical relations. Social philosophers emphasize understanding the social ...
that focuses on reflective assessment and critique of society and culture in order to reveal and challenge power structures.
Theodor Adorno Theodor is a masculine given name. It is a German form of Theodore. It is also a variant of Teodor. List of people with the given name Theodor * Theodor Adorno, (1903–1969), German philosopher * Theodor Aman, Romanian painter * Theodor Blue ...
and
Max Horkheimer Max Horkheimer (; ; 14 February 1895 – 7 July 1973) was a German philosopher and sociologist who was famous for his work in critical theory as a member of the Frankfurt School of social research. Horkheimer addressed authoritarianism, militari ...
in their essay " The Culture Industry: Enlightenment as Mass-Deception" (1944), and also
Walter Benjamin Walter Bendix Schönflies Benjamin (; ; 15 July 1892 – 26 September 1940) was a German Jewish philosopher, cultural critic and essayist. An eclectic thinker, combining elements of German idealism, Romanticism, Western Marxism, and Jewish ...
in his highly influential "
The Work of Art in the Age of Mechanical Reproduction "The Work of Art in the Age of Mechanical Reproduction" (1935), by Walter Benjamin, is an essay of cultural criticism which proposes and explains that mechanical reproduction devalues the ''aura'' (uniqueness) of an ''objet d'art''. That in the age ...
" (1935, rev. 1939) spoke of "
mass culture Popular culture (also called mass culture or pop culture) is generally recognized by members of a society as a set of practices, beliefs, artistic output (also known as, popular art or mass art) and objects that are dominant or prevalent in ...
." They indicated that this bogus culture is constantly being manufactured by a newly emerged
culture industry The term culture industry (german: Kulturindustrie) was coined by the critical theorists Theodor Adorno (1903–1969) and Max Horkheimer (1895–1973), and was presented as critical vocabulary in the chapter "The Culture Industry: Enlightenment ...
(comprising commercial publishing houses, the
film industry The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, ...
, the record industry, and the electronic media).Theodor W. Adorno (1963)
, "
Culture Industry Reconsidered ''Culture Industry Reconsidered'' (german: Résumé über Kulturindustrie), was written in 1963 by Theodor W. Adorno, a German philosopher who belonged to the Frankfurt School of social theory. The term "cultural industry" first appeared in ''Dial ...
: Selected Essays on Mass Culture", London: Routledge, 1991
They also pointed out that the rise of this industry meant that artistic excellence was displaced by sales figures as a measure of worth: a novel, for example, was judged meritorious solely on whether it became a best-seller; music succumbed to ratings charts, and to the blunt commercial logic of the Gold disc. In this way, the autonomous artistic merit, so dear to the vanguardist, was abandoned and sales increasingly became the measure, and justification, of everything. Consumer culture now ruled. The avant-garde's
co-option Co-option (also co-optation, sometimes spelt coöption or coöptation) has two common meanings. It may refer to the process of adding members to an elite group at the discretion of members of the body, usually to manage opposition and so maintai ...
by the global capitalist market, by
neoliberal Neoliberalism (also neo-liberalism) is a term used to signify the late 20th century political reappearance of 19th-century ideas associated with free-market capitalism after it fell into decline following the Second World War. A prominent f ...
economies, and by what
Guy Debord Guy-Ernest Debord (; ; 28 December 1931 – 30 November 1994) was a French Marxist theorist, philosopher, filmmaker, critic of work, member of the Letterist International, founder of a Letterist faction, and founding member of the Situation ...
called ''
The Society of the Spectacle ''The Society of the Spectacle'' (french: La société du spectacle) is a 1967 work of philosophy and Marxist critical theory by Guy Debord, in which the author develops and presents the concept of the Spectacle. The book is considered a semin ...
'' (a seminal text for the Situationist movement describing the "autocratic reign of the
market economy A market economy is an economic system in which the decisions regarding investment, production and distribution to the consumers are guided by the price signals created by the forces of supply and demand, where all suppliers and consumers ...
"), have made contemporary critics speculate on the possibility of a meaningful avant-garde today. Paul Mann's ''Theory-Death of the Avant-Garde'' demonstrates how completely the avant-garde is embedded within institutional structures today, a thought also pursued by
Richard Schechner Richard Schechner is University Professor Emeritus at the Tisch School of the Arts, New York University, and editor of ''TDR: The Drama Review''. Biography Richard Schechner received his Bachelor of Arts degree from Cornell University in 1956, a ...
in his analyses of avant-garde performance. Despite the central arguments of Greenberg, Adorno, and others, various sectors of the mainstream culture industry have co-opted and misapplied the term "avant-garde" since the 1960s, chiefly as a marketing tool to publicise popular music and commercial cinema. It has become common to describe successful rock musicians and celebrated film-makers as "avant-garde", the very word having been stripped of its proper meaning. Noting this important conceptual shift, major contemporary theorists such as
Matei Calinescu Matei is a Romanian name. It is equivalent to the English name Matthew. As a given name * Matei Balș, Romanian bacteriologist *Matei Basarab, Wallachian Voivode between 1632 and 1654 * Matei Boilă, Romanian politician and priest * Matei Călin ...
in ''Five Faces of Modernity: Modernism, Avant-garde, Decadence, Kitsch, Postmodernism'' (1987), and Hans Bertens in ''The Idea of the Postmodern: A History'' (1995), have suggested that this is a sign our culture has entered a new
post-modern Postmodernism is an intellectual stance or mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by skepticism toward the " grand narratives" of moderni ...
age, when the former
modernist Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new fo ...
ways of thinking and behaving have been rendered redundant. Nevertheless, an incisive critique of vanguardism as against the views of mainstream society was offered by the New York critic
Harold Rosenberg Harold Rosenberg (February 2, 1906 – July 11, 1978) was an American writer, educator, philosopher and art critic. He coined the term Action Painting in 1952 for what was later to be known as abstract expressionism. Rosenberg is best known for ...
in the late 1960s. Trying to strike a balance between the insights of Renato Poggioli and the claims of Clement Greenberg, Rosenberg suggested that, from the mid-1960s onward, progressive culture ceased to fulfill its former adversarial role. Since then it has been flanked by what he called "avant-garde ghosts to the one side, and a changing mass culture on the other", both of which it interacts with to varying degrees. This has seen culture become, in his words, "a profession one of whose aspects is the pretense of overthrowing it." Avant-garde is frequently defined in contrast to ''arrière-garde'', which in its original military sense refers to a
rearguard A rearguard is a part of a military force that protects it from attack from the rear, either during an advance or withdrawal. The term can also be used to describe forces protecting lines, such as communication lines, behind an army. Even more ...
force that protects the advance-guard. The term was less frequently used than "avant-garde" in 20th-century art criticism. The art historians Natalie Adamson and Toby Norris argue that ''arrière-garde'' is not reducible to a
kitsch Kitsch ( ; loanword from German) is a term applied to art and design that is perceived as naïve imitation, overly-eccentric, gratuitous, or of banal taste. The avant-garde opposed kitsch as melodramatic and superficial affiliation wi ...
style or
reactionary In political science, a reactionary or a reactionist is a person who holds political views that favor a return to the '' status quo ante'', the previous political state of society, which that person believes possessed positive characteristics abs ...
orientation, but can instead be used to refer to artists who engage with the legacy of the avant-garde while maintaining an awareness that doing so is in some sense anachronistic. The critic
Charles Altieri Charles Altieri is the Rachel Stageberg Anderson Professor and Chair in the Department of English at the University of California, Berkeley. Background Altieri specializes in 20th century American and British Literature and teaches graduate courses ...
argues that avant-garde and arrière-garde are interdependent: "where there is an avant-garde, there must be an ''arrière-garde''."


Examples


Music

Avant-garde in music can refer to any form of music working within traditional structures while seeking to breach boundaries in some manner.David Nicholls (ed.), ''The Cambridge History of American Music'' (Cambridge and New York:
Cambridge University Press Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by King Henry VIII in 1534, it is the oldest university press in the world. It is also the King's Printer. Cambridge University Pr ...
, 1998), 122–24.
The term is used loosely to describe the work of any musicians who radically depart from tradition altogether. By this definition, some avant-garde composers of the 20th century include
Arnold Schoenberg Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was as ...
,Larry Sitsky, ''Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook'' (Westport, Conn: Greenwood Press, 2002), xiv. .
Richard Strauss Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
(in his earliest work),Larry Sitsky, ''Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook'' (Westport, Conn: Greenwood Press, 2002), xiii–xiv. .
Charles Ives Charles Edward Ives (; October 20, 1874May 19, 1954) was an American modernist composer, one of the first American composers of international renown. His music was largely ignored during his early career, and many of his works went unperformed ...
,
Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential 20th-century clas ...
,
Anton Webern Anton Friedrich Wilhelm von Webern (3 December 188315 September 1945), better known as Anton Webern (), was an Austrian composer and conductor whose music was among the most radical of its milieu in its sheer concision, even aphorism, and stead ...
,Larry Sitsky, ''Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook'' (Westport, Conn: Greenwood Press, 2002), 50. .
Edgard Varèse Edgard Victor Achille Charles Varèse (; also spelled Edgar; December 22, 1883 – November 6, 1965) was a French-born composer who spent the greater part of his career in the United States. Varèse's music emphasizes timbre and rhythm; he coine ...
,
Alban Berg Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively sm ...
, George Antheil (in his earliest works only),
Henry Cowell Henry Dixon Cowell (; March 11, 1897 – December 10, 1965) was an American composer, writer, pianist, publisher and teacher. Marchioni, Tonimarie (2012)"Henry Cowell: A Life Stranger Than Fiction" ''The Juilliard Journal''. Retrieved 19 June 202 ...
(in his earliest works),
Harry Partch Harry Partch (June 24, 1901 – September 3, 1974) was an American composer, music theorist, and creator of unique musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century com ...
,
John Cage John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading f ...
,
Iannis Xenakis Giannis Klearchou Xenakis (also spelled for professional purposes as Yannis or Iannis Xenakis; el, Γιάννης "Ιωάννης" Κλέαρχου Ξενάκης, ; 29 May 1922 – 4 February 2001) was a Romanian-born Greek-French avant-garde c ...
, Morton Feldman,
Karlheinz Stockhausen Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundb ...
,
Pauline Oliveros Pauline Oliveros (May 30, 1932 – November 24, 2016) was an American composer, accordionist and a central figure in the development of post-war experimental and electronic music. She was a founding member of the San Francisco Tape Music Center ...
,
Philip Glass Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive ...
, Meredith Monk,Larry Sitsky, ''Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook'' (Westport, Conn: Greenwood Press, 2002), xvii. .
Laurie Anderson Laurel Philips Anderson (born June 5, 1947), known as Laurie Anderson, is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects. Initially trained in violin and ...
, and
Diamanda Galás Diamanda Galás (born August 29, 1955) is an American musician, singer-songwriter, visual artist, and soprano. She has campaigned for AIDS education and the rights of the infected. Galás's commitment to addressing social issues and her involve ...
. There is another definition of "Avant-gardism" that distinguishes it from "modernism": Peter Bürger, for example, says avant-gardism rejects the "institution of art" and challenges social and artistic values, and so necessarily involves political, social, and cultural factors. According to the composer and musicologist
Larry Sitsky Lazar "Larry" Sitsky (born 10 September 1934) is an Australian composer, pianist, and music educator and scholar. His long term legacy is still to be assessed, but through his work to date he has made a significant contribution to the Austra ...
, modernist composers from the early 20th century who do not qualify as avant-gardists include Arnold Schoenberg, Anton Webern, and Igor Stravinsky; later modernist composers who do not fall into the category of avant-gardists include
Elliott Carter Elliott Cook Carter Jr. (December 11, 1908 – November 5, 2012) was an American modernist composer. One of the most respected composers of the second half of the 20th century, he combined elements of European modernism and American "ultra- ...
,
Milton Babbitt Milton Byron Babbitt (May 10, 1916 – January 29, 2011) was an American composer, music theorist, mathematician, and teacher. He is particularly noted for his serial and electronic music. Biography Babbitt was born in Philadelphia to Albert E ...
,
György Ligeti György Sándor Ligeti (; ; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century ...
,
Witold Lutosławski Witold Roman Lutosławski (; 25 January 1913 – 7 February 1994) was a Polish composer and conductor. Among the major composers of 20th-century classical music, he is "generally regarded as the most significant Polish composer since Szyman ...
, and
Luciano Berio Luciano Berio (24 October 1925 – 27 May 2003) was an Italian composer noted for his experimental work (in particular his 1968 composition ''Sinfonia'' and his series of virtuosic solo pieces titled ''Sequenza''), and for his pioneering work ...
, since "their modernism was not conceived for the purpose of goading an audience."Larry Sitsky, ''Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook'' (Westport, Conn: Greenwood Press, 2002), xv. . The 1960s saw a wave of free and avant-garde music in
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ...
genre, embodied by artists such as
Ornette Coleman Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Coll ...
,
Sun Ra Le Sony'r Ra (born Herman Poole Blount, May 22, 1914 – May 30, 1993), better known as Sun Ra, was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific ou ...
,
Albert Ayler Albert Ayler (; July 13, 1936 – November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer. After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. Howev ...
,
Archie Shepp Archie Shepp (born May 24, 1937) is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz. Biography Early life Shepp was born in Fort Lauderdale, Florida, but ...
,
John Coltrane John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Born and raise ...
and
Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of music ...
. In the rock music of the 1970s, the "art" descriptor was generally understood to mean "aggressively avant-garde" or "pretentiously progressive".
Post-punk Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-r ...
artists from the late 1970s rejected traditional rock sensibilities in favor of an avant-garde aesthetic.


Theatre

Whereas the avant-garde has a significant history in 20th-century music, it is more pronounced in theatre and performance art, and often in conjunction with music and sound design innovations, as well as developments in visual media design. There are movements in theatre history that are characterized by their contributions to the avant-garde traditions in both the United States and Europe. Among these are
Fluxus Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus ...
, Happenings, and
Neo-Dada Neo-Dada was a movement with audio, visual and literary manifestations that had similarities in method or intent with earlier Dada artwork. It sought to close the gap between art and daily life, and was a combination of playfulness, iconoclasm, a ...
.


Art movements

*
Abstract expressionism Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...
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Artivism Artivism is a portmanteau word combining ''art'' and ''activism'', and is sometimes also referred to as ''Social Artivism''. The term artivism in US English takes roots, or branches, off of a 1997 gathering between Chicano artists from East Los ...
* COBRA *
Conceptual art Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called ins ...
* Constructivism *
Cubism Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassemble ...
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Dadaism Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 192 ...
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De Stijl ''De Stijl'' (; ), Dutch for "The Style", also known as Neoplasticism, was a Dutch art movement founded in 1917 in Leiden. De Stijl consisted of artists and architects. In a more narrow sense, the term ''De Stijl'' is used to refer to a body ...
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Expressionism Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it ra ...
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Fauvism Fauvism /ˈfoʊvɪzm̩/ is the style of ''les Fauves'' (French language, French for "the wild beasts"), a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the Representation (arts), repr ...
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Fluxus Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus ...
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Futurism Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects suc ...
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Happening A happening is a performance, event, or situation art, usually as performance art. The term was first used by Allan Kaprow during the 1950s to describe a range of art-related events. History Origins Allan Kaprow first coined the term "happen ...
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Imaginism Imaginism was a Russian avant-garde poetic movement that began after the Revolution of 1917. History Imaginism was founded in 1918 in Moscow by a group of poets including Anatoly Marienhof, Vadim Shershenevich, and Sergei Yesenin, who wanted to ...
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Imagism Imagism was a movement in early-20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized literary modernism, modernist literary movement in the English language. ...
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Impressionism Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passa ...
* Incoherents *
Land art Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, largely associated with Great Britain and the United StatesArt in the modern era: A guide to styles, schools, & mov ...
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Les Nabis Les Nabis (French: les nabis, ) were a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from impressionism and academic art to abstract art, symbolism and the other early movements of ...
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Lyrical Abstraction Lyrical abstraction is either of two related but distinct trends in Post-war Modernist painting: ''European Abstraction Lyrique'' born in Paris, the French art critic Jean José Marchand being credited with coining its name in 1947, considered ...
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Minimal art Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or co ...
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Neo-Dada Neo-Dada was a movement with audio, visual and literary manifestations that had similarities in method or intent with earlier Dada artwork. It sought to close the gap between art and daily life, and was a combination of playfulness, iconoclasm, a ...
* Orphism * Pop art * Precisionism *
Primitivism Primitivism is a mode of aesthetic idealization that either emulates or aspires to recreate a "primitive" experience. It is also defined as a philosophical doctrine that considers "primitive" peoples as nobler than civilized peoples and was an o ...
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Rayonism Rayonism (or Rayism or Rayonnism) was a style of abstract art that developed in Russia in 1910–1914. Founded and named by Russian Cubo-Futurists Mikhail Larionov and Natalia Goncharova, it was one of Russia's first abstract art movements. B ...
* Situationism *
Suprematism Suprematism (russian: Супремати́зм) is an early twentieth-century art movement focused on the fundamentals of geometry (circles, squares, rectangles), painted in a limited range of colors. The term ''suprematism'' refers to an abstra ...
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Surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to ...
* Symbolism *
Tachisme __NOTOC__ Tachisme (alternative spelling: Tachism, derived from the French word ''tache'', stain) is a French style of abstract painting popular in the 1940s and 1950s. The term is said to have been first used with regards to the movement in 19 ...
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Universal Constructivism Universal Constructivism (sometimes called Constructive Universalism) was a style of art created and developed by Joaquín Torres-García. Through the study and incorporation of basic geometric structure (Constructive) in the ancient and modern w ...
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Viennese Actionism Viennese Actionism was a short-lived art movement in the late 20th-century that spanned the 1960s into the 1970s. It is regarded as part of the independent efforts made during the 1960s to develop the issues of performance art, Fluxus, happening ...
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Vorticism Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in ...
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Creationism Creationism is the religious belief that nature, and aspects such as the universe, Earth, life, and humans, originated with supernatural acts of divine creation. Gunn 2004, p. 9, "The ''Concise Oxford Dictionary'' says that creationism is 't ...
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Nadaism Nadaism ( es, Nadaísmo, meaning "Nothing-ism" in English) was an artistic and philosophical counterculture movement in Colombia prevalent from 1958 to 1964. The movement was founded by writer Gonzalo Arango and was influenced by nihilism, existen ...
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Stridentism Stridentism (Spanish: Estridentismo) was an artistic and multidisciplinary avant-garde movement, founded in Puebla City by Manuel Maples Arce at the end of 1921 but formally developed in Xalapa where all the founders moved after the University of V ...
* Ultraist


See also

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Anti-art Anti-art is a loosely used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Somewhat paradoxically, anti-art tends to conduct this questioning and rejection from the vantage poi ...
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Bauhaus The Staatliches Bauhaus (), commonly known as the Bauhaus (), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts.Oxford Dictionary of Art and Artists (Oxford: Oxford University Press, 4th edn., 20 ...
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Experimental film Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, parti ...
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Experimental literature Experimental literature is a genre that is, according to Warren Motte in his essa"Experimental Writing, Experimental Reading" "difficult to define with any sort of precision." He says the "writing is often invoked in an "offhand manner" and the ...
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Experimental music Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, ...
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Experimental theatre Experimental theatre (also known as avant-garde theatre), inspired largely by Wagner's concept of Gesamtkunstwerk, began in Western theatre in the late 19th century with Alfred Jarry and his Ubu plays as a rejection of both the age in particul ...
* L'enfant terrible *
List of avant-garde artists Avant-garde () is French for "vanguard". The term is commonly used in French, English, and German to refer to people or works that are experimental or innovative, particularly with respect to art and culture. Avant-garde represents a pushing of ...
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Outsider art Outsider art is art made by self-taught or supposedly naïve artists with typically little or no contact with the conventions of the art worlds. In many cases, their work is discovered only after their deaths. Often, outsider art illustrate ...
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Relationship between avant-garde art and American pop culture Avant-garde art and American pop culture have had an intriguing relationship from the time of the art form's inception in America to the current day. The art form, which began in the early half of the nineteenth century in Europe, started to rise ...
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Russian avant-garde The Russian avant-garde was a large, influential wave of avant-garde modern art that flourished in the Russian Empire and the Soviet Union, approximately from 1890 to 1930—although some have placed its beginning as early as 1850 and its e ...


References


Further reading

* Robert Archambeau
"The Avant-Garde in Babel. Two or Three Notes on Four or Five Words"
''Action-Yes'' vol. 1, issue 8, Autumn 2008. * Bäckström, Per (ed.),
Centre-Periphery. The Avant-Garde and the Other
', Nordlit. University of Tromsø, no. 21, 2007. * Bäckström, Per
"One Earth, Four or Five Words. The Peripheral Concept of 'Avant-Garde
''Action-Yes'' vol. 1, issue 12, Winter 2010. * Bäckström, Per & Bodil Børset (eds.), ''Norsk avantgarde'' (Norwegian Avant-Garde), Oslo: Novus, 2011. * Bäckström, Per & Benedikt Hjartarson (eds.)
''Decentring the Avant-Garde''
Amsterdam & New York: Rodopi, Avantgarde Critical Studies, 2014. * Bäckström, Per and Benedikt Hjartarson. “Rethinking the Topography of the International Avant-Garde”, i
''Decentring the Avant-Garde''
Per Bäckström & Benedikt Hjartarson (eds.), Amsterdam & New York: Rodopi, Avantgarde Critical Studies, 2014. * Barron, Stephanie, and Maurice Tuchman. 1980. ''The Avant-garde in Russia, 1910–1930: New Perspectives: Los Angeles County Museum of Art nd
Hirshhorn Museum The Hirshhorn Museum and Sculpture Garden is an art museum beside the National Mall, in Washington, D.C., the United States. The museum was initially endowed during the 1960s with the permanent art collection of Joseph H. Hirshhorn. It was desi ...
and Sculpture Garden, Smithsonian Institution, Washington, D. C.''
Los Angeles Los Angeles ( ; es, Los Ángeles, link=no , ), often referred to by its initials L.A., is the largest city in the state of California and the second most populous city in the United States after New York City, as well as one of the world ...
: Los Angeles County Museum of Art (pbk.);
Cambridge, MA Cambridge ( ) is a city in Middlesex County, Massachusetts, United States. As part of the Boston metropolitan area, the cities population of the 2020 U.S. census was 118,403, making it the fourth most populous city in the state, behind Boston, ...
: Distributed by the
MIT Press The MIT Press is a university press affiliated with the Massachusetts Institute of Technology (MIT) in Cambridge, Massachusetts (United States). It was established in 1962. History The MIT Press traces its origins back to 1926 when MIT publ ...
(pbk.) * Bazin, Germain. 1969. ''The Avant-garde in Painting''. New York: Simon and Schuster. * Berg, Hubert van den, and Walter Fähnders (eds.). 2009. ''Metzler Lexikon Avantgarde''. Stuttgart: Metzler. * Crane, Diana. 1987. ''The Transformation of the Avant-garde: The New York Art World, 1940–1985''. Chicago:
University of Chicago Press The University of Chicago Press is the largest and one of the oldest university presses in the United States. It is operated by the University of Chicago and publishes a wide variety of academic titles, including '' The Chicago Manual of Style' ...
. * Daly, Selina, and Monica Insinga (eds.). 2013.
The European Avant-garde: Text and Image
'. Newcastle upon Tyne: Cambridge Scholars. . * Fernández-Medina, Nicolás, and Maria Truglio (eds.).
Modernism and the Avant-garde Body in Spain and Italy
'. Routledge, 2016. * Harding, James M., and John Rouse, eds. ''Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance''. University of Michigan, 2006. * Hjartarson, Benedikt. 2013. V''isionen des Neuen. Eine diskurshistorische Analyse des frühen avantgardistischen Manifests''. Heidelberg: Winter. * Kostelanetz, Richard, and H. R. Brittain. 2000. ''A Dictionary of the Avant-Gardes'', second edition. New York: Schirmer Books. . Paperback edition 2001, New York: Routledge. (pbk.) * Kramer, Hilton. 1973. ''The Age of the Avant-garde; An Art Chronicle of 1956''−''1972''. New York: Farrar, Straus and Giroux. * Léger, Marc James (ed.). 2014. ''The Idea of the Avant Garde—And What It Means Today''. Manchester and New York: Manchester University Press; Oakland: Left Curve. . * Maerhofer, John W. 2009. ''Rethinking the Vanguard: Aesthetic and Political Positions in the Modernist Debate, 1917–1962''. Newcastle upon Tyne: Cambridge Scholars Press. * Mann, Paul. ''The Theory-Death of the Avant-Garde''. Indiana University Press, 1991. * Novero, Cecilia. 2010. ''Antidiets of the Avant-Garde: From Futurist Cooking to Eat Art.'' (University of Minnesota Press) * Pronko, Leonard Cabell. 1962. ''Avant-garde: The Experimental Theater in France''. Berkeley:
University of California Press The University of California Press, otherwise known as UC Press, is a publishing house associated with the University of California that engages in academic publishing. It was founded in 1893 to publish scholarly and scientific works by facul ...
. * Roberts, John. 2015. ''Revolutionary Time and the Avant-Garde''. London and New York: Verso. (cloth); (pbk). * Schechner, Richard. "The Five Avant-Gardes or ... nd... or None?" ''The Twentieth-Century Performance Reader'', 2nd ed., ed. Michael Huxley and Noel Witts (New York and London: Routledge, 2002). * Schmidt-Burkhardt, Astrit. 2005. ''Stammbäume der Kunst: Zur Genealogie der Avantgarde''. Berlin
Akademie Verlag :''There also were unrelated publishing houses in Stuttgart and in (East-)Berlin, and there is the (JAVG).'' Akademie Verlag (AV) is a German scientific and academic publishing company, founded in 1946 in the Soviet-occupied eastern part ...
. nline version is available* Sell, Mike. ''The Avant-Garde: Race, Religion, War''. Seagull Books, 2011. * Shishanov, V. A. 2007. '' Vitebskii muzei sovremennogo iskusstva: istoriia sozdaniia i kollektsii (1918–1941)''. Minsk: Medisont.
Online edition


External links


Historic Avant-Garde Periodicals for Digital Research, The Blue Mountain Project, Princeton University LibraryAvant-garde and Modernist Magazines (Monoskop)
* ttps://web.archive.org/web/20190804201914/http://digital.lib.uiowa.edu/cdm/search/collection/dada/searchterm/Periodicals/mode/exact Periodicals in Iowa Digital Library, University of Iowa Librariesbr>Digital Dada Library of International Dada Archive, University of Iowa LibrariesMagazines in Digital Collections of Beinecke Rare Book & Manuscript LibraryAvant-Garde Periodicals Meet Digital Archives, New York Public Library
* ttp://sites.davidson.edu/littlemagazines/ Index of Modernist Magazines, Davidson College
Modernist Journal Project, Brown University and University of TulsaSpanish and Italian Modernist Studies Forum, Pennsylvania State University

Collection: "Spanish Avant-Garde" from the University of Michigan Museum of Art
{{DEFAULTSORT:Avant-Garde Contemporary art movements Concepts in aesthetics Modern art Modernism