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Xẩm (
Chữ Nôm Chữ Nôm (, ; ) is a logographic writing system formerly used to write the Vietnamese language. It uses Chinese characters ('' Chữ Hán'') to represent Sino-Vietnamese vocabulary and some native Vietnamese words, with other words represent ...
: 眈) or Hát xẩm (咭眈, Xẩm singing) is a type of
Vietnamese Vietnamese may refer to: * Something of, from, or related to Vietnam, a country in Southeast Asia ** A citizen of Vietnam. See Demographics of Vietnam. * Vietnamese people, or Kinh people, a Southeast Asian ethnic group native to Vietnam ** Overse ...
folk music Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has b ...
which was popular in the Northern region of Vietnam but is nowadays considered an endangered form of traditional music in Vietnam. In the dynastic time, xẩm was generally performed by blind artists who wandered from town to town and earned their living by singing in common places. Xẩm artists often play
đàn bầu The đàn bầu (; "gourd zither"; chữ Nôm: ), also called độc huyền cầm (獨絃琴, "one-string zither") is a Vietnamese stringed instrument, in the form of a monochord (one-string) zither. History While the earliest written records o ...
or đàn nhị to accompany the songs themselves, and sometimes they form a band with one singer and others who play traditional instruments such as the drum or phách. The melodies of xẩm are borrowed from different types of Vietnamese folk music such as
trống quân Trống quân singing (, Hán-Nôm: 𤿰軍, "military drum") is a response folk song of Vietnam. It is often found in festivals and performed as alternating singing between boys and girls.Bulletin of the International Council for Traditional Music ...
or
quan họ ''Quan họ'' () singing is a Vietnamese folk music style characterized both by its antiphonal nature, with alternating groups of female and male singers issuing musical challenges and responses. Quan họ is common in rituals and festivals, and a ...
, while its themes are generally '' The Tale of Kiều'', '' Lục Vân Tiên'', and other popular Vietnamese stories.


History and performers

The origin of xẩm was dated from the
Trần dynasty The Trần dynasty, ( Vietnamese: Nhà Trần, chữ Nôm: 茹陳)also known as the House of Trần, was a Vietnamese dynasty that ruled over the Kingdom of Đại Việt from 1225 to 1400. The dynasty was founded when emperor Trần Thá ...
in the 14th century. During the dynastic time, xẩm was popular in the Northern region of Vietnam. Traditionally, xẩm was performed by blind artists who wandered from town to town and earned their living by singing in common places such as markets or communal temples. At the beginning of the 20th century, xẩm artists performed on the
tram A tram (called a streetcar or trolley in North America) is a rail vehicle that travels on tramway tracks on public urban streets; some include segments on segregated right-of-way. The tramlines or networks operated as public transport are ...
s of the public transport system of
Hanoi Hanoi or Ha Noi ( or ; vi, Hà Nội ) is the capital and second-largest city of Vietnam. It covers an area of . It consists of 12 urban districts, one district-leveled town and 17 rural districts. Located within the Red River Delta, Hanoi is ...
, so this type of folk music was sometimes called ''xẩm tàu điện'' (''tram xẩm''). When the tram lines were abandoned in the 1980s, xẩm tàu điện disappeared and xẩm gradually fell into oblivion. Facing the unstoppable decline of xẩm, researchers and devoted artists tried but failed to revitalize this art form. Nowadays, xẩm is considered an endangered form of Vietnamese traditional music because the number of experienced artists rapidly declines while the younger generation usually prefers modern types of music. The most famous recent artisan of this art form was Hà Thị Cầu (1917-2013), the so-called "last surviving artisan of xẩm." She was one of the few artisans who was honoured by the title ''Nghệ sĩ ưu tú'' (Outstanding Artist of Vietnam). There are several efforts to preserve and propagate xẩm, such as the introduction of xẩm performance in the Đồng Xuân night market, and encouraging young artists to learn xẩm from old artisans.


Performance elements

The melodies of xẩm are borrowed from different types of Vietnamese folk music such as
trống quân Trống quân singing (, Hán-Nôm: 𤿰軍, "military drum") is a response folk song of Vietnam. It is often found in festivals and performed as alternating singing between boys and girls.Bulletin of the International Council for Traditional Music ...
,
quan họ ''Quan họ'' () singing is a Vietnamese folk music style characterized both by its antiphonal nature, with alternating groups of female and male singers issuing musical challenges and responses. Quan họ is common in rituals and festivals, and a ...
,
chèo ''Chèo'' (, Chữ Nôm: 掉) is a form of generally satirical musical theatre, often encompassing dance, traditionally performed by Vietnamese peasants in northern Vietnam. It is usually performed outdoors by semi-amateur touring groups, stere ...
or
lullabies A lullaby (), or cradle song, is a soothing song or piece of music that is usually played for (or sung to) children (for adults see music and sleep). The purposes of lullabies vary. In some societies they are used to pass down cultural knowledg ...
. Themes of xẩm songs are often drawn from popular stories, poems and legends in Vietnam like '' Truyện Kiều'', '' Lục Vân Tiên'', '' Thạch Sanh'' or '' Nhị độ mai''. Through the content of the songs and the style of performance, xẩm artists told about their tragic lives or the misery of the poor people and thus evoked pity from their audience. Today, there are about 400 xẩm songs which are still preserved. They are mainly handed down orally from generation to generation. In singing xẩm, the artists often play
đàn bầu The đàn bầu (; "gourd zither"; chữ Nôm: ), also called độc huyền cầm (獨絃琴, "one-string zither") is a Vietnamese stringed instrument, in the form of a monochord (one-string) zither. History While the earliest written records o ...
or đàn nhị to self-accompany, and sometimes they form a band in which one artist sings while others play traditional instruments such as the drum or phách. Depending on the rhythm of the drum, xẩm is divided into two styles, ''xẩm chợ'' for a rapid rhythm and ''xẩm cô đào'' for a slow one.


References

https://vietnam.vnanet.vn/english/xam-singing-in-hanoi/3838.html {{DEFAULTSORT:Xam Vietnamese traditional theatre Vietnamese music Folk music genres