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The Virginia Minstrels or Virginia Serenaders was a group of 19th-century American
entertainer An entertainer is someone who provides entertainment in various different forms. Types of entertainers * Acrobat * Actor * Archimime * Athlete * Barker * Beatboxer * Benshi * Bouffon * Circus performer * Clown * Club Hostess/Host * Co ...
s who helped invent the entertainment form known as the
minstrel show The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people spec ...
. Led by Dan Emmett, the original lineup consisted of Emmett,
Billy Whitlock William M. Whitlock (1813 – 1878) was an American blackface performer. He began his career in entertainment doing blackface banjo routines in circuses and dime shows, and by 1843 he was well known in New York City. He is best known for his ...
,
Dick Pelham Richard Ward "Dick" Pelham (February 13, 1815 – October 1876), born Richard Ward Pell, was an American blackface performer. He was born in New York City. Pelham regularly did blackface acts in the early 1840s both solo and as part of a duo or ...
, and Frank Brower. After a successful try-out in the billiard parlor of the Branch Hotel on
New York City New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the L ...
's Bowery, the group is said to have premiered to a paying audience nearby at the
Chatham Theatre The Chatham Theatre or Chatham Street Theatre was a playhouse on the southeast side of Chatham Street (now Park Row) in New York City. It was located at numbers 143-9, between Roosevelt and James streets, a few blocks south of the Bowery. At it ...
, probably on January 31, 1843. They followed with a brief run at the Bowery Amphitheater in early February before an expanded schedule of venues.


Early beginnings

Dan Emmett and Frank Brower both toured with The Cincinnati Circus Company during the spring of 1841. It was there that their friendship first began. Dan learned to play the banjo, and Frank accompanied him in the new song "Old Tar River." In early November 1841, the playbills announced Dan Emmett as a performer. Dan and Frank then turned to New York City. As they were already quite respected, it did not take long for them to gain fame in New York. They began performing at the
Chatham Theatre The Chatham Theatre or Chatham Street Theatre was a playhouse on the southeast side of Chatham Street (now Park Row) in New York City. It was located at numbers 143-9, between Roosevelt and James streets, a few blocks south of the Bowery. At it ...
with a third performer named Pierce. It is assumed that Frank and Pierce danced to Dan's banjo accompaniment, which sometimes included vocal lines from one of the performers who wasn't dancing. Frank briefly left the group in the middle of December 1842. Emmett and Pierce continued to perform and were billed as "the renowned Minstrel and his Little Darkey Ariel." A few weeks later, Dan Emmett and Frank Brower teamed up with Bill Whitlock and Dick Pelham, who were also popular blackface comedians. Bill Whitlock describes their formation as a happy accident, as Dan Emmett and Bill Whitlock were practicing together, and Frank Brower and Dick Pelham happened to come by and visit, joining in the practice session. After practicing for a while, they took their instruments down to the Branch Hotel and performed for the first time as the Virginia Minstrels.


Troupe members

Dan Emmett - founding member and
Bones (instrument) The bones, also known as rhythm bones, are a folk instrument that, in their original form, consists of a pair of animal bones, but may also be played on pieces of wood or similar material. Sections of large rib bones and lower leg bones are the ...
player, as well as banjo. Most famous for writing the song
Dixie Dixie, also known as Dixieland or Dixie's Land, is a nickname for all or part of the Southern United States. While there is no official definition of this region (and the included areas shift over the years), or the extent of the area it cove ...
. Frank Brower - toured with Dan in the circus, and would commonly accompany him in acts. Mainly a banjo player.
Billy Whitlock William M. Whitlock (1813 – 1878) was an American blackface performer. He began his career in entertainment doing blackface banjo routines in circuses and dime shows, and by 1843 he was well known in New York City. He is best known for his ...
- would typically practice fiddle with Dan before he started the troupe. Was a large success in New York before the start of the troupe.
Dick Pelham Richard Ward "Dick" Pelham (February 13, 1815 – October 1876), born Richard Ward Pell, was an American blackface performer. He was born in New York City. Pelham regularly did blackface acts in the early 1840s both solo and as part of a duo or ...
- most established dancer out of the troupe. Played several instruments as well.


Changes to the minstrel show

The main difference between the Virginia Minstrels and earlier minstrel shows was the type of performance the audience experienced. Their marketing and presentation on stage resembled that of the Hutchinson Family Singers, a group earning at least ten times the performance fees paid to minstrel troupes. While the Virginia Minstrels weren't the first blackface performers to band together and present a show, they were the first to present a concert.


Critical reception

The change of perception from being a variety show to being a concert afforded the Virginia Minstrels with patrons of a slightly upper class. Their work was deemed as refined and a breath of fresh air in the New York scene. One critic wrote: "Chaste, Pleasing and Elegant!" - "The Virginia Minstrels, who have been giving their novel and refined concerts at the Temple in Boston, and have been so liberally patronized by the elite of that city, beg most respectfully to announce to the Ladies and Gentlemen of Worcester, that they intend giving their last concert at Brinley Hall, on Wednesday eve'g, Mar. 22" The editorial that accompanied this notice stated "The harmony and skill with which the banjo, violin, castinets, and tambourine are blended by these truly original minstrels, in their Ethiopian characters, is a redeeming feature to this species of amusement, and cannot fail of making it acceptable to the most refined and sensitive audience."


Significant works

Unlike earlier blackface acts that featured solo singers or dancers, the Virginia Minstrels appeared as a group in blackface and what would become iconic costumes and performed more elaborate shows. In March 1843 they appeared in Welch's Olympic Circus as part of an equestrian act. Although they primarily appeared within a larger schedule of entertainment in their earliest months, they surely were the first minstrels to also be hired to perform by themselves at smaller venues. Among other things, they are credited with the songs "
Jimmy Crack Corn "Jimmy Crack Corn" or "Blue-Tail Fly" is an American song which first became popular during the rise of blackface minstrelsy in the 1840s through performances by the Virginia Minstrels. It regained currency as a folk song in the 1940s at the ...
" and " Old Dan Tucker", which passed into American
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culture.


References


External links


Bussongs.com
{{Authority control 1843 establishments in the United States Blackface minstrel troupes American comedy troupes