The Theatres Act 1968 abolished

censorship Censorship is the suppression of speech, public communication, or other information. This may be done on the basis that such material is considered objectionable, harmful, sensitive, or "inconvenient". Censorship can be conducted by governments ...

of the stage in the

United Kingdom The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom (UK) or Britain, is a country in Europe, off the north-western coast of the European mainland, continental mainland. It comprises England, Scotlan ...

, receiving royal assent on 26 July 1968, after passing both Houses of Parliament."Theatres Act 1968"
www.legislation.gov.uk Since 1737, scripts had been licensed for performance by the

Lord Chamberlain's Office The Lord Chamberlain's Office is a department within the British Royal Household. It is concerned with matters such as protocol, state visits, investitures, garden parties, royal weddings and funerals. For example, in April 2005 it organised th ...

(under the

Theatres Act 1843 The Theatres Act 1843 (6 & 7 Vict., c. 68) (also known as the Theatre Regulation Act) is a defunct Act of Parliament in the United Kingdom. It amended the regime established under the Licensing Act 1737 for the licensing of the theatre in Great B ...

, a continuation of the

Licensing Act 1737 The Licensing Act of 1737 is a defunct Act of Parliament in the Kingdom of Great Britain, and a pivotal moment in theatrical history. Its purpose was to control and censor what was being said about the British government through theatre. The act ...

) a measure initially introduced to protect Robert Walpole's administration from

political satire Political satire is satire that specializes in gaining entertainment from politics; it has also been used with subversive intent where political speech and dissent are forbidden by a regime, as a method of advancing political arguments where s ...

. By the late 19th century the Lord Chamberlain's Office had become the arbiter of moral taste on the stage, and the "

Angry Young Men The "angry young men" were a group of mostly working- and middle-class British playwrights and novelists who became prominent in the 1950s. The group's leading figures included John Osborne and Kingsley Amis; other popular figures included Jo ...

" of the 1950s were in some ways a reaction against the banality of the morally conservative and formally restricted period of

theatre Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The perform ...

that had preceded them. Theatre critic

Kenneth Tynan Kenneth Peacock Tynan (2 April 1927 – 26 July 1980) was an English theatre critic and writer. Making his initial impact as a critic at ''The Observer'', he praised Osborne's ''Look Back in Anger'' (1956), and encouraged the emerging wave of ...

, whilst working with Laurence Olivier as literary manager and Dramaturg of the

National Theatre Company The Royal National Theatre in London, commonly known as the National Theatre (NT), is one of the United Kingdom's three most prominent publicly funded performing arts venues, alongside the Royal Shakespeare Company and the Royal Opera House. In ...

had been campaigning for liberalisation for many years. A prosecution had succeeded in 1966 against those responsible for producing Edward Bond's play '' Saved'' at the

Royal Court A royal court, often called simply a court when the royal context is clear, is an extended royal household in a monarchy, including all those who regularly attend on a monarch, or another central figure. Hence, the word "court" may also be appl ...

and John Osborne's play ''

A Patriot for Me ''A Patriot for Me'' is a 1965 play by the English playwright John Osborne, based on the true story of Alfred Redl. The controversial refusal of a performance licence by the Lord Chamberlain's Office played a role in the passage of the Theatres ...

'', cut by the censor, was put on at the Royal Court with the theatre turning itself into a private members' club. The strong response to these ''causes célèbres'' helped lead to the abolition of theatre censorship in Great Britain.

References

External links

Image of the Act on the UK Parliamentary website
Censorship in the United Kingdom Theatre in the United Kingdom United Kingdom Acts of Parliament 1968 1968 in theatre {{UK-statute-stub