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''The Magic Mountain'' (german: Der Zauberberg, links=no, ) is a novel by
Thomas Mann Paul Thomas Mann ( , ; ; 6 June 1875 – 12 August 1955) was a German novelist, short story writer, social critic, philanthropist, essayist, and the 1929 Nobel Prize in Literature laureate. His highly symbolic and ironic epic novels and novella ...
, first published in German in November 1924. It is widely considered to be one of the most influential works of twentieth-century German literature. Mann started writing ''The Magic Mountain'' in 1912. It began as a much shorter narrative that comically revisited the aspects of ''
Death in Venice ''Death in Venice ''(German: ''Der Tod in Venedig'') is a novella by German author Thomas Mann, published in 1912. It presents an ennobled writer who visits Venice and is liberated, uplifted, and then increasingly obsessed by the sight of a Poli ...
'', a
novella A novella is a narrative prose fiction whose length is shorter than most novels, but longer than most short stories. The English word ''novella'' derives from the Italian ''novella'' meaning a short story related to true (or apparently so) facts ...
that he was preparing for publication. The newer work reflected his experiences and impressions during a period when his wife, who was suffering from a lung complaint, resided at Dr. Friedrich Jessen's ''Waldsanatorium'' in
Davos , neighboring_municipalities= Arosa, Bergün/Bravuogn, Klosters-Serneus, Langwies, S-chanf, Susch , twintowns = } Davos (, ; or ; rm, ; archaic it, Tavate) is an Alpine resort town and a municipality in the Prättigau/Davos R ...
, Switzerland for several months. In May and June 1912, Mann visited her and became acquainted with the team of doctors and patients in this cosmopolitan institution. According to Mann, in the afterword that was later included in the English translation of his novel, this stay inspired his opening chapter ("Arrival"). The outbreak of World War I interrupted his work on the book. The savage conflict and its aftermath led the author to undertake a major re-examination of European bourgeois society. He explored the sources of the destructiveness displayed by much of civilised humanity. He was also drawn to speculate about more general questions related to personal attitudes to life, health, illness, sexuality, and mortality. His political stance also changed during this period, from opposing the
Weimar Republic The Weimar Republic (german: link=no, Weimarer Republik ), officially named the German Reich, was the government of Germany from 1918 to 1933, during which it was a constitutional federal republic for the first time in history; hence it is al ...
to supporting it. Given this, Mann felt compelled to radically revise and expand the pre-war text before completing it in 1924. ''Der Zauberberg'' was eventually published in two volumes by
S. Fischer Verlag S. Fischer Verlag is a major German publishing house, which has operated as a division of Holtzbrinck Publishing Group since 1962. The publishing house was founded in 1881 by Samuel Fischer in Berlin, but is currently based in Frankfurt am Ma ...
in Berlin. Mann's vast composition is erudite, subtle, ambitious, but, most of all, ambiguous; since its original publication it has been subject to a variety of critical assessments. For example, the book blends a scrupulous realism with deeper symbolic undertones. Given this complexity, each reader is obliged to interpret the significance of the pattern of events in the narrative, a task made more difficult by the author's irony. Mann was well aware of his book's elusiveness, but offered few clues about approaches to the text. He later compared it to a symphonic work orchestrated with a number of themes. In a playful commentary on the problems of interpretation—"The Making of ''The Magic Mountain''," written 25 years after the novel's original publication—he recommended that those who wished to understand it should read it twice.


Plot summary

The narrative opens in the decade before World War I. It introduces the protagonist, Hans Castorp, the only child of a Hamburg merchant family. Following the early death of his parents, Castorp has been brought up by his grandfather and, later, by a maternal uncle named James Tienappel. Castorp is in his early 20s, about to take up a shipbuilding career in Hamburg, his hometown. Before beginning work, he undertakes a journey to visit his tubercular cousin, Joachim Ziemssen, who is seeking a cure in a sanatorium in
Davos , neighboring_municipalities= Arosa, Bergün/Bravuogn, Klosters-Serneus, Langwies, S-chanf, Susch , twintowns = } Davos (, ; or ; rm, ; archaic it, Tavate) is an Alpine resort town and a municipality in the Prättigau/Davos R ...
, high up in the
Swiss Alps The Alpine region of Switzerland, conventionally referred to as the Swiss Alps (german: Schweizer Alpen, french: Alpes suisses, it, Alpi svizzere, rm, Alps svizras), represents a major natural feature of the country and is, along with the Swis ...
. In the opening chapter, Castorp leaves his familiar life and obligations, in what he later learns to call "the flatlands", to visit the rarefied mountain air and introspective small world of the sanatorium. Castorp's departure from the sanatorium is repeatedly delayed by his failing health. What at first appears to be a minor bronchial infection with slight fever is diagnosed by the sanatorium's chief doctor and director, Hofrat''
Hofrat ''Geheimrat'' was the title of the highest advising officials at the Imperial, royal or princely courts of the Holy Roman Empire, who jointly formed the ''Geheimer Rat'' reporting to the ruler. The term remained in use during subsequent monarchic r ...
'' (literally, court advisor) is an honorific title given by monarchs or, as in this case, their family members to people of merits. It is not his title ''as'' director of the sanatorium, which is Director. However, the novel mirrors the then German custom to call Hofräte by their honorific rather than their functional title. The most recent English translator of ''The Magic Mountain'', Woods, uses Director as a translation.
Behrens, as symptoms of tuberculosis. Castorp is persuaded by Behrens to stay until his health improves. During his extended stay, Castorp meets a variety of characters, who represent a microcosm of pre-war Europe. These include Lodovico Settembrini (an Italian humanist and encyclopedist, a student of Giosuè Carducci); Leo Naphta, a Jewish
Jesuit , image = Ihs-logo.svg , image_size = 175px , caption = ChristogramOfficial seal of the Jesuits , abbreviation = SJ , nickname = Jesuits , formation = , founders = ...
who favors communistic totalitarianism; Mynheer Peeperkorn, a dionysian Dutchman; and his romantic interest, Madame Clawdia Chauchat. Castorp eventually resides at the sanatorium for seven years. As the novel concludes, the war begins, and Castorp volunteers for the military. His possible demise upon the battlefield is portended.


Literary significance and criticism

''The Magic Mountain'' can be read both as a classic example of the European ''
Bildungsroman In literary criticism, a ''Bildungsroman'' (, plural ''Bildungsromane'', ) is a literary genre that focuses on the psychological and moral growth of the protagonist from childhood to adulthood (coming of age), in which character change is import ...
'' – a "novel of education" or "novel of formation" – and as a sly parody of this genre. Many formal elements of this type of fiction are present: like the protagonist of a typical ''Bildungsroman'', the immature Castorp leaves his home and learns about art, culture, politics, human frailty, and love. Also embedded within this vast novel are extended reflections on the experience of time, music, nationalism, sociological issues, and changes in the natural world. Castorp's stay in the rarefied air of ''The Magic Mountain'' provides him with a panoramic view of pre-war European civilization and its discontents. Mann describes the subjective experience of serious illness and the gradual process of medical institutionalization. He also alludes to the irrational forces within the human psyche, at a time when Freudian psychoanalysis was becoming a prominent type of treatment. These themes relate to the development of Castorp's character over the time span covered by the novel. In his discussion of the work, written in English and published in ''The Atlantic'' January 1953, Mann states that "what
ans Ans or ANS or ''variation'', may refer to: Places * Ans, Belgium, a municipality in Belgium * Ans, Denmark, a village in Denmark * Angus, Scotland, UK; a council area by its Chapman code * Ainsdale railway station, England, UK (by station code ...
came to understand is that one must go through the deep experience of sickness and death to arrive at a higher sanity and health...." Mann acknowledged his debt to the skeptical insights of Friedrich Nietzsche concerning modern humanity, and he drew from these in creating conversations between the characters. Throughout the book the author employs the discussions among Settembrini, Naphta, and the medical staff to introduce the young Castorp to a wide spectrum of competing ideologies about responses to the
Age of Enlightenment The Age of Enlightenment or the Enlightenment; german: Aufklärung, "Enlightenment"; it, L'Illuminismo, "Enlightenment"; pl, Oświecenie, "Enlightenment"; pt, Iluminismo, "Enlightenment"; es, La Ilustración, "Enlightenment" was an intel ...
. However, whereas the classical ''Bildungsroman'' would conclude by Castorp's having become a mature member of society, with his own world-view and greater self-knowledge, ''The Magic Mountain'' ends with Castorp's becoming an anonymous conscript, one of millions, under fire on some battlefield of World War I.


Major themes


Connection to ''Death in Venice''

Mann wrote that he originally planned ''The Magic Mountain'' as a
novella A novella is a narrative prose fiction whose length is shorter than most novels, but longer than most short stories. The English word ''novella'' derives from the Italian ''novella'' meaning a short story related to true (or apparently so) facts ...
, a humorous, ironic, satirical (and satyric) follow-up to ''
Death in Venice ''Death in Venice ''(German: ''Der Tod in Venedig'') is a novella by German author Thomas Mann, published in 1912. It presents an ennobled writer who visits Venice and is liberated, uplifted, and then increasingly obsessed by the sight of a Poli ...
,'' which he had completed in 1912. The atmosphere was to derive from the "mixture of death and amusement" that Mann had encountered while visiting his wife in a Swiss sanatorium. He intended to transfer to a comedic plane the fascination with death and triumph of ecstatic disorder over a life devoted to order, which he had explored in ''Death in Venice''. ''The Magic Mountain'' contains many contrasts and parallels with the earlier novel. Gustav von Aschenbach, an established author, is matched to a young, callow engineer at the start of a regular career. The erotic allure of the beautiful Polish boy Tadzio corresponds to the Asiatic-flabby ("asiatisch-schlaff") Russian Madame Chauchat. The setting was shifted both geographically and symbolically. The lowlands of the Italian coastlands are contrasted to an alpine resort famed for its health-giving properties.


Illness and death

The ''Berghof'' patients suffer from some form of tuberculosis, which rules their daily routines, thoughts, and conversations of the "Half lung club." The disease ends fatally for many of the patients, such as the Catholic girl Barbara Hujus, whose fear of death is heightened in a harrowing
Viaticum Viaticum is a term used – especially in the Catholic Church – for the Eucharist (also called Holy Communion), administered, with or without Anointing of the Sick (also called Extreme Unction), to a person who is dying; viaticum is thus a part ...
scene, and cousin Ziemssen, who leaves this world like an ancient hero. The dialogues between Settembrini and Naphta examine life and death from a metaphysical perspective. Besides the deaths from fatal illness, two characters commit suicide, and finally Castorp goes off to fight in World War I, and it is implied that he will be killed on the battlefield. In the above-mentioned comment Mann writes:
What Castorp learns to fathom is that all higher health must have passed through illness and death.... As Hans Castorp once says to Madame Chauchat, there are two ways to life: One is the common, direct, and brave. The other is bad, leading through death, and that is the genius way. This concept of illness and death, as a necessary passage to knowledge, health, and life, makes ''The Magic Mountain'' into a novel of initiation.


Time

Closely connected to the themes of life and death is the subjective nature of time, a '' leitmotif'' that recurs throughout the book—here the influence of
Henri Bergson Henri-Louis Bergson (; 18 October 1859 – 4 January 1941) was a French philosopherHenri Bergson. 2014. Encyclopædia Britannica Online. Retrieved 13 August 2014, from https://www.britannica.com/EBchecked/topic/61856/Henri-Bergson
is evident. Thus Chapter VII, entitled "By the Ocean of Time", opens with the narrator asking rhetorically, "Can one tell – that is to say, narrate – time, time itself, as such, for its own sake?" Mann's authorial (and ironic) response to the question posed is, "That would surely be an absurd undertaking..." He compares storytelling with the act of musicmaking, describing them as being alike in that they can " ...only present themselves as a flowing, as a succession in time, as one thing after another..." . ''The Magic Mountain'', in essence, embodies the author's meditations on the '' tempo'' of experience. The narrative is ordered chronologically but accelerates throughout the novel, so that the first five chapters (approximately half of the text) relate the first of Castorp's seven years at the sanatorium in great detail; the remaining six years, marked by monotony and routine, are described in the last two chapters. This asymmetry corresponds to Castorp's own skewed perception of the passage of time. This structure reflects the protagonists’ thoughts. Throughout the book, they discuss the philosophy of time and debate whether "interest and novelty dispel or shorten the content of time, while monotony and emptiness hinder its passage". The characters also reflect on the problems of narration and time, about the correspondence between the length of a narrative and the duration of the events it describes. Mann also meditates upon the interrelationship between the experience of time and space; of time seeming to pass more slowly when one doesn't move in space. This aspect of the novel mirrors contemporary philosophical and scientific debates which are embodied in Heidegger's writings and
Albert Einstein Albert Einstein ( ; ; 14 March 1879 – 18 April 1955) was a German-born theoretical physicist, widely acknowledged to be one of the greatest and most influential physicists of all time. Einstein is best known for developing the theory ...
's theory of relativity, in which space and time are inseparable. In essence, Castorp's subtly transformed perspective on the ''"flat-lands"'' corresponds to a movement in time.


Magic and mountains

The titular reference to ''mountain'' reappears in many layers. The Berghof sanatorium is located on a mountain, both geographically and figuratively, a separate world. The mountain also represents the opposite of Castorp's home, the sober, businesslike "flatland". The first part of the novel culminates and ends in the sanatorium's Carnival feast. There, in a grotesque scene named after Walpurgis Night, the setting is transformed into the Blocksberg, where according to German tradition, witches and wizards meet in obscene revelry. This is also described in
Goethe Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic. His works include plays, poetry, literature, and aesthetic criticism, as well as tre ...
's ''
Faust I ''Faust: A Tragedy'' (german: Faust. Eine Tragödie, links=no, , or aust. The tragedy's first part is the first part of the tragic play ''Faust'' by Johann Wolfgang von Goethe, and is considered by many as the greatest work of German literature ...
''. At this event, Castorp woos Madame Chauchat; their subtle conversation is carried on almost wholly in French. Another topos of German literature is the Venus Mountain (''Venusberg''), which is referred to in Richard Wagner's opera ''
Tannhäuser Tannhäuser (; gmh, Tanhûser), often stylized, "The Tannhäuser," was a German Minnesinger and traveling poet. Historically, his biography, including the dates he lived, is obscure beyond the poetry, which suggests he lived between 1245 and ...
''. This mountain is a "hellish paradise", a place of lust and abandon, where Time flows differently: the visitor loses all sense of time. Castorp, who planned to stay at the sanatorium for three weeks, does not leave the Berghof for seven years. In general, the inhabitants of the ''Berghof'' spend their days in a mythical, distant atmosphere. The X-ray laboratory in the cellar represents the Hades of Greek mythology, where Medical Director Behrens acts as the judge and punisher
Rhadamanthys In Greek mythology, Rhadamanthus () or Rhadamanthys ( grc, Ῥαδάμανθυς) was a wise king of Crete. As the son of Zeus and Europa he was considered a demigod. His name means "showing stern and inflexible judgement". He later became one ...
and where Castorp is a fleeting visitor, like Odysseus. Behrens compares the cousins to Castor and Pollux; Settembrini compares himself to Prometheus. Frau Stöhr mentions
Sisyphus In Greek mythology, Sisyphus or Sisyphos (; Ancient Greek: Σίσυφος ''Sísyphos'') was the founder and king of Ephyra (now known as Corinth). Hades punished him for cheating death twice by forcing him to roll an immense boulder up a hill ...
and Tantalus, albeit confusedly. The culmination of the second part of the novel is perhaps the – still " episodic" – chapter of Castorp's blizzard dream (in the novel simply called "Snow"). The protagonist gets into a sudden
blizzard A blizzard is a severe snowstorm characterized by strong sustained winds and low visibility, lasting for a prolonged period of time—typically at least three or four hours. A ground blizzard is a weather condition where snow is not falling b ...
, beginning a death-bound sleep, dreaming at first of beautiful meadows with blossoms and of lovable young people at a southern seaside; then of a scene reminiscent of a grotesque event in Goethe's ''Faust I'' ("the witches' kitchen", again in Goethe's "Blocksberg chapter"); and finally ending with a dream of extreme cruelty – the slaughtering of a child by two witches, priests of a classic temple. According to Mann, this represents the original and deathly destructive force of nature itself. Castorp awakens in due time, escapes from the blizzard, and returns to the "Berghof". But rethinking his dreams, he concludes that "''because of charity and love, man should never allow death to rule one's thoughts''". Castorp soon forgets this sentence, so for him the blizzard event remains an interlude. This is the only sentence in the novel that Mann highlighted by italics. There are frequent references to '' Grimms' Fairy Tales'', based on European myths. The opulent meals are compared to the magically self-laying table of " Table, Donkey, and Stick"; Frau Engelhardt's quest to learn the first name of Madame Chauchat mirrors that of the queen in "
Rumpelstiltskin "Rumpelstiltskin" ( ; german: Rumpelstilzchen) is a German fairy tale. It was collected by the Brothers Grimm in the 1812 edition of ''Children's and Household Tales''. The story is about a little imp who spins straw into gold in exchange for a g ...
". Castorp's given name is the same as "
Clever Hans Clever Hans ( German: ''der Kluge Hans''; c. 1895 - c. 1916) was a horse that was claimed to have performed arithmetic and other intellectual tasks. After a formal investigation in 1907, psychologist Oskar Pfungst demonstrated that the horse was ...
". Although the ending is not explicit, it is possible that Castorp dies on the battlefield. Mann leaves his fate unresolved. Mann makes use of the number seven, often believed to have magical qualities: Castorp was seven when his parents died; he stays seven years at the ''Berghof''; the central Walpurgis Night scene happens after seven months, both cousins have seven letters in their last name, the dining hall has seven tables, the digits of Castorp's room number (34) add up to seven, and Joachim's room is a multiple of seven (28=7×4). Settembrini's name includes ''seven'' (sette) in Italian, Joachim keeps a thermometer in his mouth for seven minutes, and Mynheer Peeperkorn announces his suicide in a group of seven. Joachim decides to leave after a stay of seven times seventy days, and dies at seven o'clock. The novel itself, moreover, is divided into seven chapters.


Music

Hans Castorp loved music from his heart; it worked upon him much the same way as did his breakfast porter, with deeply soothing, narcotic effect, tempting him to doze.
There is something suspicious about music, gentlemen. I insist that she is, by her nature, equivocal. I shall not be going too far in saying at once that she is politically suspect. (Herr Settembrini, ch. 4)
Mann gives a central role to music in this novel. People at the Berghof listen to "Der Lindenbaum" from the '' Winterreise'' played on a gramophone. This piece is full of mourning in the view of death and hints of an invitation to suicide. In the book's final scene, Castorp, now an ordinary soldier on Germany's western front in World War I, hums the song to himself as his unit advances in battle.


Allegorical characters

Mann uses the novel's main characters to introduce Castorp to the ideas and ideologies of his time. The author observed that the characters are all "exponents, representatives, and messengers of intellectual districts, principles, and worlds," hoping that he had not made them mere wandering allegories.


Castorp

According to the author, the protagonist is a questing knight, the "pure fool" looking for the
Holy Grail The Holy Grail (french: Saint Graal, br, Graal Santel, cy, Greal Sanctaidd, kw, Gral) is a treasure that serves as an important motif in Arthurian literature. Various traditions describe the Holy Grail as a cup, dish, or stone with miracul ...
in the tradition of Parzival. However, he remains pale and mediocre, representing a German bourgeois that is torn between conflicting influences – capable of the highest humanistic ideals, yet at the same time prone to both stubborn
philistinism In the fields of philosophy and of aesthetics, the term philistinism describes the attitudes, habits, and characteristics of a person who deprecates art and beauty, spirituality and intellect.''Webster's New Twentieth Century Dictionary of th ...
and radical ideologies. As usual, Mann chooses his protagonist's name carefully: ''Hans'' is a generic German first name, almost anonymous, but also refers to the fairy tale figure of ''
Hans im Glück Hans im Glück is a German board and card game publisher. Though many of their own games are language-independent they themselves publish only printings for the domestic market which include only German-language rules; English-language printings ...
'' and the apostle St. John (''Johannes'' in German), the favourite disciple of Jesus, who beholds the Revelation (''Offenbarung des Johannes'' in German). Castorp is the name of a historically prominent family in Mann's hometown,
Lübeck Lübeck (; Low German also ), officially the Hanseatic City of Lübeck (german: Hansestadt Lübeck), is a city in Northern Germany. With around 217,000 inhabitants, Lübeck is the second-largest city on the German Baltic coast and in the st ...
, which provided at least three generations of Mayors for the town in the era of the Renaissance. The " torp" is Danish, not unexpected on the German north coast. Castorp also refers to the twins
Castor and Pollux Castor; grc, Κάστωρ, Kástōr, beaver. and Pollux. (or Polydeukes). are twin half-brothers in Greek and Roman mythology, known together as the Dioscuri.; grc, Διόσκουροι, Dióskouroi, sons of Zeus, links=no, from ''Dîos'' ('Z ...
in Greek mythology, who were identified by the New Testament scholar
Dennis MacDonald Dennis Ronald MacDonald (born 1946) is the John Wesley Professor of New Testament and Christian Origins at the Claremont School of Theology in California. MacDonald proposes a theory wherein the earliest books of the New Testament were response ...
as models for the apostles James and John. In a way, Hans Castorp can be seen as the incorporation of the young
Weimar Republic The Weimar Republic (german: link=no, Weimarer Republik ), officially named the German Reich, was the government of Germany from 1918 to 1933, during which it was a constitutional federal republic for the first time in history; hence it is al ...
: Both humanism and radicalism, represented by Settembrini and Naphta, try to win his favour, but Castorp is unable to decide. His body temperature is a subtle metaphor for his lack of clarity: Following
Schiller Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friends ...
’s theory of fever, Castorp’s temperature is , which is neither healthy nor ill, but an intermediate point. Furthermore, the outside temperature in Castorp's residence is out of balance: it is either too warm or too cold and tends to extremes (e.g. snow in August), but never normal. According to
Christian Kracht Christian Kracht (; born 29 December 1966) is a Swiss author. His books have been translated into more than 30 languages. Personal life Kracht was born in Saanen in the Canton of Bern, Switzerland. He attended Schule Schloss Salem in Baden-Wür ...
, "Hans Castorp experienced the elevation of his temperature as lifting him to an elevated state of being." The most pronounced instances of Thomas Mann's political conversion is in the "Schnee" chapter. Completed in June 1923, this chapter, which forms the philosophical heart of the novel, attempts to overcome apparent contrasts and find a compromise between Naphta's and Settembrini's positions. In the chapter "Humaniora", written in 1920, Castorp tells Behrens, in a discussion on medical matters, that an interest in life means an interest in death. In the "Schnee" chapter, Castorp comes to exactly the opposite conclusion. The basis for Castorp's contradiction can be found in the speech '' Von deutscher Republik'', written in the previous year, in which Mann outlines his position with regards to precedence of life and humanity over death. Even though Castorp could not possibly have learnt from either Naphta or Settembrini the idea that the experience of death is ultimately that of life and leads to a new appreciation of humanity, Mann was determined from at least September 1922 onwards to make this message the main point of his novel. In a letter of 4 September 1922 to
Arthur Schnitzler Arthur Schnitzler (15 May 1862 – 21 October 1931) was an Austrian author and dramatist. Biography Arthur Schnitzler was born at Praterstrasse 16, Leopoldstadt, Vienna, capital of the Austrian Empire (as of 1867, part of the dual monarchy ...
, Mann refers to ''Von deutscher Republik'', in which, he says, he is endeavouring to win the German middle classes over to the cause of the Republic and humanitarian concerns, and adds that his new-found passion for humanitarianism is closely related to the novel on which he is working. In the climax of the "Schnee" chapter, Castorp's vision is of the triumph of life, love and human concern over sickness and death. This realisation corresponds closely to Mann's key observation in ''Von deutscher Republik''. As if to dispel any lingering doubts, Mann makes the meaning absolutely clear in his '' Tischrede in Amsterdam'', held on 3 May 1924. Death stands for the ultra-conservative opponents of the Republic, while life embodies the supporters of democracy, the only way to guarantee a humanitarian future. The Schnee chapter was written in the first half of 1923 and the italicisation of the key sentence was probably requested by Mann when the book was set in print in 1924, as a message to the readers of the time, who, after years of hyper-inflation and political turmoil, not only expected but also desperately needed a positive direction to their lives, some words of wisdom which would give them hope.


Settembrini: Humanism

Settembrini represents the active and positive ideal of the Enlightenment, of Humanism, democracy,
tolerance Tolerance or toleration is the state of tolerating, or putting up with, conditionally. Economics, business, and politics * Toleration Party, a historic political party active in Connecticut * Tolerant Systems, the former name of Veritas Software ...
and human rights. He often finds Castorp literally in the dark and switches on the light before their conversations. He compares himself to Prometheus of Greek mythology, who brought fire and enlightenment to Man. His own mentor Giosuè Carducci has even written a hymn to another lightbringer: Lucifer, "la forza vindice della ragione." His ethics are based on bourgeois values and labor. He tries to counter Castorp's morbid fascination with death and disease, warns him against the ill Madame Chauchat, and tries to demonstrate a positive outlook on life. His antagonist Naphta describes him as "Zivilisationsliterat", meaning cosmopolitan, un-German intellectuals. Mann originally constructed Settembrini as a caricature of the liberal-democratic novelist represented, for example, by his own brother Heinrich Mann. However, while the novel was being written, Mann himself became an outspoken supporter of the Weimar Republic, precipitated by the assassination of then German Foreign Minister
Walther Rathenau Walther Rathenau (29 September 1867 – 24 June 1922) was a German industrialist, writer and liberal politician. During the First World War of 1914–1918 he was involved in the organization of the German war economy. After the war, Rathenau s ...
whom Mann deeply admired, which may explain why Settembrini, especially in the later chapters, becomes the "Sprachrohr des Autoren"; - the voice of the author. Settembrini's physical characteristics are reminiscent of the Italian composer Ruggiero Leoncavallo.


Naphta: Radicalism

Settembrini's antagonist Naphta was Jewish, but joined the Jesuits and became a Hegelian Marxist. The character was a parody of the philosopher Georg Lukács, who "plainly has not recognized himself in Naphta", wrote Mann in a 1949 letter. Even here a change in Mann's political stance can be seen. In "Operationes spirituales", written towards the end of 1922, Naphta is termed a "revolutionary" and "socialist", but Settembrini sees Naphta's fantasies as emanating from an anti-humanitarian reactionary revolution ("Revolution des antihumanen Rückschlages"). In this chapter, the terrorism championed by Naphta is no longer, in Castorp's eyes, associated solely with the "Diktatur des Proletariats", but also with conservative Prussian militarism and Jesuitism. The association here between Naphta's advocacy of terrorism and two extremely conservative movements—Prussian militarism and Jesuitism—is a huge political shift for the novel. Terrorism, up till now exclusively the province of the communist revolution, is now suddenly also an instrument of reactionary conservatism. In a clear allusion on Mann's part to the assassination of
Walther Rathenau Walther Rathenau (29 September 1867 – 24 June 1922) was a German industrialist, writer and liberal politician. During the First World War of 1914–1918 he was involved in the organization of the German war economy. After the war, Rathenau s ...
, Naphta goes into the motivation of the revolutionary who killed Councillor of State
August von Kotzebue August Friedrich Ferdinand von Kotzebue (; – ) was a German dramatist and writer who also worked as a consul in Russia and Germany. In 1817, one of Kotzebue's books was burned during the Wartburg festival. He was murdered in 1819 by Karl ...
in 1819 and concludes that it was not just the desire for freedom at stake here but also moral fanaticism and political outrage. That this is a direct reference to the death of Rathenau is borne out by the fact that in the first edition Mann refers to the shooting of Kotzebue, whereas he was in fact stabbed. Alerted to this mistake by Max Rieger, Mann replied on 1 September 1925 that he would rectify the error at the first opportunity. Mann changed the word "geschossen" to "erstochen" for future editions. For the 1924 readership, however, the association with Rathenau could not have been clearer.


Chauchat: Love and temptation

Clawdia Chauchat represents erotic temptation, lust, and love, all in a degenerate, morbid, "Asiatic-flabby" form. She is one of the major reasons for Castorp's extended stay on the magic mountain. The female promise of sensual pleasure as hindrance to male zest for action imitates the themes from the
Circe Circe (; grc, , ) is an enchantress and a minor goddess in ancient Greek mythology and religion. She is either a daughter of the Titan Helios and the Oceanid nymph Perse or the goddess Hecate and Aeëtes. Circe was renowned for her vast kno ...
mythos and in the nymphs in Wagner's Venus Mountain. Chauchat's feline characteristics are noted often, her last name is derived from the French ''chaud chat'' (Eng., ''hot cat''), and her first name includes the English ''claw''. (Her name may also be a reference to the
Chauchat The Chauchat ("show-sha", ) was the standard light machine gun or "machine rifle" of the French Army during World War I (1914–18). Its official designation was "Fusil Mitrailleur Modele 1915 CSRG" ("Machine Rifle Model 1915 CSRG"). Beginning ...
machine gun, a French weapon that saw significant use by the French and American forces during World War I.) ChaudChat could also be a play on words with Chaud (hot) and Chatte (female genitalia) in French slang. Clawdia Chauchat leaves the Berghof for some time, but she returns with an impressive companion, Mynheer Peeperkorn, who suffers from a tropical disease.


Peeperkorn: The Dionysian principle

Mynheer Peeperkorn, Clawdia Chauchat's new lover, enters the Berghof scenery rather late; but he is certainly one of the most commanding persons of the novel. His behavior and personality, with its flavour of importance, combined with obvious awkwardness and the strange inability ''ever'' to complete a statement, is reminiscent of certain figures in former novellas of the author (e.g. ''Herr Klöterjahn'' in
Tristan Tristan ( Latin/Brythonic: ''Drustanus''; cy, Trystan), also known as Tristram or Tristain and similar names, is the hero of the legend of Tristan and Iseult. In the legend, he is tasked with escorting the Irish princess Iseult to wed ...
) – figures, which are, on the one hand, ''admired'' because of their vital energy, and, on the other hand, ''condemned'' because of their naïveté. In total, this person represents the grotesqueness of a Dionysian character. The Greek god Dionysus is also important in Nietzschean philosophy, whose ''
The Birth of Tragedy ''The Birth of Tragedy Out of the Spirit of Music'' (german: Die Geburt der Tragödie aus dem Geiste der Musik) is a 1872 work of dramatic theory by the German philosopher Friedrich Nietzsche. It was reissued in 1886 as ''The Birth of Tragedy, Or ...
'' is the source of the title ''The Magic Mountain''. Peeperkorn ends his life by suicide, also performed in a strange manner. Mynheer Peeperkorn is used by the author to personify his rival, the influential German poet Gerhart Hauptmann, and even certain properties of Goethe (with whom Hauptmann often was compared).


Ziemssen: Duty

Joachim Ziemssen, Hans Castorp's cousin, is described as a young person representing the ideals of loyalty and faithfulness as an officer. As already mentioned, Dr. Behrens alludes to the pair as " Castor(p) and Pollux", the twin brothers of the Greek mythology. And in fact, there is some affinity between the two cousins, both in their love to Russian women (Clawdia Chauchat in the case of Hans Castorp, the female co-patient "Marusja" in the case of Joachim Ziemssen), and also in their ideals. But, in contrast to Hans Castorp, who is an assertive person on the Berghof scene, Joachim Ziemssen is rather shy, known to stand somehow outside of the community. He tries to escape from what he, unspokenly, feels to be a morbid atmosphere. After long discussions with his cousin, and in spite of being warned by Dr. Behrens, he returns to the "flatlands", where he fulfills his military duties for some time. But after a while, forced by deterioration of his lungs, he returns to the Berghof. It is, however, too late for a successful treatment of his illness, and he dies in the sanitarium. His death is described in a moving chapter of the novel, with the title "As a soldier, and a good one" (Ich sterbe) als Soldat und brav" again a well-known citation from Goethe's ''Faust''.


In popular culture

''The Magic Mountain'' is mentioned in the film ''
The Wind Rises is a 2013 Japanese animated historical drama film written and directed by Hayao Miyazaki, animated by Studio Ghibli for the Nippon Television Network, Dentsu, Hakuhodo DY Media Partners, Walt Disney Japan, Mitsubishi, Toho and KDDI. It was rel ...
'' (2013), directed by Hayao Miyazaki, by a German character named Hans Castorp.
In literature, it is mentioned in the novel '' Norwegian Wood'' written by Haruki Murakami, and some of its characters appear in ''Tintin in the New World'' by Frederic Tuten. Mention is also made in the nonfiction text '' The Death of the Banker: The Decline and Fall of the Great Financial Dynasties and the Triumph of the Small Investor'', by Ron Chernow. The novel is mentioned in '' The Dick Van Dyke Show'' episode "That's My Boy??" (season 3, episode 1). With all the mix-ups at the hospital between the Petries and the Peters, and each getting the other's stuff, Rob is trying to determine if he and Laura brought home the right baby, so he goes to check the baby's footprints, which he tells his neighbor are kept in ''The Magic Mountain''. "Huh?" says Jerry. "The book", says Rob. Jerry finds the footprints and reads the book's title, "Oh, Thomas Mann", and then they cover the kid's foot with blue ink. The 2016 psychological horror film '' A Cure for Wellness'' was inspired by Mann's novel. In 2017, Father John Misty released '' Pure Comedy'' along with the song "So I'm Growing Old on Magic Mountain". The song is comparable to the book, because the artist wanted to emphasize his change and his will to move on with his life, accepting his mortality.


Notes


References


Further reading


Translations into English

* ''The Magic Mountain'', translated into English by H. T. Lowe-Porter with an afterword by the author, 1927, Secker and Warburg, SBN 436-27237-2 * ''The Magic Mountain'', a new translation into English by John E. Woods, 1996, . This won the
Helen and Kurt Wolff Translator's Prize The Helen and Kurt Wolff Translator's Prize is an annual literary prize named for the German–American publishers Helen and Kurt Wolff "honoring an outstanding literary translation from German into English" published in the USA the previous year ...
in 1996.


Literary criticism

* Dowden, Stephen (2002)
A Companion to Thomas Mann's Magic Mountain
', Camden House, * Bloom, Harold, ed. (1986) ''The Magic Mountain: Modern Critical Interpretations'', Chelsea House, * Heller, Erich (1958) ''The Ironic German: A Study of Thomas Mann'', Boston and Toronto, Little, Brown and Co. * * Jesi, Furio (1979), "Venusberg – Hexenberg – Zauberberg", in ''Materiali mitologici. Mito e antropologia nella cultura mitteleuropea'', Einaudi, Torino 2001 (pp. 224–52) * Lukács, Georg (1965) ''Essays on Thomas Mann'', Translated by Stanley Mitchell, New York, Grosset and Dunlap * Nehamas, Alexander (1998) ''The Art of Living: Socratic Reflections from Plato to Foucault'', University of California Press * Reed, T. J. (1974) ''Thomas Mann: The Uses of Tradition'', Oxford University Press * Robertson, Ritchie (2001) ''The Cambridge Companion to Thomas Mann'' (Cambridge Companions to Literature Series), Cambridge University Press * Sontag, Susan (1978) ''Illness as Metaphor'', Farrar, Straus and Giroux * Travers, Martin (1992) ''Thomas Mann'', Modern Novelists Series, Macmillan * Weigand, Hermann J. (1971) ''Thomas Mann's Novel'' Der Zauberberg: ''A Study'', New York, AMS Press


External links


A review of the novel from a medical perspective
(Retrieved via the Internet Archive.)
A study guide for the novel
(Retrieved via the Internet Archive.)
The 'Zauberberg' in Davos still exists
(The sanatorium was converted into a hotel in 1954.) {{DEFAULTSORT:Magic Mountain 1924 German-language novels S. Fischer Verlag books German bildungsromans German novels adapted into films German philosophical novels Modernist novels Novels by Thomas Mann Novels set in Hamburg Novels set in Switzerland Davos in fiction Tuberculosis in fiction