The Golden Bough (painting)
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''The Golden Bough'' is a painting from 1834 by the English painter
J. M. W. Turner Joseph Mallord William Turner (23 April 177519 December 1851), known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbu ...
. It depicts the episode of
the golden bough ''The Golden Bough: A Study in Comparative Religion'' (retitled ''The Golden Bough: A Study in Magic and Religion'' in its second edition) is a wide-ranging, comparative study of mythology and religion, written by the Scottish anthropologist Sir ...
from the ''
Aeneid The ''Aeneid'' ( ; or ) is a Latin Epic poetry, epic poem that tells the legendary story of Aeneas, a Troy, Trojan who fled the Trojan War#Sack of Troy, fall of Troy and travelled to Italy, where he became the ancestor of the Ancient Rome ...
'' by
Virgil Publius Vergilius Maro (; 15 October 70 BC21 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Rome, ancient Roman poet of the Augustan literature (ancient Rome), Augustan period. He composed three of the most fa ...
. It is in the collection of the
Tate Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the UK ...
galleries.


Background

John Ruskin John Ruskin (8 February 1819 20 January 1900) was an English polymath a writer, lecturer, art historian, art critic, draughtsman and philanthropist of the Victorian era. He wrote on subjects as varied as art, architecture, Critique of politic ...
described ''The Golden Bough'' as a sequel to Turner's 1823 painting ''The Bay of Baiae'', which is based on the myth of
Apollo Apollo is one of the Twelve Olympians, Olympian deities in Ancient Greek religion, ancient Greek and Ancient Roman religion, Roman religion and Greek mythology, Greek and Roman mythology. Apollo has been recognized as a god of archery, mu ...
and the Cumaean Sibyl.


Description

The painting depicts a scene from book VI of the ancient Roman epic ''
Aeneid The ''Aeneid'' ( ; or ) is a Latin Epic poetry, epic poem that tells the legendary story of Aeneas, a Troy, Trojan who fled the Trojan War#Sack of Troy, fall of Troy and travelled to Italy, where he became the ancestor of the Ancient Rome ...
'' by
Virgil Publius Vergilius Maro (; 15 October 70 BC21 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Rome, ancient Roman poet of the Augustan literature (ancient Rome), Augustan period. He composed three of the most fa ...
. Turner has used Christopher Pitt's English translation. The hero
Aeneas In Greco-Roman mythology, Aeneas ( , ; from ) was a Troy, Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite (equivalent to the Roman Venus (mythology), Venus). His father was a first cousin of King Priam of Troy ...
wants to enter the
Underworld The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld. ...
to consult his dead father. The
Sibyl The sibyls were prophetesses or oracles in Ancient Greece. The sibyls prophet, prophesied at holy sites. A sibyl at Delphi has been dated to as early as the eleventh century BC by Pausanias (geographer), PausaniasPausanias 10.12.1 when he desc ...
of
Cumae Cumae ( or or ; ) was the first ancient Greek colony of Magna Graecia on the mainland of Italy and was founded by settlers from Euboea in the 8th century BCE. It became a rich Roman city, the remains of which lie near the modern village of ...
tells him that he needs to offer a golden bough from a sacred tree to Proserpine in order to enter. The painting shows the landscape around the lake Avernus, which is the entrance to the Underworld. The Sibyl stands to the left and holds a sickle and the cut bough. Dancing
Fates The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a ...
in the background and a snake in the foreground forebode the mysteries of the Underworld.


Provenance

The collector Robert Vernon bought the painting before it had been exhibited publicly. It was shown at the
Royal Academy of Arts The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its ...
in 1834. Vernon gave it to the
National Gallery The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current di ...
in 1847, and in 1929 it was transferred to the
Tate Gallery Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the UK ...
. It remains in the collection of the
Tate Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the UK ...
galleries, but as of 2020 was not on display.


Legacy

James George Frazer Sir James George Frazer (; 1 January 1854 – 7 May 1941) was a Scottish social anthropologist and folkloristJosephson-Storm (2017), Chapter 5. influential in the early stages of the modern studies of mythology and comparative religion. ...
evokes the painting in his book ''
The Golden Bough ''The Golden Bough: A Study in Comparative Religion'' (retitled ''The Golden Bough: A Study in Magic and Religion'' in its second edition) is a wide-ranging, comparative study of mythology and religion, written by the Scottish anthropologist Sir ...
'' (1890), which speculatively reconstructs a mental image which according to Frazer connects many myths and religious practices. The book would go on to influence many writers. Turner's painting serves as its frontispiece and is addressed in the opening paragraph:
Who does not know Turner's picture of the Golden Bough? The scene, suffused with the golden glow of imagination in which the divine mind of Turner steeped and transfigured even the fairest natural landscape, is a dream-like vision of the little woodland
lake of Nemi A lake is often a naturally occurring, relatively large and fixed body of water on or near the Earth's surface. It is localized in a depression (geology), basin or interconnected basins surrounded by dry land. Lakes lie completely on land an ...
, "Diana's Mirror," as it was called by the ancients. No one who has seen that calm water, lapped in a green hollow of the Alban hills, can ever forget it. The two characteristic Italian villages which slumber on its banks, and the equally Italian palazzo whose terraced gardens descend steeply to the lake, hardly break the stillness and even the solitariness of the scene. Dian herself might still linger by this lonely shore, still haunt these woodlands wild.


See also

*
List of paintings by J. M. W. Turner A list is a set of discrete items of information collected and set forth in some format for utility, entertainment, or other purposes. A list may be memorialized in any number of ways, including existing only in the mind of the list-maker, but ...


References


Notes


Sources

* * * * {{DEFAULTSORT:Golden Bough 1834 paintings Paintings based on the Aeneid Paintings by J. M. W. Turner Paintings in the Tate galleries Dance in art Snakes in art