''The Golden Bough'' is a painting from 1834 by the English painter

J. M. W. Turner Joseph Mallord William Turner (23 April 177519 December 1851), known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbule ...

. It depicts the episode of

the golden bough ''The Golden Bough: A Study in Comparative Religion'' (retitled ''The Golden Bough: A Study in Magic and Religion'' in its second edition) is a wide-ranging, comparative study of mythology and religion, written by the Scottish anthropologist Sir ...

from the ''

Aeneid The ''Aeneid'' ( ; la, Aenē̆is or ) is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the ...

'' by

Virgil Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: th ...

. It is in the collection of the

Tate Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the U ...

galleries.

Background

John Ruskin John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and poli ...

described ''The Golden Bough'' as a sequel to Turner's 1823 painting ''The Bay of Baiae'', which is based on the myth of

Apollo Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label= ...

and the Cumaean Sibyl.

Description

The painting depicts a scene from book VI of the ancient Roman epic ''

'' by

. Turner has used Christopher Pitt's English translation. The hero

Aeneas In Greco-Roman mythology, Aeneas (, ; from ) was a Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite (equivalent to the Roman Venus). His father was a first cousin of King Priam of Troy (both being grandsons o ...

wants to enter the

Underworld The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld. ...

to consult his dead father. The

Sibyl The sibyls (, singular ) were prophetesses or oracles in Ancient Greece. The sibyls prophesied at holy sites. A sibyl at Delphi has been dated to as early as the eleventh century BC by PausaniasPausanias 10.12.1 when he described local traditi ...

of Cumae tells him that he needs to offer a

golden bough ''The Golden Bough: A Study in Comparative Religion'' (retitled ''The Golden Bough: A Study in Magic and Religion'' in its second edition) is a wide-ranging, comparative study of mythology and religion, written by the Scottish anthropologist Sir ...

from a sacred tree to Proserpine in order to enter. The painting shows the landscape around the lake

Avernus Avernus was an ancient name for a volcanic crater near Cumae (Cuma), Italy, in the region of Campania west of Naples. Part of the Phlegraean Fields of volcanoes, Avernus is approximately in circumference. Within the crater is Lake Avernus ('). ...

, which is the entrance to the Underworld. The Sibyl stands to the left and holds a sickle and the cut bough. Dancing

Fates The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a ...

in the background and a snake in the foreground forebode the mysteries of the Underworld.

Provenance

The collector Robert Vernon bought the painting before it had been exhibited publicly. It was shown at the

Royal Academy of Arts The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpo ...

in 1834. Vernon gave it to the

National Gallery The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director ...

in 1847, and in 1929 it was transferred to the

Tate Gallery Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the U ...

. It remains in the collection of the

galleries, but as of 2020 was not on display.

Legacy

James George Frazer Sir James George Frazer (; 1 January 1854 – 7 May 1941) was a Scottish social anthropologist and folklorist influential in the early stages of the modern studies of mythology and comparative religion. Personal life He was born on 1 Janu ...

evokes the painting in his book ''

The Golden Bough ''The Golden Bough: A Study in Comparative Religion'' (retitled ''The Golden Bough: A Study in Magic and Religion'' in its second edition) is a wide-ranging, comparative study of mythology and religion, written by the Scottish anthropologist Sir ...

'' (1890), which speculatively reconstructs a mental image which according to Frazer connects many myths and religious practices. The book would go on to influence many writers. Turner's painting serves as its frontispiece and is addressed in the opening paragraph:

Who does not know Turner's picture of the Golden Bough? The scene, suffused with the golden glow of imagination in which the divine mind of Turner steeped and transfigured even the fairest natural landscape, is a dream-like vision of the little woodland
lake of Nemi Lake Nemi ( it, Lago di Nemi, la, Nemorensis Lacus, also called Diana's Mirror, la, Speculum Dianae) is a small circular volcanic lake in the Lazio region of Italy south of Rome, taking its name from Nemi, the largest town in the area, that o ...
, "Diana's Mirror," as it was called by the ancients. No one who has seen that calm water, lapped in a green hollow of the Alban hills, can ever forget it. The two characteristic Italian villages which slumber on its banks, and the equally Italian palazzo whose terraced gardens descend steeply to the lake, hardly break the stillness and even the solitariness of the scene. Dian herself might still linger by this lonely shore, still haunt these woodlands wild.

References

Notes

Sources

* * * * {{DEFAULTSORT:Golden Bough 1834 paintings Paintings based on the Aeneid Paintings by J. M. W. Turner Collection of the Tate galleries Dance in art Snakes in art