The Freewheelin' Bob Dylan

''The Freewheelin' Bob Dylan'' is the second studio album by American singer-songwriter Bob Dylan, released on May 27, 1963 by Columbia Records. Whereas his self-titled debut album ''Bob Dylan'' had contained only two original songs, this album represented the beginning of Dylan's writing contemporary words to traditional melodies. Eleven of the thirteen songs on the album are Dylan's original compositions. It opens with "Blowin' in the Wind", which became an anthem of the 1960s, and an international hit for folk trio Peter, Paul and Mary soon after the release of the album. The album featured several other songs which came to be regarded as among Dylan's best compositions and classics of the 1960s folk scene: "Girl from the North Country", "Masters of War", "A Hard Rain's a-Gonna Fall" and "Don't Think Twice, It's All Right".

Dylan's lyrics embraced news stories drawn from headlines about the Civil Rights Movement and he articulated anxieties about the fear of nuclear warfare. Balancing this political material were love songs, sometimes bitter and accusatory, and material that features surreal humor. ''Freewheelin'' showcased Dylan's songwriting talent for the first time, propelling him to national and international fame. The success of the album and Dylan's subsequent recognition led to his being named as "Spokesman of a Generation", a label Dylan repudiated.

''The Freewheelin' Bob Dylan'' reached number 22 in the US (eventually going platinum), and became a number-one album in the UK in 1965. In 2003, the album was ranked number 97 on ''Rolling Stone'' list of the 500 greatest albums of all time. In 2002, ''Freewheelin'' was one of the first 50 recordings chosen by the Library of Congress to be added to the National Recording Registry.

Recording sessions

Neither critics nor the public took much notice of Dylan's self-titled debut album, ''Bob Dylan'', which sold only 5,000 copies in its first year, just enough to break even. In a pointed rebuke to John Hammond, who had signed Dylan to Columbia Records, some within the company referred to the singer as "Hammond's Folly" and suggested dropping his contract. Hammond defended Dylan vigorously and was determined that Dylan's second album should be a success. The recording of ''Freewheelin'' took place from April 1962 to April 1963, and the album was assembled from eight recording sessions at Columbia Records Studio A, located at 799 Seventh Avenue in New York City.

Political and personal background

Many critics have noted the extraordinary development of Dylan's songwriting immediately after completing his first album. One of Dylan's biographers, Clinton Heylin, connects the sudden increase in lyrics written along topical and political lines to the fact that Dylan had moved into an apartment on West 4th Street with his girlfriend Suze Rotolo (1943–2011) in January 1962. Rotolo's family had strong left-wing political commitments; both of her parents were members of the American Communist Party. Dylan acknowledged her influence when he told an interviewer: "Suze was into this equality-freedom thing long before I was. I checked out the songs with her".

Dylan's relationship with Rotolo also provided an important emotional dynamic in the composition of the ''Freewheelin'' album. After six months of living with Dylan, Rotolo agreed to her mother's proposal that she travel to Italy to study art.Rotolo writes that "my mother did not approve of Bob at all. He paid her no homage and she paid him none". Rotolo suspected that her mother presented her with the trip to Italy "as a ''fait accompli''" to lure her away from her relationship with Dylan. See Dylan missed her and wrote long letters to her conveying his hope that she would return soon to New York. She postponed her return several times, finally coming back in January 1963. Critics have connected the intense love songs expressing longing and loss on ''Freewheelin'' to Dylan's fraught relationship with Rotolo. In her autobiography, Rotolo explains that musicians' girlfriends were routinely described as "chicks", and she resented being regarded as "a possession of Bob, who was the center of attention".

The speed and facility with which Dylan wrote topical songs attracted the attention of other musicians in the New York folk scene. In a radio interview on WBAI in June 1962, Pete Seeger described Dylan as "the most prolific songwriter on the scene" and then asked Dylan how many songs he had written recently. Dylan replied, "I might go for two weeks without writing these songs. I write a lot of stuff. In fact, I wrote five songs last night but I gave all the papers away in some place called the Bitter End." Dylan also expressed the impersonal idea that the songs were not his own creation. In an interview with ''Sing Out!'' magazine, Dylan said, "The songs are there. They exist all by themselves just waiting for someone to write them down. I just put them down on paper. If I didn't do it, somebody else would".

Recording in New York

Dylan began work on his second album at Columbia's Studio A in New York on April 24, 1962. The album was provisionally entitled ''Bob Dylan's Blues'', and as late as July 1962, this would remain the working title. At this session, Dylan recorded four of his own compositions: "Sally Gal", "The Death of Emmett Till", "Rambling, Gambling Willie", and "Talkin' John Birch Paranoid Blues". He also recorded two traditional folk songs, "Going To New Orleans" and "Corrina, Corrina", and Hank Williams' "(I Heard That) Lonesome Whistle".

Returning to Studio A the following day, Dylan recorded his new song about fallout shelters, " Let Me Die in My Footsteps". Other original compositions followed: "Rocks and Gravel", "Talking Hava Negiliah Blues", " Talkin' Bear Mountain Picnic Massacre Blues", and two more takes of "Sally Gal". Dylan recorded cover versions of "Wichita", Big Joe Williams' "Baby, Please Don't Go", and Robert Johnson's "Milk Cow's Calf's Blues". Because Dylan's songwriting talent was developing so rapidly, nothing from the April sessions appeared on ''Freewheelin''.

The recording sessions at Studio A resumed on July 9, when Dylan recorded "Blowin' in the Wind", a song that he had first performed live at Gerde's Folk City on April 16. Dylan also recorded "Bob Dylan's Blues", "Down the Highway", and "Honey, Just Allow Me One More Chance", all of which ended up on ''Freewheelin'', plus one other original composition, "Baby, I'm in the Mood for You", which did not.

At this point, music manager Albert Grossman began to take an interest in Dylan's business affairs. Grossman persuaded Dylan to transfer the publishing rights of his songs from Duchess Music, whom he had signed a contract with in January 1962, to Witmark Music, a division of Warner's music publishing operation. Dylan signed a contract with Witmark on July 13, 1962. Unknown to Dylan, Grossman had also negotiated a deal with Witmark. This gave Grossman fifty percent of Witmark's share of the publishing income generated by any songwriter Grossman had brought to the company. This "secret deal" resulted in a bitter legal battle between Dylan and Grossman in the 1980s.

Albert Grossman became Dylan's manager on August 20, 1962. Since Dylan was under twenty-one when he had signed his contract with CBS, Grossman argued that the contract was invalid and had to be re-negotiated. Instead, Hammond responded by inviting Dylan to his office and persuading him to sign a "reaffirment"—agreeing to abide by the original contract. This effectively neutralized Grossman's strategy, and led to some animosity between Grossman and Hammond. Grossman enjoyed a reputation in the folk scene of being commercially aggressive, generating more income and defending his clients' interests more fiercely than "the nicer, more amateurish managers in the Village". Dylan critic Andy Gill has suggested that Grossman encouraged Dylan to become more reclusive and aloof, even paranoid.

On September 22, Dylan appeared for the first time at Carnegie Hall, part of an all-star hootenanny. On this occasion, he premiered his new composition "A Hard Rain's a-Gonna Fall", a complex and powerful song built upon the question and answer refrain pattern of the traditional British ballad "Lord Randall". "Hard Rain" would gain added resonance one month later, when President Kennedy appeared on national television on October 22, and announced the discovery of Soviet missiles on the island of Cuba, initiating the Cuban Missile Crisis. In the sleeve notes on the ''Freewheelin'' album, Nat Hentoff quotes Dylan as saying that he wrote "Hard Rain" in response to the Cuban Missile Crisis: "Every line in it is actually the start of a whole new song. But when I wrote it, I thought I wouldn't have enough time alive to write all those songs so I put all I could into this one". In fact, Dylan had written the song more than a month before the crisis broke.

Dylan resumed work on ''Freewheelin'' at Columbia's Studio A on October 26, when a major innovation took place—Dylan made his first studio recordings with a backing band. Accompanied by Dick Wellstood on piano, Howie Collins and Bruce Langhorne on guitar, Leonard Gaskin on bass, and Herb Lovelle on drums, Dylan recorded three songs. Several takes of Dylan's "Mixed-Up Confusion" and Arthur Crudup's " That's All Right Mama" were deemed unusable, but a master take of "Corrina, Corrina" was selected for the final album. An 'alternate take' of "Corrina, Corrina" from the same session would also be selected for the b-side of "Mixed Up Confusion", Dylan's first electric single issued later in the year. At the next recording session on November 1, the band included Art Davis on bass, while jazz guitarist George Barnes replaced Howie Collins. "Mixed-Up Confusion" and "That's All Right Mama" were re-recorded, and again the results were deemed unsatisfactory. A take of the third song, "Rocks and Gravel", was selected for the album, but the track was subsequently dropped.

On November 14, Dylan resumed work with his backup band, this time with Gene Ramey on bass, devoting most of the session to recording "Mixed-Up Confusion". Although this track did not appear on ''Freewheelin'', it was released as a single on December 14, 1962, and then swiftly withdrawn. Unlike the other material which Dylan recorded between 1961 and 1964, "Mixed-Up Confusion" attempted a rockabilly sound. Cameron Crowe described it as "a fascinating look at a folk artist with his mind wandering towards Elvis Presley and Sun Records".

Also recorded on November 14 was the new composition "Don't Think Twice, It's All Right" (Clinton Heylin writes that, although the sleeve notes of ''Freewheelin'' describe this song as being accompanied by a backing band, no band is audible on the released version). Langhorne then accompanied Dylan on three more original compositions: "Ballad of Hollis Brown", "Kingsport Town", and "Whatcha Gonna Do", but these performances were not included on ''Freewheelin''.

Dylan held another session at Studio A on December 6. Five songs, all original compositions, were recorded, three of which were eventually included on ''The Freewheelin' Bob Dylan'': "A Hard Rain's a-Gonna Fall", "Oxford Town", and "I Shall Be Free". Dylan also made another attempt at "Whatcha Gonna Do" and recorded a new song, "Hero Blues", but both songs were ultimately rejected and left unreleased.

Traveling to England

Twelve days later, Dylan made his first trip abroad. British TV director Philip Saville had heard Dylan perform in Greenwich Village, and invited him to take part in a BBC
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