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The ''Thevaram'' ( ta, தேவாரம், ), also spelled ''Tevaram'', denotes the first seven volumes of the twelve-volume collection ''
Tirumurai ''Thirumurai'' (Tamil: திருமுறை, meaning holy division) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyan ...
'', a
Śaiva Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions rangi ...
narrative of epic and puranic heroes, as well as a
hagiographic A hagiography (; ) is a biography of a saint or an ecclesiastical leader, as well as, by extension, an adulatory and idealized biography of a founder, saint, monk, nun or icon in any of the world's religions. Early Christian hagiographies might ...
account of early Saiva saints set in devotional poetry. The ''Thevaram'' volumes contain the works of the three most prominent Saiva Tamil poets of the 7th and 8th centuries:
Sambandar Sambandar (Tamil: சம்பந்தர்), also referred to as Tirugnana Sambandar (lit. ''Holy Sage Sambandar''), Tirujnanasambanda, Campantar or Jñāṉacampantar, was a Shaiva poet-saint of Tamil Nadu who lived sometime in the 7th cen ...
,
Appar Appar, also referred to as ( ta, திருநாவுக்கரசர்) or Navukkarasar, was a seventh-century Tamil Śaiva poet-saint. Born in a peasant Śaiva family, raised as an orphan by his sister, he lived about 80 years and is ...
, and Sundarar. The three poets were not only involved in portraying their personal devotion to
Shiva Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; Help:IPA/Sanskrit, ɐɦaːd̪eːʋɐ, or Hara, is one of the Hindu deities, principal deities of Hinduism. He is the Supreme Being in Shaivism, one o ...
, but also engaged a community of believers through their songs. Their work is an important source for understanding the Śaiva
Bhakti movement The Bhakti movement was a significant religious movement in medieval Hinduism that sought to bring religious reforms to all strata of society by adopting the method of devotion to achieve salvation. Originating in Tamilakam during 6th cent ...
in the early medieval South India. In the 10th century, during the reign of
Rajaraja I Rajaraja I (947 CE – 1014 CE), born Arunmozhi Varman or Arulmozhi Varman and often described as Raja Raja the Great or Raja Raja Chozhan was a Chola emperor who reigned from 985 CE to 1014 CE. He was the most powerful Tamil king in South ...
of the
Chola dynasty The Chola dynasty was a Tamil thalassocratic empire of southern India and one of the longest-ruling dynasties in the history of the world. The earliest datable references to the Chola are from inscriptions dated to the 3rd century BC ...
, these poets' hymns were collected and arranged by
Nambiyandar Nambi Thirunaraiyur Nambiyandar Nambi was an eleventh-century Shaiva scholar of Tamil Nadu in South India who compiled the hymns of Sampantar, Appar and Sundarar and was himself one of the authors of the eleventh volume of the canon of the Tamil litu ...
. Starting with the ''Thevaram'' along with the rest of ''Tirumurai'' and ending with the ''Periya Puranam'', Tamil Saivism acquired a canonical set of sacred texts on ritual, philosophy, and theology. This marked its coming of age alongside the expansion and consolidation of Chola imperial power in the 11th century CE. ''Thevaram'' contains 796 hymns made up of 8,284 stanzas. These hymns continue to be devotionally sung in contemporary times in many Shiva temples of
Tamil Nadu Tamil Nadu (; , TN) is a state in southern India. It is the tenth largest Indian state by area and the sixth largest by population. Its capital and largest city is Chennai. Tamil Nadu is the home of the Tamil people, whose Tamil language ...
.


Name

The word ''Tēvāram'' can be interpreted in two ways. First, as "Tēva" and "Āram" which means "the garland of the lord
hiva In Polynesian mythology, (also rendered as in Cook Islands Māori, in Samoan, in Tahitian, in Hawaiian) is the original home of the Polynesians, before dispersal across Polynesia. It also features as the underworld in many Māori stories. ...
. Second, as "Tē" and "Vāram" which means "create love towards the lord". ''Tevaram'' has also been interpreted as "private ritual worship", with the term ''varam'' appearing in temple inscriptions with the sense of "lord's shrine".


Date and evolution

The ''Tevaram'' is attributed to three Tamil Shaiva poet–saints, sometimes referred to as the "Tevaram trio" (Mūvar). They lived between the 6th and 8th century CE, state Peterson and Prentiss, while Champakalakshmi dates them in the 7th to 9th century. They are among the ''Nayanars'' (leaders), and considered the "principal saint-leaders" of Tamil Shaivism. Like the ancient Sanskrit texts of India as well as the Vaishnava bhakti tradition, the early Nayanar poetry was largely an
oral tradition Oral tradition, or oral lore, is a form of human communication wherein knowledge, art, ideas and Culture, cultural material is received, preserved, and transmitted orally from one generation to another.Jan Vansina, Vansina, Jan: ''Oral Traditio ...
through the 10th century, with some evidence of these poems being written on palm leaf manuscripts. The actual compilation into Tevaram was completed in the 11th century, starting around 1000 CE. The Tevaram trio themselves credit an older tradition and "speak of saints who lived before them", which states Peterson suggests that parts of the Tevaram poetry may have more ancient roots than the 6th century. According to Champakalakshmi, there were at least three stages in the evolution of ''Thevaram'': first was the composition of the hymns by the Tevaram trio, then these were adopted in temple rituals and festivals by ''patikam'' singers, and thereafter came a conscious 11th-century structuring of these poems into a canonized text. The last stage was assisted by the pontiffs of the ''
matha A ''matha'' (; sa, मठ, ), also written as ''math'', ''muth'', ''mutth'', ''mutt'', or ''mut'', is a Sanskrit word that means 'institute or college', and it also refers to a monastery in Hinduism.
s'' (monasteries) who incorporated the hymns into the
Shaiva Siddhanta Shaiva Siddhanta () (Tamil: சைவ சித்தாந்தம் "Caiva cittāntam") is a form of Shaivism that propounds a dualistic philosophy where the ultimate and ideal goal of a being is to become an enlightened soul through Shiv ...
canon in the 13th century.


Significance

Tevaram text has been called as a Shaiva "Tamil-vētam" (a Tamil Veda) in Volume 4 of the Madras Tamil Lexicon. This equivalence with the ancient Hindu Vedas has been explained by the Tamil Shaiva scholars in that the Tevaram "resembles the Vedic hymns" by being poetry of the "highest order" that also systematically builds the philosophical foundations of Shaivism. It differs from the ancient Vedas in that it focuses on intense ''bhakti'' for Shiva. The Tevaram helped structure a devotional tradition with its own authoritative canon, and thereby negated the primacy of Vedic orthodoxy and
Smartha The ''Smarta'' tradition ( sa, स्मार्त), also called Smartism, is a movement in Hinduism that developed and expanded with the Puranas genre of literature. It reflects a synthesis of four philosophical strands, namely Mimamsa, ...
tradition, states Champakalakshmi. Yet they extend rather than reject the Vedic tradition. The hymns, states Peterson, directly praise the four Vedas and Sanskrit, adding that devotion to Shiva is same as these. For example, in Appar VI.301.1, the Tevaram states "See him who is Sanskrit of the North, and southern Tamil, and the four Vedas". Such themes appear repeatedly in this text. Thus, Tevaram is not antagonistic to the Vedic tradition, it compliments and redirects the devotee to bhakti through songs and music, for the same spiritual pursuit. In their structure and focus, the ''patikams'' (praise poem) of the Tevaram are "closely associated with early Sanskrit
strota ''Stotra'' (Sanskrit: स्तोत्र) is a Sanskrit word that means "ode, eulogy or a hymn of praise."Monier Williams, Monier Williams' Sanskrit-English Dictionary, Oxford University Press, Article on 'Stotra'' It is a literary genre of In ...
s" of the types found in ''Bhagavad Gita'', the ''Bharavi'', some compositions of Kalidasa and some chapters of the epic ''Mahabharata'', all dated between about the 2nd century BCE and the 5th century CE, states Peterson. The melodic prosody, structure and genre that the Tevaram exemplifies has roots and illustrations in the ''Satarudriya'' of the ''
Yajurveda The ''Yajurveda'' ( sa, यजुर्वेद, ', from ' meaning "worship", and ''veda'' meaning "knowledge") is the Veda primarily of prose mantras for worship rituals.Michael Witzel (2003), "Vedas and Upaniṣads", in ''The Blackwell C ...
'', an ancient prototypical devotional hymn to Rudra-Shiva. According to Sabaratnam, the Tevaram verses were more oriented towards the folk tradition. It used the Tamil language and thus set aside the primacy of Sanskrit liturgies in religious matters. Tevaram made the direct devotion to Shiva more easily accessible to the people.


Poets

The first three volumes of ''Tevaram'' are by
Sambandar Sambandar (Tamil: சம்பந்தர்), also referred to as Tirugnana Sambandar (lit. ''Holy Sage Sambandar''), Tirujnanasambanda, Campantar or Jñāṉacampantar, was a Shaiva poet-saint of Tamil Nadu who lived sometime in the 7th cen ...
, the next three by
Appar Appar, also referred to as ( ta, திருநாவுக்கரசர்) or Navukkarasar, was a seventh-century Tamil Śaiva poet-saint. Born in a peasant Śaiva family, raised as an orphan by his sister, he lived about 80 years and is ...
, and the seventh by Sundarar. Appar and Sambandar lived around the 7th century, while Sundarar lived in the 8th century. It is likely that the lives of Appar and Sambandar overlapped sometime between 570 and 670 CE, while Sundarar lived in late 7th or the early 8th century. All three are among the 63
Nayanars The Nayanars (or Nayanmars; ta, நாயன்மார், translit=Nāyaṉmār, translit-std=ISO, lit=hounds of Siva, and later 'teachers of Shiva ) were a group of 63 Tamil Hindu saints living during the 6th to 8th centuries CE who were d ...
() who are revered poet-saints of Shaivism. During the Pallava period these three travelled extensively around
Tamil Nadu Tamil Nadu (; , TN) is a state in southern India. It is the tenth largest Indian state by area and the sixth largest by population. Its capital and largest city is Chennai. Tamil Nadu is the home of the Tamil people, whose Tamil language ...
, pioneering the tradition of an emotional devotion to Shiva through ritual singing in temples and public places. This was an era where Hindus, Jains and Buddhists were rivals in seeking patronage and influence in royal and urban circles of South India. The Tevaram includes 383 or 384 hymns composed by Sambandar over volumes I–III, 313 hymns by Appar over volumes IV–VI, and 100 hymns by Sundarar in volume VII. Information about Tevaram Trio comes mainly from the ''
Periya Puranam The ''Periya‌ purāṇa‌m'' (Tamil: பெரிய‌ புராண‌ம்), that is, the ''great purana'' or epic, sometimes called ''Tiruttontarpuranam'' ("Tiru-Thondar-Puranam", the Purana of the Holy Devotees), is a Tamil poetic ...
'', the eleventh-century Tamil book on the Nayanars that forms the last volume of the ''Tirumurai''. The first two poets are mentioned in the third poet Sundarar's ''Tiruttondartokai'' (''lit.'' The List of the Holy Servants) and other poetry which is generally dated to the 8th century. Other Tamil texts such as the ''Tiruvilaiyatarpuranam'' provide more extended context for the life stories of the Tevaram trio and other poet-saints. All these texts including the ''Periya Puranam'' were finalized a few centuries later. The texts about the Tevaram trio are hagiographies full of mythistory where devotion leads to miracles, objects float upstream in a river, cruel Jains of the Chola kingdom repeatedly scheme to hurt and kill peaceful Shaiva poets in the Pandya kingdom, the Shiva devotees survive and thrive through divine interventions, magic cures people's diseases, stone statues spring to life to help the kind and gentle Shaiva people suffering persecution, gigantic forms of living animals such as cruel elephants become small peaceful stone statues, and other such events happen in the context of loving and intense devotion to Shiva. This myth-filled context has created much controversy and speculations on their reliability, even the centuries in which these poets lived.


Sambandar

Thirugnana Sambandar, sometimes spelled as Campantar or Ñāṉacampantar, was born into a family of Saivite
Brahmin Brahmin (; sa, ब्राह्मण, brāhmaṇa) is a varna as well as a caste within Hindu society. The Brahmins are designated as the priestly class as they serve as priests ( purohit, pandit, or pujari) and religious teachers ( ...
s in
Sirkazhi Sirkazhi () also spelled as ''Siyali'' is a major municipal town in Mayiladuthurai district in Tamil Nadu, India. It is located from the coast of the Bay of Bengal, and from the state capital Chennai. Sirkazhi was a part of Thanjavur distric ...
near Chidambaram. Little is known with any certainty about Sambandar actual life. The last hymns of Tevaram volume III provide some information. The ''Periya Puranam'' and Sundarar's ''Tiruttondartokai'' are additional early records and provide a comprehensive hagiography on him. Other sources are the
Nambiyandar Nambi Thirunaraiyur Nambiyandar Nambi was an eleventh-century Shaiva scholar of Tamil Nadu in South India who compiled the hymns of Sampantar, Appar and Sundarar and was himself one of the authors of the eleventh volume of the canon of the Tamil litu ...
's ''Tiru Tondar Tiruvandadi'' and a few inscriptions in Tamil Shiva temples about ''patikam'' singers that can be dated around the 9th century. In the ''Periya Puranam'', Sambandar is said to have been a child prodigy, one who began composing hymns as soon as he started speaking as a baby and who mastered the Vedas by age three. His gifts were attributed to being breastfed by the Shakti goddess
Umadevi Umadevi (उमादेवी; c. 1150 – 1218) was one of the wives of King Veera Ballala II and a Mysore general during the Chalukya campaigns. Born around 1150, Umadevi became one of the consort of Bellala II at age twenty-two. She comma ...
. As a child poet-saint, he attracted throngs of audiences, travelled through Tamil lands to Shiva temples accompanied by musician Tirunilakantayalppanar, composing melodious hymns in complex meters and rhythms. The hymn III.345 of ''Tevaram'' depicts Jain monks persecuting him and trying to burn a palm-leaf manuscript of his hymn, but the fire does not burn it. On the request of queen
Mangayarkkarasiyar Mangayarkkarasiyar (Tamil:மங்கையர்க்கரசியார்) was one of the 63 Nayanmars or holy Saivite saints who are revered in South India. She is one among the only three women who attained this distinction. Her devotion ...
, Sambandar went to
Madurai Madurai ( , also , ) is a major city in the Indian state of Tamil Nadu. It is the cultural capital of Tamil Nadu and the administrative headquarters of Madurai District. As of the 2011 census, it was the third largest Urban agglomeration i ...
to counter the Jain monks in her husband's court. There the Jain monks allegedly attempt to burn the house he was staying in, but he remains unharmed. Then he is challenged to a debate by the Jain monks with the condition that the losing side convert to the winning side, or commit suicide by impaling themselves to death. Sambandar defeats the monks in debate, the Pandya king and some Jains convert to Saivism. Other Jain monks die in Madurai of impalement in the aftermath. Sambandar died around 655 CE at the age of 16, on the day of his wedding when Shiva met him and took his relatives and him to his abode. The first three volumes of the ''Tirumurai'' contain 383 poems (some editions 384), composed of 4,181 stanzas, attributed to Sambandar, which are all that survive out of a reputed of 16,000 hymns. His verses were set to tune on '' yal'' or lute by Sambandar's constant companion
Tiru Nilakanta Yazhpanar Tiru Nilakanta Yazhpanar was a Nayanar saint, venerated in the Hindu sect of Shaivism. He is generally counted as the sixty-first in the list of 63 Nayanars. While the first part of his name can be spelt as Tirunilakanta, Tirunilakantha, Tiru ...
(Nilakantaperumanar).


Appar

Appar, also known as Tirunavukkaracar, was born in the late 6th century or the early 7th century in a Vellala peasant family. From the Shaiva
Shudra Shudra or ''Shoodra'' (Sanskrit: ') is one of the four '' varnas'' of the Hindu caste system and social order in ancient India. Various sources translate it into English as a caste, or alternatively as a social class. Theoretically, class ser ...
caste, he was an orphan raised by his sister. He spent his childhood in Tiruvamur village near Atikai by most accounts. His childhood name was Marunikkiyar (Marulneekiar). Zvelebil dates his birth to between 570–596 CE. Details of Appar's life are found in his own hymns and in Sekkizhar's ''Periya Puranam''. His sister Thilagavathiar was betrothed to a military commander who died in war. She devoted herself to Shaivism. Unlike his sister, Appar turned to Jainism. He left home, joined a Jain monastery, where he was renamed Dharmasena (Tarumacenar). He studied Jainism and became the head of the Jain monastery in Tiruppatirippuliyur. After a while, afflicted by a painful stomach illness, Dharmasena returned home. His sister gave him ''Tirunuru'' (sacred ash) and the five syllable mantra "namaccivaya" (Namah Shivaya). Then together they went together to a Shiva temple in Atikai, where he spontaneously composed his first hymn of Tevaram. As he sang the second verse, he was miraculously cured of his stomach illness. Thereafter, he came to be known as Navukkaracar (from Skt: Vagisa, "king of speech") or more popularly just Appar. He had thus left Jainism, and become a devout Shaiva. Appar's hymn are intimately devotional to Shiva, but occasionally include verses where he repents the Jain period of his life. In Tevaram hymn IV.39 and others, he criticizes the Jain monastic practice of not brushing teeth, the lack of body hygiene, their barbaric ascetic practices, the doctrine of ''pallurai'' (anekantavada) as self-contradictory relativism, the hypocrisy of running away from the world and work yet begging for food in that same world, and others. The Tamil hagiographies allege that Jain monks approached the
Pallava The Pallava dynasty existed from 275 CE to 897 CE, ruling a significant portion of the Deccan, also known as Tondaimandalam. The dynasty rose to prominence after the downfall of the Satavahana dynasty, with whom they had formerly served as f ...
king Mahendravarman to take revenge on Appar for his desertion. Appar is summoned to the court and allegedly tortured. Appar remains in good spirit despite the persecution. Thus, Appar persuaded Mahendravarman of the folly in Jainism, and converted the king to Saivism. Appar was a dedicated pilgrim, who travelled to distant Shiva shrines. Of particular note are Shiva temples sites that were important turning points to his life and these remain important to contemporary Tamil Shaivas. These include Tunkanaimatam, Chidambaram, Sirkazhi where he met the child poet-saint Sambandar who lovingly called him Appar (). Other Appar destinations mentioned in the Tevaram include Nallur, Tinkalur, Tiruvarur, Tiruvavatuturai where he described the Tiruvatirai festival, Maraikkatu, Vaymur, Tiruvaiyaru, and mount Kailash in the Himalayan north. This was also a period of resurrection of the smaller Shiva temples. Appar sanctified all these temples with his verses and was also involved in cleaning of the dilapidated temples in a ritual known as ''uzhavaarappani''. Appar is believed to have died around the age of 81 in Tirupugalur. He extolled Shiva in 49,000 stanzas, out of which 3,130 have survived. These are compiled in the fourth, fifth, and sixth volumes of the ''Tirumurai''.


Sundarar

Sundarar, also known as Nampi Arurar or Cuntaramurtti or Cuntarar, is the third of the Tevaram trio. His Tevaram hymns provide more biographical specifics than the hymns of Sambandar and Appar. Sundarar was born in Tirunavalur in a Shaiva Brahmin family to Sadaiya Nayanar and Isaignaniyar towards the end of the 7th century. He was adopted by the Pallava feudatory family of Naracinka Munaiyaraiyar, an adoption that gave him a luxurious childhood and the last name "Arurar" after Shiva in Tiruvarur. As he grew into an adult in Tiruvarur, he was called "Sundarar" meaning "the handsome lord". His life and his hymns in the Tevaram are broadly grouped in four stages. First, his cancelled arranged marriage through the intervention of Shiva in the form of a mad petitioner and his conversion into a Shaiva bhakt. Second, his double marriage to temple dancers Paravai and Cankali with their stay together in Tiruvarur. Third, his blindness and then return of his sight. Finally, his reflections on wealth and material goods. In the first part of his life, the arranged marriage of Sundarar is cancelled after a mad old man mysteriously appears and produces a palm leaf document. The document stated that Sundarar was bonded to serve him, his master. A court of elders then reviews the document and finds it authentic, demands Sundarar to serve the petitioner, who then mysteriously vanishes into Shiva shrine. Sundarar views this as a command to serve Shiva in the Tiruvarur temple. Later he meets dancer Paravai, they marry, and together they serve the Shaiva pilgrims and take care of the temple duties. He goes to visit Tiruvorriyur, meets and is enamoured with Cankali. With the help of Shiva, this leads to Sundarar's second marriage, but only after his wedding vows include never leaving Cankali and Tiruvorriyur. Sundarar misses his first wife Paravai, does not keep his word, and leaves for Tiruvarur. The broken vow causes him to go blind before he reaches Tiruvarur. His suffering thereafter are part of several Tevaram hymns. As a blind man, he visits many Shiva shrines and sings there. Slowly in stages, he becomes closer to Shiva and recovers his sight. Sundarar with restored eye sight then lives with his two wives. In his later hymns, he presents his spiritual discussions with Shiva on how to achieve both spiritual succor and material wealth in life. He seeks the latter to provide for his family and to pay for the charitable temple kitchen that fed hundreds of Shaiva pilgrims. Shiva becomes his patron king, grants him grain, gold and a flashing sword. This is embedded symbolism to inspire regional kings and wealthy patrons to support the spiritual and charitable works at Shiva temples. Sundarar is the author of 1,026 poems compiled as the ''Tirumurais seventh volume.


The hymns

The ''Thevaram'' has 796 hymns. Each hymn contains ''pathikam'' ( ta, பதிகம்), also spelled ''patikam'' (from Sanskrit ''padya'', verses). Predominantly all hymns of Tevaram contain ten or eleven verses. Each verse is a four line melodic stanza with an embedded refrain. The hymns of Sambandar and Sundarar also embed a signature or coda in the last verse, where the poet-saint shares some personal information, or the benefits of listening to or singing that hymn, or the context of that hymn. The hymns of Appar too include a signature or coda in the last verse, but they characteristically are linked to the ''Ramayana'' through Ravana's mythical devotion before he lost his way and turned evil. The hymns are set to music denoted by '' panns'' with a ''ragam'' and ''talam''. The traditional manuscripts arrange the hymns according to musical modes, or ''panmurai''. The Tevaram hymns are set to 23 of the 103 pan scale modes of
Ancient Tamil music The ancient Tamil music is the historical predecessor of the Carnatic music during the Sangam period spanning from 500 BCE to 200 CE. Many poems of the classical Sangam literature were set to music. There are various references to this an ...
, and they are meant to be sung while accompanied with a stringed musical instrument such as the Tamil ''yal''. Professional singing of the Tevaram hymns at large Shiva temples has been a Tamil tradition since at least the 11th century. Several of these poems refer to historic references pointing to the saint-poets' own life, voice of devotee persona, using interior language of the mystic. Of the three, Sambandar's life is better interpreted by his verses. According to Zvelebil, the child-prodigy Sambandar's lyrics are characterized by egocentricism, by militancy and great ardour, by a warm feeling for the greatness and beauty of Tamil language with scholarly experimentation in meters showing familiarity with Sanskrit forms. Zvelebil quotes a current Tamil saying, "My Appar sang of me, Sambandar sang of himself, Sundarar sang of women". The lyrical beauty of the original Tamil verses is often untranslatable into English.
Sisir Kumar Das Sisir Kumar Das (1936–2003) was a linguist, poet, playwright, translator, comparatist and a prolific scholar of Indian literature. He is considered by many as the "doyen of Indian literary historiographers". Almost singlehandedly Das built ...
regards this poem by Sambandar as exemplifying the structural and thematic distinctiveness of bhakti poetry: Appar's poems are emotional, very personal form of Shiva worship. The metaphors used in the poems have deep agrarian influence that is considered one of the striking chords for common people to get accustomed to the verse. The quote below is a popular song of Appar glorifying Shiva in simple diction: Like Sambandar, there is a call for self-independence, militancy or pressing for one's rights, without fearing anyone in Appar compositions: Sundarar's hymns had a touch of humour. In one of the verses, he playfully draws an analogy between Shiva and himself, both having two wives and the needs of nagging wives: ;Early Shaiva Siddhanta The hymns provide a window into the types of Shiva temples in the 7th century CE, artwork and the iconography prevalent then. They confirm that the iconography of Nataraja – the dancing form of Shiva, and the Shiva linga, were already well established by the time of Sambandar, complementing each other in large Shiva temples. These hymns also provide evidence of the Shaiva poet-saints cherishing the Vedic heritage. The Tevaram hymns celebrate charitable giving (''danam''), food to pilgrims (''anna''), devotional singing at temples. The inscriptions found in stone temples of Shiva over the centuries, confirm that this became a lasting historic practice by at least the 8th century CE. For example, states Dorai Rangaswamy, the
Nandivarman II Nandivarman II (718 CE – 796 CE) was a Pallava ruler who ruled in South India. Sen states Nandivarman reigned from 731 CE – 796 CE and built the Vaikuntha-Perumal Temple. He was born in the country of Champa (modern day Vietnam) into a loca ...
(Pallavamalla) inscription of the 8th century confirms Tevaram hymns singing at a Shiva temple. Another inscription attributed to Vijayanandi Vikramavarma from the 9th century makes provision for singers of Patiyams in the temple. Similarly, two 10th-century donor inscription of Uttama Cola, who preceded Rajaraja, mentions Shaiva hymn singers. ;Pilgrimage sites The Tevaram hymns incorporate names of Shiva temple pilgrimage sites. The poems also involved glorifying the feat of Shiva in the particular location. These hymns helped create a sacred geography of Tamil Shaivism, interconnecting this regional Shaiva community within and to the broader Shaivism across the Indian subcontinent. The poems do not represent social space as a contested space, rather they were spaces for sharing of religious ideas, movement and social service to pilgrims. According to Prentiss, the hymns show that the hymnists were free to wander and to offer their praise of Shiva. The emotional intensity of the hymns represent spontaneous expression of thought as an emotional responses to God. The
Paadal Petra Sthalams The Paadal Petra Sthalam, also known as Thevara Sthalam, are 276 temples that are revered in the verses of Saiva Nayanars in the 6th-9th century CE and are amongst the greatest Shiva temples of the continent. The Divya Desams by comparison ar ...
are 275 temples that are revered in the verses of ''Thevaram'' and are amongst the greatest Shiva temples of the continent, while the
Vaippu Sthalam The ''Vaippu Sthalam'' :ta:வைப்புத் தலங்கள் also Called Tevara Vaippu Sthalam are places in South India that were mentioned casually in the songs in Tevaram, hymns composed in praise of the god Shiva during 7th-8t ...
are places that are mentioned casually in the hymns. The focus of the hymns suggests '' darshan'' (seeing and being seen by God) within the '' puja'' (worship) offering. Both human structures and natural places find a mention in ''Thevaram'': in addition to temples, the hymnists make classificatory lists of places like ''katu'' (forest), ''turai'' (port or refuge), ''kulam'' (water tank) and ''kalam'' (field).


Compilation

Raja Raja Chola I Rajaraja I (947 CE – 1014 CE), born Arunmozhi Varman or Arulmozhi Varman and often described as Raja Raja the Great or Raja Raja Chozhan was a Chola emperor who reigned from 985 CE to 1014 CE. He was the most powerful Tamil king in South ...
(985-1013 CE) embarked on a mission to recover the hymns after hearing short excerpts of ''Tevaram'' in his court. He sought the help of Nambi Andar Nambi, who was a priest in a temple. It is believed that by divine intervention Nambi found the presence of scripts, in the form of cadijam leaves half eaten by white ants in a chamber inside the second precinct of the
Chidambaram Nataraja temple Thillai Nataraja Temple, also referred as the Chidambaram Nataraja Temple, is a Hindu temple dedicated to Nataraja, the form of Shiva as the lord of dance. This temple is located in Chidambaram, Tamil Nadu, India. This temple has ancient roots ...
. The ''brahmanas'' ( Dikshitars) in the temple opposed the mission, but Rajaraja intervened by consecrating the images of the saint-poets through the streets of Chidambaram. Rajaraja thus became known as ''Tirumurai Kanda Cholan'' meaning "one who saved the ''Tirumurai''". Thus far Shiva temples only had images of god forms, but after the advent of Rajaraja, the images of the Nayanar saints were also placed inside the temple. Nambi arranged the hymns of three saint-poets Sambandar, Appar and Sundarar as the first seven books,
Manikkavacakar Manikkavacakar, or Maanikkavaasagar ''(Tamil: மாணிக்கவாசகர், "One whose words are like gems")'', was a 9th-century Tamil saint and poet who wrote '' Tiruvasakam'', a book of Shaiva hymns. Speculated to have been a mini ...
's ''Tirukovayar'' and ''
Tiruvacakam ''Thiruvasagam'' ( ta, திருவாசகம், tiruvācakam, translit-std=IAST, lit=sacred utterance) is a volume of Tamil hymns composed by the ninth century Shaivite ''bhakti'' poet Manikkavasagar. It contains 51 compositions and cons ...
'' as the eighth book, the 28 hymns of nine other saints as the ninth book, the ''
Tirumandiram The ''Tirumantiram or Thirumantiram'' is a Tamil poetic work, written either in the 6th century CE or post 10th century CE by Tirumular and is the tenth of the twelve volumes of the ''Tirumurai'', the key texts of Saiva Siddhanta and the first k ...
'' of
Tirumular Tirumular (also spelt Thirumoolar etc., originally known as Suntaranāthar) was a Tamil Shaivite mystic and writer, considered one of the sixty-three Nayanmars and one of the 18 Siddhars. His main work, the ''Tirumantiram'' (also sometimes w ...
as the tenth book, and 40 hymns by 12 other poets, ''Tirutotanar Tiruvanthathi''–the sacred ''anthathi'' of the labours of the 63 Nayanar saints–and Nambi's own hymns as the eleventh book. The first seven books were later called as ''Tevaram'', and the whole Saiva canon, which came to include
Sekkizhar Sēkkilān Mādēvadigal Rāmadēva (12th century CE), known popularly by his family name as Sekkizhar, was a saint and a contemporary of Kulottunga Chola II. He compiled and wrote the ''Periya Puranam'' (Great Story or Narrative) in 4253 vers ...
's ''Periya Puranam'' (1135 CE) as the twelfth volume, is wholly known as ''Tirumurai'', "the holy book". Thus Saiva literature which covers about 600 years of religious, philosophical and literary development. Nambi was also involved in setting musical modes for ''Tevaram''. He accomplished this by visiting the native village of
Tiru Nilakanta Yazhpanar Tiru Nilakanta Yazhpanar was a Nayanar saint, venerated in the Hindu sect of Shaivism. He is generally counted as the sixty-first in the list of 63 Nayanars. While the first part of his name can be spelt as Tirunilakanta, Tirunilakantha, Tiru ...
, where he met a woman of the Tamil Panar caste who learned the mode of divine revelation. She returned to Chidambaram with Nambi, where she sang and danced for Shiva. In 1918, 11 more songs were found engraved in stone temple in Tiruvidavayil in a village close to Nannilam, and it was the first instance found where ''Tevaram'' verses were found in inscriptions.


In culture

''Tevaram'' was one of the sole reasons for converting Vedic ritual to Agamic puja followed in Shiva temples. Though these two systems are overlapping, the Agamic tradition ensures the perpetuation of the Vedic religion's emphasis on the efficacy of ritual as per Davis. The earliest singers of ''Tevaram'' hymns were referred to as ''pidarars'', and were among the ''Tirupadiyam Vinnapam Seyvar'' that
Nandivarman III Nandivarman III was an Indian monarch of the Nandivarman II line who ruled the Pallava kingdom from 846 to 869. He was the son of Dantivarman and grandson of Nandivarman II. Reign Nandivarman III, who was a powerful monarch, tried to reverse ...
provided for in Tiruvallam Bilavaneswara temple records dating from the 8th century. A few earlier records also give details about the gifts rendered to the singers of ''Tevaram'' from
Parantaka I Parantaka Chola I (Tamil : பராந்தக சோழன் I) (873 CE–955 CE) was a Chola emperor who ruled for forty-eight years, annexing Pandya by defeating Rajasimhan II. The best part of his reign was marked by increasing success ...
. Rajaraja deputed 48 ''pidarars'' and made liberal provisions for their maintenance and successors. A record belonging to
Rajendra I Rajendra Chola I (; Middle Tamil: Rājēntira Cōḻaṉ; Classical Sanskrit: Rājēndradēva Cōla; Old Malay: ''Raja Suran''; c. 971 CE – 1044 CE), often referred to as Rajendra the Great, and also known as Gangaikonda Chola (Middle Tamil ...
mentions ''Tevaranayakan'', the supervisor of ''Tevaram'' and shows the institutionalisation of ''Tevaram'' with the establishment of a department. There are records from
Kulothunga Chola III Kulothunga III was a Chola emperor who ruled from 1178 to 1218 CE, after succeeding his elder brother Rajadhiraja II. Kulothunga Chola III gained success in war against his traditional foes. He gained victories in war against the Hoysalas, ...
from Nallanyanar temple in South Arcot indicating singing of ''Tiruvempavai'' and ''Tiruvalam'' of Manikkavacakar during special occasion in the temple. From the 13th century, the texts were passed on to the ''odhuvars'' by the '' adheenams'' and there was no more control by the kings or the ''
brahmanas The Brahmanas (; Sanskrit: , ''Brāhmaṇam'') are Vedic śruti works attached to the Samhitas (hymns and mantras) of the Rig, Sama, Yajur, and Atharva Vedas. They are a secondary layer or classification of Sanskrit texts embedded within ...
''. The ''odhuvars'' were from the '' vellala'' community and were trained in ritual singing in ''Tevaram'' schools. Today, ''odhuvars'', ''sthanikars'', or ''kattalaiyars'' offer musical programmes in Shiva temples of Tamil Nadu by singing ''Tevaram'' after the daily rituals. These are usually carried out as a chorus programme soon after the divine offering. The singing of ''Tevaram'' is followed by musicals from the music pillars in such temples like
Madurai Meenakshi Amman Temple Arulmigu Meenakshi Sundaraswarar Temple is a historic Hindu temple located on the southern bank of the Vaigai River in the temple city of Madurai, Tamil Nadu, India. It is dedicated to the goddess Meenakshi, a form of Parvati, and her consort, ...
,
Nellaiappar Temple Nellaiappar Temple corridor is a Hindu temple dedicated to the deity Shiva, located in Tirunelveli, a city in the South Indian state of Tamil Nadu. Shiva is worshipped as Nellaiappar (also called Venuvananathar) represented by the ''lingam'' an ...
and
Thanumalayan Temple The Thanumalayan Temple, also called Sthanumalayan Temple is an important Hindu temple located in Suchindram in the Kanyakumari district of Tamil Nadu, India. It is one of the 108 shiva temple revered by the Kerala Hindu culture, though this t ...
. ''Periya Puranam'', the eleventh-century Tamil book on the Nayanars that forms the last volume of the ''Tirumurai'', primarily had references only to ''Tevaram'' and subsequently expanded to 12 parts. One of the first anthologies of Sambandar, Appar, and Sundarar's hymns, the ''Tevara Arulmuraitirattu'', is linked to Tamil Saiva Siddhantha philosophy by grouping ninety-nine verses into 10 categories. The category headings are God, soul, bond, grace, guru, methodology, enlightenment, bliss, mantra and liberation–corresponding to
Umapathi Shivachariyar Umapathi Shivachariyar (13th century–14th century CE) was a Tamil poet and scholar. It is from his writings that details about earlier poets, chiefly Parimelalhagar, have become known. Works Umapati Sivacharya celebrated the life of the Saivi ...
's work ''Tiruvarutpayan''. ''Tirumurai Kanda Puranam'' is another anthology for ''Tirumurai'' as a whole, but primarily focuses on ''Thevaram''. It is the first of the works to refer the collection of volumes as ''Tirumurai''.


Notes


References


Bibliography

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Further reading

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External links


The Authenticity of Sthala Puranas
an excerpt of Jagadguru Shri Chandrasekharendra Saraswati Swamigal's ''Hindu Dharma'' translated into English
Digital ''Tevaram''
by
French Institute of Pondicherry The French Institute of Pondicherry (french: Institut français de Pondichéry) UMIFRE 21 is a French research centre in Puducherry, India, under the joint supervision of the French Ministry of Foreign Affairs and the French National Centre ...
, contains an English translation of the entire ''Tevaram''
Project Madurai
a repository of ancient Tamil literature in PDFs
''Tevaram'' songs
audio files of hymns available at Shaivam.org
Thevaaram.org
Dharmapuram Adheenam Dharumapuram Aadheenam is a Saivite monastic institution based in the town of Mayiladuthurai, Tamil Nadu. As of 2019, there were a total of 27 Shiva temples under the control of the adheenam. History & activities The adheenam was founded du ...
's web site giving the transliteration & translation of the ''Tirumurai'' {{Shaivism Tamil-language literature Carnatic music Texts related to Nayanar saints Tamil Hindu literature