HOME

TheInfoList



OR:

''Tampuhan'', meaning " sulking",Discussion of "Tampuhan" (Sulking) painting by Juan Luna
, from "Juan Luna" article, kulay-diwa.com
is an 1895 classic
oil on canvas Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of ...
impressionist painting by Filipino painter and revolutionary activist Juan Luna. It depicts a Filipino man and a Filipino woman having a lovers' quarrel.


Description

Luna's Tampuhan is a depiction of two persons staying inside the '' sala'' or
living room In Western architecture, a living room, also called a lounge room (Australian English), lounge (British English), sitting room (British English), or drawing room, is a room for relaxing and socializing in a residential house or apartment. Su ...
of a
Bahay na Bato ''Bahay na bato'' (Tagalog, literally "house of stone", also known in Visayan as ''balay na bato'' or ''balay nga bato; in Spanish as Casa Filipino'') is a type of building originating during the Philippines' Spanish colonial period. It is an ...
. The two people are Filipino
lover Lover or lovers may refer to a person having a sexual or romantic relationship with someone outside marriage. In this context see: * Sexual partner * Mistress (lover) * Extramarital sex * Premarital sex Lover or Lovers may also refer to: Geogr ...
s sulking – experiencing "''tampo''" – because of an argument. The man is looking out at the street beside a Capiz shell window, leaning on the ''ventanilla''. The woman on the other hand, wearing a
Maria Clara gown The María Clara gown, historically known as the ''traje de mestiza'' during the Spanish colonial era, is a type of traditional dress worn by women in the Philippines. It is an aristocratic version of the '' baro't saya''. It takes its name ...
, has her eyes focused on the floor. According to Rosalinda Orosa, the man is Ariston Bautista Lin, a friend of Luna who studied medicine in Europe. Orosa further described that the woman is Emiliana Trinidad. Trinidad is the ancestor of the owner of the painting, and is claimed by Orosa to be the same woman who posed for Luna's '' La Bulaqueña'', another Luna artwork that illustrates
Filipino culture The culture of the Philippines is characterized by cultural diversity. Although the multiple ethnic groups of the Philippine archipelago have only recently established a shared Filipino national identity, their cultures were all shaped by the ...
.Ocampo, Ambeth
Discussion on Juan Luna's "Tampuhan" painting
, from the ''Who was Luna's La Bulaqueña?'' article, Looking Back, Anvil Publishing, Inc., National Commission for Culture and the Arts, 11 November 1989: (...) "''Tampuhan'' shows two people, perhaps lovers, seated in the sala of a house. The man is looking out of the window into the street, while the woman has her eyes on the floor, which very likely gives the title " mpuhan" to this canvas (...)


Relation to Filipino culture

In Filipino courtship, culture,
values In ethics and social sciences, value denotes the degree of importance of something or action, with the aim of determining which actions are best to do or what way is best to live (normative ethics in ethics), or to describe the significance of dif ...
and psychology, '' tampuhan'' (from the Filipino-language root word ''tampo'') or sulking is in essence a disagreement between a couple where they do not speak to each other. This is sometimes called "the silent treatment". Other expressions of sulking in the love life of Filipinos include other non-verbal actions such as keeping to one's self, being unusually quiet, or refusing to interact with friends in group activities, family outings or other activities, and even merely locking one's self in his or her bedroom. To end the sulking, one of the lovers has to coax the other, or both persuade each other to resolve by coming up with an agreement or compromise.“Tampuhan” and “tampo”
seasite.niu.edu
The setting is also significant to Philippine culture as the couples are depicted to live in a traditional colonial Filipino house known as
bahay na bato ''Bahay na bato'' (Tagalog, literally "house of stone", also known in Visayan as ''balay na bato'' or ''balay nga bato; in Spanish as Casa Filipino'') is a type of building originating during the Philippines' Spanish colonial period. It is an ...
, with its iconic interior and structure fit for the tropical climate, while the woman is wearing the traditional
Maria Clara gown The María Clara gown, historically known as the ''traje de mestiza'' during the Spanish colonial era, is a type of traditional dress worn by women in the Philippines. It is an aristocratic version of the '' baro't saya''. It takes its name ...
of Filipino women.


References


External links

*
poem
by Marne L. Kilates based on Luna's ''Tampuhan'' painting with a reference to Luna's other painting entitled '' The Parisian Life''. {{Juan Luna 1895 paintings Impressionist paintings Paintings by Juan Luna