Toru Narita
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was a Japanese visual artist. He is best known for creating the characters and mechanics for the television programs in the ''Ultra'' series: ''
Ultra Q is a 1966 Japanese ''tokusatsu'' ''kaiju'' television series created by Eiji Tsuburaya, first broadcast on Tokyo Broadcasting System (TBS) on January 2, 1966 and having its twenty-eighth and final episode aired on December 14, 1967. This series w ...
'', ''
Ultraman The , also known as ''Ultraman'', is a Japanese science fiction media franchise owned and produced by Tsuburaya Productions, which began with the television series '' Ultra Q'' in 1966. The franchise has expanded into many television shows, fi ...
'', and ''
Ultraseven is a List of Japanese television series, Japanese ''tokusatsu'' Science fiction on television, science fiction television series created by Eiji Tsuburaya. It is the second entry (third overall) in the Ultra Series and was produced by Tsuburaya ...
''.


Biography


Childhood and education (1929–1954)

Narita was born on September 3, 1929, in
Kobe City Kobe ( ; , ), officially , is the capital city of Hyōgo Prefecture, Japan. With a population of around 1.5 million, Kobe is Japan's seventh-largest city and the third-largest port city after Tokyo and Yokohama. It is located in the Kansai re ...
, Hyōgo, Japan. His family moved to
Aomori , officially Aomori City (, ), is the capital Cities of Japan, city of Aomori Prefecture, in the Tōhoku region of Japan. , the city had an estimated population of 264,945 in 136,781 households, and a population density of 321 people per squa ...
shortly after his birth. When he was eight months old, Narita suffered a burn on his left hand after grabbing charcoal from the
hearth A hearth () is the place in a home where a fire is or was traditionally kept for home heating and for cooking, usually constituted by a horizontal hearthstone and often enclosed to varying degrees by any combination of reredos (a low, partial ...
in his abode; his hand didn't heal even after having many surgeries. Narita began school in April 1936, at Aomori Municipal Furukawa Elementary School. At eight years old, his family moved to Ōshō Village, Muko District, Hyōgo (presently
Amagasaki 270px, Amagasaki Castle 270px, Aerial view of Amagasaki city center 270px, Amagasaki Station is an industrial city located in Hyōgo Prefecture, Japan. , the city had an estimated population of 455,555 in 223,812 households, and a population de ...
), and was transferred to Ritsudai Sho Jinjo Elementary School (presently Amagasaki Municipal Osho Elementary School). Due to the school's separation, Narita completed the fourth grade at Ritsudai Sho Jinjo Second Elementary School (presently Amagasaki Nishi Elementary School, where he stayed six years until the age of fourteen. During his time in elementary school, he was bullied due to his language differences and the burn on his left hand. Narita also decided he wanted to become a painter in the future. After graduating from Aomori Junior High (now
Aomori High School is a high school in the city of Aomori, Aomori Prefecture, Japan. Originally a junior high school named , the school was established on September 11, 1900. Aomori Prefectural First Junior High School in Hirosaki and Aomori Prefectural Second Ju ...
), Narita worked as a printer to save money, and in 1950 entered Musashino Art School (presently
Musashino Art University or is a private university in Kodaira, Western Tokyo, founded in 1962 with roots going back to 1929. It is known as one of the leading art universities in Japan. History In October 1929, was founded. In December 1948, it became , and in ...
). Initially, he majored in Western painting but felt dissatisfied with the class and moved to the sculpting department.


Career (1954–1987)

After graduating from Musashino Art School, he made part of his income doing special effects production work on the 1954 film ''
Godzilla is a fictional monster, or ''kaiju'', that debuted in the eponymous 1954 film, directed and co-written by Ishirō Honda. The character has since become an international pop culture icon, appearing in various media: 33 Japanese films p ...
''. He then began working as a ''
Tokusatsu is a Japanese term for live-action films or television programs that make heavy use of practical special effects. Credited to special effects director Eiji Tsuburaya, ''tokusatsu'' mainly refers to science fiction film, science fiction, War fi ...
'' artist for Toei starting in 1960. In 1965 he began working for Tsuburaya Visual Effects Productions (later renamed Tsuburaya Productions). In addition to working as a designer, Narita was also a sculptor, painter, and director of special effects. He is best noted for his work on the ''Ultra'' series, known in the vernacular as "Narita's Monsters". He went on to work in TV special effects for the shows, ''Assault! Human!!'', ''
Enban Sensō Bankid is the title of a tokusatsu series produced by Toho. The series, consisting of 26 episodes, is a result of joint production with Nippon Television, and aired in Japan starting on October 3, 1976 until the 23 March 1977. This was Toho's first di ...
'', and ''
Mighty Jack is a tokusatsu science fiction/espionage/action TV series. Created by Japanese effects wizard Eiji Tsuburaya, the show was produced by Tsuburaya Productions and was broadcast on Fuji TV from April 6, 1968 to June 29, 1968, with a total of 13 on ...
''. In 1968 he became a freelance artist and worked on films and movies including ''Children of Nagasaki'', ''
The Bullet Train is a 1975 Japanese action thriller film directed by Junya Sato and starring Ken Takakura, Sonny Chiba, and Ken Utsui. When a Shinkansen ("bullet train") is threatened with a bomb that will explode automatically if it slows below 80 km/ ...
'', '' Mahjong horoki'', and ''
Men and War is a trilogy of epic war films directed by Satsuo Yamamoto, based on the novel of the same name by Junpei Gomikawa. The films are subtitled ''Prelude to Destiny'' (1970), ''Land of Love and Sorrow'' (1971), and ''The Final Chapter'' (1973). Par ...
''. He continued to create and exhibit his oil painting and sculptures throughout his life, including a public artwork, Demon Monument, located in Fukuchi City, Kyoto. Narita's work was included in the ''Little Boy: The Arts of Japan's Exploding Subculture'' exhibition at the Japan Society in New York City. The exhibition featured his drawings "a favorite of ''
otaku is a Japanese word that describes people with consuming interests, such as anime, manga, video games, computers or other highly enthusiastic hobbies. Its contemporary use originated with a 1983 essay by Akio Nakamori in '' Manga Burikko''. ...
'' artists"; the series of drawings showed monsters transforming into buildings, stones and trees, and other inanimate objects. His work was the subject of a major retrospective exhibition at the Aomori Museum in 2015 that included 700 pieces of his work. The show traveled to the
Fukuoka Art Museum is an art museum in Fukuoka, Japan. It contains a notable collection of Western and Asian art, and exhibits various temporary exhibitions. In November 2010 it hosted a large exhibition of Marc Chagall's work. '' The Madonna of Port Lligat'' by S ...
. A monograph was produced on his work, entitled “Narita Toru Illustration Works 成田亨作品集” (400 pages). It is held in the
Library of Congress The Library of Congress (LOC) is a research library in Washington, D.C., serving as the library and research service for the United States Congress and the ''de facto'' national library of the United States. It also administers Copyright law o ...
.


Death (2002)

Narita died on February 26, 2002, at age 72, from multiple cerebral infarctions.


Personal life

Narita's wife is named Ruri, with whom he had a son named Kairi.


Filmography


Film


Television


Litigation

In his late life, Narita filed a lawsuit against
Tsuburaya Productions also abbreviated as is a Japanese special effects studio founded in 1963 by special effects director Eiji Tsuburaya and was run by his family, until October 2007, when the family sold the company to advertising agency TYO Inc. The studio is b ...
. Tsuburaya had claimed Narita's alien and ''kaiju'' designs to be entirely their creation, and was erasing Narita's name from his art.


Legacy


Influence

Takashi Murakami is a Japanese contemporary artist. He works in fine arts (such as painting and sculpture) as well as commercial media (such as fashion, merchandise, and animation) and is known for blurring the line between High art, high and low arts. His wo ...
has cited Narita as a significant influence on his work.
Hideaki Anno is a Anime, Japanese animator, filmmaker, Film producer, producer, and voice actor. His most celebrated creation, the Neon Genesis Evangelion (franchise), ''Evangelion'' franchise, has had a significant influence on the anime television industr ...
and
Shinji Higuchi is a Japanese filmmaker. Known for his ''tokusatsu'' blockbusters, Higuchi is considered one of Japan's leading filmmakers of the 21st century. Higuchi became known for his work on '' Gamera: Guardian of the Universe'', for which he won the Spe ...
were inspired by Narita's art for
Ultraman The , also known as ''Ultraman'', is a Japanese science fiction media franchise owned and produced by Tsuburaya Productions, which began with the television series '' Ultra Q'' in 1966. The franchise has expanded into many television shows, fi ...
when making ''
Shin Ultraman is a 2022 Japanese superhero film directed by Shinji Higuchi and written, co-produced, and co-edited by Hideaki Anno. A reimagining of the 1966 television series ''Ultraman (1966 TV series), Ultraman'', the film is a co-production between To ...
''.


Collections

Narita's monster design prints are held in the permanent collection of the Aomori Prefectural Art Museum, and the Toyama Prefectural Museum of Art & Design.


References


Citations


Bibliography

* *


External links


Official website
* {{DEFAULTSORT:Narita, Toru 20th-century Japanese sculptors Japanese visual effects artists 1929 births 2002 deaths Aomori High School alumni