Tilang is a

raga A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...

Indian classical music Indian classical music is the art music, classical music of the Indian subcontinent. It is generally described using terms like ''Shastriya Sangeet'' and ''Marg Sangeet''. It has two major traditions: the North Indian classical music known as ...

, that belongs to the Khamaj

Thaat A ''thaat'' () is a "parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term '' Melakartha raga'' of Carnatic music. The concept of the ''thaat'' is not exactly equivalent to the western musical scal ...

Scale

Arohana Arohana, Arohanam, Aroh or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The pitch increases a ...

(ascending scale): *

Avarohana An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitch ...

(descending scale): This raga has a lowered seventh, () in the descending scale. Its defining characteristics are: , . Some performers add a '' Re'' to create the following pattern: .

Vādī and Samvādī

* Vadi : Ga *

Samvadi The samavadi or samvadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. The primary note of the raga is the ''Vadi (Hindustani classical music), vadi''; the vadi and samavadi are i ...

: Ni

In Carnatic music

This raga originated in Hindustani classical music and has been taken into

Carnatic music Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is o ...

.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It is derived from the 28th

Melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be derived. A ''melaka ...

(parent scale)

Harikambhoji Harikambhoji (pronounced harikāmbhōji) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 28th ''Melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. One of the first scales employed ...

. It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure. *

: *

Compositions

*''Shree Ganesha Charanam'' by

Papanasam Sivan Paapanaasam Raamayya Sivan (26 September 1890 – 1 October 1973) was an Indian composer of Carnatic music and a singer. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1971. He was also a film score composer in Kannada cinema a ...

*''Ramakrishnaru Manege'', ''Tarakka Bindige'' and ''Dasara Nindisa Beda'' by

Purandara Dasa Purandara Dasa (IAST: Purandara Dāsa; (1470 – 1564) was a composer, singer and a Haridasa philosopher from present-day Karnataka, India. He was a follower of Madhwacharya, Madhvacharya's Dwaitha, Dvaita philosophy. He was one of the chi ...

*''Satyavantara Sangaviralu'' by

Kanaka Dasa Kanaka Dasa (1509–1606) also known as Daasashreshta Kanakadasa (ದಾಸಶ್ರೇಷ್ಠ ಕನಕದಾಸ), was a Haridasa saint and philosopher of Dvaita Vedanta, from present-day Karnataka, India. He was a follower of Madhvacharya' ...

*''Shanthi Nilava Vendum'' by Sethumadava Rao *''Prabho Ganapathe'' by

Agastya Agastya was a revered Indian sage of Hinduism. In the Indian tradition, he is a noted recluse and an influential scholar in diverse languages of the Indian subcontinent. He is regarded in some traditions to be a Chiranjivi. He and his wife ...

*''Thamarai Malar Ondru'' by Kavi Kannan *''Jaya Vara Varini'' by U Ve Srinivasa Varadachariar *''Maha Ganapathim'' by

Dayanand Saraswati Dayanand Saraswati () born Mool Shankar Tiwari (12 February 1824 – 30 October 1883), was a Hindu philosopher, social leader and founder of the Arya Samaj, a reform movement of Hinduism. His book '' Satyarth Prakash'' has remained one of th ...

*''Maha Ganapathe Namo Namo'' is a rare

Bhajan Bhajan is an Indian term for any devotional song with a religious theme or spiritual ideas, specifically among Dharmic religions, in any language. The term bhajanam (Sanskrit: भजनम्) means ''reverence'' and originates from the root w ...

Film songs

Language :
Hindi Modern Standard Hindi (, ), commonly referred to as Hindi, is the Standard language, standardised variety of the Hindustani language written in the Devanagari script. It is an official language of India, official language of the Government ...

Tamil

Language :
Telugu Telugu may refer to: * Telugu language, a major Dravidian language of South India ** Telugu literature, is the body of works written in the Telugu language. * Telugu people, an ethno-linguistic group of India * Telugu script, used to write the Tel ...

Scale similarities

* Gambhiranata raga is a symmetrical Carnatic raga with N3 (Kakali Niṣāda) in both ascending and descending scales, while Tilang uses Kaisiki Niṣāda (N2) in descending scale. * Savitri raga is a symmetrical Carnatic raga with N2 (Kaisiki Niṣāda) in both ascending and descending scales, while Tilang uses Kakali Niṣāda (N3) in ascending scale. Tilang therefore has the Arohana (ascending scale) of Gambhiranata, and Avrohana (descending scale) of Savitri.

Notes

References

{{Rāgas as per Performance Time Janya ragas Ragas