The Jolt (album)
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''The Jolt'' is the sole album by Scottish
mod revival The mod revival is a subculture that started in the United Kingdom in the late 1970s and later spread to other countries (to a lesser degree). The Mod Revival started with disillusionment with the punk scene when commercialism set in. It was f ...
band
The Jolt The Jolt were a Scottish band formed in Wishaw, Scotland in September 1976. History At the time, Robbie Collins and Jim Doak were clerks in the civil service and Iain Shedden was a music journalist for a local paper. They had known each oth ...
, released in July 1978 by
Polydor Records Polydor Limited, also known as Polydor Records, is a British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in ...
.


Release

The first single released by the band was the double-A-sided "You're Cold!" / "All I Can Do". However, "You're Cold!" wasn't included on the original release of the album. "All I Can Do" was included on the album and was released as a single in Germany, with "You're Cold!" as the B-side. The next two singles, a cover of the
Small Faces Small Faces were an English Rock music, rock band from London, founded in 1965. The group originally consisted of Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston, with Ian McLagan replacing Winston as the band's keyboardist in 1966 ...
"
Whatcha Gonna Do About It "Whatcha Gonna Do About It" is the debut single released by the English rock group Small Faces, released in the UK on 6 August 1965. The song peaked at number 14 in the UK Singles Chart, and stayed on chart for a total of 14 weeks. It reach ...
" and "I Can't Wait" also flopped. The album was reissued on CD in 2002 by Captain Mod, a sub-imprint of
Captain Oi! Records Captain Oi! Records is a punk rock and Oi! record label based in High Wycombe, England England is a Countries of the United Kingdom, country that is part of the United Kingdom. It is located on the island of Great Britain, of which it ...
, and includes the
B-sides The A-side and B-side are the two sides of vinyl records and cassettes, and the terms have often been printed on the labels of two-sided music recordings. The A-side of a single usually features a recording that its artist, producer, or ...
from The Jolt's singles as well as the four tracks from the EP ''Maybe Tomorrow''.


Reception

Reviewing the album for ''
Record Mirror ''Record Mirror'' was a British weekly music newspaper published between 1954 and 1991, aimed at pop fans and record collectors. Launched two years after ''New Musical Express'', it never attained the circulation of its rival. The first UK Album ...
'', Bev Briggs wrote "Three things to get your name in lights – expertise, exploitation or experimentation. The three 'E's to success. Surely The Jolt could have managed one of them. The finesse isn't there – but we accept their apologies because they're a relatively new band. The exploitation, the gimmick also notable by its absence (Thank God!), so you gamble your last greenback on experiment. Sorry, The Jolt don't. Their mistake. A new band can afford to gamble. Can afford to release 10 riotously different tracks on their debut LP. Should risk the tentative walks on the wild Side. The Jolt stagnate in the safety zone, so young and yet so careful." Reviewing retrospectively for
AllMusic AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Mus ...
, Dave Thompson described The Jolt as "one of the few bands who not only straddled the divide between classic punk and that more specialist sound, they were also the only ones who could give label- (and genre-) mates a run for their money." But that "by the time of their self-titled debut album, however, the Jolt were already consigned to dwell in the Jam's lengthening shadow, a fate that the band themselves seemed to encourage. The best tracks on the album were those that could have sprung from Weller's pen -- and that is precisely where they did get "See Saw," the finest song among the eight bonus tracks appended to the Captain Oi! reissue. The B-side to Jolt's final single, "Maybe Tonight," the song was written for the band by the Jam man himself. But there is so much more to Jolt than an adrenalin rush of Jam-isms. Noisy, exuberant, eminently danceable and absolutely exhilarating, Jolt is the sound of mod at its most potently creative, a record that could have been made in 1965, but was certainly remixed in 1978, to take into account all that had happened since then. Even more importantly, the passing years have chipped none of that original excitement away, and Jolt remains just that...a welcome, thrilling jolt."


Track listing

2002 CD bonus tracks:


Personnel

The Jolt * Robbie Collins – guitar, vocals, harmonica * Jim Doak – bass guitar, vocals *
Iain Shedden Iain Shedden (6 January 1957 – 16 October 2017) was a Scottish-born Australian musician and journalist. Shedden was born in Lanark, Scotland. He worked for the local newspaper in his home town of Wishaw in North Lanarkshire while playing with ...
– drums Technical * Hugh Jones – recording engineer *
Vic Coppersmith-Heaven Vic Coppersmith-Heaven (born Victor Smith, August 1945, England) is an English sound engineer and record producer, best known for his production work with the Jam. Career Smith worked in the recording studios at Polydor after leaving school in ...
– remix engineer * David Garland, Nick Cook – assistant engineers * Tim Turan – mastering * Jo Mirowski – art direction and design * Peter McGregor – equipment technician * John Shaw – photography * Recorded at
IBC Studios The IBC Recording Studios were independent recording studios located at 35 Portland Place in London, England. In the 1960s and 1970s, the studios become internationally famous after being used by recording artists such ase Status Quo, the Kinks ...
, remixed at
Morgan Studios Morgan Studios (founded as Morgan Sound Studios) was an independent recording studio in Willesden in northwest London. Founded in 1967, the studio was the location for recordings by notable artists and bands such as The Cure, Jethro Tull, the Ki ...
and mastered at Strawberry Mastering


References

{{DEFAULTSORT:Jolt Album Polydor Records albums 1978 debut albums albums recorded at IBC Studios