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Sophilos ( grc, Σώφιλος; active about 590 – 570 BC) was an
Attic An attic (sometimes referred to as a ''loft'') is a space found directly below the pitched roof of a house or other building; an attic may also be called a ''sky parlor'' or a garret. Because attics fill the space between the ceiling of the ...
potter and vase painter in the black-figure style. Sophilos is the oldest Attic vase painter so far to be known by his true name. Fragments of two wine basins ( dinoi) in Athens are signed by him, indicating that he both potted and painted them. In total, 37 vessels are ascribed to him, mostly
amphora An amphora (; grc, ἀμφορεύς, ''amphoreús''; English plural: amphorae or amphoras) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storag ...
e, dinoi, kraters, as well as three
pinakes The ''Pinakes'' ( grc, Πίνακες "tables", plural of ) is a lost bibliographic work composed by Callimachus (310/305–240 BCE) that is popularly considered to be the first library catalog in the West; its contents were based upon the hold ...
. Apart from his work for the domestic market, he was also one of the masters of major significance in the process of supplanting the dominance of Corinthian vase painting in the markets of Etruria, and
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, the most important export area for Greek vases. His works were exported as far as the
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region,
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and
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( Naukratis). He was one of the first painters to use additional colours at a grand scale, thus increasing the optical and artistic distinction between Corinthian and Attic vase painting. While he was conservative and traditionalist in terms of the ornamentation and animal figures he used, his intervening figural scenes, mostly of
mythological Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrat ...
motifs, were entirely innovative. He broke up established standard scenes, had figures act individually, and found clever and unconventional new ways of structuring the narrative. As his artistic style progressed, he increasingly pushed ornamental designs into the margin, as his figural scenes became more and more important. Stylistically, his work is close to that of the late Gorgon Painter, whose style he developed further, to be continued later by Klitias, and culminate in the François vase. In spite of his innovative pictorial compositions and his talent to constantly invent new scenes; his drawing style was usually not very accurate. The overall impact of his works is hardly diminished by that.


Works (selection)

*Athens, National Archaeological Museum’’’ : Neck amphora 991 • Chalice krater 995 • Neck amphora 1036 • Fragment of a '’dinos’’ 15499 *formerly Berlin, Antikensammlung :Belly amphora F 1683 ''(lost 1945)'' *Boston, Museum of Fine Arts :Tripod ''kothon''98.915 *Jena,
Friedrich-Schiller-Universität The University of Jena, officially the Friedrich Schiller University Jena (german: Friedrich-Schiller-Universität Jena, abbreviated FSU, shortened form ''Uni Jena''), is a public research university located in Jena, Thuringia, Germany. Th ...
:Amphora *London,
British Museum The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It docum ...
:’’Dinos’’ 1971.11-11


Bibliography

* John Beazley: ''Attic Black-Figure Vase-Painters'', Oxford 1956, p. 37-42. * Güven Bakır: ''Sophilos. Ein Beitrag zu seinem Stil''. Mainz 1981. * ''Künstlerlexikon der Antike'' II (2004) p. 407-408 s.v. Sophilos (I) (Bettina Kreuzer)


See also

* Corpus vasorum antiquorum {{Authority control 6th-century BC deaths Ancient Greek potters Ancient Greek vase painters 6th-century BC Athenians Year of birth unknown