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Senecan tragedy refers to a set of ten ancient Roman
tragedies Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy ...
, probably eight of which were written by the
Stoic Stoic may refer to: * An adherent of Stoicism; one whose moral quality is associated with that school of philosophy * STOIC, a programming language * ''Stoic'' (film), a 2009 film by Uwe Boll * ''Stoic'' (mixtape), a 2012 mixtape by rapper T-Pain * ...
philosopher and politician Lucius Annaeus Seneca.


Senecan Tragedies

The group comprises: * '' Hercules Furens'' * ''
Medea In Greek mythology, Medea (; grc, Μήδεια, ''Mēdeia'', perhaps implying "planner / schemer") is the daughter of King Aeëtes of Colchis, a niece of Circe and the granddaughter of the sun god Helios. Medea figures in the myth of Jason an ...
'' * '' Troades'' * '' Phaedra'' * ''
Agamemnon In Greek mythology, Agamemnon (; grc-gre, Ἀγαμέμνων ''Agamémnōn'') was a king of Mycenae who commanded the Greeks during the Trojan War. He was the son, or grandson, of King Atreus and Queen Aerope, the brother of Menelaus, the ...
'' * '' Oedipus'' * ''
Phoenissae ''The Phoenician Women'' ( grc, Φοίνισσαι, ''Phoinissai'') is a tragedy by Euripides, based on the same story as Aeschylus' play ''Seven Against Thebes''. It was presented along with the tragedies ''Hypsipyle'' and '' Antiope.'' With this ...
'' * ''
Thyestes In Greek mythology, Thyestes (pronounced , gr, Θυέστης, ) was a king of Olympia. Thyestes and his brother, Atreus, were exiled by their father for having murdered their half-brother, Chrysippus, in their desire for the throne of Olym ...
'' * '' Hercules Oetaeus'' * '' Octavia'' ''Hercules Oetaeus'' is generally considered not to have been written by Seneca, and ''Octavia'' is certainly not. Many of the Senecan tragedies employ the same Greek myths as tragedies by
Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or c ...
,
Aeschylus Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek ...
, and
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars a ...
; but scholars tend not to view Seneca's works as direct adaptations of those Attic works, as Seneca's approach differs, and he employs themes familiar from his philosophical writings. It is possible that the style was more directly influenced by
Augustan literature Augustan literature (sometimes referred to misleadingly as Georgian literature) is a style of British literature produced during the reigns of Queen Anne, King George I, and George II in the first half of the 18th century and ending in the 17 ...
. Moreover, Seneca's tragedies were probably written to be recited at elite gatherings, due to their extensive narrative accounts of action, dwelling on reports of horrible deeds, and employing long reflective soliloquies. Usually, the Senecan tragedy focuses heavily on supernatural elements. The gods rarely appear, but ghosts and witches abound.


Reception

In the mid-16th century, Italian humanists rediscovered these works, making them models for the revival of tragedy on the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD ...
stage. The two great, but very different, dramatic traditions of the age—French neoclassical tragedy and Elizabethan tragedy—both drew inspiration from Seneca. The Elizabethan dramatists found Seneca's themes of bloodthirsty revenge more congenial to English taste than they did his form. The first English tragedy, '' Gorboduc'' (1561), by Thomas Sackville and Thomas Norton, is a chain of slaughter and revenge written in direct imitation of Seneca. (As it happens, ''Gorboduc'' does follow the form as well as the subject matter of Senecan tragedy: but only a very few other English plays—e.g. '' The Misfortunes of Arthur''—followed its lead in this.) Senecan influence is also evident in Thomas Kyd's '' The Spanish Tragedy'', and in
Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...
's ''
Titus Andronicus ''Titus Andronicus'' is a tragedy by William Shakespeare believed to have been written between 1588 and 1593, probably in collaboration with George Peele. It is thought to be Shakespeare's first tragedy and is often seen as his attempt to emul ...
'' and ''
Hamlet ''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts ...
''. All three share a revenge theme, a corpse-strewn climax, and ''The Spanish Tragedy'' and ''Hamlet'' also have ghosts among the cast; all of these elements can be traced back to the Senecan model. French neoclassical dramatic tradition, which reached its highest expression in the 17th-century tragedies of Pierre Corneille and
Jean Racine Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western traditi ...
, drew on Seneca for form and grandeur of style. These neoclassicists adopted Seneca's innovation of the confidant (usually a servant), his substitution of speech for action, and his moral hairsplitting.


See also

*
Theatre of ancient Rome The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to as a period of time in which theatrical practice and performance t ...
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References

* * {{Authority control Drama Tragedies (dramas) Seneca the Younger