Self-reference

Self-reference occurs in natural or formal languages when a sentence, idea or formula refers to itself. The reference may be expressed either directly—through some intermediate sentence or formula—or by means of some encoding. In philosophy, it also refers to the ability of a subject to speak of or refer to itself, that is, to have the kind of thought expressed by the first person nominative singular pronoun "I" in English.

Self-reference is studied and has applications in mathematics, philosophy, computer programming, second-order cybernetics, and linguistics, as well as in humor. Self-referential statements are sometimes paradoxical, and can also be considered recursive.

In logic, mathematics and computing

In classical philosophy, paradoxes were created by self-referential concepts such as the omnipotence paradox of asking if it was possible for a being to exist so powerful that it could create a stone that it could not lift. The Epimenides paradox, 'All Cretans are liars' when uttered by an ancient Greek Cretan was one of the first recorded versions. Contemporary philosophy sometimes employs the same technique to demonstrate that a supposed concept is meaningless or ill-defined.

In mathematics and computability theory, self-reference (also known as impredicativity) is the key concept in proving limitations of many systems. Gödel's theorem uses it to show that no formal consistent system of mathematics can ever contain all possible mathematical truths, because it cannot prove some truths about its own structure. The halting problem equivalent, in computation theory, shows that there is always some task that a computer cannot perform, namely reasoning about itself. These proofs relate to a long tradition of mathematical paradoxes such as Russell's paradox and Berry's paradox, and ultimately to classical philosophical paradoxes.

In game theory, undefined behaviors can occur where two players must model each other's mental states and behaviors, leading to infinite regress.

In computer programming, self-reference occurs in reflection, where a program can read or modify its own instructions like any other data. Numerous programming languages support reflection to some extent with varying degrees of expressiveness. Additionally, self-reference is seen in recursion (related to the mathematical recurrence relation) in functional programming, where a code structure refers back to itself during computation. 'Taming' self-reference from potentially paradoxical concepts into well-behaved recursions has been one of the great successes of computer science, and is now used routinely in, for example, writing compilers using the 'meta-language' ML. Using a compiler to compile itself is known as bootstrapping. Self-modifying code is possible to write (programs which operate on themselves), both with assembler and with functional languages such as Lisp, but is generally discouraged in real-world programming. Computing hardware makes fundamental use of self-reference in flip-flops, the basic units of digital memory, which convert potentially paradoxical logical self-relations into memory by expanding their terms over time. Thinking in terms of self-reference is a pervasive part of programmer culture, with many programs and acronyms named self-referentially as a form of humor, such as GNU ('GNU's not Unix') and PINE ('Pine is not Elm'). The GNU Hurd is named for a pair of mutually self-referential acronyms.

Tupper's self-referential formula is a mathematical curiosity which plots an image of its own formula.

In biology

The biology of self-replication is self-referential, as embodied by DNA and RNA replication mechanisms. Models of self-replication are found in Conway's Game of Life and have inspired engineering systems such as the self-replicating 3D printer RepRap.

In art

Self-reference occurs in literature and film when an author refers to his or her own work in the context of the work itself. Examples include Miguel de Cervantes' '' Don Quixote'', Shakespeare's ''A Midsummer Night's Dream'', '' The Tempest'' and '' Twelfth Night'', Denis Diderot's '' Jacques le fataliste et son maître'', Italo Calvino's '' If on a winter's night a traveler'', many stories by Nikolai Gogol, '' Lost in the Funhouse'' by John Barth, Luigi Pirandello's ''Six Characters in Search of an Author'', Federico Fellini's '' 8½'' and Bryan Forbes's '' The L-Shaped Room''. Speculative fiction writer Samuel R. Delany makes use of this in his novels '' Nova'' and '' Dhalgren''. In the former, Katin (a space-faring novelist) is wary of a long-standing curse wherein a novelist dies before completing any given work. Nova ends mid-sentence, thus lending credence to the curse and the realization that the novelist is the author of the story; likewise, throughout Dhalgren, Delany has a protagonist simply named The Kid (or Kidd, in some sections), whose life and work are mirror images of themselves and of the novel itself. In the sci-fi spoof film Spaceballs, Director Mel Brooks includes a scene wherein the evil characters are viewing a VHS copy of their own story, which shows them watching themselves "watching themselves", ad infinitum. Perhaps the earliest example is in Homer's ''Iliad'', where Helen of Troy laments: "for generations still unborn/we will live in song" (appearing in the song itself).

Self-reference in art is closely related to the concepts of breaking the fourth wall and meta-reference, which often involve self-reference. The short stories of Jorge Luis Borges play with self-reference and related paradoxes in many ways. Samuel Beckett's '' Krapp's Last Tape'' consists entirely of the protagonist listening to and making recordings of himself, mostly about other recordings. During the 1990s and 2000s filmic self-reference was a popular part of the rubber reality movement, notably in Charlie Kaufman's films ''Being John Malkovich'' and ''Adaptation'', the latter pushing the concept arguably to its breaking point as it attempts to portray its own creation, in a dramatized version of the Droste effect.

Various creation myths invoke self-reference to solve the problem of what created the creator. For example, the Egyptian creation myth has a god swallowing his own semen to create himself. The Ouroboros is a mythical dragon which eats itself.

The Quran includes numerous instances of self-referentiality.

The surrealist painter René Magritte is famous for his self-referential works. His painting ''The Treachery of Images'', includes the words "this is not a pipe", the truth of which depends entirely on whether the word ''ceci'' (in English, "this") refers to the pipe depicted—or to the painting or the word or sentence itself. M.C. Escher's art also contains many self-referential concepts such as hands drawing themselves.

In language

A word that describes itself is called an '' autological word'' (or '' autonym''). This generally applies to adjectives, for example sesquipedalian

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