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E-mu SP-12 12 also known as the “sampling drum computer” was designed in 1985 and widely released in 1986 by
E-mu Systems E-mu Systems was a software synthesizer, audio interface, MIDI interface, and MIDI keyboard manufacturer. Founded in 1971 as a synthesizer maker, E-mu was a pioneer in samplers, sample-based drum machines and low-cost digital sampling mus ...
. Although the SP-12 was quickly superseded by the more powerful
SP-1200 The E-mu SP-1200 is a sampler created by Dave Rossum that was released in August 1987 by E-mu Systems. Like the product it was meant to replace, the SP-12, the SP-1200's intended use was as a drum machine and sequencer for dance music producer ...
, the SP-12 is often regarded as the first commercially successful drum machine and sampler combo.


History

The E-mu SP-12 was the spiritual successor to E-mu's Drumulator and was originally going to be produced under the name Drumulator II, however shortly before the sampler went into production its name was changed to SP-12. The name SP-12 stands for sampling percussion at twelve bits, demonstrating the power of the sampler. The E-mu SP-12 is credited with helping usher in the era of digital sampling by being one of the first digital samplers in production, which allowed musicians to take digital sampling in a completely different direction. Originally the sole purpose of digital sampling was to allow producers to implement a desired sound into a keyboard so it would be able to be replicated within a song, however the SP-12 allowed the producer to focus primarily on the rhythm through the sampling and sequencing of the sounds of a drum something which was relatively rare at this point in time. The SP-12 would sample the desired drum sound, allowing you to augment it and then sequence the sampled drum sounds in any order that the producer would like to create the rhythmic backdrop for a song. Although this process was very innovative for the SP-12's true abilities were not E-mu's original intentions. DJ's of the 80's became famous for their ability to augment the sounds of old records to produce almost an entirely new composition through the use of a record player and this same principle was applied to the SP-12. People were beginning to replace the simple sampled drum sounds with the beats of their favorite drummers and even entire melodies, allowing their digital sampler to work just like the aforementioned set of turntables. These series of innovations left musicians with almost an endless amount of possibilities. Once E-mu systems realized the potential that the SP-12 had they quickly made the “Turbo” upgrade available which quadrupled the memory and doubled the sampling time. However the SP-12's existence was short lived for after only 2 years of production it was replaced by the far superior SP-1200. Today the SP-12 is more of an antique due to the superiority of the SP-1200, but it is still highly regarded as a collector's item.


Features

The E-Mu SP-12 today is classified as
lo-fi Lo-fi (also typeset as lofi or low-fi; short for low fidelity) is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The ...
due to the fact that it samples at 12 bits at a rate of 26 kHz. It came preloaded with 24 drum samples in ROM that consisted of a rim shot, four toms, electronic snare, snare, bass, four electronic toms, hi hats, crash, ride, claps, and cowbell along with eight user sample positions. The original SP-12 had a maximum sampling time of 1.2 seconds while with the Turbo upgrade it has a maximum sampling time of 5 seconds. The SP-12 has a 5000-note memory allowing it to store 100 songs and 100 patterns; with the turbo upgrade, this is increased to 400 songs and 400 patterns.


Trivia

*The SP-12 is almost identical in design to the E-mu Emulator II and many of the knobs and buttons are interchangeable. *Some of the original SP-12s have "Emulator SP12" written on them. * Original SP-12's were known to have " Paul is the Walrus" and "
Paul is dead "Paul is dead" is an urban legend and conspiracy theory alleging that English musician Paul McCartney of the Beatles died on 9 November 1966 and was secretly replaced by a look-alike. The rumour began circulating in 1967, gaining broad popu ...
" written on the motherboard. * Later SP-12's Had "Loonie Tunes World Tour" written on the motherboards. * The
Beastie Boys Beastie Boys were an American rap rock group from New York City, formed in 1978. The group was composed of Michael "Mike D" Diamond (vocals, drums), Adam "MCA" Yauch (vocals, bass), and Adam "Ad-Rock" Horovitz (vocals, guitar, programming) ...
reference the SP-12 in their song "Putting Shame In Your Game" from their 1998 album '' Hello Nasty'' with the line, "Well I'm the Benihana chef on the SP12." Rappin 4 Tay in ''Players Club'' (1994) says "I got a ho named
reel-to-reel Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the ''supply reel'' (or ''feed reel'') containing the tape is pla ...
, she got a buddy named SP-12, now you know the deal."
Young MC Marvin Young (born May 10, 1967), better known by his stage name Young M.C., is a British-born American rapper, singer and actor. He is best known for his 1989 hit " Bust a Move". His debut album ''Stone Cold Rhymin found international acc ...
raps in the song ''Album Filler'' (1991) "It's just me, a mic, and an SP-12." *''
Big Grams ''Big Grams'' is the self-titled debut EP by American hip hop trio Big Grams, which consists of rapper Big Boi and electronic rock duo Phantogram. The EP was released on September 25, 2015, by Epic Records. Background and recording In December 2 ...
'', the collaboration between Big Boi and
Phantogram Phantogram may refer to: *Phantogram (band) Phantogram is an American music duo from Greenwich, New York, formed in 2007 and consisting of multi-instrumentalists and vocalists Sarah Barthel and Josh Carter. The band define their music as el ...
references the SP-12 alongside other famous drum machines and sequencers such as the
Roland TR-808 The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by the Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patte ...
and
Roland TR-909 The Roland TR-909 Rhythm Composer is a drum machine introduced by Roland Corporation in 1983, succeeding the TR-808. It was the first Roland drum machine to use samples for some sounds, and the first with MIDI functionality, allowing it to syn ...
in their song "Drum Machine" featuring Skrillex.


Notable Users

* Paul C * Prince Paul * Rick Rubin in ''Rhymin & Stealin'' on the
Beastie Boys Beastie Boys were an American rap rock group from New York City, formed in 1978. The group was composed of Michael "Mike D" Diamond (vocals, drums), Adam "MCA" Yauch (vocals, bass), and Adam "Ad-Rock" Horovitz (vocals, guitar, programming) ...
album '' Licensed to Ill''


See also

*
Sampling (music) In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up ...
*
Music sequencer A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Co ...


References


External links

* {{cite AV media , title = E-mu Systems SP-12 twelve bit sampling percussion system , url = http://www.watersedgesoftware.com/05Solutions/SP-12Librarian/_downloads/SP-12_Brochure.pdf , medium = Brochure , publisher = E-mu Systems, Inc Samplers (musical instrument)