Simon De Passe
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The van de Passe or de Passe family was a dynasty of Dutch engravers, started by Crispijn the Elder, comparable to the Wierix family and the Sadelers, though mostly at a more mundane commercial level. Most of their engravings were portraits, book title-pages, and the like, with relatively few grander narrative subjects. As with the other dynasties, their style is very similar, and hard to tell apart in the absence of a signature or date, or evidence of location. Many of the family members produced their own designs, and have left drawings.


Crispijn the Elder

Crispijn (van) de Passe the Elder ( in
Arnemuiden Arnemuiden is a city#Netherlands, city of around 5000 people in the municipality of Middelburg, Zeeland, Middelburg in the province of Zeeland in the Netherlands. It is located on the former island of Walcheren, about 3 km east of the city of ...
– buried 6 March 1637 in
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)Passe, Crispijn van de (I)
at the Netherlands Institute for Art History
was a Dutch publisher and engraver. Born in Arnemuiden in
Zeeland Zeeland (; ), historically known in English by the Endonym and exonym, exonym Zealand, is the westernmost and least populous province of the Netherlands. The province, located in the southwest of the country, borders North Brabant to the east ...
, from 1580, he trained and worked in
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, then the centre of the
printmaking Printmaking is the process of creating work of art, artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand proces ...
world, where very productive workshops produced work for publishers with excellent distribution networks throughout Europe. In the guild year 1584-1585 he became a member of Antwerp's artists' Guild of Saint Luke. He worked for the prominent Antwerp publishing and printing house Plantin Press. He principally worked as a reproductive artist after designs by Antwerp artists, in particular Maerten de Vos, who was a prolific designer of prints. Van de Passe married Magdalena de Bock, a niece of de Vos wife. The disruptions caused by the
Dutch Revolt The Eighty Years' War or Dutch Revolt (; 1566/1568–1648) was an armed conflict in the Habsburg Netherlands between disparate groups of rebels and the Spanish government. The causes of the war included the Reformation, centralisation, exc ...
scattered many artists across Northern Europe. As an
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, de Passe was at risk of religious persecution. He first moved to
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, until Protestants were also expelled from there. He started his own engraving and publishing business in
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in 1589, but again was forced to leave in 1611. He set up in business in
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, by about 1612. Here he created engravings for the English and other markets. He died in Utrecht in 1637 and was buried on 6 March 1637. His works include a famous rendition of the English
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ters, although it is not known what basis he had for the likenesses. The family's prints are well represented in most print rooms, including the National Portrait Gallery in London.Crispiijn van de Passe
National Portrait Gallery, accessed 6 July 2009


The second generation

Four of Crispijn I's children were also notable engravers for the family business, as was his grandson Crispijn III. His eldest son, Simon de Passe (c. 1595 – 6 May 1647) worked in England from about 1616 before moving to
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as royal engraver and designer of medals in 1624, where he remained until his death. He is best remembered for his early London print of
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(1616). Crispijn II (ca. 1597–1670) worked in
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, at least from 1617 to 1627, in Utrecht (1630–1639), and from then until his death in
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; his work on the "Maneige royal" ("Instructions to the king on how to ride a horse") of Antoine de Pluvinel is considered by Hind the finest work of the dynasty. Willem de Passe (ca. 1598 – ca. 1637), the least productive of the siblings, took over from his brother in England, probably after working in France, and died in London, perhaps of plague. He joined the
Huguenot The Huguenots ( , ; ) are a Religious denomination, religious group of French people, French Protestants who held to the Reformed (Calvinist) tradition of Protestantism. The term, which may be derived from the name of a Swiss political leader, ...
church in Threadneedle Street in 1624, and his wife Elizabeth may have been the daughter of the English publisher Thomas Jenner. Magdalena van de Passe (1600–1638) was, like her siblings, born in Cologne and died in Utrecht. She specialized in landscapes until her marriage to the minor artist Frederick van Bevervoorden in 1634, after which she essentially stopped engraving, even though her husband died in 1636. The business presumably involved shipping drawings, engraved printing plates, and printed copies around Europe between the various cities involved. After the three deaths in the period 1637–38 only Crispijn II in the
Dutch Republic The United Provinces of the Netherlands, commonly referred to in historiography as the Dutch Republic, was a confederation that existed from 1579 until the Batavian Revolution in 1795. It was a predecessor state of the present-day Netherlands ...
and Simon in Denmark remained. Crispijn II's later years were unsuccessful. Crispijn III was a more minor figure who died in 1678.


Major works

*''Hortus Floridus'', mostly by Crispijn II. *''Heroologia Anglica'', 1620. Sixty-five portraits of English notables, by various members of the family


Notes


References


Sources

*Hind Arthur M.;
A History of Engraving and Etching
', Houghton Mifflin Co. 1923 (in USA), reprinted Dover Publications, 1963 *Getty Foundation, ''Union List of Artists' Names'
online
* Mayor, Hyatt A., ''Prints and People'', Metropolitan Museum of Art/Princeton, 1971,


External links


British Library
online database has 1838 items by or after the family

feature
Another biography
{{DEFAULTSORT:Passe, van de, family Dutch engravers Artist families Dutch botanical illustrators