Rob Roy (1995 film)

''Rob Roy'' is a 1995 historical biographical drama film directed by Michael Caton-Jones. It stars Liam Neeson as Rob Roy MacGregor, an 18th-century Scottish highlander who becomes engaged in a dispute with a nobleman in the Scottish Highlands, played by John Hurt. Tim Roth won the BAFTA Award for Best Actor in a Supporting Role and was nominated for the Academy Award for Best Supporting Actor for his portrayal of Archibald Cunningham, one of Rob Roy's chief antagonists. Jessica Lange portrays Roy's wife, and Eric Stoltz, Brian Cox, and Jason Flemyng play supporting parts.

The film is dedicated to two Scotsmen: film director Alexander MacKendrick and football player and manager Jock Stein.

Plot

The film is set in Scotland, 1713, with a fictionalised Robert Roy MacGregor, of Clan MacGregor, as its main protagonist. Although providing the Lowland gentry with protection against cattle rustling, he barely manages to feed his people. Hoping to alleviate their hunger and his poverty, MacGregor borrows £1,000 from James Graham, Marquess of Montrose, to establish himself as a cattle raiser and trader.

Wanting to leave England to flee legal troubles, his anglicized aristocrat relative Archibald Cunningham is sent to stay with Montrose. Cunningham is a supremely skilled swordsman, so Montrose makes money off Cunningham by making wagers on sword contests that Cunningham's haughty manner and effeminate bearing bring upon himself. Cunningham learns about MacGregor's money deal from Montrose's factor Killearn, and murders MacGregor's friend, Alan McDonald, to steal the money. MacGregor requests time from Montrose to find McDonald and the money. Montrose offers to waive the debt if MacGregor will testify falsely that Montrose's rival John Campbell, 2nd Duke of Argyll is a Jacobite. MacGregor refuses and Montrose vows to imprison him in the tolbooth until the debt is repaid. After MacGregor flees, Montrose seizes MacGregor's land to cover the debt, declaring him an outlaw and ordering Cunningham to bring him in "broken, but not dead". Redcoats slaughter MacGregor's cattle, burn his croft, and Cunningham rapes his wife Mary.

Mary understands that Cunningham intends to flush her husband out of hiding and makes his brother, Alasdair, who arrives too late to save her, swear to conceal knowledge of the rape. MacGregor refuses to permit his clan to wage war on Montrose, and instead decrees to harm Montrose financially. Betty, a maidservant at Montrose's estate, has become pregnant with Cunningham's child. When Killearn tells Montrose, Betty is dismissed from service and rejected by Cunningham. Betty seeks refuge with the MacGregors, revealing that she overheard Killearn and Cunningham plot to steal the money. To build a case against Cunningham, MacGregor abducts Killearn and imprisons him upon Factor's Island in Loch Katrine. Mary promises Killearn that he will be spared if he testifies against Cunningham, but Killearn taunts her with her rape. Realizing that Mary is pregnant, he threatens to tell MacGregor that Cunningham may be the father if she does not release him, leading Mary and Alasdair to kill him.

Montrose tells Cunningham that he suspects who really stole the money but does not care. Cunningham and the redcoats burn the Clan's crofts. MacGregor refuses to take the bait, but Alasdair attempts to snipe Cunningham and hits a redcoat. The redcoats shoot both Alasdair and another Clan member, Coll. Alasdair finally tells MacGregor about Mary's rape. Taken prisoner, MacGregor accuses Cunningham of murder, robbery and rape. Cunningham confirms the charges, and gleefully beats and tortures MacGregor. The following morning, Montrose orders MacGregor hanged from a nearby bridge. MacGregor loops the rope binding his hands around Cunningham's throat and then jumps off the bridge; he escapes when the rope is cut to save Cunningham.

Mary gains an audience with the Duke of Argyll and exposes Montrose's plan to frame him. Moved by MacGregor's integrity, the Duke grants the family asylum on his estate at Glen Shira. MacGregor arrives, at first upset by Mary's unwillingness to inform him of her rape or her pregnancy but later willing to raise the child as his own. The Duke arranges a duel between MacGregor and Cunningham, wagering Montrose that if MacGregor lives, his debt will be forgiven and that if he dies, the Duke will pay his debt. Montrose agrees and Cunningham and MacGregor vow that no quarter will be asked or given. Armed with a light and swift small sword-like rapier, Cunningham repeatedly wounds MacGregor, who appears to quickly exhaust himself swinging a heavy broadsword. MacGregor seems defeated, but when Cunningham showboats to deliver a theatrical killing blow, MacGregor seizes his enemy's sword-point. As Cunningham struggles to free his blade, one stroke from MacGregor's broadsword splits Cunningham's torso. Now free of debts and with his honor intact, he returns home to his wife and children.

Cast

* Liam Neeson as Rob Roy MacGregor
* Jessica Lange as Mary MacGregor
* John Hurt as James Graham, 4th Marquess of Montrose
* Tim Roth as Archibald Cunningham
* Eric Stoltz as Alan McDonald
* Andrew Keir as John Campbell, 2nd Duke of Argyll
* Brian Cox as Killearn
* Brian McCardie as Alasdair MacGregor
* Gilbert Martin as Guthrie, the Duke of Argyll's fencing champion
* Jason Flemyng as Gregor, a MacGregor Clan retainer
* Ewan Stewart as Coll, a MacGregor Clan retainer
* David Hayman as Tam Sibbalt, a Scottish Traveller who has been rustling from cattle herds under MacGregor's protection
* Shirley Henderson as Morag
* Vicki Masson as Betty

Production

According to screenwriter Alan Sharp, Rob Roy was conceived as a Western set in the Scottish Highlands.

The film was shot entirely on location in Scotland, much of it in parts of the Highlands so remote they had to be reached by helicopter. Some of the scenes were filmed in Glen Coe, Glen Nevis, and Glen Tarbert. In the opening scenes, Rob and his men pass by Loch Leven. Loch Morar stood in for Loch Lomond, on the banks of which the real Rob Roy lived. Scenes of the Duke of Argyll's estate were shot at Castle Tioram, the Marquess of Montrose's at Drummond Castle. Shots of "The Factor's Inn" were filmed outside Megginch Castle. Crichton Castle was used in a landscape shot.

Non-stop Highland rain presented a problem for cast and crew when filming outdoor shots, as did the resulting swarms of midges.

William Hobbs choreographed the swordfights, with Robert G. Goodwin consulting.

The main composer is Carter Burwell. Beside the film score, the film features a slightly different version of a traditional Gaelic song called " Ailein duinn", sung in the film by Karen Matheson, lead singer in Capercaillie.

Historical accuracy

Details of Rob Roy's life are a mix of fact and legend, and according to one historian, the film portrays Rob Roy "in the most sympathetic light possible". Not all of the events shown in the film were real. The narration covers approximately the years 1712 to 1722; nevertheless the uprisings of 1715 and 1719 were not depicted in the film.

MacGregor had business dealings with Montrose for ten years before the loan of £1000 went missing. Though called the Marquess of Montrose, James Graham, 4th Marquess of Montrose had already been elevated to Duke of Montrose at this point in history. He was raised to the dukedom as a reward for his support for the Act of Union, whilst being Lord President of the Scottish Privy Council.

The character of Cunningham is fictional, though certainly based upon Henry Cunningham Esq. of Boquhan, described by Sir Walter Scott as a "daring character with an affectation of delicacy of address and manners amounting to foppery," who nonetheless seized a sword and "rushed on the outlaw with such unexpected fury that he fairly drove him off the field."

The uniforms of the Scottish soldiers derive from an era after the story told. At that time the coattails were longer in size and had not yet been turned back. The regiments were not numbered until 1751, but in the movie the backs of the mitre caps of the grenadiers show clearly the number 49 (for the 49th Regiment of Foot). However, this regiment was only put up in 1743, long after the story described.

Release

Box office

United Artists gave ''Rob Roy'' a limited release in the United States and Canada on April 7, 1995, and the film grossed $2,023,272 from 133 theaters for the weekend. Five days later it expanded to 1,521 theaters and grossed $7,190,047 for the weekend, ranking number 2 at the US box office behind '' Bad Boys''. ''Rob Roy''s widest release during its theatrical run was 1,885 theaters, and the film grossed $31,596,911 in the United States and Canada. Internationally it grossed $27.1 million for a worldwide total of $58.7 million.

Critical reception

''Rob Roy'' received a generally positive critical response. On Rotten Tomatoes, it has an approval rating of 73% based on reviews from 44 critics, with an average score of 6.4 out of 10. The website's critics consensus reads, "''Rob Roy'' is an old-fashioned swashbuckler that benefits greatly from fine performances by Liam Neeson, Jessica Lange, and Tim Roth." On Metacritic it has an average score of 55 out of 100, based on reviews from 19 critics. Audiences surveyed by CinemaScore gave the film a grade "B+" on scale of A+ to F.

Roger Ebert, writing for the ''Chicago Sun-Times'', said, "This is a splendid, rousing historical adventure, an example of what can happen when the best direction, acting, writing and technical credits are brought to bear on what might look like shopworn material." Ebert said the film's outline could have led to "yet another tired" historical epic, but he found that the director was able to produce "intense character studies". The critic applauded Tim Roth's performance, calling it "crucial" to the film's success. Ebert was also impressed by the climactic sword fighting scene, which had been choreographed by fight director William Hobbs, and called it "one of the great action sequences in movie history". His partner Gene Siskel agreed, calling it the "best sword fight in motion picture history."

In contrast, Rita Kempley of ''The Washington Post'' compared ''Rob Roy'' negatively to the action films '' Death Wish'' (1974) and ''First Blood'' (1982). Kempley disliked the film's violence and wrote, "Frankly, Rob Roy is about as bright as one of his cows. He doesn't even recognize that his obsession with honor will lead to the destruction of his clan." The critic found the protagonist unheroic in his mission for vengeance. Of his enemy, she said, "The villains, played with glee, manage to perk up the glacial pace, but they too grow tiresome."

In ''The New York Times'', Janet Maslin gave a mixed review of the film. She complained of the film's "long, dry stretches" and that the "plot astoo ponderous and uninteresting for the film's visual sweep". Maslin said one of the film's saving graces was the "robust" presence of Liam Neeson, taller than those who played his enemies, and his character's charismatic exchange with Jessica Lange's character, writing, "''Rob Roy'' is best watched for local color and for its hearty, hot-blooded stars." Maslin acknowledged that Neeson was "a far cry from the dour-looking Scottish drover who was the real Rob Roy" and said that the film failed to convey the figure's importance to audiences. The critic highlighted the scene of Cunningham raping Mary as one of the film's "strongest scenes" which was appropriately responded to by the "cowboy justice" of Neeson's lonesome and avenging Rob Roy.

Accolades

The film is recognized by American Film Institute in these lists:
* 2003: AFI's 100 Years...100 Heroes & Villains:
** Archibald Cunningham – Nominated Villain

See also

* Clan MacGregor
*Scottish clan
* Siol Alpin
*''Braveheart''

References

External links

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''Rob Roy'': Man in the middle
by '' Jump Cut: A Review of Contemporary Media''

{{DEFAULTSORT:Rob Roy (Film)
1995 films
1990s biographical drama films
1990s historical films
1995 romantic drama films
American biographical drama films
American epic films
British biographical drama films
British epic films
Remakes of American films
American romantic drama films
British romantic drama films
Cultural depictions of Rob Roy MacGregor
Drama films based on actual events
Epic films based on actual events
Films scored by Carter Burwell
Films about families
Films about miscarriage of justice
Films about murder
Films about outlaws
Films about poverty in the United Kingdom
Films about rape in the United Kingdom
American films about revenge
Films directed by Michael Caton-Jones
Films set in Highland (council area)
Films set in 1713
Films set in the 1720s
Films shot in Scotland
Romance films based on actual events
American swashbuckler films
United Artists films
American historical romance films
British historical romance films
BAFTA winners (films)
1990s English-language films
1990s American films
1990s British films
English-language biographical drama films
English-language romantic drama films
English-language historical films
Metro-Goldwyn-Mayer films