History
The punk subculture emerged in the United Kingdom in the mid-1970s. Exactly which region originated punk has long been a matter of controversy within the movement. Some suggest the name " punk" was borrowed from prison slang. Early punk had an abundance of antecedents and influences, and_Music
_Ideologies
_Fashion
_Gender_and_gender_expression
_Body_and_appearance
For_some_punks,_the_body_was_a_symbol_of_opposition,_a_political_statement_expressing_disgust_of_all_that_was_"normal"_and_socially_accepted._The_idea_was_to_make_others_outside_of_the_subculture_question_their_own_views,_which_made_gender_presentation_and_gender_identity_a_popular_factor_to_be_played_with._In_some_ways,_punk_helped_to_tear_apart_the_normalised_view_of_gender_as_a_dichotomy._There_was_a_notable_amount_of_cross-dressing_in_the_punk_scene;_it_was_not_unusual_to_see_men_wearing_ripped-up_skirts,_fishnet_tights,_and_excessive_makeup,_or_to_see_women_with_shaved_heads_wearing_oversized_plaid_shirts_and_jean_jackets_and_heavy_combat_boots._Punk_created_a_new_cultural_space_for_androgyny_and_all_kinds_of_gender_expression. In_trying_to_reject_societal_norms,_punk_embraced_one_societal_norm_by_deciding_that_strength_and_anger_was_best_expressed_through_masculinity,_defining_masculine_as_the_"default",_where_gender_did_not_exist_or_had_no_meaning._Riot_grrrl
Riot_grrrl_is_an_ underground__Visual_art
Punk_aesthetics_determine_the_type_of_art_punks_enjoy,_usually_with___Dance
_Literature
_Film
_Perspectives_on_drugs_and_alcohol
_Inhalable_solvents
" sniffing">luesniffing_was_adopted_by_punks_because_public_perceptions_of_sniffing_fitted_in_with_their_self-image._Originally_used_experimentally_and_as_a_cheap_high,_adult_disgust_and_hostility_encouraged_punks_to_use_glue_sniffing_as_a_way_of_shocking_society."_Model_airplane_glue_and_contact_cement_were_among_the_numerous_solvents_and_inhalants_used_by_punks_to_achieve_euphoria_and_intoxication._Glue_was_typically_inhaled_by_placing_a_quantity_in_a_plastic_bag_and_"huffing"_(inhaling)_the_vapour._Liquid_solvents_were_typically_inhaled_by_soaking_a_rag_with_the_solvent_and_inhaling_the_vapour._While_users_inhale_solvents_for_the_intoxicating_effects,_the_practice_can_be_harmful_or_fatal._Straight_edge
_Lifestyle_and_community
_Authenticity
In_the_punk_and_hardcore_subcultures,_members_of_the_scene_are_often_evaluated_in_terms_of_the_ authenticity_of_their_commitment_to_the_values_or_philosophies_of_the_scene,_which_may_range_from_political_beliefs_to_lifestyle_practices._In_the_punk_subculture,_the_epithet_'' poseur''_(or_"poser")_is_used_to_describe_"a_person_who_habitually_pretends_to_be_something_ hey_arenot."_The_term_is_used_to_refer_to_a_person_who_adopts_the_dress,_speech,_and/or_mannerisms_of_a_particular_subculture,_yet_who_is_deemed_to_not_share_or_understand_the_values_or_philosophy_of_the_subculture. While_this_perceived_inauthenticity_is_viewed_with_scorn_and_contempt_by_members_of_the_subculture,_the_definition_of_the_term_and_to_whom_it_should_be_applied_is_subjective._An_article_in_''Drowned_in_Sound''_argues_that_1980s-era_" hardcore_is_the_true_spirit_of_punk",_because_"after_all_the_poseurs_and_fashionistas_fucked_off_to_the_next_trend_of_skinny_pink_ties_with_ New_Romantic_haircuts,_singing_wimpy_lyrics",_the_punk_scene_consisted_only_of_people_"completely_dedicated_to_the_ DIY_ethics". Proto-punk_bands_such_as__Interactions_with_other_subcultures
Some_of_the_first_hip_hop_ MCs_called_themselves_punk_rockers,_and_some_ punk_fashions_have_found_their_way_into_hip_hop_dress_and_vice_versa.__Persecution
_East_Germany
The_punk_scene_began_to_emerge_in_socialist__Global_perspectives
The_punk_subculture_has_spread_to_many_countries_around_the_world._The_fluidity_of_musical_expression_in_particular_makes_it_an_ideal_medium_for_this_cross-cultural_interpretation._Mexico
In_Mexico,_punk_culture_is_primarily_a_phenomenon_among_the_upper-middle_class,_many_of_whom_were_first_exposed_to_punk_music_through_travel_to_England,_but_rapidly_shifted_to_the_lower-class_youth._South_Africa
Punk_arrived_slowly_in_South_Africa_during_the_1970s_when_waves_of_British_tradesmen_welcomed_by_the_then-_Peru
In_Peru_punk_traces_its_roots_to_the_band_ Los_Saicos,_a_Lima_group_that_played_the_unique_blend_of_garage_and_break_dance_music_that_would_later_be_labeled_punk_as_early_as_the_1960s._The_early_activity_of_Los_Saicos_has_led_many_to_claim_that_punk_originated_in_Lima_instead_of_the_UK,_as_is_typically_assumed._Cuba
A_punk_subculture_originated_in__See_also
_References
_Bibliography
*_ *_ *_ *_ *_ * *___Further_reading_
*_ *_Savage,_Jon._''England's_Dreaming:_The_Sex_Pistols_and_Punk_Rock''.__External_links
*_ {{Authority_control * 1970s_in_the_United_Kingdom Australian_culture Motorcycling_subculture Music_and_politics Musical_subcultures Punk Stereotypes Youth_culture_in_the_United_Kingdomhtml" ;"title="Punk]. Retrieved 18 April 2009. The punk subculture influenced other underground music scenes such asMusic
The punk subculture is centered on a loud, aggressive genre of rock music called punk rock, usually played by bands consisting of a vocalist, one or two electric guitarists, an electric bassist, and a drummer. In some bands, the musicians contribute backup vocals, which typically consist of shouted slogans, choruses, or football-style chants. While most punk rock uses distorted guitars and noisy drumming sounds derived from 1960sIdeologies
Punk political ideologies are mostly concerned with individual freedom andFashion
Early punk fashion adapted everyday objects for aesthetic effect: ripped clothing was held together by safety pins or wrapped with tape; ordinary clothing was customised by embellishing it with marker or adorning it with paint; a blackGender and gender expression
In the United Kingdom, the advent of punk in the late 1970s with its "anyone can do it" ethos led to women making significant contributions. In contrast to the rock music and heavy metal scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of the punk scene in mid- and late 1970s encouraged women to participate. "That was the beauty of the punk thing," Chrissie Hynde later said. " exualdiscrimination didn't exist in that scene." This participation played a role in the historical development of punk music, especially in the U.S. and U.K. at that time, and continues to influence and enable future generations. Rock historian Helen Reddington states that the popular image of young punk women musicians as focused on the fashion aspects of the scene (fishnet stockings, spiky blond hair, etc.) was stereotypical. She states that many, if not most women punks were more interested in the ideology and socio-political implications, rather than the fashion. Music historian Caroline Coon contends that before punk, women in rock music were virtually invisible; in contrast, in punk, she argues " would be possible to write the whole history of punk music without mentioning any male bands at all – and I think a lot of eoplewould find that very surprising." Johnny Rotten wrote that 'During the Pistols era, women were out there playing with the men, taking us on in equal terms ... It wasn't combative, but compatible.' Women were involved in bands such as The Runaways,Body and appearance
For some punks, the body was a symbol of opposition, a political statement expressing disgust of all that was "normal" and socially accepted. The idea was to make others outside of the subculture question their own views, which made gender presentation and gender identity a popular factor to be played with. In some ways, punk helped to tear apart the normalised view of gender as a dichotomy. There was a notable amount of cross-dressing in the punk scene; it was not unusual to see men wearing ripped-up skirts, fishnet tights, and excessive makeup, or to see women with shaved heads wearing oversized plaid shirts and jean jackets and heavy combat boots. Punk created a new cultural space for androgyny and all kinds of gender expression. In trying to reject societal norms, punk embraced one societal norm by deciding that strength and anger was best expressed through masculinity, defining masculine as the "default", where gender did not exist or had no meaning. However, the main reasoning behind this argument equates femininity with popular conceptions of beauty. Everything that was normally supposed to be hidden was brought to the front, both literally and figuratively. This could mean anything from wearing bras and underwear on top of clothing to wearing nothing but a bra and underwear. Although that act can seem sexualised, to punks it was just a way of self-expression. Punk seemed to allow people to sexualize themselves and still be taken seriously. The nature of punk allowed many to create a non-gender-conforming style. Punks could be free to use femininity or masculinity to make what they were doing even more shocking to their audience. It became popular for some punks to accentuate societal norms. At one concert,Riot grrrl
Riot grrrl is an undergroundVisual art
Punk aesthetics determine the type of art punks enjoy, usually with underground,Dance
Two dance styles associated with punk are pogo dancing and moshing. The pogo is a dance in which the dancers jump up and down, while either remaining on the spot or moving around; the dance takes its name from its resemblance to the use of a pogo stick, especially in a common version of the dance, where an individual keeps their torso stiff, their arms rigid, and their legs close together. Pogo dancing is closely associated with punk rock and is a precursor to moshing. Moshing or slamdancing is a style of dance where participants push or slam into each other, typically during a live music show. It is usually associated with "aggressive" music genres, such as hardcore punk andLiterature
Punk has generated a considerable amount of poetry andFilm
Many punk-themed films have been made. The No Wave Cinema andPerspectives on drugs and alcohol
Inhalable solvents
" sniffing">luesniffing was adopted by punks because public perceptions of sniffing fitted in with their self-image. Originally used experimentally and as a cheap high, adult disgust and hostility encouraged punks to use glue sniffing as a way of shocking society." Model airplane glue and contact cement were among the numerous solvents and inhalants used by punks to achieve euphoria and intoxication. Glue was typically inhaled by placing a quantity in a plastic bag and "huffing" (inhaling) the vapour. Liquid solvents were typically inhaled by soaking a rag with the solvent and inhaling the vapour. While users inhale solvents for the intoxicating effects, the practice can be harmful or fatal.Straight edge
Straight edge is a philosophy of hardcore punk culture, adherents of which refrain from using alcohol, tobacco, and other recreational drugs, in reaction to the excesses of punk subculture. For some, this extends to refraining from engaging in promiscuous sex, following a vegetarian orLifestyle and community
Punks come from all culture and economic classes. Compared to some subcultures, punk ideology is much closer toAuthenticity
In the punk and hardcore subcultures, members of the scene are often evaluated in terms of the authenticity of their commitment to the values or philosophies of the scene, which may range from political beliefs to lifestyle practices. In the punk subculture, the epithet '' poseur'' (or "poser") is used to describe "a person who habitually pretends to be something hey arenot." The term is used to refer to a person who adopts the dress, speech, and/or mannerisms of a particular subculture, yet who is deemed to not share or understand the values or philosophy of the subculture. While this perceived inauthenticity is viewed with scorn and contempt by members of the subculture, the definition of the term and to whom it should be applied is subjective. An article in ''Drowned in Sound'' argues that 1980s-era " hardcore is the true spirit of punk", because "after all the poseurs and fashionistas fucked off to the next trend of skinny pink ties with New Romantic haircuts, singing wimpy lyrics", the punk scene consisted only of people "completely dedicated to the DIY ethics". Proto-punk bands such asInteractions with other subcultures
Some of the first hip hop MCs called themselves punk rockers, and some punk fashions have found their way into hip hop dress and vice versa.Persecution
East Germany
The punk scene began to emerge in socialistGlobal perspectives
The punk subculture has spread to many countries around the world. The fluidity of musical expression in particular makes it an ideal medium for this cross-cultural interpretation.Mexico
In Mexico, punk culture is primarily a phenomenon among the upper-middle class, many of whom were first exposed to punk music through travel to England, but rapidly shifted to the lower-class youth. Because of low fees at public universities in Mexico, a significant majority of Mexican punks are university students. It is estimated approximately 5,000 young people are active punks in Mexico City, hosting two or three underground shows a week. These young people often form chavos banda—youth gangs—that organized subculture activity by creating formal meeting spaces and rituals and practices. Oral nicknames are a distinguishing feature of Mexican punk, where the tradition of oral culture has influenced the development of nicknames for almost all Mexican punks. Patches are widely used as an inexpensive way to alter clothing and express identity. Though English-language bands like theSouth Africa
Punk arrived slowly in South Africa during the 1970s when waves of British tradesmen welcomed by the then-Peru
In Peru punk traces its roots to the band Los Saicos, a Lima group that played the unique blend of garage and break dance music that would later be labeled punk as early as the 1960s. The early activity of Los Saicos has led many to claim that punk originated in Lima instead of the UK, as is typically assumed. Though their claim to be the first punk band in the world can be disputed, Los Saicos were undoubtedly the first in Latin America and released their first single in 1965. The group played to full houses and made frequent television appearances throughout the 1960s. Throughout the 1970s, the band was completely forgotten. Years later, a plaque that declares "here the global punk-rock movement was born" was placed at the corner of Miguel Iglesias and Julio C. Tello Streets in Lima. By the 1980s the punk scene in Peru was highly active. Peruvian punks call themselves ''subtes'' and appropriate the subversive implications of the English term "underground" through the Spanish term ''subterraneo'' (literally, subterranean). In the 1980s and 1990s subtes made almost exclusive use of cassette recording as a means of circulating music without participating in formal intellectual property and musical production industries. The current scene relies on digital distribution and assumes similar anti-establishment practices. Like many punk subcultures, subtes explicitly oppose the Peruvian state and advocate instead an anarchic resistance that challenges the political and mainstream cultural establishment.Cuba
A punk subculture originated inSee also
References
Bibliography
* * * * * * *Further reading
* * Savage, Jon. ''England's Dreaming: The Sex Pistols and Punk Rock''.External links
* {{Authority control * 1970s in the United Kingdom Australian culture Motorcycling subculture Music and politics Musical subcultures Punk Stereotypes Youth culture in the United Kingdom>Punk Retrieved 18 April 2009. The punk subculture influenced other underground music scenes such asMusic
The punk subculture is centered on a loud, aggressive genre of rock music called punk rock, usually played by bands consisting of a vocalist, one or two electric guitarists, an electric bassist, and a drummer. In some bands, the musicians contribute backup vocals, which typically consist of shouted slogans, choruses, or football-style chants. While most punk rock uses distorted guitars and noisy drumming sounds derived from 1960sIdeologies
Punk political ideologies are mostly concerned with individual freedom andFashion
Early punk fashion adapted everyday objects for aesthetic effect: ripped clothing was held together by safety pins or wrapped with tape; ordinary clothing was customised by embellishing it with marker or adorning it with paint; a blackGender and gender expression
In the United Kingdom, the advent of punk in the late 1970s with its "anyone can do it" ethos led to women making significant contributions. In contrast to the rock music and heavy metal scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of the punk scene in mid- and late 1970s encouraged women to participate. "That was the beauty of the punk thing," Chrissie Hynde later said. " exualdiscrimination didn't exist in that scene." This participation played a role in the historical development of punk music, especially in the U.S. and U.K. at that time, and continues to influence and enable future generations. Rock historian Helen Reddington states that the popular image of young punk women musicians as focused on the fashion aspects of the scene (fishnet stockings, spiky blond hair, etc.) was stereotypical. She states that many, if not most women punks were more interested in the ideology and socio-political implications, rather than the fashion. Music historian Caroline Coon contends that before punk, women in rock music were virtually invisible; in contrast, in punk, she argues " would be possible to write the whole history of punk music without mentioning any male bands at all – and I think a lot of eoplewould find that very surprising." Johnny Rotten wrote that 'During the Pistols era, women were out there playing with the men, taking us on in equal terms ... It wasn't combative, but compatible.' Women were involved in bands such as The Runaways,Body and appearance
For some punks, the body was a symbol of opposition, a political statement expressing disgust of all that was "normal" and socially accepted. The idea was to make others outside of the subculture question their own views, which made gender presentation and gender identity a popular factor to be played with. In some ways, punk helped to tear apart the normalised view of gender as a dichotomy. There was a notable amount of cross-dressing in the punk scene; it was not unusual to see men wearing ripped-up skirts, fishnet tights, and excessive makeup, or to see women with shaved heads wearing oversized plaid shirts and jean jackets and heavy combat boots. Punk created a new cultural space for androgyny and all kinds of gender expression. In trying to reject societal norms, punk embraced one societal norm by deciding that strength and anger was best expressed through masculinity, defining masculine as the "default", where gender did not exist or had no meaning. However, the main reasoning behind this argument equates femininity with popular conceptions of beauty. Everything that was normally supposed to be hidden was brought to the front, both literally and figuratively. This could mean anything from wearing bras and underwear on top of clothing to wearing nothing but a bra and underwear. Although that act can seem sexualised, to punks it was just a way of self-expression. Punk seemed to allow people to sexualize themselves and still be taken seriously. The nature of punk allowed many to create a non-gender-conforming style. Punks could be free to use femininity or masculinity to make what they were doing even more shocking to their audience. It became popular for some punks to accentuate societal norms. At one concert,Riot grrrl
Riot grrrl is an undergroundVisual art
Punk aesthetics determine the type of art punks enjoy, usually with underground,Dance
Two dance styles associated with punk are pogo dancing and moshing. The pogo is a dance in which the dancers jump up and down, while either remaining on the spot or moving around; the dance takes its name from its resemblance to the use of a pogo stick, especially in a common version of the dance, where an individual keeps their torso stiff, their arms rigid, and their legs close together. Pogo dancing is closely associated with punk rock and is a precursor to moshing. Moshing or slamdancing is a style of dance where participants push or slam into each other, typically during a live music show. It is usually associated with "aggressive" music genres, such as hardcore punk andLiterature
Punk has generated a considerable amount of poetry andFilm
Many punk-themed films have been made. The No Wave Cinema andPerspectives on drugs and alcohol
Inhalable solvents
" sniffing">luesniffing was adopted by punks because public perceptions of sniffing fitted in with their self-image. Originally used experimentally and as a cheap high, adult disgust and hostility encouraged punks to use glue sniffing as a way of shocking society." Model airplane glue and contact cement were among the numerous solvents and inhalants used by punks to achieve euphoria and intoxication. Glue was typically inhaled by placing a quantity in a plastic bag and "huffing" (inhaling) the vapour. Liquid solvents were typically inhaled by soaking a rag with the solvent and inhaling the vapour. While users inhale solvents for the intoxicating effects, the practice can be harmful or fatal.Straight edge
Straight edge is a philosophy of hardcore punk culture, adherents of which refrain from using alcohol, tobacco, and other recreational drugs, in reaction to the excesses of punk subculture. For some, this extends to refraining from engaging in promiscuous sex, following a vegetarian orLifestyle and community
Punks come from all culture and economic classes. Compared to some subcultures, punk ideology is much closer toAuthenticity
In the punk and hardcore subcultures, members of the scene are often evaluated in terms of the authenticity of their commitment to the values or philosophies of the scene, which may range from political beliefs to lifestyle practices. In the punk subculture, the epithet '' poseur'' (or "poser") is used to describe "a person who habitually pretends to be something hey arenot." The term is used to refer to a person who adopts the dress, speech, and/or mannerisms of a particular subculture, yet who is deemed to not share or understand the values or philosophy of the subculture. While this perceived inauthenticity is viewed with scorn and contempt by members of the subculture, the definition of the term and to whom it should be applied is subjective. An article in ''Drowned in Sound'' argues that 1980s-era " hardcore is the true spirit of punk", because "after all the poseurs and fashionistas fucked off to the next trend of skinny pink ties with New Romantic haircuts, singing wimpy lyrics", the punk scene consisted only of people "completely dedicated to the DIY ethics". Proto-punk bands such asInteractions with other subcultures
Some of the first hip hop MCs called themselves punk rockers, and some punk fashions have found their way into hip hop dress and vice versa.Persecution
East Germany
The punk scene began to emerge in socialistGlobal perspectives
The punk subculture has spread to many countries around the world. The fluidity of musical expression in particular makes it an ideal medium for this cross-cultural interpretation.Mexico
In Mexico, punk culture is primarily a phenomenon among the upper-middle class, many of whom were first exposed to punk music through travel to England, but rapidly shifted to the lower-class youth. Because of low fees at public universities in Mexico, a significant majority of Mexican punks are university students. It is estimated approximately 5,000 young people are active punks in Mexico City, hosting two or three underground shows a week. These young people often form chavos banda—youth gangs—that organized subculture activity by creating formal meeting spaces and rituals and practices. Oral nicknames are a distinguishing feature of Mexican punk, where the tradition of oral culture has influenced the development of nicknames for almost all Mexican punks. Patches are widely used as an inexpensive way to alter clothing and express identity. Though English-language bands like theSouth Africa
Punk arrived slowly in South Africa during the 1970s when waves of British tradesmen welcomed by the then-Peru
In Peru punk traces its roots to the band Los Saicos, a Lima group that played the unique blend of garage and break dance music that would later be labeled punk as early as the 1960s. The early activity of Los Saicos has led many to claim that punk originated in Lima instead of the UK, as is typically assumed. Though their claim to be the first punk band in the world can be disputed, Los Saicos were undoubtedly the first in Latin America and released their first single in 1965. The group played to full houses and made frequent television appearances throughout the 1960s. Throughout the 1970s, the band was completely forgotten. Years later, a plaque that declares "here the global punk-rock movement was born" was placed at the corner of Miguel Iglesias and Julio C. Tello Streets in Lima. By the 1980s the punk scene in Peru was highly active. Peruvian punks call themselves ''subtes'' and appropriate the subversive implications of the English term "underground" through the Spanish term ''subterraneo'' (literally, subterranean). In the 1980s and 1990s subtes made almost exclusive use of cassette recording as a means of circulating music without participating in formal intellectual property and musical production industries. The current scene relies on digital distribution and assumes similar anti-establishment practices. Like many punk subcultures, subtes explicitly oppose the Peruvian state and advocate instead an anarchic resistance that challenges the political and mainstream cultural establishment.Cuba
A punk subculture originated inSee also
References
Bibliography
* * * * * * *Further reading
* * Savage, Jon. ''England's Dreaming: The Sex Pistols and Punk Rock''.External links
* {{Authority control * 1970s in the United Kingdom Australian culture Motorcycling subculture Music and politics Musical subcultures Punk Stereotypes Youth culture in the United Kingdom