Orsinian Tales

''Orsinian Tales'' is a collection of eleven short stories by American writer Ursula K. Le Guin, most of them set in the imaginary country of Orsinia.

Themes

The stories share few links except those derived from the use of a common geographical setting; the only link between characters appears in the stories ''Brothers and Sisters'' and ''A Week in the Country'', both of which deal with members of the Fabbre family (whose history is continued in the later story ''Unlocking the Air''). Common to all the stories, however, are emotionally moving personal events — often, though not always, romantic — set against the backdrop of much larger political events such as wars and revolutions. Continually reasserted are the right of the individual — sometimes alone, but often in conjunction with others — to his or her own thoughts and emotions, not dictated by society, or convention, or the State.

Continuations

Additional stories in the cycle include the novel '' Malafrena'' (1979), set in the Orsinia of the 1820s; the Borges-like story "Two Delays on the Northern Line" (1979, anthologized in ''The Compass Rose'' 1982), containing two tangentially linked episodes of uncertain date; and "Unlocking the Air" (1990, anthologized in '' Unlocking the Air and Other Stories'' 1996). The last-named story extends Orsinian history to the time of the downfall of Communism in Orsinia – and the rest of Eastern Europe – in the winter of 1989.

Orsinia

The stories are set in a fictional country somewhere in Central Europe, at different times in the period 1150-1965 (though only two take place before the 20th century). This country, "Orsinia", appears in Le Guin's earliest writings, and was invented by Le Guin when she was a young adult learning her craft as a writer. The names Orsinia and Ursula are both derived from Latin ''ursus'' "bear" (''ursula'' = diminutive of ''ursa'' "female bear"; ''ursinus'' = "bear-like"). Le Guin once said that since Orsinia was her own country it should bear her name.James W. Bittner
"Persuading Us to Rejoice and Teaching Us How to Praise: Le Guin's ''Orsinian Tales'',"
''Science Fiction Studies'', no. 16 Vol. 5, Part 3 (Nov. 1978).

The history of Orsinia follows, in general, that of other countries of Central Europe, particularly those formerly part of Austria-Hungary. Formerly an independent kingdom (''The Lady of Moge''), by the 19th century it was a dependency of the Austrian Empire (''Malafrena''). It was involved in the First World War (''Conversations at Night''), and was thereafter independent for a while. Its fate in World War II is not mentioned, but in 1946 or 1947 it became a satellite state in the East bloc. A revolt was attempted in 1956 (''The Road East''), but was crushed and followed by reprisals (''A Week in the Country''), and Orsinia remained a repressive police state for several decades. In November 1989, following a series of non-violent protests, the government fell, to be replaced by a transitional régime promising free elections (''Unlocking the Air''). Le Guin did not publish any Orsinian stories dealing with its history since."As for Orsinia, I have not been able to go back there since 1990, though I have tried several times. The borders are closed. I don't know what's going on. It worries me."

The Orsinian stories borrow episodes from, and sometimes explicitly refer to, the history of the Czech lands,"And of course if there's any country Orsinia is like, it's Czechoslovakia. It's puzzled me that everyone says Orsinia is like Hungary, but nobody mentions Czechoslovakia." Hungary, and other countries of Central Europe"I have used the history of Poland, though not in science-fiction stories, in 'main stream' stories.... I have written an historical novel, ''Malafrena'', and a collection of stories, ''Orsinian Tales'', all set in an imaginary central European country in the historical past. ''Malafrena'' concerns the Revolution of 1830 and you will find certain parallels to Polish history in it."—for example, it is landlocked and in the 19th Century rebelled unsuccessfully against Habsburg rule. It is not however, a mere fictionalization of any real country, but rather one imagined with its own unique characteristics and history, distilled from Le Guin's personal interpretation and reaction to historical events."Another thing important to Orsinia's development was that I became aware politically. The first thing I really noticed and took personally, from a political standpoint, was the invasion of Czechoslovakia in 1947 icby the Russians. That's when I came of age and realized I had a stake in this world.... Writing about Orsinia allowed me to talk about a situation that had touched my heart, yet I could distance it, which was very important at that time."

Contents

*"The Fountains"
*"The Barrow" (1976, ''The Magazine of Fantasy & Science Fiction'', October 1976)
*"Ile Forest"
*"Conversations At Night"
*"The Road East"
*"Brothers and Sisters" (1976, ''The Little Magazine'', Vol. 10, Nos. 1 & 2)
*"A Week in the Country" (1976, ''The Little Magazine'', Vol. 9, No. 4)
*"An die Musik" (1961, ''The Western Humanities Review'', Vol XV, No. 3)
*"The House"
*"The Lady of Moge"
*"Imaginary Countries" (1973, The Harvard ''Advocate'')

References

;Notes

;Bibliography

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{{Ursula K. Le Guin

Short story collections by Ursula K. Le Guin
1976 short story collections
Harper & Row books
Eastern Europe in fiction