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architecture Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings ...
and
decorative art ] The decorative arts are arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usua ...
, ornament is a decoration used to embellish parts of a building or object. Large figurative elements such as
monumental sculpture The term monumental sculpture is often used in art history and criticism, but not always consistently. It combines two concepts, one of function, and one of size, and may include an element of a third more subjective concept. It is often used for ...
and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale. Architectural ornament can be carved from stone, wood or precious metals, formed with plaster or clay, or painted or impressed onto a surface as applied ornament; in other
applied arts The applied arts are all the arts that apply design and decoration to everyday and essentially practical objects in order to make them aesthetically pleasing."Applied art" in ''The Oxford Dictionary of Art''. Online edition. Oxford Univers ...
the main material of the object, or a different one such as paint or
vitreous enamel Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between . The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word comes from the Lati ...
may be used. A wide variety of decorative styles and motifs have been developed for architecture and the applied arts, including
pottery Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and ...
,
furniture Furniture refers to movable objects intended to support various human activities such as seating (e.g., stools, chairs, and sofas), eating ( tables), storing items, eating and/or working with an item, and sleeping (e.g., beds and hammocks) ...
,
metalwork Metalworking is the process of shaping and reshaping metals to create useful objects, parts, assemblies, and large scale structures. As a term it covers a wide and diverse range of processes, skills, and tools for producing objects on every scale ...
. In
textiles Textile is an umbrella term that includes various fiber-based materials, including fibers, yarns, filaments, threads, different fabric types, etc. At first, the word "textiles" only referred to woven fabrics. However, weaving is not the ...
,
wallpaper Wallpaper is a material used in interior decoration to decorate the interior walls of domestic and public buildings. It is usually sold in rolls and is applied onto a wall using wallpaper paste. Wallpapers can come plain as "lining paper" (so ...
and other objects where the decoration may be the main justification for its existence, the terms pattern or design are more likely to be used. The vast range of motifs used in ornament draw from geometrical shapes and patterns, plants, and human and animal figures. Across
Eurasia Eurasia (, ) is the largest continental area on Earth, comprising all of Europe and Asia. Primarily in the Northern and Eastern Hemispheres, it spans from the British Isles and the Iberian Peninsula in the west to the Japanese archipelag ...
and the
Mediterranean The Mediterranean Sea is a sea connected to the Atlantic Ocean, surrounded by the Mediterranean Basin and almost completely enclosed by land: on the north by Western and Southern Europe and Anatolia, on the south by North Africa, and on ...
world there has been a rich and linked tradition of plant-based ornament for over three thousand years; traditional ornament from other parts of the world typically relies more on geometrical and animal motifs. In a 1941 essay, the architectural historian Sir
John Summerson Sir John Newenham Summerson (25 November 1904 – 10 November 1992) was one of the leading British architectural historians of the 20th century. Early life John Summerson was born at Barnstead, Coniscliffe Road, Darlington. His grandfather w ...
called it "surface modulation". The earliest decoration and ornament often survives from prehistoric cultures in simple markings on pottery, where decoration in other materials (including
tattoo A tattoo is a form of body modification made by inserting tattoo ink, dyes, and/or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing ...
s) has been lost. Where the
potter's wheel In pottery, a potter's wheel is a machine used in the shaping (known as throwing) of clay into round ceramic ware. The wheel may also be used during the process of trimming excess clay from leather-hard dried ware that is stiff but malleable, ...
was used, the technology made some kinds of decoration very easy;
weaving Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, crocheting, felting, and braiding or plaiting. The longitudinal ...
is another technology which also lends itself very easily to decoration or pattern, and to some extent dictates its form. Ornament has been evident in
civilization A civilization (or civilisation) is any complex society characterized by the development of a state, social stratification, urbanization, and symbolic systems of communication beyond natural spoken language (namely, a writing system). ...
s since the beginning of
recorded history Recorded history or written history describes the historical events that have been recorded in a written form or other documented communication which are subsequently evaluated by historians using the historical method. For broader world his ...
, ranging from
Ancient Egyptian architecture Spanning over three thousand years, ancient Egypt was not one stable civilization but in constant change and upheaval, commonly split into periods by historians. Likewise, ancient Egyptian architecture is not one style, but a set of styles diff ...
to the assertive lack of ornament of 20th century
Modernist architecture Modern architecture, or modernist architecture, was an architectural movement or architectural style based upon new and innovative technologies of construction, particularly the use of glass, steel, and reinforced concrete; the idea that form ...
. Ornament implies that the ornamented object has a function that an unornamented equivalent might also fulfill. Where the object has no such function, but exists only to be a
work of art A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature ...
such as a
sculpture Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable ...
or painting, the term is less likely to be used, except for peripheral elements. In recent centuries a distinction between the
fine arts In European academic traditions, fine art is developed primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwor ...
and applied or
decorative arts ] The decorative arts are arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usua ...
has been applied (except for architecture), with ornament mainly seen as a feature of the latter class.


History

The history of art in many cultures shows a series of wave-like trends where the level of ornament used increases over a period, before a sharp reaction returns to plainer forms, after which ornamentation gradually increases again. The pattern is especially clear in post-Roman European art, where the highly ornamented
Insular art Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from ''insula'', the Latin term for "island"; in this period Britain and Ireland shared a largely common style dif ...
of the
Book of Kells The Book of Kells ( la, Codex Cenannensis; ga, Leabhar Cheanannais; Dublin, Trinity College Library, MS A. I. 8 sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the ...
and other manuscripts influenced continental Europe, but the classically inspired
Carolingian The Carolingian dynasty (; known variously as the Carlovingians, Carolingus, Carolings, Karolinger or Karlings) was a Frankish noble family named after Charlemagne, grandson of mayor Charles Martel and a descendant of the Arnulfing and Pippi ...
and
Ottonian art Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and no ...
largely replaced it. Ornament increased over the Romanesque and
Gothic Gothic or Gothics may refer to: People and languages *Goths or Gothic people, the ethnonym of a group of East Germanic tribes **Gothic language, an extinct East Germanic language spoken by the Goths **Crimean Gothic, the Gothic language spoken b ...
periods, but was greatly reduced in Early Renaissance styles, again under classical influence. Another period of increase, in
Northern Mannerism Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, e ...
, the
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including ...
and
Rococo Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, ...
, was checked by
Neoclassicism Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism ...
and the
Romantic period Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate ...
, before resuming in the later 19th century Napoleon III style, Victorian decorative arts and their equivalents from other countries, to be decisively reduced by the Arts and Crafts movement and then
Modernism Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, an ...
. The detailed study of Eurasian ornamental forms was begun by
Alois Riegl Alois Riegl (14 January 1858, Linz – 17 June 1905, Vienna) was an Austrian art historian, and is considered a member of the Vienna School of Art History. He was one of the major figures in the establishment of art history as a self-sufficient a ...
in his formalist study ''
Stilfragen ''Stilfragen: Grundlegungen zu einer Geschichte der Ornamentik'' is a book on the history of ornament by the Austrian art historian Alois Riegl. It was published in Berlin in 1893. The English translation renders the title as ''Problems of style ...
: Grundlegungen zu einer Geschichte der Ornamentik'' (''Problems of style: foundations for a history of ornament'') of 1893, who in the process developed his influential concept of the ''Kunstwollen''. Riegl traced formalistic continuity and development in decorative plant forms from
Ancient Egyptian art Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculpture ...
and other ancient Near Eastern civilizations through the classical world to the
arabesque The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foli ...
of
Islamic art Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide ra ...
. While the concept of the ''Kunstwollen'' has few followers today, his basic analysis of the development of forms has been confirmed and refined by the wider ''corpus'' of examples known today. Jessica Rawson has recently extended the analysis to cover
Chinese art Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based in or draws on Chinese ...
, which Riegl did not cover, tracing many elements of Chinese decoration back to the same tradition; the shared background helping to make the assimilation of Chinese motifs into
Persian art Persian art or Iranian art () has one of the richest art heritages in world history and has been strong in many media including architecture, painting, weaving, pottery, calligraphy, metalworking and sculpture. At different times, influences f ...
after the
Mongol invasion The Mongol invasions and conquests took place during the 13th and 14th centuries, creating history's largest contiguous empire: the Mongol Empire (1206-1368), which by 1300 covered large parts of Eurasia. Historians regard the Mongol devastati ...
harmonious and productive. Styles of ornamentation can be studied in reference to the specific
culture Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups ...
which developed unique forms of decoration, or modified ornament from other cultures. The Ancient Egyptian culture is arguably the first civilization to add pure decoration to their buildings. Their ornament takes the forms of the natural world in that climate, decorating the capitals of columns and walls with images of papyrus and palm trees.
Assyria Assyria ( Neo-Assyrian cuneiform: , romanized: ''māt Aššur''; syc, ܐܬܘܪ, ʾāthor) was a major ancient Mesopotamian civilization which existed as a city-state at times controlling regional territories in the indigenous lands of the A ...
n culture produced ornament which shows influence from Egyptian sources and a number of original themes, including figures of plants and animals of the region. The
Ancient Greek Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic pe ...
civilization created many new forms of ornament, which were diffused across
Eurasia Eurasia (, ) is the largest continental area on Earth, comprising all of Europe and Asia. Primarily in the Northern and Eastern Hemispheres, it spans from the British Isles and the Iberian Peninsula in the west to the Japanese archipelag ...
, helped by the conquests of
Alexander the Great Alexander III of Macedon ( grc, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the ancient Greek kingdom of Macedon. He succeeded his father Philip II to ...
, and the expansion of
Buddhism Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and ...
, which took some motifs to
East Asia East Asia is the eastern region of Asia, which is defined in both geographical and ethno-cultural terms. The modern states of East Asia include China, Japan, Mongolia, North Korea, South Korea, and Taiwan. China, North Korea, South Korea ...
in somewhat modified form. In the West the
Ancient Roman In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–50 ...
latinized forms of the Greek ornament lasted for around a millennium, and after a period when they were replaced by Gothic forms, powerfully revived in the
Italian Renaissance The Italian Renaissance ( it, Rinascimento ) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the trans ...
and remain extremely widely used today.


Roman Ornament

Ornament in the Roman empire utilized a diverse array of styles and materials, including marble, glass, obsidian, and gold. Roman ornament, specifically in the context of Pompeii, has been studied and written about by scholar Jessica Powers in her book chapter “Beyond Painting in Pompeii’s Houses: Wall Ornaments and Their Patrons.” Instead of studying ornamental objects in isolation, Powers argues that, if the information is provided, objects must be approached in their original context. This information might include the location where the work was found, other objects located or found nearby, or who the patron was who might have commissioned the work. Jessica Powers’ chapter primarily discusses the Casa Degli Amorini Dorati in Pompeii, where 18 wall ornaments were found, the most of any Pompeiian home. Interior wall ornament in a Pompeian home would typically divide the wall into three or more sections under which there would be a dado taking up roughly one-sixth of the height of the wall. The wall sections would be divided by broad pilasters connected by a frieze which bands across the top of the wall. The ornament found at the Casa Degli Amorini Dorati in Pompeii reflected this standard style and included objects that had clearly been reused, and rare and imported objects. Several of the panels on the walls of the Casa Degli Amorini Dorati were removed during archeological work in the 1970s, revealing that the panels had been stuck on different walls before the one on which they were found. Jessica Powers argues that these panels illustrate the home owner and correlating patrons’ willingness to utilize damaged or secondhand materials in their own home. Moreover, the materials used in the decorative wall panels were identified as being from the Greek East or Egypt, not from Pompeii. This points to the elaborate trade routes that flourished across the Roman Empire, and that home owners were interested in using materials from outside of Pompeii to embellish their homes. In addition to homes, public buildings and temples are locations where Roman ornament styles were on display. In the Roman temple, the extravagant use of ornament served as a means of self-glorification, as scholar Owen Jones notes in his book chapter, Roman Ornament. Roman ornament techniques include surface-modeling, where ornamental styles are applied onto a surface. This was a common ornamental style with marble surfaces. One common ornamental style was the use of acanthus leaf, a motif adopted from the Greeks. The use of acanthus leaf and other naturalist motifs can be seen in Corinthian capitals, in temples, and in other public sites.


Ornament prints and pattern books

A few medieval notebooks survive, most famously that of
Villard de Honnecourt Villard de Honnecourt (''Wilars dehonecort'', ''Vilars de Honecourt'') was a 13th-century artist from Picardy in northern France. He is known to history only through a surviving portfolio or "sketchbook" containing about 250 drawings and designs ...
(13th century) showing how artists and craftsmen recorded designs they saw for future use. With the arrival of the print,
ornament print In architecture and decorative art, ornament is a decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most orna ...
s became an important part of the output of printmakers, especially in Germany, and played a vital role in the rapid diffusion of new Renaissance styles to makers of all sorts of object. As well as revived classical ornament, both architectural and the
grotesque Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus ...
style derived from Roman interior decoration, these included new styles such as the
moresque Moresque is an obsolete alternative term to "Moorish" in English, and in the arts has some specific meanings. By itself, the word is used to describe the stylized plant-based forms of tendrils and leaves found in ornament and decoration in the ...
, a European adaptation of the Islamic arabesque (a distinction not always clear at the time). As printing became cheaper, the single ornament print turned into sets, and then finally books. From the 16th to the 19th century, pattern books were published in Europe which gave access to decorative elements, eventually including those recorded from cultures all over the world. Andrea Palladio's '' I quattro libri dell'architettura'' (Four Books on Architecture) (Venice, 1570), which included both drawings of classical Roman buildings and renderings of Palladio's own designs utilizing those motifs, became the most influential book ever written on architecture. Napoleon had the great pyramids and temples of Egypt documented in the ''
Description de l'Egypte (1809) Description is the pattern of narrative development that aims to make vivid a place, object, character, or group. Description is one of four rhetorical modes (also known as ''modes of discourse''), along with exposition, argumentation, and na ...
''.
Owen Jones Owen Jones (born 8 August 1984) is a British newspaper columnist, political commentator, journalist, author, and left-wing activist. He writes a column for '' The Guardian'' and contributes to the '' New Statesman'' and '' Tribune.'' He has ...
published '' The Grammar of Ornament'' in 1856 with colored illustrations of decoration from Egypt, Turkey, Sicily and Spain. He took residence in the
Alhambra Palace The Alhambra (, ; ar, الْحَمْرَاء, Al-Ḥamrāʾ, , ) is a palace and fortress complex located in Granada, Andalusia, Spain. It is one of the most famous monuments of Islamic architecture and one of the best-preserved palaces of the ...
to make drawings and plaster castings of the ornate details of the Islamic ornaments there, including
arabesque The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foli ...
s,
calligraphy Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined ...
, and geometric patterns. Interest in
classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect ...
was also fueled by the tradition of traveling on
The Grand Tour ''The Grand Tour'' is a British motoring television series, created by Jeremy Clarkson, Richard Hammond, James May and Andy Wilman, made for Amazon exclusively for its online streaming service Amazon Prime Video, and premiered on 18 November ...
, and by translation of early literature about architecture in the work of
Vitruvius Vitruvius (; c. 80–70 BC – after c. 15 BC) was a Roman architect and engineer during the 1st century BC, known for his multi-volume work entitled '' De architectura''. He originated the idea that all buildings should have three attribut ...
and
Michelangelo Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was ins ...
. During the 19th century, the acceptable use of ornament, and its precise definition became the source of aesthetic controversy in academic Western architecture, as architects and their critics searched for a suitable style. "The great question is,"
Thomas Leverton Donaldson Thomas Leverton Donaldson (19 October 1795 – 1 August 1885) was a British architect, notable as a pioneer in architectural education, as a co-founder and President of the Royal Institute of British Architects and a winner of the RIBA Royal Gold ...
asked in 1847, "are we to have an architecture of our period, a distinct, individual, palpable style of the 19th century?". In 1849, when
Matthew Digby Wyatt Sir Matthew Digby Wyatt (28 July 1820 – 21 May 1877) was a British architect and art historian who became Secretary of the Great Exhibition, Surveyor of the East India Company and the first Slade Professor of Fine Art at the University of Camb ...
viewed the French Industrial Exposition set up on the Champs-Elysées in Paris, he disapproved in recognizably modern terms of the plaster ornaments in faux-bronze and faux woodgrain:
Both internally and externally there is a good deal of tasteless and unprofitable ornament... If each simple material had been allowed to tell its own tale, and the lines of the construction so arranged as to conduce to a sentiment of grandeur, the qualities of "power" and "truth," which its enormous extent must have necessarily ensured, could have scarcely fail to excite admiration, and that at a very considerable saving of expense.
Contacts with other cultures through
colonialism Colonialism is a practice or policy of control by one people or power over other people or areas, often by establishing colonies and generally with the aim of economic dominance. In the process of colonisation, colonisers may impose their reli ...
and the new discoveries of
archaeology Archaeology or archeology is the scientific study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, sites, and cultural landsc ...
expanded the repertory of ornament available to revivalists. After about 1880, photography made details of ornament even more widely available than prints had done.


Modern ornament

Modern
millwork Millwork is historically any wood mill produced decorative materials used in building construction. Stock profiled and patterned millwork building components fabricated by milling at a planing mill can usually be installed with minimal alter ...
ornaments are made of wood, plastics, composites, etc. They come in many different colours and shapes.
Modern architecture Modern architecture, or modernist architecture, was an architectural movement or architectural style based upon new and innovative technologies of construction, particularly the use of glass, steel, and reinforced concrete; the idea that for ...
, conceived of as the elimination of ornament in favor of purely functional structures, left architects the problem of how to properly adorn modern structures. There were two available routes from this perceived crisis. One was to attempt to devise an ornamental vocabulary that was new and essentially contemporary. This was the route taken by architects like
Louis Sullivan Louis Henry Sullivan (September 3, 1856 – April 14, 1924) was an American architect, and has been called a "father of skyscrapers" and "father of modernism". He was an influential architect of the Chicago School, a mentor to Frank Lloy ...
and his pupil
Frank Lloyd Wright Frank Lloyd Wright (June 8, 1867 – April 9, 1959) was an American architect, designer, writer, and educator. He designed more than 1,000 structures over a creative period of 70 years. Wright played a key role in the architectural movements o ...
, or by the unique
Antoni Gaudí Antoni Gaudí i Cornet (; ; 25 June 1852 – 10 June 1926) was a Catalan architect from Spain known as the greatest exponent of Catalan Modernism. Gaudí's works have a highly individualized, ''sui generis'' style. Most are located in Bar ...
.
Art Nouveau Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern ...
, popular around the turn of the 20th century, was in part a conscious effort to evolve such a "natural" vocabulary of ornament. A more radical route abandoned the use of ornament altogether, as in some designs for objects by
Christopher Dresser Christopher Dresser (4 July 1834 – 24 November 1904) was a British designer and design theorist, now widely known as one of the first and most important, independent designers. He was a pivotal figure in the Aesthetic Movement and a major con ...
. At the time, such unornamented objects could have been found in many unpretending workaday items of industrial design, ceramics produced at the Arabia manufactory in Finland, for instance, or the glass insulators of electric lines. This latter approach was described by architect
Adolf Loos Adolf Franz Karl Viktor Maria Loos (; 10 December 1870 – 23 August 1933) was an Austrian and Czechoslovak architect, influential European theorist, and a polemicist of modern architecture. He was an inspiration to modernism and a widely- ...
in his 1908 manifesto, translated into English in 1913 and polemically titled ''
Ornament and Crime "Ornament and Crime" is an essay and lecture by modernist architect Adolf Loos that criticizes ornament in useful objects. History Contrary to popular belief that it was composed in 1908, Adolf Loos first gave the lecture in 1910 at the Akadem ...
'', in which he declared that lack of decoration is the sign of an advanced society. His argument was that ornament is economically inefficient and "morally degenerate", and that reducing ornament was a sign of progress. Modernists were eager to point to American architect
Louis Sullivan Louis Henry Sullivan (September 3, 1856 – April 14, 1924) was an American architect, and has been called a "father of skyscrapers" and "father of modernism". He was an influential architect of the Chicago School, a mentor to Frank Lloy ...
as their godfather in the cause of aesthetic simplification, dismissing the knots of intricately patterned ornament that articulated the skin of his structures. With the work of
Le Corbusier Charles-Édouard Jeanneret (6 October 188727 August 1965), known as Le Corbusier ( , , ), was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now regarded as modern architecture. He was ...
and the
Bauhaus The Staatliches Bauhaus (), commonly known as the Bauhaus (), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts.Oxford Dictionary of Art and Artists (Oxford: Oxford University Press, 4th edn., 20 ...
through the 1920s and 1930s, lack of decorative detail became a hallmark of
modern architecture Modern architecture, or modernist architecture, was an architectural movement or architectural style based upon new and innovative technologies of construction, particularly the use of glass, steel, and reinforced concrete; the idea that for ...
and equated with the moral virtues of honesty, simplicity, and purity. In 1932
Philip Johnson Philip Cortelyou Johnson (July 8, 1906 – January 25, 2005) was an American architect best known for his works of modern and postmodern architecture. Among his best-known designs are his modernist Glass House in New Canaan, Connecticut; the po ...
and
Henry-Russell Hitchcock Henry-Russell Hitchcock (1903–1987) was an American architectural historian, and for many years a professor at Smith College and New York University. His writings helped to define the characteristics of modernist architecture. Early life He ...
dubbed this the " International Style". What began as a matter of taste was transformed into an aesthetic mandate. Modernists declared their way as the only acceptable way to build. As the style hit its stride in the highly developed postwar work of
Mies van der Rohe Ludwig Mies van der Rohe ( ; ; born Maria Ludwig Michael Mies; March 27, 1886August 17, 1969) was a German-American architect. He was commonly referred to as Mies, his surname. Along with Alvar Aalto, Le Corbusier, Walter Gropius and Frank Lloyd ...
, the tenets of 1950s modernism became so strict that even accomplished architects like Edward Durrell Stone and
Eero Saarinen Eero Saarinen (, ; August 20, 1910 – September 1, 1961) was a Finnish-American architect and industrial designer noted for his wide-ranging array of designs for buildings and monuments. Saarinen is best known for designing the General Motors ...
could be ridiculed and effectively ostracized for departing from the aesthetic rules. At the same time, the unwritten laws against ornament began to come into serious question. "Architecture has, with some difficulty, liberated itself from ornament, but it has not liberated itself from the ''fear'' of ornament,"
John Summerson Sir John Newenham Summerson (25 November 1904 – 10 November 1992) was one of the leading British architectural historians of the 20th century. Early life John Summerson was born at Barnstead, Coniscliffe Road, Darlington. His grandfather w ...
observed in 1941. The very difference between ornament and structure is subtle and perhaps arbitrary. The pointed arches and flying buttresses of
Gothic architecture Gothic architecture (or pointed architecture) is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It ...
are ornamental but structurally necessary; the colorful rhythmic bands of a
Pietro Belluschi Pietro Belluschi (August 18, 1899 – February 14, 1994) was an Italian-American architect. A leading figure in modern architecture, he was responsible for the design of over 1,000 buildings.Belluschi, Pietro. (2007). In ''Encyclopædia Britanni ...
International Style skyscraper are integral, not applied, but certainly have ornamental effect. Furthermore, architectural ornament can serve the practical purpose of establishing scale, signaling entries, and aiding wayfinding, and these useful design tactics had been outlawed. And by the mid-1950s, modernist figureheads
Le Corbusier Charles-Édouard Jeanneret (6 October 188727 August 1965), known as Le Corbusier ( , , ), was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now regarded as modern architecture. He was ...
and
Marcel Breuer Marcel Lajos Breuer ( ; 21 May 1902 – 1 July 1981), was a Hungarian-born modernist architect and furniture designer. At the Bauhaus he designed the Wassily Chair and the Cesca Chair, which ''The New York Times'' have called some of the most i ...
had been breaking their own rules by producing highly expressive, sculptural concrete work. The argument against ornament peaked in 1959 over discussions of the
Seagram Building The Seagram Building is a skyscraper at 375 Park Avenue, between 52nd and 53rd Streets, in the Midtown Manhattan neighborhood of New York City. Designed by Ludwig Mies van der Rohe with minor assistance from Philip Johnson, Ely Jacques Kahn, ...
, where
Mies van der Rohe Ludwig Mies van der Rohe ( ; ; born Maria Ludwig Michael Mies; March 27, 1886August 17, 1969) was a German-American architect. He was commonly referred to as Mies, his surname. Along with Alvar Aalto, Le Corbusier, Walter Gropius and Frank Lloyd ...
installed a series of structurally unnecessary vertical I-beams on the outside of the building, and by 1984, when
Philip Johnson Philip Cortelyou Johnson (July 8, 1906 – January 25, 2005) was an American architect best known for his works of modern and postmodern architecture. Among his best-known designs are his modernist Glass House in New Canaan, Connecticut; the po ...
produced his AT&T Building in Manhattan with an ornamental pink granite neo-Georgian pediment, the argument was effectively over. In retrospect, critics have seen the AT&T Building as the first Postmodernist building.


See also

*
Applied arts The applied arts are all the arts that apply design and decoration to everyday and essentially practical objects in order to make them aesthetically pleasing."Applied art" in ''The Oxford Dictionary of Art''. Online edition. Oxford Univers ...
*
Work of art A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature ...
*
Bronze and brass ornamental work Art in bronze and brass dates from remote antiquity. These important metals are alloys, bronze composed of copper and tin and brass of copper and zinc. Proportions of each alloy vary slightly. Bronze may be normally considered as nine parts ...
*
Brocade Brocade is a class of richly decorative shuttle-woven fabrics, often made in colored silks and sometimes with gold and silver threads. The name, related to the same root as the word " broccoli", comes from Italian ''broccato'' meaning "emb ...
* Typographic ornaments:
Dingbat In typography, a dingbat (sometimes more formally known as a printer's ornament or printer's character) is an ornament, specifically, a glyph used in typesetting, often employed to create box frames, (similar to box-drawing characters) or as ...
s


Notes


19th-century compendiums of ornament

* ( s:de:Heinrich Dolmetsch) *
Owen Jones Owen Jones (born 8 August 1984) is a British newspaper columnist, political commentator, journalist, author, and left-wing activist. He writes a column for '' The Guardian'' and contributes to the '' New Statesman'' and '' Tribune.'' He has ...
(1856) '' The Grammar of Ornament''. * Meyer, Franz Sales, (1898), ''A Handbook of Ornament'' *


References

* * Rawson, Jessica, ''Chinese Ornament: The lotus and the dragon'', 1984, British Museum Publications, *Tabbaa, Yasser, ''The transformation of Islamic art during the Sunni revival'', I.B.Tauris, 2002, ,
google books
* James Trilling ''The Language of Ornament'' *Peterson, Sara
Ornament and Pattern in Western Art: Renaissance and Mannerist; Baroque; Rococo; Neoclassical; Historicist and Traditional Historicism; 19th century Reform Movement; 20th century
''Grove's Dictionary of Art'', edited Jane Turner, 1996 {{DEFAULTSORT:Ornament (Art) Architectural elements Architectural theory Interior design Visual motifs