Norman McLaren

William Norman McLaren, LL. D. (11 April 1914 – 27 January 1987) was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB).Rosenthal, Alan. ''The new documentary in action: a casebook in film making''. University of California Press, 1972. 267-8. Print. He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films.

His awards included an Academy Award for Best Documentary Short Subject in 1952 for ''Neighbours'', a Silver Bear for best short documentary at the 1956 Berlin International Film Festival for '' Rythmetic'' and a 1969 BAFTA Award for Best Animated Film for '' Pas de deux''.

Early life

Norman McLaren was born in Stirling, Scotland, on 11 April 1914. He had two older siblings, one brother, Jack and a sister, Sheena. At the age of 21, he travelled to Russia for a vacation which confirmed his communist beliefs; his father had paid for the trip in hopes of curing McLaren of the communist belief he valued.

When McLaren was 22, he left Stirling and studied set design at the Glasgow School of Art. McLaren joined the Kinecraft Society at the Glasgow School of Art while he was studying there, it was within the society that he began to experiment with different styles and techniques of filmmaking. It was also at the Glasgow School of Art that McLaren met Helen Biggar, they produced films together outside the School and sought to have their productions released nationally.

His early experiments with film and animation included actually scratching and painting the film stock itself, as he did not have ready access to a camera. His earliest extant film, ''Seven Till Five'' (1933), a "day in the life of an art school" was influenced by Eisenstein and displays a strongly formalist attitude.

McLaren's next film, ''Camera Makes Whoopee'' (1935), was a more elaborate take on the themes explored in ''Seven Till Five'', inspired by his acquisition of a Ciné-Kodak camera, which enabled him to execute a number of 'trick' shots. McLaren used pixilation effects, superimpositions and animation not only to display the staging of an art school ball, but also to tap into the aesthetic sensations supposedly produced by this event.

His two early films won prizes at the Scottish Amateur Film Festival, where fellow Scot and future NFB founder John Grierson was a judge.

Professional career

GPO Film Unit

Grierson, who was at that time head of the UK General Post Office film unit, saw another of his movies at an amateur film festival and took interest. He hired McLaren for the GPO after his studies, following a stint as cameraman on '' Defence of Madrid'', Ivor Montagu's documentary on the Spanish Civil War. McLaren worked at the GPO from 1936 to 1939, making four films including: ''Book Bargain'' (1937), ''Mony a Pickle'' and ''Love on the Wing'' (1938), and ''News for the Navy'' (1938).

Solomon Guggenheim Foundation

McLaren then moved to New York City in 1939, just as World War II was about to begin in Europe. With a grant from the Solomon Guggenheim Foundation, he worked in New York until 1941, making four drawn-on-film animated works: ''Boogie-Doodle'' (1940), along with ''Dots'', ''Loops'' and ''Stars and Stripes''.

NFB

At the invitation of Grierson, he moved to Canada in 1941 to work for the National Film Board, to open an animation studio and to train Canadian animators. Upon McLaren's arrival in Canada, Grierson asked him to direct a promotional film reminding Canadians to mail their Christmas cards early, ''Mail Early'' (1941). He then worked on animated shorts as well as maps for Allied propaganda documentary films, followed by his War Bonds campaign films: ''V for Victory'' (1941), ''5 for 4'' (1942), ''Hen Hop'' (1942) and ''Dollar Dance'' (1943).

As of 1942, McLaren could no longer keep up with the demands for animation at the fast-growing NFB, and he was asked by Grierson to recruit art students and create a small animation team—a task made more difficult because many young students had gone off to fight in the war. McLaren found recruits for his fledgling animation unit at the École des beaux-arts de Montréal and the Ontario College of Art, including René Jodoin, George Dunning, Jim McKay, Grant Munro and his future collaborator, Evelyn Lambart. McLaren trained these emerging animators, who would all work on cartoons, animated cards and propaganda documentaries before going on to make their own films. Studio A, the NFB's first animation studio, formally came into existence as of January 1943, with McLaren as its head.

During his work for the NFB, McLaren created his most famous film, ''Neighbours'' (1952), which has won various awards around the world, including the Canadian Film Award and the Academy Award. Besides the brilliant combination of visuals and sound, the film has a very strong social message against violence and war. In 1955, McLaren won the Cannes Film Festival prize for ''Blinkity Blank'' (1955), which he later selected as his diploma piece when he was inducted into the Royal Canadian Academy of Arts in 1974. In his early period in Canada, McLaren spent considerable time developing the animation department of the board.

UNESCO

In addition to film, McLaren worked with UNESCO in the 1950s and 1960s on programs to teach film and animation techniques in China and India. His five part "Animated Motion" shorts, produced in the late 1970s, are an excellent example of instruction on the basics of film animation.

While travelling back from Mexico, McLaren travelled to Cuba and by chance met Fidel Castro.

Legacy

McLaren is remembered for his experiments with image and sound as he developed a number of groundbreaking techniques for combining and synchronizing animation with music.

The National Film Board honoured McLaren by naming its Montreal head office building the Norman McLaren Building. The Montreal borough of Saint-Laurent, which is home to the NFB, has also honoured McLaren by naming a borough district after him.

In 1981, the new Film House opened in Edinburgh, it was to be the home of the Edinburgh International Film Festival, inside there are two seats dedicated to McLaren and Grierson.

In 2006, he was the subject of a short animated documentary '' McLaren's Negatives''. Also in 2006, the Film Board marked the 65th anniversary of NFB animation with an international retrospective of McLaren's restored classics and a new DVD box set of his complete works.

In June 2013, the NFB released an iTunes app entitled "McLaren's Workshop," allowing users to create their own films using animation techniques utilized by McLaren and providing access to over fifty of his films.

From 1 to 10 June 2018, Robert Lepage, principal dancer Guillaume Côté and the National Ballet of Canada staged a ballet entitled ''Frame by Frame'', based on McLaren's life and work.

Birth centenary events

The 100th anniversary of the birth of McLaren was marked by a project entitled "McLaren Wall-to-Wall" in Montreal's Quartier des Spectacles entertainment district, with short films inspired by McLaren works ''Neighbours'', ''Begone Dull Care'', ''Synchromy'' and ''Spheres'' projected onto local landmarks.

McLaren's centenary was also celebrated in Scotland with the McLaren 2014 Programme of screenings, exhibitions, events and animation workshops. The Programme was conceived of and directed by animator Iain Gardner who also serves as the Animation Programmer for the Edinburgh International Film Festival. The programme was a key focus within the 68th Edinburgh International Film Festival in June, and ran through to the end of the XX Commonwealth Games in Glasgow in August. The McLaren 2014 Programme was managed by the Centre for the Moving Image, working in partnership with the National Film Board of Canada, and over 20 partners in Scotland and the UK.
In April 2014 his only surviving nephew Douglas Biggar (younger son of Sheena) unveiled a blue heritage plaque on his childhood home marking the centenary of his birth.

Lifetime achievement awards

In 1968, he was made an Officer of the Order of Canada and promoted to Companion in 1973. In 1977, he received an honorary doctorate from Concordia University. In 1982, he was the first anglophone to receive the Prix Albert-Tessier, given to persons for an outstanding career in Québec cinema.

In 1986, he received a Lifetime Achievement Award at the World Festival of Animated Film – Animafest Zagreb.

In 2009, McLaren's works were added to UNESCO's Memory of the World Programme, listing the most significant documentary heritage collections in the world, joining such works as the Gutenberg Bible and '' The Wizard of Oz''.

Accolades

;Academy Awards (USA)
*1953 Academy Award for Best Documentary Short Subject for ''Neighbours'' – Won
*1953 Academy Award for Best Short Subject, One-reel for ''Neighbours'' – Nominated
*1958 Academy Award for Best Short Subject, Live Action Subjects for ''A Chairy Tale'' – Nominated
*1964 Academy Award for Best Animated Short Film for ''Christmas Cracker'' – Nominated
*1968 Academy Award for Best Short Subject, Live Action Subjects for ''Duo'', the U.S. release title for '' Pas de deux'' – Nominated

;Annie Awards (USA)
*(1975) Annie Award: Winsor McCay Award—Won

;BAFTA Awards (UK)
*(1969) BAFTA Film Award for Best Animated Film for '' Pas de deux'' (1968) – Won

;Berlin International Film Festival
*( 1951) Silver Medal (Culture Films and Documentaries) award for ''Begone Dull Care'' – Won
*(1956) Silver Bear (Short Film) Award for '' Rythmetic'' – Won

;Canadian Film Awards (Canada)
*(1949) Special Award for ''Dots'' – Won
*(1950) Special Award for ''Begone Dull Care'' – Won
*(1952) Special Award for ''Around is Around'' – Won
*(1952) Special Award for ''Now is the Time'' – Won
*(1952) Special Award for ''After the Storm'' – Won
*(1953) Special Award for ''A Phantasy'' – Won
*(1953) Special Award for ''Neighbours'' – Won
*(1958) Arts and Experimental for '' A Chairy Tale'' (shared with Claude Jutra) – Won
*(1962) Arts and Experimental for ''Lines Horizontal'' – Won
*(1965) Arts and Experimental for '' Canon'' (shared with Grant Munro) – Won
*(1968) Special Award for '' Pas de deux'' – Won

;Cannes Film Festival
*(1955) Short Film Palme d'Or for '' Blinkity Blank'' – Won

;Columbus International Film and Video Festival (USA)
*(1984) ''Narcissus'' – Honorable Mention

;Dance on Camera Festival (USA)
*(1984) Gold Star Award for ''Narcissus'' – Won

;Festival international de cinéma de court métrage (France)
*(1985) ''Narcissus'' – Special Mention

;Festival international du film romantique
*(1985) Madame de Stael Prize (First Prize) for ''Narcissus'' – Won

;Genie Awards (Canada)
*(1984) Special Achievement Genie – Won

;Golden Sheaf Awards / Short Film and Video Festival (Canada)
*(1984) Golden Sheaf Award – Best Experimental Film for ''Narcissus'' – Won

;International Film Festival (India)
*(1984) Golden Peacock for the Best Short Film of the Festival for ''Narcissus'' – Won

;Itinerant – American Film and Video Festival (USA)
*(1984) Visual Essays for ''Narcissus'' – Honorable Mention

Personal life

McLaren's longtime partner was fellow NFB director Guy Glover, whom he met at the ballet in London in 1937. The two men remained in a committed relationship until McLaren's death.

See also

* René Jodoin
* Motion graphics
* Steven Woloshen

References

Bibliography

* Burant, Jim.
Ottawa Art & Artists: An Illustrated History.
' Toronto: Art Canada Institute, 2022.
* Dominique Chateau, "Norman McLaren : pensée-cinéma et cinéplastique", ''Nouvelles Vues'', issue 17, winter-spring 2016 : https://web.archive.org/web/20160809181327/http://www.nouvellesvues.ulaval.ca/no-17-hiver-2016-cinema-et-philosophie-par-s-santini-et-p-a-fradet/articles/norman-mclaren-pensee-cinema-et-cineplastique-par-dominique-chateau/
* Raphaël Bassan, "Norman McLaren : le silence de Prométhée", in Les Cahiers de Paris expérimental, no 17 (in French) (2004)*
* Olivier Cotte (2007) ''Secrets of Oscar-winning animation: Behind the scenes of 13 classic short animations.'' (Making of ''Neighbours'') Focal Press.
* Alfio Bastiancich, "Norman McLaren: Précurseur des Nouvelles Images", Dreamland èditeur, Paris (1997) (in French)
* Rogers, Holly and Jeremy Barham: ''The Music and Sound of Experimental Film,'' New York: Oxford University Press, 2017.
* Burant, Jim.
Ottawa Art & Artists: An Illustrated History.
' Toronto: Art Canada Institute, 2022. ISBN 978-1-4871-0289-0

External links

*

NFB YouTube official channel

Films of Norman McLaren
at the National Film Board of Canada website

''Norman McLaren: Hands-on Animation''
and
''Creative Process: Norman McLaren''
at the National Film Board of Canada website
Canadian Film Encyclopedia

Order of Canada Citation

Norman McLaren on screenonline
*

Norman McLaren Archive at the University of Stirling Archive

{{DEFAULTSORT:Mclaren, Norman
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Companions of the Order of Canada
Directors of Best Documentary Short Subject Academy Award winners
Drawn-on-film animators
Canadian Screen Award winners
Graphical sound
International Animated Film Association
Knights of the National Order of Quebec
LGBT artists from Canada
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People from Stirling
Scottish communists
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Visual music artists
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