National Museum of Korea
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The National Museum of Korea () is the flagship museum of Korean history and
art Art is a diverse range of cultural activity centered around ''works'' utilizing creative or imaginative talents, which are expected to evoke a worthwhile experience, generally through an expression of emotional power, conceptual ideas, tec ...
in South Korea. Since its establishment in 1945, the museum has been committed to various studies and research activities in the fields of archaeology, history, and art, continuously developing a variety of exhibitions and education programs. It was relocated to
Yongsan District Yongsan District (, ) is one of the 25 List of districts of Seoul, districts of Seoul, South Korea. It has a population of 231,685 (2020) and has a geographic area of , and is divided into 19 ''Dong (administrative division), dong'' (administrati ...
,
Seoul Seoul, officially Seoul Special Metropolitan City, is the capital city, capital and largest city of South Korea. The broader Seoul Metropolitan Area, encompassing Seoul, Gyeonggi Province and Incheon, emerged as the world's List of cities b ...
in 2005. On June 24, 2021, the National Museum of Korea opened a new branch inside
Incheon International Airport Incheon International Airport is the main international airport serving Seoul, the capital of South Korea. It is also one of the largest and busiest airports in the world. This airport opened for business on 29 March 2001, to replace the old ...
. Located in the boarding area of the airport in front of Gate No.22, the branch was opened in celebration of the museum's 20th anniversary.


History

Emperor Sunjong established Korea's first museum, the Imperial Household Museum, in 1909. The collections of the Imperial Household Museum at Changgyeonggung and the Japanese Government General Museum administered during Japanese rule of Korea became the nucleus of the National Museum's collection, which was established when South Korea regained independence in 1945. During the
Korean War The Korean War (25 June 1950 – 27 July 1953) was an armed conflict on the Korean Peninsula fought between North Korea (Democratic People's Republic of Korea; DPRK) and South Korea (Republic of Korea; ROK) and their allies. North Korea was s ...
, the museum's 20,000 pieces were safely moved to
Busan Busan (), officially Busan Metropolitan City, is South Korea's second list of cities in South Korea by population, most populous city after Seoul, with a population of over 3.3 million as of 2024. Formerly romanized as Pusan, it is the economi ...
to avoid destruction. When the museum returned to
Seoul Seoul, officially Seoul Special Metropolitan City, is the capital city, capital and largest city of South Korea. The broader Seoul Metropolitan Area, encompassing Seoul, Gyeonggi Province and Incheon, emerged as the world's List of cities b ...
after the war, it was housed at both Gyeongbokgung and Deoksugung Palace. In 1972, the museum moved again to a new building on the grounds of the Gyeonbokgung Palace. The museum was moved again in 1986 to the Jungangcheong, the former Japanese General Government Building, where it was housed (with some controversy and criticism) until the building's demolition in 1995. In December 1996, the museum was opened to the public in temporary accommodations in the renovated Social Education Hall, before officially reopening in its new building in Yongsan Family Park on October 28, 2005. The museum is situated on what used to be a golf course that was part of the Yongsan Garrison, the central command of the United States Forces stationed in Korea. The US Army returned a part of the land in 1992 to the Korean government, which went on to become the Yongsan Family Park. While the plans for the museum inside the park began in 1993, its opening was delayed repeatedly by a helipad, which was eventually relocated in 2005 by agreement. The museum contains over 310,000 pieces in its collection with about 15,000 pieces on display at one time. It displays relics and artifacts throughout six permanent exhibition galleries such as Prehistory and Ancient History Gallery, Medieval and Early Modern History Gallery, Donation Gallery, Calligraphy and Painting Gallery, Asian Art Gallery, and Sculpture and Crafts Gallery. It is the sixth largest museum in the world in terms of floor space, now covering a total of . In order to protect the artifacts inside the museum, the main building was built to withstand a magnitude 6.0
Richter Scale The Richter scale (), also called the Richter magnitude scale, Richter's magnitude scale, and the Gutenberg–Richter scale, is a measure of the strength of earthquakes, developed by Charles Richter in collaboration with Beno Gutenberg, and pr ...
earthquake. The
display case A display case (also called a showcase, display cabinet, shadow box, or vitrine) is a Cabinet (furniture), cabinet with one or often more transparency and translucency, transparent tempered glass (or plastic, normally Poly(methyl methacrylate), ...
s are equipped with shock-absorbent platforms. There is also an imported natural lighting system which utilizes sunlight instead of artificial lights and a specially designed air-conditioning system. The museum is made from fire-resistant materials and has special exhibition halls, education facilities, a children's museum, huge outdoor exhibition areas, restaurants, cafes, and shops.


Layout

The museum is divided into three floors. Symbolically, the left of the museum is supposed to represent the past, while the right side of the museum represents the future. The ground floor contains parks; gardens of indigenous plants; waterfalls and pools; and a collection of pagodas, stupas, lanterns, and steles (including National Treasure of Korea No. 2, the Great Bell of Bosingak, the exemplar of Korean bells of the Joseon period).


First floor

On the first floor is the Prehistory and Ancient History Gallery, which contains approximately 4,500 artifacts from the
Paleolithic The Paleolithic or Palaeolithic ( years ago) ( ), also called the Old Stone Age (), is a period in human prehistory that is distinguished by the original development of stone tools, and which represents almost the entire period of human prehist ...
to the Unified Silla era excavated from sites across Korea. The nine exhibition rooms in the gallery are the Palaeolithic Room, the
Neolithic The Neolithic or New Stone Age (from Ancient Greek, Greek 'new' and 'stone') is an archaeological period, the final division of the Stone Age in Mesopotamia, Asia, Europe and Africa (c. 10,000 BCE to c. 2,000 BCE). It saw the Neolithic Revo ...
Room, the
Bronze Age The Bronze Age () was a historical period characterised principally by the use of bronze tools and the development of complex urban societies, as well as the adoption of writing in some areas. The Bronze Age is the middle principal period of ...
and
Gojoseon Gojoseon (; ), contemporary name Joseon (; ), was the first kingdom on the Korea, Korean Peninsula. According to Korean mythology, the kingdom was established by the legendary king Dangun. Gojoseon possessed the most advanced culture in th ...
Room, the Proto Three Kingdoms Room, the
Goguryeo Goguryeo (37 BC – 668 AD) (; ; Old Korean: Guryeo) also later known as Goryeo (; ; Middle Korean: 고ᇢ롕〮, ''kwòwlyéy''), was a Korean kingdom which was located on the northern and central parts of the Korea, Korean Peninsula an ...
Room, the
Baekje Baekje or Paekche (; ) was a Korean kingdom located in southwestern Korea from 18 BCE to 660 CE. It was one of the Three Kingdoms of Korea, together with Goguryeo and Silla. While the three kingdoms were in separate existence, Baekje had the h ...
Room, the Gaya Room, and the
Silla Silla (; Old Korean: wikt:徐羅伐#Old Korean, 徐羅伐, Yale romanization of Korean, Yale: Syerapel, Revised Romanization of Korean, RR: ''Seorabeol''; International Phonetic Alphabet, IPA: ) was a Korean kingdom that existed between ...
Room. Ranging from chipped stone handaxes to luxurious ancient royal ornaments, the relics displayed here show the long journey taken by early settlers on the Peninsula towards developing their unique culture. Artifacts from important prehistoric sites and settlements such the
Bangudae Petroglyphs The Bangudae Petroglyphs () are pre-historic engravings on flat vertical rock faces. They are on rocks around 8m wide and around 5m high on steep cliffs on the riverside of the Daegokcheon stream, a branch of the Taehwa River,Songgung-ni are found in the
Neolithic The Neolithic or New Stone Age (from Ancient Greek, Greek 'new' and 'stone') is an archaeological period, the final division of the Stone Age in Mesopotamia, Asia, Europe and Africa (c. 10,000 BCE to c. 2,000 BCE). It saw the Neolithic Revo ...
and
Bronze Age The Bronze Age () was a historical period characterised principally by the use of bronze tools and the development of complex urban societies, as well as the adoption of writing in some areas. The Bronze Age is the middle principal period of ...
Rooms. Also on the first floor is the Medieval and Early Modern History Gallery, which showcases the cultural and historical heritage throughout the Unified Silla, Balhae, Goryeo, and Joseon periods. The eight rooms of the gallery include the Unified Silla Room,
Balhae Balhae,, , ) also rendered as Bohai or Bohea, and called Jin (; ) early on, was a multiethnic kingdom established in 698 by Dae Joyeong (Da Zuorong). It was originally known as the Kingdom of Jin (震, Zhen) until 713 when its name was changed ...
Room,
Goryeo Goryeo (; ) was a Korean state founded in 918, during a time of national division called the Later Three Kingdoms period, that unified and ruled the Korea, Korean Peninsula until the establishment of Joseon in 1392. Goryeo achieved what has b ...
Room, and the
Joseon Joseon ( ; ; also romanized as ''Chosun''), officially Great Joseon (), was a dynastic kingdom of Korea that existed for 505 years. It was founded by Taejo of Joseon in July 1392 and replaced by the Korean Empire in October 1897. The kingdom w ...
Room.


Second floor

The second floor contains the Donation Gallery and the Calligraphy and Painting Gallery, which contains 890 pieces of art that showcase the traditional and religious arts of Korea in line and color. The Calligraphy and Painting Gallery is divided into four rooms: the Painting Room, the
Calligraphy Calligraphy () is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instruments. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an e ...
Room, the Buddhist Paintings Room, and the Sarangbang (Scholar's Studio). The Donation Gallery holds 800 pieces of art donated from the private collections of collectors. The gallery is divided into eleven rooms: the Lee Hong-kun Collection Room, the Kim Chong-hak Collection Room, the Yu Kang-yul Collection Room, the Park Young-sook Collection Room, the Choi Young-do Collection Room, the Park Byong-rae Collection Room, the Yoo Chang-jong Collection Room, the Kaneko Kazushige Collection Room, the Hachiuma Tadasu Collection Room, the Iuchi Isao Collection Room, and the Other Collection Room.


Third floor

The third floor contains the Sculpture and Crafts Gallery, with 630 pieces that represent Korean Buddhist sculpture and craftwork. Highlights of the gallery include Goryeo
Celadon Celadon () is a term for pottery denoting both wares ceramic glaze, glazed in the jade green Shades of green#Celadon, celadon color, also known as greenware or "green ware" (the term specialists now tend to use), and a type of transparent glaze, ...
wares and National Treasure of Korea No. 83, Bangasayusang (or Pensive Bodhisattva). The five rooms of the gallery are the Metal Arts Room, the Celadon Room, the Buncheong Ware Room, the White Porcelain Room, and the Buddhist Sculpture Room. Also on the third floor is the Asian Arts Gallery, which contains 970 pieces that explore the similarities and divergences of Asian art and the confluence of Asian and Western art via the
Silk Road The Silk Road was a network of Asian trade routes active from the second century BCE until the mid-15th century. Spanning over , it played a central role in facilitating economic, cultural, political, and religious interactions between the ...
. The five rooms are the Indian & Southeast Asian Art Room, the Central Asian Art Room, the Chinese Art Room, the Sinan Undersea Relics Room, and the Japanese Art Room.


Collection


Gold Crown, National Treasure of Korea No. 191

The Fifth-century Silla gold crown was excavated from the North tomb of Hwangnamdaechong in Gyeongju. More ornaments, including a silver belt ornament inscribed ()'Buindae ("Madame's belt"), were found in the North tomb than in the South tomb, suggesting that the North tomb is a woman's. The gold crown reflects the owner's political and social class.


Pensive Bodhisattva

This Bodhisattva, from the early Seventh-century, sits with one leg over the other, lost in thought with fingers on its cheeks. The pose is derived from that of the Buddha contemplating the life of human beings. This statue wears a flat crown called the 'Three Mountain Crown' or 'Lotus Crown.' The torso is naked, adorned by a simple necklace. There are remarkable similarities with the wooden Pensive Bodhisattva at the Koryuji Temple in Kyoto, Japan, which is believed to have been founded by a Silla monk. It is likely, then, that this statue was created in Silla. The well-balanced shape, however, and elegant and refined craftsmanship is typical of the Baekje period.


Incense Burner, Celadon with Openwork, National Treasure of Korea No. 95

This Twelfth-century incense burner represents some of the best quality Goryeo
celadon Celadon () is a term for pottery denoting both wares ceramic glaze, glazed in the jade green Shades of green#Celadon, celadon color, also known as greenware or "green ware" (the term specialists now tend to use), and a type of transparent glaze, ...
. It is composed of a cover (with a central hole for releasing incense), a burner, and a support. Above the hole for incense is a curved knob with a Seven Treasure design incised to aid the release of scent.


Ten-Story Pagoda from Gyeongcheonsa Temple, National Treasure of Korea No. 86

The " Gyeongcheonsa Ten-Story Pagoda" () was originally erected at the monastery Gyeongcheonsa in the fourth year (1348) of King Chungmok of Goryeo. In 1907, it was illegally smuggled to Japan by a Japanese court official, but was returned in 1918 at the behest of British and American journalists, E. Bethell and H. Hulbert. In 1960, it was restored to Gyoengbokgung Palace, but proved difficult to conserve because of acid rain and weathering. So, it was dismantled again in 1995, to be housed inside in the National Museum of Korea's 'Path to History' when the museum reopened in 2005.


Album of Genre Painting by Danwon, Treasure of Korea No. 527

The 18th-century painter Kim Hong-do, also known as Danwon, is known for his humorous and candid paintings of the lives of common people. This album consists of twenty-five paintings, each focusing on figures without background features. Kim's paintings appear sketchy, yet show expressive brush strokes and balanced composition. It is presumed that this style arose in Kim's late 30s, the album being completed when he was about 40 years old.


The Oegyujanggak Uigwe

Gyujanggak was a royal library established on the grounds of Changdeokgung Palace in the capital by order of King Jeongjo, the 22nd ruler of the Joseon, in 1776. Over time, the library also developed into a state-sponsored research institution. In 1782, a royal library annex called Oegyujanggak was established on Gangwha Island to preserve important documents related to the royal family more systematically and securely than possible in the capital. Oegyujanggak housed copies of writings, calligraphy, and drawings by former kings as well as the royal genealogies, uigwe, and other such items. As such it was a repository of royal family culture. It includes records of the preparations for state-sponsored events and ceremonies involving key members of the Joseon royal family. The text explains every process in detail and is supported by illustrations elaborately drawn by hand. These served as references for later generations organizing similar ceremonies or events. The Uigwe began to be produced in the 15th century, during early Joseon, and the practice continued to the end of the kingdom in the early 20th century. They preserve core elements of Confucian culture, which revered ritual and propriety. These works also show the governing philosophy and systems by which the Joseon state was run. Their historical and cultural value has been recognized globally, as the "Royal Protocols of Joseon Dynasty"* were inscribed into the UNESCO Memory of the World Register in 2007. Two hundred and ninety-seven volumes of the Protocols that were looted in 1866 during the French campaign against Korea were kept at the
Bibliothèque nationale de France The (; BnF) is the national library of France, located in Paris on two main sites, ''Richelieu'' and ''François-Mitterrand''. It is the national repository of all that is published in France. Some of its extensive collections, including bo ...
. In 1975, Dr. Park Byung-sun, who was working as a contract employee at the National Library of France, discovered that the library held books from the Joseon Dynasty. She organized the Protocols, and their existence became known. During the Korea-France summit in September 1993, French President
François Mitterrand François Maurice Adrien Marie Mitterrand (26 October 19168 January 1996) was a French politician and statesman who served as President of France from 1981 to 1995, the longest holder of that position in the history of France. As a former First ...
, aiming to secure the
TGV The TGV (; , , 'high-speed train') is France's intercity high-speed rail service. With commercial operating speeds of up to on the newer lines, the TGV was conceived at the same period as other technological projects such as the Ariane 1 rocke ...
contract for the construction of the Gyeongbu high-speed railway, brought one volume of the "Huigyeongwonweonsodogam Uigwe" to demonstrate his intention to return the Oegyujanggak books. However, contrary to the promise, the Oegyujanggak books were not returned. In October 2000, at another summit between the two countries, they agreed to return 63 volumes, which had no handwritten copies in Korea, in the form of a "reciprocal cultural heritage exchange exhibition" by 2001. However, the return negotiations were either postponed or delayed by the French side, which showed a passive attitude. Additionally, within Korea, historical, academic, and civic organizations were expanding their movement for the return of the Oegyujanggak books, insisting on unconditional repatriation, even by appealing to the International Court of Justice. The issue remained unresolved. However, during the G20 Summit on November 12, 2010, the presidents of both countries agreed to lend the Oegyujanggak books to Korea on a renewable five-year lease. After 145 years, they were repatriated in April and June 2011 in four separate installments.A special exhibition, ''The Return of the Oegyujanggak Uigwe from France: Records of the State Rites of the Joseon Dynasty'', was held from 19 July to 18 September 2011. In June 2011, before of the exhibition, the museum showcased five copies of the records to the media, along with the silk covers of other volumes.


See also

* Ministry of Culture, Sports and Tourism


References


External links

*
Virtual tour of the National Museum of Korea
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National Museum of Korea The National Museum of Korea () is the flagship museum of Korean history and Korean art, art in South Korea. Since its establishment in 1945, the museum has been committed to various studies and research activities in the fields of archaeology ...
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