National Gallery Of Art

The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western Art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.

The Gallery's campus includes the original neoclassical West Building designed by John Russell Pope, which is linked underground to the modern East Building, designed by I. M. Pei, and the Sculpture Garden. The Gallery often presents temporary special exhibitions spanning the world and the history of art. It is one of the largest museums in North America.

For the breadth, scope, and magnitude of its collections, the National Gallery is widely considered to be one of the greatest museums in the United States of America, often ranking alongside the Metropolitan Museum of Art and Museum of Modern Art in New York City, the Art Institute of Chicago in Chicago, Illinois, and the Museum of Fine Arts in Boston, Massachusetts. Of the top three art museums in the United States by annual visitors, it is the only one that has no admission fee. In 2021 it attracted 1,704,606 visitors, and ranked fifth on the list of most visited art museums in the world.

History

Origins

Andrew W. Mellon, Pittsburgh banker and Treasury Secretary from 1921 until 1932, began gathering a private collection of old master paintings and sculptures during World War I. During the late 1920s, Mellon decided to direct his collecting efforts towards the establishment of a new national gallery for the United States.

In 1930, partly for tax reasons, Mellon formed the A. W. Mellon Educational and Charitable Trust, which was to be the legal owner of works intended for the gallery. In 1930–1931, the Trust made its first major acquisition, 21 paintings from the Hermitage Museum in St. Petersburg as part of the Soviet sale of Hermitage paintings, including such masterpieces as Raphael's '' Alba Madonna,'' Titian's '' Venus with a Mirror'', and Jan van Eyck's '' Annunciation''.

In 1929 Mellon had initiated contact with the recently appointed Secretary of the Smithsonian Institution, Charles Greeley Abbot. Mellon was appointed in 1931 as a Commissioner of the Institution's National Gallery of Art. When the director of the Gallery retired, Mellon asked Abbot not to appoint a successor, as he proposed to endow a new building with funds for expansion of the collections.

However, Mellon's trial for tax evasion, centering on the Trust and the Hermitage paintings, caused the plan to be modified. In 1935, Mellon announced in '' The Washington Star'' his intention to establish a new gallery for old masters, separate from the Smithsonian. When asked by Abbot, he explained that the project was in the hands of the Trust and that its decisions were partly dependent on "the attitude of the Government towards the gift".

In January 1937, Mellon formally offered to create the new Gallery. On his birthday, 24 March 1937, an Act of Congress accepted the collection and building funds (provided through the Trust), and approved the construction of a museum on the National Mall.

The new gallery was to be effectively self-governing, not controlled by the Smithsonian, but took the old name "National Gallery of Art" while the Smithsonian's gallery would be renamed the "National Collection of Fine Arts" (now the Smithsonian American Art Museum).

Construction and later history

The museum stands on the former site of the Baltimore and Potomac Railroad Station, where in 1881 a disgruntled office seeker, Charles Guiteau, shot President James Garfield (see James A. Garfield assassination). The station was demolished in 1908 because it did not conform to the McMillan Plan for the Mall. In 1918, temporary war buildings were constructed on the site; these were demolished by 1921 to construct the foundation of the George Washington Memorial Building, which was never completed. The site was then reassigned to the new National Gallery of Art.

Designed by architect John Russell Pope, the new structure was completed and accepted by President Franklin D. Roosevelt on behalf of the American people on March 17, 1941. At the time of its inception it was the largest marble structure in the world. Neither Mellon nor Pope lived to see the museum completed; both died in late August 1937, only two months after excavation had begun.

As anticipated by Mellon, the creation of the National Gallery encouraged the donation of other substantial art collections by a number of private donors. Founding benefactors included such individuals as Paul Mellon, Samuel H. Kress, Rush H. Kress, Ailsa Mellon Bruce, Chester Dale, Joseph Widener, Lessing J. Rosenwald and Edgar William and Bernice Chrysler Garbisch.

The Gallery's East Building was constructed in the 1970s on much of the remaining land left over from the original congressional action. Andrew Mellon's children, Paul Mellon and Ailsa Mellon Bruce, funded the building. Designed by architect I. M. Pei, the contemporary structure was completed in 1978 and was opened on June 1 of that year by President Jimmy Carter. The new building was built to house the Museum's collection of modern paintings, drawings, sculptures, and prints, as well as study and research centers and offices. The design received a National Honor Award from the American Institute of Architects in 1981.

The final addition to the complex is the National Gallery of Art Sculpture Garden. Completed and opened to the public on May 23, 1999, the location provides an outdoor setting for exhibiting a number of large pieces from the Museum's contemporary sculpture collection.

In 2011, an extensive refurbishment and renovation of the French galleries were undertaken. As part of the celebration of the reopening of this wing, organist Alexander Frey performed 4 sold-out recitals of music of France in one weekend in the French Gallery.

Operations

The National Gallery of Art is supported through a private-public partnership. The United States federal government provides funds, through annual appropriations, to support the museum's operations and maintenance. All artwork, as well as special programs, are provided through private donations and funds. The museum is not part of the Smithsonian Institution.

Noted directors of the National Gallery have included David E. Finley, Jr. (1938-1956), John Walker (1956–1968), and J. Carter Brown (1968–1993). Earl A. "Rusty" Powell III was named director in 1993. In March 2019 he was succeeded by Kaywin Feldman, past director and president of the Minneapolis Institute of Art. The museum hired Evelyn Carmen Ramos, the first woman and the first person of color to be the chief curatorial and conservation officer, in 2021.

The president of the museum is billionaire businessman Mitchell Rales and its chairperson is Sharon Rockefeller.

Entry to both buildings of the National Gallery of Art is free of charge. The museum is open daily from 10 a.m. – 5 p.m. It is closed on December 25 and January 1.

During the COVID-19 pandemic, the National Gallery was largely closed to the public. However, visitors were able to schedule appointments to access the west building in small numbers.

Architecture

The museum comprises two buildings: the West Building (1941) and the East Building (1978), linked by an underground passage. The West Building, composed of pink Tennessee marble, was designed in 1937 by architect John Russell Pope in a neoclassical style (as is Pope's other notable building in Washington, D.C., the Jefferson Memorial). Designed in the form of an elongated H, the building is centered on a domed rotunda modeled on the interior of the Pantheon in Rome. Extending east and west from the rotunda, a pair of skylit sculpture halls provide its main circulation spine. Bright garden courts provide a counterpoint to the long main axis of the building.


The West Building has an extensive collection of paintings and sculptures by European masters from the medieval period through the late 19th century, as well as pre-20th century works by American artists. Highlights of the collection include many paintings by Jan Vermeer, Rembrandt van Rijn, Claude Monet, Vincent van Gogh, and Leonardo da Vinci.

In contrast, the design of the East Building, by architect I. M. Pei, is geometrical, dividing the trapezoidal shape of the site into two triangles: one contains public galleries, and the other houses a library, offices, and a study center. The triangles establish a motif that is echoed throughout the building, realized in every dimension.

The East Building's central feature is a high atrium designed as an open interior court that is enclosed by a sculptural space spanning . The atrium is centered on the same axis that forms the circulation spine for the West Building and is constructed in the same Tennessee marble.

However, in 2005 the joints attaching the marble panels to the walls began to show signs of strain, creating a risk that panels might fall onto visitors below. In 2008, NGA officials decided that it had become necessary to remove and reinstall all of the panels. The renovation was completed in 2016.

The East Building focuses on modern and contemporary art, with a collection including works by Pablo Picasso, Henri Matisse, Jackson Pollock, Andy Warhol, Roy Lichtenstein, Alexander Calder, a 1977 mural by Robert Motherwell and works by many other artists. The East Building also contains the main offices of the NGA and a large research facility, Center for Advanced Study in the Visual Arts (CASVA). Among the highlights of the East Building in 2012 was an exhibition of Barnett Newman's ''The Stations of the Cross'' series of 14 black and white paintings (1958–66). Newman painted them after he had recovered from a heart attack; they are usually regarded as the peak of his achievement. The series has also been seen as a memorial to the victims of the Holocaust.

The two buildings are connected by a walkway beneath 4th street, called "the Concourse" on the museum's map. In 2008, the National Gallery of Art commissioned American artist Leo Villareal to transform the Concourse into an artistic installation. Today, ''Multiverse'' is the largest and most complex light sculpture by Villareal featuring approximately 41,000 computer-programmed LED nodes that run through channels along the entire -long space. The concourse also includes the food court and a gift shop.

The final element of the National Gallery of Art complex, the Sculpture Garden was completed in 1999 after more than 30 years of planning. To the west of the West Building, on the opposite side of Seventh Street, the Sculpture Garden was designed by landscape architect Laurie Olin as an outdoor gallery for monumental modern sculpture.

The Sculpture Garden contains plantings of Native American species of canopy and flowering trees, shrubs, ground covers, and perennials. A circular reflecting pool and fountain form the center of its design, which arching pathways of granite and crushed stone complement. (The pool becomes an ice-skating rink during the winter.) The sculptures exhibited in the surrounding landscaped area include pieces by Marc Chagall, David Smith, Mark Di Suvero, Roy Lichtenstein, Sol LeWitt, Tony Smith, Roxy Paine, Joan Miró, Louise Bourgeois, and Hector Guimard.

Renovations

The NGA's West Building was renovated from 2007 to 2009. Although some galleries closed for periods of time, others remained open.Boyle, Katherine and Parker, Lonnae O'Neal. "National Gallery of Art Announces $30 Million Renovation to East Building." ''Washington Post.'' March 12, 2013.
Accessed 2013-03-13.

After congressional testimony that the East Building suffered from "systematic structural failures", NGA adopted a Master Renovations Plan in 1999. This plan established the timeline for closing the building, and planned for the renovation of the electronic security systems, elevators, and HVAC. Space between the ceilings of existing galleries and the building's skylights (which was never completed when the building was constructed in 1978) would be renovated into two, high, hexagonal Tower Galleries. The galleries would have a combined of space and will be lit by skylights. A rooftop sculpture garden would also be added. NGA officials said that the Tower Galleries would probably house modern art, and the creation of a distinct " Rothko Room" was possible.

Beginning in 2011, NGA undertook an $85 million restoration of the East Building's façade.Kelly, John. "Why National Gallery's East Building Shed Its Pink Marble Skin." ''Washington Post.'' February 21, 2012.
Accessed 2013-03-13. The East Building is clad in thick pink marble panels. The panels are held about away from the wall by stainless steel anchors. Gravity holds the panel in the bottom anchors (which are placed at each corner), while "button head" anchors (stainless steel posts with large, flat heads) at the top corners keep the panel upright. Mortar was used on the gravity anchors to level the stones. Joints of flexible colored neoprene were placed between the panels. This system was designed to allow each panel to hang independent of its neighbors, and NGA officials say they are not aware of any other panel system like it.

However, many panels were accidentally mortared together. Seasonal heating and cooling of the façade, infiltration of moisture, and shrinkage of the building's structural concrete by over time caused extensive damage to the façade. In 2005, regular maintenance showed that some panels were cracked or significantly damaged, while others leaned by more than out from the building (threatening to fall).

The NGA hired the structural engineering firm Robert Silman Associates to determine the cause of the problem.Dietsch, Deborah K. "National Gallery of Art's Famed East Building Gets a Facelift." ''Washington Business Journal.'' February 3, 2012.
Accessed 2013-03-13. Although the Gallery began raising private funds to fix the issue, eventually federal funding was used to repair the building. In 2012, the NGA chose a joint venture, Balfour Beatty/Smoot, to complete the repairs. Anodized aluminum anchors replaced the stainless steel ones, and the top corner anchors were moved to the center of the top edge of each stone. The neoprene joints were removed and new colored silicone gaskets installed, and leveling screws rather than mortar used to keep the panels square. Work began in November 2011, and originally was scheduled to end in 2014. By February 2012, however, the contractor said work on the façade would end in late 2013, and site restoration would take place in 2014. The East Building remained open throughout the project.

In March 2013, the National Gallery of Art announced a $68.4 million renovation to the East Building. This included $38.4 million to refurbish the interior mechanical plant of the structure,Boyle, Katherine. "National Gallery Sees Long-Term Benefit in Long Closing of East Building." ''Washington Post.'' March 13, 2013.
Accessed 2013-03-22. and $30 million to create new exhibition space. Because the angular interior space of the East Building made it impossible to close off galleries, the renovation required all but the atrium and offices to close by December 2013. The structure remained closed for three years. The architectural firm of Hartman-Cox oversaw both aspects of the renovation.

A group of benefactors — which included Victoria and Roger Sant, Mitchell and Emily Rales, and David Rubenstein'' reported that the donation was one of the largest the NGA had received in a decade. NGA staff said that they would use the closure to conserve artwork, plan purchases, and develop exhibitions. Plans for renovating conservation, construction, exhibition prep, groundskeeping, office, storage, and other internal facilities were also ready, but would not be implemented for many years.

Buildings

File:Nga west building.jpg, The West Building soon after construction, looking southeast from the National Mall
File:NatGal.jpg, North face of the West Building, with the west side of the East Building and the United States Capitol in background
File:National-Gallery-of-Art-West-Building-John-Russell-Pope-National-Mall-Washington-DC-04-2014.jpg, South face of the West Building (2014)
File:National Gallery of Art interior.jpg, Rotunda of the West Building beneath dome (2004)
File:Nationalgalleryoculus.jpg, Oculus of the West Building dome (2008)
File:DCgallerywest.jpg, West Building sculpture gallery (2007)
File:Nga, cortile ovest.JPG, West Building garden court (2010)
File:National Gallery of Art map.jpg, Satellite image of National Gallery of Art grounds and surrounding streets (2002)
File:Multiverse light sculpture - HDR.jpg, Moving walkway and light sculpture in concourse beneath 4th Street connecting East and West Buildings (2016)
File:West Building of the National Gallery of Art.JPG, Center of West Building plaza, looking west towards West Building (2010)
File:Fountain - National Gallery of Art's West Building.JPG, Fountain in West Building plaza (2010)
File:National Gallery, Concourse - fountain.JPG, View of fountain from concourse beneath West Building plaza (2013)
File:NGA-pjt1.jpg, Center of West Building plaza, looking east towards entrance of East Building (2000)
File:National Gallery of Art - East Building.JPG, South face of East Building, looking northwest from southeast corner (2010)
File:National Gallery of Art DC 2007ex.jpg, Southwest corner of East Building, looking east (2007)
File:National-Gallery-of-Art-East-Building-I-M-Pei-National-Mall-Washington-DC-Apr-2014.jpg, Southwest corner of East Building during renovation, looking northeast (2014)
File:East Building of the National Gallery of Art, atrium.jpg, East Building atrium (2007)
File:National Gallery of Art DC 2007i.jpg, East Building atrium (2007)

Collection

The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's '' Maesta'', the tondo of the ''Adoration of the Magi'' by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's '' Allendale Nativity'', Giovanni Bellini's ''The Feast of the Gods'', ''Ginevra de' Benci'' (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.

The collections include paintings by many European masters, including a version of '' Saint Martin and the Beggar,'' by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the ''Chalice'' of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled ''The Voyage of Life'', (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of ''Watson and the Shark'' by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).

The National Gallery's print collection comprises 75,000 prints, in addition to rare illustrated books. It includes collections of works by Albrecht Dürer, Rembrandt, Giovanni Battista Piranesi, William Blake, Mary Cassatt, Edvard Munch, Jasper Johns, and Robert Rauschenberg. The collection began with 400 prints donated by five collectors in 1941. In 1942, Joseph E. Widener donated his entire collection of nearly 2,000 works. In 1943, Lessing Rosenwald donated his collection of 8,000 old master and modern prints; between 1943 and 1979, he donated almost 14,000 more works. In 2008, Dave and Reba White Williams donated their collection of more than 5,200 American prints.

In 2013, the NGA purchased from a private French collection Gerard van Honthorst's 1623 painting, ''The Concert'', which had not been publicly viewed since 1795. After initially displaying the ''The Concert'' in a special installation in the West Building, the NGA moved the painting to a permanent display in the museum's Dutch and Flemish galleries. Art experts estimated the sale price of ''The Concert'' at $20 million, though the NGA did not reveal the amount that it had paid.Vogel, Caro
"National Gallery Acquires a van Honthorst Masterwork."
''New York Times.'' November 21, 2013. Accessed 2013-11-22.

Highlights of the collection

File:Annunciation - Jan van Eyck - 1434 - NG Wash DC.jpg, '' Annunciation'', van Eyck, c. 1434
File:Rogier van der Weyden - Portrait of a Lady - Google Art Project.jpg, Rogier van der Weyden, '' Portrait of a Lady,'' c. 1460
File:Giorgione - Adoration of the Shepherds - National Gallery of Art.jpg, Giorgione, '' Adoration of the Shepherds,'' c. 1500
File:Raffaello Madonna Cowper.jpg, Raphael, '' Cowper Madonna'', 1504–05
File:Raphael - Saint George and the Dragon - Google Art Project.jpg, ''Saint George and the Dragon'' by Raphael, 1506
File:Tizian 080.jpg, Giorgione and Titian, ''Portrait of a Venetian Nobleman'', c. 1507
File:Raphael - The Alba Madonna - Google Art Project.jpg, '' Alba Madonna'' by Raphael, 1510
File:Feastofthegods.jpg, Giovanni Bellini and Titian, ''The Feast of the Gods,'' c. 1514
File:Titian - Venus with a Mirror - Google Art Project.jpg, '' Venus with a Mirror'' by Titian, c. 1555
File:El Greco 042.jpg, El Greco, '' Laocoön'', 1604–1616
File:Nicolas Poussin - The Assumption of the Virgin.JPG, Nicolas Poussin, ''The Assumption of the Virgin'', c. 1626
File:Rembrandt van Rijn - The Mill - Google Art Project.jpg, Rembrandt van Rijn, ''The Mill'', 1648
File:Rembrandt van Rijn - Self-Portrait - Google Art Project.jpg, Rembrandt van Rijn, '' Self Portrait with Beret and Turned-Up Collar'', 1659
File:Johannes Vermeer - A Lady Writing - Google Art Project.jpg, Johannes Vermeer, ''A Lady Writing a Letter,'' 1665-1666
File:Fragonard, The Reader.jpg, Jean-Honoré Fragonard, '' A Young Girl Reading'', c. 1776
File:Thomas Gainsborough - Mrs. Richard Brinsley Sheridan .jpg, Thomas Gainsborough, '' Mrs. Richard Brinsley Sheridan'', 1787
File:Ingres Marcotte d-Argenteuil.jpg, Jean Auguste Dominique Ingres, ''Marcotte d'Argenteuil'', 1810
File:John Constable - Wivenhoe Park, Essex - Google Art Project.jpg, John Constable, Wivenhoe Park, 1816
File:Columbus and His Son at La Rábida.JPG, Eugène Delacroix, ''Columbus and His Son at La Rábida'', 1838
File:The Veiled Nun.jpg, Italian, ''The Veiled Nun'', c. 1863
File:Édouard Manet - Le Vieux Musicien.jpg, Édouard Manet, '' The Old Musician'', 1862
File:Claude Monet - Woman with a Parasol - Madame Monet and Her Son - Google Art Project.jpg, Claude Monet, ''Woman with a Parasol – Madame Monet and Her Son'', 1875
File:Edouard Manet 039.jpg, Édouard Manet, ''The Plum,'' 1878
File:Claude Monet - Monet's garden at Vétheuil (1880).jpg, Claude Monet, ''The Artist's Garden at Vétheuil'', 1880
File:Vincent van Gogh - National Gallery of Art.JPG, Vincent van Gogh, ''Self-portrait'', August 1889
File:Paul Gauguin - Self-Portrait with Halo and Snake.jpg, Paul Gauguin, ''Self-Portrait with Halo and Snake,'' 1889
File:Paul Cézanne 088.jpg, Paul Cézanne, ''Boy in a Red Waistcoat,'' 1888–1890
File:Girl in White by Vincent Van Gogh - NGA.jpg, Vincent van Gogh, ''Girl in White'', 1890
File:Rouen Cathedral, West Facade, Sunlight.JPG, Claude Monet, ''Rouen Cathedral, West Facade, Sunlight'', 1894
File:Matisse-Open-Window.jpg, Henri Matisse, ''The Open Window (Matisse), Open Window, Collioure'', 1905
File:Family of Saltimbanques.JPG, Pablo Picasso, ''Family of Saltimbanques'', 1905
File:The Equatorial Jungle.JPG, Henri Rousseau, ''The Equatorial Jungle'', 1909
File:Francis Picabia, 1912, The Procession, Seville, oil on canvas, 121.9 x 121.9 cm, National Gallery of Art, Washington DC.jpg, Francis Picabia, ''The Procession, Seville'', 1912
File:Albert Gleizes, 1912-13, Les Joueurs de football (Football Players), oil on canvas, 225.4 x 183 cm, National Gallery of Art.jpg, Albert Gleizes, ''Les Joueurs de football, Les Joueurs de football (Football Players)'', 1912–13
File:Pablo Picasso, 1918, Still Life, oil on canvas, 97.2 x 130.2 cm, National Gallery of Art.jpg, Pablo Picasso, ''Still Life'', 1918

Selected highlights from the American collection

File:Watsonandtheshark-original.jpg, John Singleton Copley, ''Watson and the Shark,'' (original version), 1778
File:GSskater.jpg, Gilbert Stuart, ''The Skater'', 1782
File:Edward Savage - The Washington Family - Google Art Project.jpg, Edward Savage (artist), Edward Savage, ''The Washington Family'' 1789-1796
File:Edward Hicks - Peaceable Kingdom.jpg, Edward Hicks, ''Peaceable Kingdom'', c. 1834
File:Thomas Cole - The Voyage of Life Childhood, 1842 (National Gallery of Art).jpg, Thomas Cole, ''The Voyage of Life:'' ''Childhood''
File:Thomas Cole - The Voyage of Life Youth, 1842 (National Gallery of Art).jpg, Thomas Cole, ''The Voyage of Life:'' ''Youth''
File:Thomas Cole - The Voyage of Life Manhood, 1842 (National Gallery of Art).jpg, Thomas Cole, ''The Voyage of Life:'' ''Manhood''
File:Thomas Cole - The Voyage of Life Old Age, 1842 (National Gallery of Art).jpg, Thomas Cole, ''The Voyage of Life:'' ''Old Age''
File:A View of the Mountain Pass Called the Notch of the White Mountans (Crawford Notch)-1839-Thomas Cole.jpg, Thomas Cole, ''A View of the Mountain Pass Called the Notch of the White Mountains (Crawford Notch),'' 1839
File:George Inness - The Lackawanna Valley - Google Art Project.jpg, George Inness, ''The Lackawanna Valley,'' 1855
File:Thomas Eakins - The Biglin Brothers Racing.jpg, Thomas Eakins, ''The Biglin Brothers Racing,'' 1873
File:Winslow Homer - Breezing Up (A Fair Wind) - Google Art Project.jpg, Winslow Homer, ''Breezing Up (A Fair Wind)'', 1873–1876
File:El Rio de Luz (The River of Light) Frederic Edwin Church.jpg, Frederic Edwin Church, ''Morning in The Tropics'', (1877)
File:Cassat - The Loge NGA.jpg, Mary Cassatt, ''The Loge,'' 1882
File:Mother and Child - Cassatt 1905.jpg, Mary Cassatt, ''Woman with a Sunflower'', 1905
File:John Singer Sargent - Street in Venice (NGAi).jpg, John Singer Sargent, ''Street in Venice,'' 1889
File:Albert Pinkham Ryder 004.jpg, Albert Pinkham Ryder, ''Siegfried and the Rhine Maidens,'' 1888-1891
File:A Friendly Call.JPG, William Merritt Chase, ''A Friendly Call,'' 1895
File:Snow in New York.jpg, Robert Henri, ''Snow in New York,'' 1902
File:Both Members of This Club George Bellows.jpeg, George Bellows, ''Both Members of This Club'' 1909
File:Childe Hassam - Allies Day.jpg, Childe Hassam, ''Allies Day, May 1917'', 1917

See also

*:Collections of the National Gallery of Art, Collections of the National Gallery of Art
*List of original Hermitage paintings in the National Gallery of Art
* Architecture of Washington, D.C.

References

Further reading

*David Cannadine,
Mellon: An American Life
', Knopf, 2006,
*Neil Harris,

', University of Chicago Press, 2013,
*Andrew Kelly, ''Kentucky by Design: The Decorative Arts, American Culture, and the Index of American Design,'' University Press of Kentucky, 2015.
*National Gallery of Art, ''Highlights from the National Gallery of Art'' Washington, National Gallery of Art, 2016, ISBN 9780894683992
*"The National Gallery of Art, Washington", special number of ''Connaissance des Arts'', Société Français de Promotion Artistique (2000)

External links

*

*[https://www.nga.gov/casva Center for Advanced Study in the Visual Arts]
National Gallery of Art National, YouTubeNational Gallery of Art Talks, YouTubeNational Gallery of Art
within Google Arts & Culture
*

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