Naguib Mahfouz

Naguib Mahfouz Abdelaziz Ibrahim Ahmed Al-Basha (, ; 11 December 1911 – 30 August 2006) was an Egyptian writer who won the 1988 Nobel Prize in Literature. In awarding the prize, the Swedish Academy described him as a writer "who, through works rich in nuance – now clear-sightedly realistic, now evocatively ambiguous – has formed an Arabian narrative art that applies to all mankind". Mahfouz is regarded as one of the first contemporary writers in Arabic literature, along with Taha Hussein, to explore themes of existentialism. He is the only Egyptian to win the Nobel Prize in Literature. He published 35 novels, over 350 short stories, 26 screenplays, hundreds of op-ed columns for Egyptian newspapers, and seven plays over a 70-year career, from the 1930s until 2004. All of his novels take place in Egypt, and always mention the lane which equals the world. His most famous works include '' The Cairo Trilogy'' and '' Children of Gebelawi''. Many of Mahfouz's works have been made into Egyptian and foreign films; no Arab writer exceeds Mahfouz in number of works that have been adapted for cinema and television. While Mahfouz's literature is classified as realist literature, existential themes appear in it.

Early life and education

Mahfouz was born in a lower middle-class Muslim Egyptian family in Old Cairo in 1911. The first part of his compound given name was chosen in appreciation of the well-known obstetrician, Naguib Pasha Mahfouz, who oversaw his difficult birth.حياة نجيب محفوظ
/ref> Mahfouz was the seventh and the youngest child, with four brothers and two sisters, all of them much older than him. (Experientially, he grew up an "only child".) The family lived in two popular districts of Cairo: first, in the Bayt al-Qadi neighborhood in the Gamaleya quarter in the old city, from where they moved in 1924 to Abbaseya, then a new Cairo suburb north of the old city, locations that would provide the backdrop for many of Mahfouz's later writings. His father, Abdel-Aziz Ibrahim, whom Mahfouz described as having been "old-fashioned", was a civil servant, and Mahfouz eventually followed in his footsteps in 1934. Mahfouz's mother, Fatimah, was the daughter of Mustafa Qasheesha, an Al-Azhar sheikh, and although illiterate herself, took the boy Mahfouz on numerous excursions to cultural locations such as the Egyptian Museum and the Pyramids.

The Mahfouz family were devout Muslims and Mahfouz had a strict Islamic upbringing. In an interview, he elaborated on the stern religious climate at home during his childhood. He stated, "You would never have thought that an artist would emerge from that family."

The Egyptian Revolution of 1919 had a strong effect on Mahfouz, although he was at the time only seven years old. From the window he saw British soldiers firing at the demonstrators in an effort to disperse them. According to Mahfouz, "You could say ... that the one thing which most shook the security of my childhood was the 1919 revolution", he later said.

In his early years, Mahfouz read extensively and was influenced by Hafiz Najib, Taha Hussein and Salama Moussa, the Fabian intellectual.

After completing his secondary education, Mahfouz was admitted in 1930 to the Egyptian University (now Cairo University), where he studied philosophy, graduating in 1934. By 1936, having spent a year working on an M.A. in philosophy, he decided to discontinue his studies and become a professional writer. He published his first work in '' Al Majalla Al Jadida'', a magazine started by Salama Musa in 1929. Mahfouz then worked as a journalist for '' Arrissalah'', and contributed short stories to '' Al-Hilal'' and '' Al-Ahram''.

Civil service

After receiving his bachelor's degree in philosophy from Cairo University in 1934, Mahfouz joined the Egyptian civil service, where he continued to work in various positions and ministries until retirement in 1971. He served first as a clerk at Cairo University, then, in 1938, in the Ministry of Islamic Endowments (Awqaf) as parliamentary secretary to the Minister of Islamic Endowments. In 1945, he requested a transfer to the al-Ghuri Mausoleum library, where he interviewed residents of his childhood neighborhood as part of the "Good Loans Project". In the 1950s, he worked as Director of Censorship in the Bureau of Arts, as Director of the Foundation for the Support of the Cinema, and finally as a consultant to the Ministry of Culture.

Writing career

Mahfouz published 34 novels, over 350 short stories, dozens of screenplays, and five plays over a 70-year career. Possibly his most famous work, ''The Cairo Trilogy'', depicts the lives of three generations of different families in Cairo from World War I until after the 1952 military coup that overthrew King Farouk. He was a board member of the publisher ''Dar el-Ma'aref''. Many of his novels were serialized in ''Al-Ahram'', and his writings also appeared in his weekly column, "Point of View". Before the Nobel Prize only a few of his novels had appeared in the West.

Writing style and themes

Most of Mahfouz's early works were set in Cairo. ''Abath Al-Aqdar (Mockery of the Fates)'' (1939), ''Rhadopis'' (1943), and ''Kifah Tibah (The Struggle of Thebes)'' (1944) were historical novels written as part of a larger unfulfilled 30-novel project. Inspired by Sir Walter Scott (1771–1832), Mahfouz planned to cover the entire history of Egypt in a series of books. However, following the third volume, his interest shifted to current settings and issues, as well as the psychological impact of social change on ordinary people.

Mahfouz's prose is characterised by the blunt expression of his ideas. His written works cover a broad range of topics, including the controversial and taboo such as socialism, homosexuality, and God. Writing about some of these subjects was prohibited in Egypt.

Mahfouz's works often deal with Egypt's development during the 20th century, and combined intellectual and cultural influences from both East and West. His own exposure to foreign literature began in his youth with the enthusiastic consumption of Western detective stories, Russian classics, and modernist writers as Marcel Proust, Franz Kafka and James Joyce. Mahfouz's stories are almost always set in the heavily populated urban quarters of Cairo, where his characters, usually ordinary people, try to cope with the modernization of society and the temptations of Western values.

Mahfouz's central work in the 1950s was the '' Cairo Trilogy'', which he completed before the July Revolution. The novels were titled with the street names '' Palace Walk'', '' Palace of Desire'', and '' Sugar Street''. Mahfouz set the story in the parts of Cairo where he grew up. The novels depict the life of the patriarch el-Sayyed Ahmed Abdel Gawad and his family over three generations, from World War I until 1944. Mahfouz stopped writing for some years after finishing the trilogy.

Disappointed in the Nasser régime, which had overthrown the monarchy in 1952, he started publishing again in 1959, now prolifically pouring out novels, short stories, journalism, memoirs, essays, and screenplays. He stated in a 1998 interview that he "long felt that Nasser was one of the greatest political leaders in modern history. I only began to fully appreciate him after he nationalized the Suez Canal." His non-fiction, including his journalism and essays and his writing on literature and philosophy, were published in four volumes from 2016.

His 1966 novel ''Tharthara Fawq Al-Nīl'' ( Adrift on the Nile) is one of his most popular works. It was later made into a film called '' Chitchat on the Nile'' during the régime of Anwar al-Sadat. The story criticizes the decadence of Egyptian society during the Nasser era. It was banned by Sadat to avoid provoking Egyptians who still loved former president Nasser. Copies of the banned book were hard to find prior to the late 1990s.

The '' Children of Gebelawi'' (1959, also known as ''Children of the Alley''), one of Mahfouz's best known works, portrayed the patriarch Gebelaawi and his children, average Egyptians living the lives of Cain and Abel, Moses, Jesus, and Mohammed. Gebelawi builds a mansion in an oasis

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