Michael James Aleck Snow (December 10, 1928 – January 5, 2023) was a Canadian artist who worked in a range of media including film, installation, sculpture, photography, and music. His best-known films are ''

Wavelength In physics and mathematics, wavelength or spatial period of a wave or periodic function is the distance over which the wave's shape repeats. In other words, it is the distance between consecutive corresponding points of the same ''phase (waves ...

'' (1967) and '' La Région Centrale'' (1971), with the former regarded as a milestone in avant-garde cinema.

Life

Michael James Aleck Snow was born in

Toronto Toronto ( , locally pronounced or ) is the List of the largest municipalities in Canada by population, most populous city in Canada. It is the capital city of the Provinces and territories of Canada, Canadian province of Ontario. With a p ...

on December 10, 1928. He studied at Upper Canada College and the Ontario College of Art. He had his first solo exhibition in 1957. Snow exhibited with the Isaacs Gallery in Toronto throughout the 1960s, becoming even more involved with the gallery upon his return to Toronto in 1971. In the early 1960s Snow moved to New York with his wife, artist Joyce Wieland, where they remained for nearly a decade. For Snow this move resulted in a proliferation of creative ideas and connections and his work increasingly gained recognition. He returned to Canada in the early 1970s "an established figure, multiply defined as a visual artist, a filmmaker, and a musician." His work has appeared at exhibitions across Europe, North America and South America. Snow's works were included in the shows marking the reopening of both the

Centre Pompidou The Centre Pompidou (), more fully the (), also known as the Pompidou Centre in English and colloquially as Beaubourg, is a building complex in Paris, France. It was designed in the style of high-tech architecture by the architectural team of ...

in Paris in 2000 and the MoMA in New York in 2005. In March 2006, his works were included in the

Whitney Biennial The Whitney Biennial is a biennial exhibition of contemporary American art organized by the Whitney Museum of American Art in New York City. The event began as an annual exhibition in 1932; the first biennial was held in 1973. It is considered ...

. Snow's first wife was fellow artist Joyce Wieland, whom he married in 1956. The couple moved to New York City in 1963, but they moved back to Toronto about a decade later and divorced in 1976. In 1990, he married curator and writer Peggy Gale, and they had one son. He was the uncle of filmmaker and video artist Su Rynard. Snow died from pneumonia in Toronto on January 5, 2023, at the age of 94. His papers are in the E.P. Taylor Research Library & Archives, Art Gallery of Ontario, Toronto.

Work

Films

Snow is considered one of the most influential experimental filmmakers of all time. Annette Michelson, in writing about Snow, his 1967 film ''Wavelength'', and his films in general, speaks of the impact of Snow's films, placing viewers in a "position to more fully understand the particular impact of Snow's filmic work from 1967 on, to discern the reasons for the large consensus given" to ''Wavelength'' when it was honoured with the Grand Prize at the 1967 Experimental Film Festival ''EXPRMNTL 4'' in Knokke,

Belgium Belgium, officially the Kingdom of Belgium, is a country in Northwestern Europe. Situated in a coastal lowland region known as the Low Countries, it is bordered by the Netherlands to the north, Germany to the east, Luxembourg to the southeas ...

, and that "''Wavelength'', ppearsas a celebration of the 'apparatus' and a confirmation of the status of the subject, and it is in those terms that we may begin to comprehend the profound effect it had upon the broadest spectrum of viewers...."Michelson, "About Snow" ''October'' Vol. 8 (Spring, 1979): 118. ''Wavelength'' has been the subject of numerous retrospectives internationally. Film scholar Scott MacDonald says of Snow that " w filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow, whose ''Wavelength'' is probably the most frequently discussed 'structural' film." ''Wavelength'' has been designated and preserved as a masterwork by the

Audio-Visual Preservation Trust of Canada The Audio-Visual Preservation Trust of Canada (or the AV Trust). originally the Alliance for the Preservation of Canada's Audio-Visual Heritage,Village Voice'' critics' list of the 100 Best Films of the 20th Century . Snow's films have premiered in film festivals worldwide and five of his films have premiered at the

Toronto International Film Festival The Toronto International Film Festival (TIFF, often stylized as tiff) is one of the most prestigious and largest publicly attended film festivals in the world. Founded in 1976, the festival takes place every year in early September. The organi ...

(TIFF). In 2000, TIFF commissioned Snow, along with Atom Egoyan and David Cronenberg, to make a series of short films collectively titled ''Preludes'', for the 25th Anniversary of the festival. In his '' Village Voice'' review of Snow's 2002 film '' *Corpus Callosum'', J. Hoberman writes that Snow's films are " gorously predicated on irreducible cinematic facts ndSnow's structuralist epics—''

'' and '' La Région Centrale''— nnouncethe imminent passing of the film era. Rich with new possibilities, ''*Corpus Callosum'' heralds the advent of the next. Whatever it is, it cannot be too highly praised." ''*Corpus Callossum'' was screened at the

, Berlin, Rotterdam, and Los Angeles film festivals amongst others. In January 2003, Snow won the Los Angeles Film Critics Association's Douglas Edwards Experimental/Independent Film/Video Award for ''*Corpus Callosum''. Tied with

Kenneth Anger Kenneth Anger (born Kenneth Wilbur Anglemyer, February 3, 1927 – May 11, 2023) was an American Underground film, underground experimental filmmaker, actor, and writer. Working exclusively in short films, he produced almost 40 works beginning i ...

"for his body of work".

Music

Originally a professional jazz musician, Snow has a long-standing interest in improvised music, as indicated by the soundtrack to his film ''New York Eye and Ear Control''. As a pianist, he has performed solo and with other musicians in North America, Europe and Japan. Snow performed regularly in Canada and internationally, often with the improvisational music ensemble CCMC and has released more than a half dozen albums since the mid-1970s. In 1987, Snow issued ''The Last LP'' ( Art Metropole), which purported to be a documentary recording of the dying gasps of ethnic musical cultures from around the globe including

Tibet Tibet (; ''Böd''; ), or Greater Tibet, is a region in the western part of East Asia, covering much of the Tibetan Plateau and spanning about . It is the homeland of the Tibetan people. Also resident on the plateau are other ethnic groups s ...

Syria Syria, officially the Syrian Arab Republic, is a country in West Asia located in the Eastern Mediterranean and the Levant. It borders the Mediterranean Sea to the west, Turkey to Syria–Turkey border, the north, Iraq to Iraq–Syria border, t ...

, India, China, Brazil,

Finland Finland, officially the Republic of Finland, is a Nordic country in Northern Europe. It borders Sweden to the northwest, Norway to the north, and Russia to the east, with the Gulf of Bothnia to the west and the Gulf of Finland to the south, ...

and elsewhere, with thousands of words of pseudo-scholarly supplementary notes, but was, in fact, a series of multi-tracked recordings of Snow himself, who gave the joke away only in a single column of text in the disc's gatefold jacket, printed backwards and readable in a mirror. One track, purported to be a document of a coming-of-age ritual from Niger, is a pastiche of Whitney Houston's song " How Will I Know." Snow, with Richard Serra, James Tenney and Bruce Nauman, performed Steve Reich's '' Pendulum Music'' on May 27, 1969 at the Whitney Museum of American Art.

Other media

Before Snow moved to New York in 1963, he began a long-term project that for six years would be his trademark: the Walking Woman. Martha Langford in ''Michael Snow: Life & Work'' describes this work as employing a single form that offered an infinite number of creative possibilities, the figure itself perceived variably as "a positive (a presence to be looked at) and a negative (an absence to be looked through)." His 1962 work ''Four to Five'' consisted of a grid of photographs of the Walking Woman placed in Toronto streets and subway stations, inviting the viewer to consider how public space transforms the sculpture. Langford identifies duality as a guiding principle in Snow’s work. By combining materials and methods Snow creates hybrid objects that often defy classification. A work which exemplifies Snow's testing of stylistic boundaries is his 1979 installation '' Flight Stop'' (also titled ''Flightstop''), a site-specific work in Toronto's Eaton Centre mall, which looks like a sculptural representation of sixty geese, but is in fact an intricate combination of fibreglass forms and photographs of a single goose. In 1982, Snow sued the corporate owner of the Toronto Eaton Centre for violating his moral rights by altering ''Flight Stop''. In the landmark case Snow v Eaton Centre Ltd, the Ontario High Court of Justice affirmed the artist's right to the integrity of their work. The operator of the Toronto Eaton Centre was found liable for violating Michael Snow's moral rights by putting Christmas bows on the work. Snow's works have been in Canadian pavilion at world fairs since his ''Walking Women'' sculpture was exhibited at Expo 67 in Montréal. He was chosen to represent Canada at the Venice Biennale in 1970; this was the first solo exhibition held at the Biennale's Canadian Pavilion. His bookwork ''BIOGRAPHIE of the Walking Woman / de la femme qui marche 1961-1967'' (2004) was published in Brussels by La Lettre vole. It consists of images of the public appearances of his globally famous icon. ''Anarchive2: Digital Snow'' describes Michael Snow as "one of the most significant artists in contemporary art and cinema of the past 50 years." This 2002 DVD was initiated by Paris’

and was produced with the support of la foundation Daniel Langlois, Université de Paris, Heritage Canada, the Canada Council, Téléfilm Canada and Montreal’s Époxy. It is an encyclopedia of Snow's works across media, browsed in a manner inimitably and artfully created by Snow. Its 4,685 entries include film clips, sculpture, photographs, audio and musical clips, and interviews.

Retrospectives and honours

In 1993, The Michael Snow Project, lasting several months, was a multivenue retrospective of Snow’s works in Toronto exhibited at several public venues and at the Art Gallery of Ontario and The Power Plant. Concurrently his works were the subjects of four books published by Alfred A. Knopf Canada. Snow has shown internationally in both galleries and cinemas, including a retrospective of his work at the British Film Institute, London where his celluloid works were shown in the cinemas and his digital works in the gallery (The BFI Gallery). The project, titled 'Yes Snow Show', took place in 2009 and was co-curated by Elisabetta Fabrizi and Chris Meigh-Andrew. In 1981, he was made an Officer of the

Order of Canada The Order of Canada () is a Canadian state order, national order and the second-highest Award, honour for merit in the system of orders, decorations, and medals of Canada, after the Order of Merit. To coincide with the Canadian Centennial, ce ...

and was promoted to Companion in 2007 "for his contributions to international visual arts as one of Canada’s greatest multidisciplinary contemporary artists". In 2000 he was one of the seven first winners of the Governor General’s Award in Visual and Media Arts. In 2004, the Université de Paris I, Panthéon-Sorbonne awarded him an honorary doctorate. In 2006, Lima's Museum of Art (MALI) held a selective retrospective exhibition as well as a screening of his films in Peru, as part of the Vide/Art/Electronic Festival.

Honorary degrees

Université de Paris I, Panthéon-Sorbonne (2004), Emily Carr Institute, Vancouver (2004) Nova Scotia College of Art and Design, Halifax (1990),

University of Toronto The University of Toronto (UToronto or U of T) is a public university, public research university whose main campus is located on the grounds that surround Queen's Park (Toronto), Queen's Park in Toronto, Ontario, Canada. It was founded by ...

(1999), University of Victoria (1997), Brock University (1975).

Academic appointments

* Visiting Artist/Professor at MAPS (Master of Art in Public Sphere), Ecole Cantonale d’Art du Valais, Sierre, Switzerland (February 2005, January 2006) * Visiting Artist/Professor at L’école Nationale Supérieure d’Art de Bourges, France. (December 2004, May 2005) * Visiting Artist/Professor, École nationale supérieure des Beaux-Arts, Paris, 2001 * Visiting Artist/Professor, le Fresnoy, Tourcoing France, 1997-8 * Visiting Professor, l'Ecole Nationale de la Photographie, Arles France, 1996 * Visiting Professor, Princeton University, 1988 * Professor of Advanced Film, Yale University, 1970 * CCMC artists in residence, La Chartreuse, Avignon Festival, France, 1981

Other awards

* Gershon Iskowitz Prize, 2011 * Los Angeles Film Critics Association Award for Independent/Experimental Film and Video Award for "*Corpus Callosum", 2002 * Queen’s Golden Jubilee Medal, 2002 * Governor General’s Award in Visual and Media Arts, 2000, first recipient * Chevalier de l'ordre des arts et des lettres, France, 1995 * Los Angeles Film Critics Association Award for Independent/Experimental Film and Video Award for "So Is This", 1983 * Guggenheim Fellowship, 1972 * Grand Pix of the Knokke Experimental Film Festival for "Wavelength", 1967 * Member, Royal Canadian Academy of Arts

Major installations

* "The Windows Suite" is a permanent installation consisting of 32 varied sequences of images, which are presented on 65" plasma screens in 7 of the windows of the façade of the Toronto Pantages Hotel and Spa and related condo buildings facing Victoria Street in central Toronto. Some of these sequences one might possibly glimpse in the windows of a sophisticated hotel, condo, spa and parking garage building, but many sequences are "impossible," e.g. in one sequence fish swim from window to window. This installation was opened as an official event of the Toronto International Film Festival September 2006. * '' Flight Stop'' - Toronto Eaton Centre a collection of life sized Canada geese in flight hanging over the main section of the mall. In 1982, the installation was the subject of a leading Canadian court decision on

moral rights Moral rights are rights of creators of copyrighted works generally recognized in civil law jurisdictions and, to a lesser extent, in some common law jurisdictions. The moral rights include the right of attribution, the right to have a work p ...

, '' Snow v. The Eaton Centre Ltd.'' * ''The Audience'' (1989) - SkyDome (now Rogers Centre in Toronto) is a collection of larger than life depictions of fans located above the northeast and northwest entrances. Painted gold, the sculptures show fans in various acts of celebration.

Filmography

* ''A to Z'' (1956)Michael Snow, A to Z, 1956 officially posted by Art Canada Institute on Vimeo
/ref> * ''New York Eye and Ear Control'' (1964) * ''Short Shave'' (1965) * ''

'' (1967) * ''Standard Time'' (1967) * ''One Second in Montreal'' (1969) * ''Dripping Water'' (with Joyce Wieland, 1969) * '' <---->'' or ''Back and Forth'' (1969) * ''Side Seat Paintings Slides Sound Film'' (1970) * '' La Région Centrale'' (1971) * ''Two Sides to Every Story'' (double 16mm installation, 1974) * ''"Rameau's Nephew" by Diderot (Thanx to Dennis Young) by Wilma Schoen'' (1974) * ''Breakfast (Table Top Dolly)'' (1976) * ''Presents'' (1981) * ''So Is This'' (1982) * ''Seated Figures'' (1988) * ''See You Later'' (1990) * ''To Lavoisier, Who Died in the Reign of Terror'' (1991) * '' Prelude'' (2000) * ''The Living Room'' (2000) * ''Solar Breath'' (2002) * '' *Corpus Callosum'' (2002) * ''WVLNT ("Wavelength For Those Who Don't Have the Time")'' (2003) * ''Triage'' (2004), with Carl Brown * ''SSHTOORRTY'' (2005) * ''Reverberlin'' (2006) * ''Puccini Conservato'' (2008) * '' Cityscape'' (2019)

References

Sources

* Bassnett, Sarah; Parsons, Sarah.
Photography in Canada, 1839–1989: An Illustrated History.
' Toronto: Art Canada Institute, 2023. * P. Adams Sitney. "Michael Snow’s Cinema," in Michael Snow /A Survey: 79–84. Toronto: Art Gallery of Ontario in collaboration with the Isaacs Gallery, 1970. * Annette Michelson. "Toward Snow: Part 1." Artforum, Vol. 9, no. 19 (June 1971): 30–37. * Michael Snow, ed. 1948–1993: Music/Sound, The Michael Snow Project. Toronto: Art Gallery of Ontario, The Power Plant, Alfred A. Knopf Canada, 1993. * Jim Shedden, ed. Presence and Absence: The Films of Michael Snow 1956–1991, The Michael Snow Project. Toronto: Art Gallery of Ontario, Alfred A. Knopf Canada, 1995. * Martha Langford.
Michael Snow: Life & Work
'. Toronto: Art Canada Institute, 2014.