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Mannerism, which may also be known as Late Renaissance, is a
style Style is a manner of doing or presenting things and may refer to: * Architectural style, the features that make a building or structure historically identifiable * Design, the process of creating something * Fashion, a prevailing mode of clothing ...
in
European art The art of Europe, or Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleo ...
that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including ...
style largely replaced it.
Northern Mannerism Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, e ...
continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as
Leonardo da Vinci Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on ...
,
Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual ...
,
Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculpt ...
, and early
Michelangelo Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was ins ...
. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is notable for its highly florid style and intellectual sophistication.Art and Illusion, E. H. Gombrich, The definition of Mannerism and the phases within it continues to be a subject of debate among art historians. For example, some scholars have applied the label to certain early modern forms of literature (especially poetry) and music of the 16th and 17th centuries. The term is also used to refer to some late
Gothic Gothic or Gothics may refer to: People and languages *Goths or Gothic people, the ethnonym of a group of East Germanic tribes **Gothic language, an extinct East Germanic language spoken by the Goths **Crimean Gothic, the Gothic language spoken b ...
painters working in northern Europe from about 1500 to 1530, especially the Antwerp Mannerists—a group unrelated to the Italian movement. Mannerism has also been applied by analogy to the
Silver Age of Latin literature Classical Latin is the form of Literary Latin recognized as a literary standard by writers of the late Roman Republic and early Roman Empire. It was used from 75 BC to the 3rd century AD, when it developed into Late Latin. In some later period ...
.


Nomenclature

The word "Mannerism" derives from the Italian ''maniera'', meaning "style" or "manner". Like the English word "style", ''maniera'' can either indicate a specific type of style (a beautiful style, an abrasive style) or indicate an absolute that needs no qualification (someone "has style"). In the second edition of his ''
Lives of the Most Excellent Painters, Sculptors, and Architects ''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-ce ...
'' (1568),
Giorgio Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculp ...
used ''maniera'' in three different contexts: to discuss an artist's manner or method of working; to describe a personal or group style, such as the term ''maniera greca'' to refer to the medieval
Italo-Byzantine Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. It initially covers religious paintings copying or imitating the standard Byzantine icon types, but pa ...
style or simply to the ''maniera'' of Michelangelo; and to affirm a positive judgment of artistic quality. Vasari was also a Mannerist artist, and he described the period in which he worked as "la maniera moderna", or the "modern style". James V. Mirollo describes how "bella maniera" poets attempted to surpass in virtuosity the sonnets of
Petrarch Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited ...
.Mirollo 1984, This notion of "bella maniera" suggests that artists who were thus inspired looked to copying and bettering their predecessors, rather than confronting nature directly. In essence, "bella maniera" utilized the best from a number of source materials, synthesizing it into something new. As a stylistic label, "Mannerism" is not easily defined. It was used by Swiss historian
Jacob Burckhardt Carl Jacob Christoph Burckhardt (25 May 1818 – 8 August 1897) was a Swiss historian of art and culture and an influential figure in the historiography of both fields. He is known as one of the major progenitors of cultural history. Sigfri ...
and popularized by German
art historians The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visu ...
in the early 20th century to categorize the seemingly uncategorizable art of the Italian 16th century – art that was no longer found to exhibit the harmonious and rational approaches associated with the High Renaissance. "High Renaissance" connoted a period distinguished by harmony, grandeur and the revival of classical antiquity. The term "Mannerist" was redefined in 1967 by John Shearman following the exhibition of Mannerist paintings organised by
Fritz Grossmann Fritz Grossmann, art historian. Born 26 June 1902 in Stanislau, (then Galicia in the Austro-Hungarian, Empire), now Ivano-Frankivsk in the Ukraine, died 16 November 1984, Croydon, London) was an Austrian-British art historian. Biography Fri ...
at
Manchester City Art Gallery Manchester Art Gallery, formerly Manchester City Art Gallery, is a publicly owned art museum on Mosley Street in Manchester city centre. The main gallery premises were built for a learned society in 1823 and today its collection occupies three ...
in 1965. The label "Mannerism" was used during the 16th century to comment on social behaviour and to convey a refined virtuoso quality or to signify a certain technique. However, for later writers, such as the 17th-century Gian Pietro Bellori, ''la maniera'' was a derogatory term for the perceived decline of art after Raphael, especially in the 1530s and 1540s. From the late 19th century on, art historians have commonly used the term to describe art that follows Renaissance classicism and precedes the Baroque. Yet historians differ as to whether Mannerism is a style, a movement, or a period; and while the term remains controversial it is still commonly used to identify European art and culture of the 16th century.


Origin and development

By the end of the High Renaissance, young artists experienced a crisis: it seemed that everything that could be achieved was already achieved. No more difficulties, technical or otherwise, remained to be solved. The detailed knowledge of anatomy, light, physiognomy and the way in which humans register emotion in expression and gesture, the innovative use of the human form in figurative composition, the use of the subtle gradation of tone, all had reached near perfection. The young artists needed to find a new goal, and they sought new approaches. At this point Mannerism started to emerge. The new style developed between 1510 and 1520 either in Florence,Friedländer 1965, or in Rome, or in both cities simultaneously.Freedberg 1993, 175–77.


Origins and role models

This period has been described as a "natural extension" of the art of
Andrea del Sarto Andrea del Sarto (, , ; 16 July 1486 – 29 September 1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces ...
, Michelangelo, and Raphael. Michelangelo developed his own style at an early age, a deeply original one which was greatly admired at first, then often copied and imitated by other artists of the era. One of the qualities most admired by his contemporaries was his ''
terribilità Terribilità, the modern Italian spelling, (or terribiltà, as Michelangelo's 16th century contemporaries tended to spell it) is a quality ascribed to his art that provokes terror, awe, or a sense of the sublime in the viewer. It is perhaps espe ...
'', a sense of awe-inspiring grandeur, and subsequent artists attempted to imitate it. Other artists learned Michelangelo's impassioned and highly personal style by copying the works of the master, a standard way that students learned to paint and sculpt. His
Sistine Chapel ceiling The Sistine Chapel ceiling ( it, Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art. The Sistine Chapel is the large papal chapel built within the Vatican ...
provided examples for them to follow, in particular his representation of collected figures often called ''
ignudi The Sistine Chapel ceiling ( it, Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art. The Sistine Chapel is the large papal chapel built within the Vatica ...
'' and of the Libyan Sibyl, his
vestibule Vestibule or Vestibulum can have the following meanings, each primarily based upon a common origin, from early 17th century French, derived from Latin ''vestibulum, -i n.'' "entrance court". Anatomy In general, vestibule is a small space or cavity ...
to the
Laurentian Library The Laurentian Library (Biblioteca Medicea Laurenziana or BML) is a historic library in Florence, Italy, containing more than 11,000 manuscripts and 4,500 early printed books. Built in a cloister of the Medicean Basilica di San Lorenzo di Firenze ...
, the figures on his Medici tombs, and above all his ''
Last Judgment The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, ...
''. The later Michelangelo was one of the great role models of Mannerism. Young artists broke into his house and stole drawings from him.Giorgio Vasari, Lives of the Most Eminent Painters, Sculptors, and Architects In his book ''Lives of the Most Eminent Painters, Sculptors, and Architects'', Giorgio Vasari noted that Michelangelo stated once: "Those who are followers can never pass by whom they follow".


The competitive spirit

The competitive spirit was cultivated by patrons who encouraged sponsored artists to emphasize virtuosic technique and to compete with one another for commissions. It drove artists to look for new approaches and dramatically illuminated scenes, elaborate clothes and compositions, elongated proportions, highly stylized poses, and a lack of clear perspective.
Leonardo da Vinci Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on ...
and
Michelangelo Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was ins ...
were each given a commission by
Gonfaloniere The Gonfalonier (in Italian: ''Gonfaloniere'') was the holder of a highly prestigious communal office in medieval and Renaissance Italy, notably in Florence and the Papal States. The name derives from ''gonfalone'' (in English, gonfalon), the t ...
Piero Soderini Piero di Tommaso Soderini (March 17, 1451 – June 13, 1522) also known as Pier Soderini, was an Italian statesman of the Republic of Florence. Biography Soderini was born in Florence to Tommaso di Lorenzo Soderini, a member of an old family w ...
to decorate a wall in the Hall of Five Hundred in Florence. These two artists were set to paint side by side and compete against each other, fueling the incentive to be as innovative as possible.


Early mannerism

The early Mannerists in Florence—especially the students of
Andrea del Sarto Andrea del Sarto (, , ; 16 July 1486 – 29 September 1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces ...
such as Jacopo da Pontormo and Rosso Fiorentino—are notable for elongated forms, precariously balanced poses, a collapsed perspective, irrational settings, and theatrical lighting.
Parmigianino Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, B ...
(a student of Correggio) and
Giulio Romano Giulio Romano (, ; – 1 November 1546), is the acquired name of Giulio Pippi, who was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-cent ...
(Raphael's head assistant) were moving in similarly stylized aesthetic directions in Rome. These artists had matured under the influence of the High Renaissance, and their style has been characterized as a reaction to or exaggerated extension of it. Instead of studying nature directly, younger artists began studying Hellenistic sculpture and paintings of masters past. Therefore, this style is often identified as "anti-classical", yet at the time it was considered a natural progression from the High Renaissance. The earliest experimental phase of Mannerism, known for its "anti-classical" forms, lasted until about 1540 or 1550.
Marcia B. Hall Marcia Hall, who usually publishes as Marcia B. Hall, is an American art historian, who is the Laura H. Carnell Professor of Renaissance Art at the Tyler School of Art and Architecture of Temple University in Philadelphia. Hall's scholarship has ...
, professor of art history at Temple University, notes in her book ''After Raphael'' that Raphael's premature death marked the beginning of Mannerism in Rome. In past analyses, it has been noted that mannerism arose in the early 16th century contemporaneously with a number of other social, scientific, religious and political movements such as the
Copernican heliocentrism Copernican heliocentrism is the astronomical model developed by Nicolaus Copernicus and published in 1543. This model positioned the Sun at the center of the Universe, motionless, with Earth and the other planets orbiting around it in circular ...
, the
Sack of Rome in 1527 The Sack of Rome, then part of the Papal States, followed the capture of the city on 6 May 1527 by the mutinous troops of Charles V, Holy Roman Emperor during the War of the League of Cognac. Despite not being ordered to storm the city, with ...
, and the
Protestant Reformation The Reformation (alternatively named the Protestant Reformation or the European Reformation) was a major movement within Western Christianity in 16th-century Europe that posed a religious and political challenge to the Catholic Church and i ...
's increasing challenge to the power of the Catholic Church. Because of this, the style's elongated forms and distorted forms were once interpreted as a reaction to the idealized compositions prevalent in High Renaissance art.Manfred Wundram, "Mannerism," Grove Art Online. Oxford University Press, ccessed 23 April 2008 This explanation for the radical stylistic shift c. 1520 has fallen out of scholarly favor, though early Mannerist art is still sharply contrasted with High Renaissance conventions; the accessibility and balance achieved by Raphael's '' School of Athens'' no longer seemed to interest young artists.


High maniera

The second period of Mannerism is commonly differentiated from the earlier, so-called "anti-classical" phase. Subsequent mannerists stressed intellectual conceits and artistic virtuosity, features that have led later critics to accuse them of working in an unnatural and affected "manner" (''maniera''). Maniera artists looked to their older contemporary Michelangelo as their principal model; theirs was an art imitating art, rather than an art imitating nature. Art historian
Sydney Joseph Freedberg Sydney Joseph Freedberg (November 11, 1914 – May 6, 1997) was an American art historian and curator, mainly of Italian Renaissance painting. Freedberg was born in Boston and attended the Boston Latin School. He graduated from Harvard College i ...
argues that the intellectualizing aspect of maniera art involves expecting its audience to notice and appreciate this visual reference—a familiar figure in an unfamiliar setting enclosed between "unseen, but felt, quotation marks". The height of artifice is the Maniera painter's penchant for deliberately misappropriating a quotation.
Agnolo Bronzino Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddis ...
and
Giorgio Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculp ...
exemplify this strain of Maniera that lasted from about 1530 to 1580. Based largely at courts and in intellectual circles around Europe, Maniera art couples exaggerated elegance with exquisite attention to surface and detail: porcelain-skinned figures recline in an even, tempered light, acknowledging the viewer with a cool glance, if they make eye contact at all. The Maniera subject rarely displays much emotion, and for this reason works exemplifying this trend are often called 'cold' or 'aloof.' This is typical of the so-called "stylish style" or ''Maniera'' in its maturity.


Spread

The cities Rome, Florence, and Mantua were Mannerist centers in Italy. Venetian painting pursued a different course, represented by
Titian Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), ...
in his long career. A number of the earliest Mannerist artists who had been working in Rome during the 1520s fled the city after the Sack of Rome in 1527. As they spread out across the continent in search of employment, their style was disseminated throughout Italy and Northern Europe. The result was the first international artistic style since the
Gothic Gothic or Gothics may refer to: People and languages *Goths or Gothic people, the ethnonym of a group of East Germanic tribes **Gothic language, an extinct East Germanic language spoken by the Goths **Crimean Gothic, the Gothic language spoken b ...
. Other parts of Northern Europe did not have the advantage of such direct contact with Italian artists, but the Mannerist style made its presence felt through prints and illustrated books. European rulers, among others, purchased Italian works, while northern European artists continued to travel to Italy, helping to spread the Mannerist style. Individual Italian artists working in the North gave birth to a movement known as the
Northern Mannerism Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, e ...
.
Francis I of France Francis I (french: François Ier; frm, Francoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin on ...
, for example, was presented with
Bronzino Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or red ...
's '' Venus, Cupid, Folly and Time''. The style waned in Italy after 1580, as a new generation of artists, including the Carracci brothers,
Caravaggio Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of h ...
and
Cigoli Lodovico Cardi (21 September 1559 – 8 June 1613), also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years ...
, revived naturalism.
Walter Friedlaender Walter may refer to: People * Walter (name), both a surname and a given name * Little Walter, American blues harmonica player Marion Walter Jacobs (1930–1968) * Gunther (wrestler), Austrian professional wrestler and trainer Walter Hahn (born 19 ...
identified this period as "anti-mannerism", just as the early Mannerists were "anti-classical" in their reaction away from the aesthetic values of the High Renaissance and today the Carracci brothers and
Caravaggio Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of h ...
are agreed to have begun the transition to Baroque-style painting which was dominant by 1600. Outside of Italy, however, Mannerism continued into the 17th century. In France, where Rosso traveled to work for the court at
Fontainebleau Fontainebleau (; ) is a commune in the metropolitan area of Paris, France. It is located south-southeast of the centre of Paris. Fontainebleau is a sub-prefecture of the Seine-et-Marne department, and it is the seat of the ''arrondissemen ...
, it is known as the " Henry II style" and had a particular impact on architecture. Other important continental centers of
Northern Mannerism Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, e ...
include the court of
Rudolf II Rudolf II (18 July 1552 – 20 January 1612) was Holy Roman Emperor (1576–1612), King of Hungary and Croatia (as Rudolf I, 1572–1608), King of Bohemia (1575–1608/1611) and Archduke of Austria (1576–1608). He was a member of the Ho ...
in
Prague Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate ...
, as well as
Haarlem Haarlem (; predecessor of ''Harlem'' in English) is a city and municipality in the Netherlands. It is the capital of the province of North Holland. Haarlem is situated at the northern edge of the Randstad, one of the most populated metropoli ...
and
Antwerp Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,
. Mannerism as a stylistic category is less frequently applied to
English English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national ...
visual and decorative arts, where native labels such as "
Elizabethan The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The symbol of Britannia (a female personific ...
" and " Jacobean" are more commonly applied. Seventeenth-century Artisan Mannerism is one exception, applied to architecture that relies on pattern books rather than on existing precedents in Continental Europe. Of particular note is the Flemish influence at Fontainebleau that combined the eroticism of the French style with an early version of the
vanitas A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the temporality, transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-kn ...
tradition that would dominate seventeenth-century Dutch and Flemish painting. Prevalent at this time was the ''pittore vago'', a description of painters from the north who entered the workshops in France and Italy to create a truly international style.


Sculpture

As in painting, early Italian Mannerist sculpture was very largely an attempt to find an original style that would top the achievement of the High Renaissance, which in sculpture essentially meant Michelangelo, and much of the struggle to achieve this was played out in commissions to fill other places in the
Piazza della Signoria Piazza della Signoria () is a w-shaped square in front of the Palazzo Vecchio in Florence, Italy. It was named after the Palazzo della Signoria, also called Palazzo Vecchio. It is the main point of the origin and history of the Florentine Republ ...
in Florence, next to
Michelangelo Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was ins ...
's ''
David David (; , "beloved one") (traditional spelling), , ''Dāwūd''; grc-koi, Δαυΐδ, Dauíd; la, Davidus, David; gez , ዳዊት, ''Dawit''; xcl, Դաւիթ, ''Dawitʿ''; cu, Давíдъ, ''Davidŭ''; possibly meaning "beloved one". w ...
''.
Baccio Bandinelli Baccio Bandinelli (also called Bartolommeo Brandini; 12 November 1493 – shortly before 7 February 1560), was an Italian Renaissance sculptor, draughtsman, and painter. Biography Bandinelli was the son of a prominent Florentine goldsmith, ...
took over the project of ''
Hercules and Cacus ''Hercules and Cacus'' is an Italian Renaissance sculpture in marble to the right of the entrance of the Palazzo Vecchio in the Piazza della Signoria, Florence, Italy. It has a complicated and highly political history, but the finished work is b ...
'' from the master himself, but it was little more popular then than it is now, and maliciously compared by
Benvenuto Cellini Benvenuto Cellini (, ; 3 November 150013 February 1571) was an Italian goldsmith, sculptor, and author. His best-known extant works include the ''Cellini Salt Cellar'', the sculpture of ''Perseus with the Head of Medusa'', and his autobiograph ...
to "a sack of melons", though it had a long-lasting effect in apparently introducing relief panels on the
pedestal A pedestal (from French ''piédestal'', Italian ''piedistallo'' 'foot of a stall') or plinth is a support at the bottom of a statue, vase, column, or certain altars. Smaller pedestals, especially if round in shape, may be called socles. In ...
of statues. Like other works of his and other Mannerists, it removes far more of the original block than Michelangelo would have done. Cellini's bronze ''
Perseus with the head of Medusa ''Perseus with the Head of Medusa'' is a bronze sculpture made by Benvenuto Cellini in the period 1545–1554. The sculpture stands on a square base which has bronze relief panels depicting the story of Perseus and Andromeda, similar to a pr ...
'' is certainly a masterpiece, designed with eight angles of view, another Mannerist characteristic, and artificially stylized in comparison with the ''David''s of Michelangelo and Donatello. Originally a goldsmith, his famous gold and enamel Salt Cellar (1543) was his first sculpture, and shows his talent at its best. Small bronze figures for collector's cabinets, often mythological subjects with nudes, were a popular Renaissance form at which
Giambologna Giambologna (1529 – 13 August 1608), also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small ...
, originally
Flemish Flemish (''Vlaams'') is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch (), Belgian Dutch ( ), or Southern Dutch (). Flemish is native to Flanders, a historical region in northern Belgium; ...
but based in Florence, excelled in the later part of the century. He also created life-size sculptures, of which two entered the collection in the Piazza della Signoria. He and his followers devised elegant elongated examples of the ''
figura serpentinata (Italian for ‘ serpentine figure’) is a style in painting and sculpture, intended to make the figure seem more dynamic, that is typical of Mannerism. It is similar, but not identical, to contrapposto, and features figures often in a spiral p ...
'', often of two intertwined figures, that were interesting from all angles. File:1993-1994-Giardino Giusti (Verona)-testo e photo Paolo Villa-nB08 Cortile-Statua di Apollo - scultura Arte Manierista - parete di rampicanti - Kodak EktachromeElite 100 5045 EB 100.jpg,
Apollo Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label= ...
's sculpture,
Palazzo Giusti The Giusti Palace and Garden ( it, Palazzo e giardino Giusti) are located in the east of Verona, Italy, a short distance from Piazza Isolo and near the city centre. The palace was built in the sixteenth century. The garden is considered one ...
Verona, Mannerism art with typical
Contrapposto ''Contrapposto'' () is an Italian term that means "counterpoise". It is used in the visual arts to describe a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off-axis from the hips and legs in the ...
File:Fontainebleau escalier roi.jpg,
Stucco Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and a ...
overdoor An "overdoor" (or "Supraporte" as in German, or "sopraporte" as in Italian) is a painting, bas-relief or decorative panel, generally in a horizontal format, that is set, typically within ornamental mouldings, over a door, or was originally intend ...
at
Fontainebleau Fontainebleau (; ) is a commune in the metropolitan area of Paris, France. It is located south-southeast of the centre of Paris. Fontainebleau is a sub-prefecture of the Seine-et-Marne department, and it is the seat of the ''arrondissemen ...
, probably designed by Primaticcio, who painted the oval inset, 1530s or 1540s File:03 2015 Perseo con la testa di Medusa-Benvenuto Cellini-Piazza della Signoria-Loggia dei Lanzi-volta a crociera-ordine corinzio (Firenze) Photo Paolo Villa FOTO9260.JPG, Benvenuto Cellini, ''
Perseus with the head of Medusa ''Perseus with the Head of Medusa'' is a bronze sculpture made by Benvenuto Cellini in the period 1545–1554. The sculpture stands on a square base which has bronze relief panels depicting the story of Perseus and Andromeda, similar to a pr ...
'', 1545–1554 File:Samson slaying a philistine.jpg,
Giambologna Giambologna (1529 – 13 August 1608), also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small ...
, ''Samson Slaying a Philistine'', about 1562 File:Giambologna raptodasabina.jpg,
Giambologna Giambologna (1529 – 13 August 1608), also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small ...
, '' Abduction of a Sabine Woman'', completed 1583, Florence, Italy, 13' 6" high,
marble Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Marble is typically not foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphose ...
File:Devries-mercuriocrop.jpg, Adriaen de Vries, ''Mercury and Psyche''
Northern Mannerist Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, e ...
life-size bronze, made in 1593 for
Rudolf II, Holy Roman Emperor Rudolf II (18 July 1552 – 20 January 1612) was Holy Roman Emperor (1576–1612), King of Hungary and Croatia (as Rudolf I, 1572–1608), King of Bohemia (1575–1608/1611) and Archduke of Austria (1576–1608). He was a member of the H ...
. File:Statue Of Venus.jpg, ''
Venus Venus is the second planet from the Sun. It is sometimes called Earth's "sister" or "twin" planet as it is almost as large and has a similar composition. As an interior planet to Earth, Venus (like Mercury) appears in Earth's sky never f ...
'', c. 125; Marble, Roman;
British Museum The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It docum ...


Early theorists


Giorgio Vasari

Giorgio Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculp ...
's opinions about the art of painting emerge in the praise he bestows on fellow artists in his multi-volume ''
Lives of the Artists ''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-ce ...
'': he believed that excellence in painting demanded refinement, richness of invention (''invenzione''), expressed through virtuoso technique (''maniera''), and wit and study that appeared in the finished work, all criteria that emphasized the artist's intellect and the patron's sensibility. The artist was now no longer just a trained member of a local Guild of St Luke. Now he took his place at court alongside scholars, poets, and humanists, in a climate that fostered an appreciation for elegance and complexity. The coat-of-arms of Vasari's
Medici The House of Medici ( , ) was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici, in the Republic of Florence during the first half of the 15th century. The family originated in the Mu ...
patrons appears at the top of his portrait, quite as if it were the artist's own. The framing of the woodcut image of Vasari's ''Lives'' would be called " Jacobean" in an English-speaking milieu. In it, Michelangelo's Medici tombs inspire the anti-architectural "architectural" features at the top, the papery pierced frame, the satyr nudes at the base. As a mere frame it is extravagant: Mannerist, in short..


Gian Paolo Lomazzo

Another literary figure from the period is Gian Paolo Lomazzo, who produced two works—one practical and one metaphysical—that helped define the Mannerist artist's self-conscious relation to his art. His ''Trattato dell'arte della pittura, scoltura et architettura'' (Milan, 1584) is in part a guide to contemporary concepts of
decorum Decorum (from the Latin: "right, proper") was a principle of classical rhetoric, poetry and theatrical theory concerning the fitness or otherwise of a style to a theatrical subject. The concept of ''decorum'' is also applied to prescribed limit ...
, which the Renaissance inherited in part from Antiquity but Mannerism elaborated upon. Lomazzo's systematic codification of aesthetics, which typifies the more formalized and academic approaches typical of the later 16th century, emphasized a consonance between the functions of interiors and the kinds of painted and sculpted decors that would be suitable. Iconography, often convoluted and abstruse, is a more prominent element in the Mannerist styles. His less practical and more metaphysical ''Idea del tempio della pittura'' (''The ideal temple of painting'', Milan, 1590) offers a description along the lines of the "
four temperaments The four temperament theory is a proto-psychological theory which suggests that there are four fundamental personality types: sanguine, choleric, melancholic, and phlegmatic. Most formulations include the possibility of mixtures among the types w ...
" theory of human nature and personality, defining the role of individuality in judgment and artistic invention.


Characteristics of artworks

Mannerism was an anti-classical movement which differed greatly from the aesthetic ideologies of the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ide ...
. Though Mannerism was initially accepted with positivity based on the writings of
Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculpt ...
, it was later regarded in a negative light because it solely view as, "an alteration of natural truth and a trite repetition of natural formulas." As an artistic moment, Mannerism involves many characteristics that are unique and specific to experimentation of how art is perceived. Below is a list of many specific characteristics that Mannerist artists would employ in their artworks. * Elongation of figures: often Mannerist work featured the elongation of the human figure – occasionally this contributed to the bizarre imagery of some Mannerist art.  * Distortion of perspective: in paintings, the distortion of perspective explored the ideals for creating a perfect space. However, the idea of perfection sometimes alluded to the creation of unique imagery. One way in which distortion was explored was through the technique of foreshortening. At times, when extreme distortion was utilized, it would render the image nearly impossible to decipher. * Black backgrounds: Mannerist artists often utilized flat black backgrounds to present a full contrast of contours in order to create dramatic scenes. Black backgrounds also contributed to a creating sense of fantasy within the subject matter.   * Use of darkness and light: many Mannerists were interested in capturing the essence of the night sky through the use of intentional illumination, often creating a sense of fantasy scenes. Notably, special attention was paid to torch and moonlight to create dramatic scenes. * Sculptural forms: Mannerism was greatly influenced by sculpture, which gained popularity in the sixteenth century. As a result, Mannerist artists often based their depictions of human bodies in reference to sculptures and prints. This allowed Mannerist artists to focus on creating dimension. * Clarity of line: the attention that was paid to clean outlines of figures was prominent within Mannerism and differed largely from the
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including ...
and High Renaissance.The outlines of figures often allowed for more attention to detail.   * Composition and space: Mannerist artists rejected the ideals of the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ide ...
, notably the technique of one-point perspective. Instead, there was an emphasis on atmospheric effects and distortion of perspective. The use of space in Mannerist works instead privileged crowded compositions with various forms and figures or scant compositions with emphasis on black backgrounds.   * Mannerist movement: the interest in the study of human movement often lead to Mannerist artists rendering a unique type of movement linked to serpentine positions. These positions often anticipate the movements of future positions because of their often-unstable motions figures. In addition, this technique attributes to the artist's experimentation of form. * Painted frames: in some Mannerist works, painted frames were utilized to blend in with the background of paintings and at times, contribute to the overall composition of the artwork. This is at times prevalent when there is special attention paid to ornate detailing. * Atmospheric effects: many Mannerists utilized the technique of
sfumato Sfumato (, ) is a painting technique for softening the transition between colours, mimicking an area beyond what the human eye is focusing on, or the out-of-focus plane. It is one of the canonical painting modes of the Renaissance. Leonardo da ...
, known as, "the rendering of soft and hazy contours or surfaces" in their paintings for rendering the streaming of light.   * Mannerist colour: a unique aspect of Mannerism was in addition to the experimentation of form, composition, and light, much of the same curiosity was applied to color. Many artworks toyed with pure and intense hues of blues, green, pinks, and yellows, which at times detract from the overall design of artworks, and at other times, complement it. Additionally, when rending skin tone, artists would often concentrate on create overly creaming and light complexions and often utilize undertones of blue.


Artists and examples of their work


Jacopo da Pontormo

Jacopo da Pontormo's work is one of the most important contributions to Mannerism. He often drew his subject matter from religious narratives; heavily influenced by the works of Michelangelo, he frequently alludes to or uses sculptural forms as models for his compositions. A well-known element of his work is the rendering of gazes by various figures which often pierce out at the viewer in various directions. Dedicated to his work, Pontormo often expressed anxiety about its quality and was known to work slowly and methodically. His legacy is highly regarded, as he influenced artists such as
Agnolo Bronzino Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddis ...
and the aesthetic ideals of late Mannerism. Pontormo's ''Joseph in Egypt'', painted in 1517, portrays a running narrative of four Biblical scenes in which
Joseph Joseph is a common male given name, derived from the Hebrew Yosef (יוֹסֵף). "Joseph" is used, along with "Josef", mostly in English, French and partially German languages. This spelling is also found as a variant in the languages of the m ...
reconnects with his family. On the left side of the composition, Pontomoro depicts a scene of Joseph introducing his family to the
Pharaoh Pharaoh (, ; Egyptian: '' pr ꜥꜣ''; cop, , Pǝrro; Biblical Hebrew: ''Parʿō'') is the vernacular term often used by modern authors for the kings of ancient Egypt who ruled as monarchs from the First Dynasty (c. 3150 BC) until th ...
of
Egypt Egypt ( ar, مصر , ), officially the Arab Republic of Egypt, is a List of transcontinental countries, transcontinental country spanning the North Africa, northeast corner of Africa and Western Asia, southwest corner of Asia via a land bridg ...
. On the right, Joseph is riding on a rolling bench, as cherubs fill the composition around him in addition to other figures and large rocks on a path in the distance. Above these scenes, is a spiral staircase which Joseph guides one his sons to their mother at the top. The final scene, on the right, is the final stage of Jacob's death as his sons watch nearby. Pontormo's ''Joseph in Egypt'' features many Mannerist elements. One element is utilization of incongruous colors such as various shades of pinks and blues which make up a majority of the
canvas Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbag ...
. An additional element of Mannerism is the incoherent handling of time about the story of Joseph through various scenes and use of space. Through the inclusion of the four different narratives, Ponotormo creates a cluttered composition and overall sense of busyness.


Rosso Fiorentino and the School of Fontainebleau

Rosso Fiorentino, who had been a fellow pupil of Pontormo in the studio of
Andrea del Sarto Andrea del Sarto (, , ; 16 July 1486 – 29 September 1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces ...
, in 1530 brought Florentine Mannerism to
Fontainebleau Fontainebleau (; ) is a commune in the metropolitan area of Paris, France. It is located south-southeast of the centre of Paris. Fontainebleau is a sub-prefecture of the Seine-et-Marne department, and it is the seat of the ''arrondissemen ...
, where he became one of the founders of French 16th-century Mannerism, popularly known as the
School of Fontainebleau The School of Fontainbleau (french: École de Fontainebleau) (c. 1530 – c. 1610) refers to two periods of artistic production in France during the late Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming the No ...
. The examples of a rich and hectic decorative style at Fontainebleau further disseminated the Italian style through the medium of
engraving Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an in ...
s to
Antwerp Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,
, and from there throughout Northern Europe, from London to Poland. Mannerist design was extended to luxury goods like silver and carved furniture. A sense of tense, controlled emotion expressed in elaborate symbolism and
allegory As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory t ...
, and an ideal of female beauty characterized by elongated proportions are features of this style.


Agnolo Bronzino

Agnolo Bronzino Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddis ...
was a pupil of Pontormo, whose style was very influential and often confusing in terms of figuring out the attribution of many artworks. During his career, Bronzino also collaborated with
Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculpt ...
as a
set designer Scenic design (also known as scenography, stage design, or set design) is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly train ...
for the production "Comedy of Magicians", where he painted many
portrait A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this ...
s. Bronzino's work was sought after, and he enjoyed great success when he became a
court painter A court painter was an artist who painted for the members of a royal or princely family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Painters were the most common, but the cour ...
for the
Medici The House of Medici ( , ) was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici, in the Republic of Florence during the first half of the 15th century. The family originated in the Mu ...
family in 1539. A unique Mannerist characteristic of Bronzino's work was the rendering of milky complexions. In the painting, '' Venus, Cupid, Folly and Time'', Bronzino portrays an erotic scene that leaves the viewer with more questions than answers. In the foreground,
Cupid In classical mythology, Cupid (Latin Cupīdō , meaning "passionate desire") is the god of desire, lust, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus (mythology), Venus and the god of war Mar ...
and
Venus Venus is the second planet from the Sun. It is sometimes called Earth's "sister" or "twin" planet as it is almost as large and has a similar composition. As an interior planet to Earth, Venus (like Mercury) appears in Earth's sky never f ...
are nearly engaged in a kiss, but pause as if caught in the act. Above the pair are mythological figures,
Father Time Father Time is a personification of time. In recent centuries he is usually depicted as an elderly bearded man, sometimes with wings, dressed in a robe and carrying a scythe and an hourglass or other timekeeping device. As an image, "Father Ti ...
on the right, who pulls a curtain to reveal the pair and the representation of the goddess of the night on the left. The composition also involves a grouping of masks, a hybrid creature composed of features of a girl and a serpent, and a man depicted in agonizing pain. Many theories are available for the painting, such as it conveying the dangers of
syphilis Syphilis () is a sexually transmitted infection caused by the bacterium '' Treponema pallidum'' subspecies ''pallidum''. The signs and symptoms of syphilis vary depending in which of the four stages it presents (primary, secondary, latent, a ...
, or that the painting functioned as a
court A court is any person or institution, often as a government institution, with the authority to adjudicate legal disputes between parties and carry out the administration of justice in civil, criminal, and administrative matters in acco ...
game. Mannerist portraits by Bronzino are distinguished by a serene elegance and meticulous attention to detail. As a result, Bronzino's sitters have been said to project an aloofness and marked emotional distance from the viewer. There is also a virtuosic concentration on capturing the precise pattern and sheen of rich textiles. Specifically, within the ''Venus, Cupid, Folly and Time'', Bronzino utilizes the tactics of Mannerist movement, attention to detail, color, and sculptural forms. Evidence of Mannerist movement is apparent in the awkward movements of Cupid and Venus, as they contort their bodies to partly embrace. Particularly, Bronzino paints the complexion with the many forms as a perfect porcelain white with a smooth effacement of their muscles which provides a reference to the smoothness of sculpture.


Alessandro Allori

Alessandro Allori Alessandro di Cristofano di Lorenzo del Bronzino Allori (Florence, 31 May 153522 September 1607) was an Italian painter of the late Mannerist Florentine school. Biography In 1540, after the death of his father, Allori was brought up and train ...
's (1535–1607) ''Susanna and the Elders'' (''below'') is distinguished by latent eroticism and consciously brilliant still life detail, in a crowded, contorted composition.


Jacopo Tintoretto

Jacopo Tintoretto has been known for his vastly different contributions to Venetian painting after the legacy of
Titian Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), ...
. His work, which differed greatly from his predecessors, had been criticized by
Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculpt ...
for its, "fantastical, extravagant, bizarre style." Within his work, Tintoretto adopted Mannerist elements that have distanced him from the classical notion of Venetian painting, as he often created artworks which contained elements of fantasy and retained naturalism. Other unique elements of Tintoretto's work include his attention to color through the regular utilization of rough brushstrokes and experimentation with pigment to create illusion. An artwork that is associated with Mannerist characteristics is the ''
Last Supper Image:The Last Supper - Leonardo Da Vinci - High Resolution 32x16.jpg, 400px, alt=''The Last Supper'' by Leonardo da Vinci - Clickable Image, Depictions of the Last Supper in Christian art have been undertaken by artistic masters for centuries, ...
''; it was commissioned by Michele Alabardi for the
San Giorgio Maggiore San Giorgio Maggiore ( vec, San Zorzi Mazor) is one of the islands of Venice, northern Italy, lying east of the Giudecca and south of the main island group. The island, or more specifically its Palladian church, is an important landmark. It h ...
in 1591. In Tintoretto's ''Last Supper'', the scene is portrayed from the angle of group of people along the right side of the composition. On the left side of the painting,
Christ Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label= Hebrew/ Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and relig ...
and the
Apostles An apostle (), in its literal sense, is an emissary, from Ancient Greek ἀπόστολος (''apóstolos''), literally "one who is sent off", from the verb ἀποστέλλειν (''apostéllein''), "to send off". The purpose of such sending ...
occupy one side of the table and single out
Judas Judas Iscariot (; grc-x-biblical, Ἰούδας Ἰσκαριώτης; syc, ܝܗܘܕܐ ܣܟܪܝܘܛܐ; died AD) was a disciple and one of the original Twelve Apostles of Jesus Christ. According to all four canonical gospels, Judas betr ...
. Within the dark space, there are few sources of light; one source is emitted by Christ's
halo Halo, halos or haloes usually refer to: * Halo (optical phenomenon) * Halo (religious iconography), a ring of light around the image of a head HALO, halo, halos or haloes may also refer to: Arts and entertainment Video games * ''Halo'' (franch ...
and hanging torch above the table. In its distinct composition, the ''Last Supper'' portrays Mannerist characteristics. One characteristic that Tintoretto utilizes is a black background. Though the painting gives some indication of an interior space through the use of perspective, the edges of the composition are mostly shrouded in shadow which provides drama for the central scene of the ''Last Supper''. Additionally, Tintoretto utilizes the spotlight effects with light, especially with the halo of Christ and the hanging torch above the table. A third Mannerist characteristic that Tintoretto employs are the atmospheric effects of figures shaped in smoke and float about the composition.


El Greco

El Greco Domḗnikos Theotokópoulos ( el, Δομήνικος Θεοτοκόπουλος ; 1 October 1541 7 April 1614), most widely known as El Greco ("The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance. "El ...
attempted to express religious emotion with exaggerated traits. After the realistic depiction of the human form and the mastery of perspective achieved in High Renaissance, some artists started to deliberately distort proportions in disjointed, irrational space for emotional and artistic effect. El Greco still is a deeply original artist. He has been characterized by modern scholars as an artist so individual that he belongs to no conventional school. Key aspects of Mannerism in El Greco include the jarring "acid" palette, elongated and tortured anatomy, irrational perspective and light, and obscure and troubling iconography. El Greco's style was a culmination of unique developments based on his Greek heritage and travels to Spain and Italy. El Greco's work reflects a multitude of styles including
Byzantine The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinopl ...
elements as well as the influence of
Caravaggio Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of h ...
and
Parmigianino Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, B ...
in addition to Venetian coloring. An important element is his attention to color as he regarded it to be one of the most important aspects of his painting. Over the course of his career, El Greco's work remained in high demand as he completed important commissions in locations such as the Colegio de la Encarnación de Madrid. El Greco's unique painting style and connection to Mannerist characteristics is especially prevalent in the work '' Laocoön''. Painted in 1610, it depicts the mythological tale of Laocoön, who warned the
Trojans Trojan or Trojans may refer to: * Of or from the ancient city of Troy * Trojan language, the language of the historical Trojans Arts and entertainment Music * ''Les Troyens'' ('The Trojans'), an opera by Berlioz, premiered part 1863, part 189 ...
about the danger of the wooden horse which was presented by the Greeks as peace offering to the goddess
Minerva Minerva (; ett, Menrva) is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic war. From the second century BC onward, the R ...
. As a result, Minerva retaliated in revenge by summoning serpents to kill Laocoön and his two sons. Instead of being set against the backdrop of
Troy Troy ( el, Τροία and Latin: Troia, Hittite: 𒋫𒊒𒄿𒊭 ''Truwiša'') or Ilion ( el, Ίλιον and Latin: Ilium, Hittite: 𒃾𒇻𒊭 ''Wiluša'') was an ancient city located at Hisarlik in present-day Turkey, south-west of Ç ...
, El Greco situated the scene near
Toledo, Spain Toledo ( , ) is a city and municipality of Spain, capital of the province of Toledo and the ''de jure'' seat of the government and parliament of the autonomous community of Castilla–La Mancha. Toledo was declared a World Heritage Site by UN ...
in order to "universalize the story by drawing out its relevance for the contemporary world." El Greco's unique style in ''Laocoön'' exemplifies many Mannerist characteristics. Prevalent is the elongation of many of the human forms throughout the composition in conjunction with their serpentine movement, which provides a sense of elegance. An additional element of Mannerist style is the atmospheric effects in which El Greco creates a hazy sky and blurring of landscape in the background.


Benvenuto Cellini

Benvenuto Cellini Benvenuto Cellini (, ; 3 November 150013 February 1571) was an Italian goldsmith, sculptor, and author. His best-known extant works include the ''Cellini Salt Cellar'', the sculpture of ''Perseus with the Head of Medusa'', and his autobiograph ...
created the '' Cellini Salt Cellar'' of gold and enamel in 1540 featuring
Poseidon Poseidon (; grc-gre, Ποσειδῶν) was one of the Twelve Olympians in ancient Greek religion and myth, god of the sea, storms, earthquakes and horses.Burkert 1985pp. 136–139 In pre-Olympian Bronze Age Greece, he was venerated as ...
and
Amphitrite In ancient Greek mythology, Amphitrite (; grc-gre, Ἀμφιτρίτη, Amphitrítē) was the goddess of the sea, the queen of the sea, and the wife of Poseidon. She was a daughter of Nereus and Doris (or Oceanus and Tethys).Roman, L., & ...
(water and earth) placed in uncomfortable positions and with elongated proportions. It is considered a masterpiece of Mannerist sculpture.


Lavinia Fontana

Lavinia Fontana (1552–1614) was a Mannerist portraitist often acknowledged to be the first female career artist in Western Europe. She was appointed to be the Portraitist in Ordinary at the Vatican. Her style is characterized as being influenced by the
Carracci family The Carracci ( , , ) were a Bolognese family of artists that played an instrumental role in bringing forth the Baroque style in painting. Brothers Annibale (1560–1609) and Agostino (1557–1602) along with their cousin Ludovico (1555–1619 ...
of painters by the colors of the Venetian School. She is known for her portraits of noblewomen, and for her depiction of nude figures, which was unusual for a woman of her time.


Taddeo Zuccaro (or Zuccari)

Taddeo Zuccaro was born in
Sant'Angelo in Vado Sant'Angelo in Vado is a '' comune'' (municipality), site of Ancient Tifernum Metaurense and former bishopric in the Province of Pesaro e Urbino in the central Italian Adriatic region Marche. Geography It is located about west of Ancona and ab ...
, near Urbino, the son of Ottaviano Zuccari, an almost unknown painter. His brother
Federico Federico (; ) is a given name and surname. It is a form of Frederick, most commonly found in Spanish, Portuguese and Italian. People with the given name Federico Artists * Federico Ágreda, Venezuelan composer and DJ. * Federico Aguilar Alc ...
, born around 1540, was also a painter and architect.


Federico Zuccaro (or Zuccari)

Federico Zuccaro’s documented career as a painter began in 1550, when he moved to Rome to work under
Taddeo Taddeo is a masculine given name which may refer to: * Taddeo Alderotti (between 1206 and 1215-1295), Italian doctor and professor of medicine * Taddeo Altini O.S.A. (1609-1685), Roman Catholic Bishop of Civita Castellana e Orte, and Titular Bishop ...
, his elder brother. He went on to complete decorations for
Pius IV Pope Pius IV ( it, Pio IV; 31 March 1499 – 9 December 1565), born Giovanni Angelo Medici, was head of the Catholic Church and ruler of the Papal States from 25 December 1559 to his death in December 1565. Born in Milan, his family considered ...
, and help complete the fresco decorations at the Villa Farnese at Caprarola. Between 1563 and 1565, he was active in
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
with the Grimani family of Santa Maria Formosa. During his Venetian period, he traveled alongside
Palladio Andrea Palladio ( ; ; 30 November 1508 – 19 August 1580) was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of t ...
in Friuli.


Joachim Wtewael

Joachim Wtewael (1566–1638) continued to paint in a
Northern Mannerist Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, e ...
style until the end of his life, ignoring the arrival of the
Baroque art The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires includi ...
, and making him perhaps the last significant Mannerist artist still to be working. His subjects included large scenes with still life in the manner of
Pieter Aertsen Pieter Aertsen (1508 – 2 June 1575), called ''Lange Piet'' ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life ...
, and mythological scenes, many small
cabinet painting A cabinet painting (or "cabinet picture") is a small painting, typically no larger than two feet (0.6 meters) in either dimension, but often much smaller. The term is especially used for paintings that show full-length figures or landscapes at a ...
s beautifully executed on copper, and most featuring nudity.


Giuseppe Arcimboldo

Giuseppe Arcimboldo Giuseppe Arcimboldo (; also spelled ''Arcimboldi'') (1526 or 1527 – 11 July 1593) was an Italian painter best known for creating imaginative portrait heads made entirely of objects such as fruits, vegetables, flowers, fish and books. These wo ...
is most readily known for his artworks that incorporate
still life A still life (plural: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or man-made (drinking glasses, bo ...
and
portrait A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this ...
ure. His style is viewed as Mannerist with the assemblage style of fruits and vegetables in which its composition can be depicted in various ways—right side up and upside down. Arcimboldo's artworks have also applied to Mannerism in terms of humor that it conveys to viewers, because it does not hold the same degree of seriousness as Renaissance works. Stylistically, Arcimboldo's paintings are known for their attention to nature and concept of a "monstrous appearance." One of Arcimboldo's paintings which contains various Mannerist characteristics is, '' Vertumnus''. Painted against a black background is a portrait of
Rudolf II Rudolf II (18 July 1552 – 20 January 1612) was Holy Roman Emperor (1576–1612), King of Hungary and Croatia (as Rudolf I, 1572–1608), King of Bohemia (1575–1608/1611) and Archduke of Austria (1576–1608). He was a member of the Ho ...
, whose body is composed of various vegetables, flowers, and fruits. The joke of the painting communicates the humor of power which is that Emperor Rudolf II is hiding a dark inner self behind his public image. On the other hand, the serious tone of the painting foreshadows the good fortune that would be prevalent during his reign. ''Vertumnus'' contains various Mannerist elements in terms of its composition and message. One element is the flat, black background which Arcimboldo utilizes to emphasize the status and identity of the Emperor, as well as highlighting the fantasy of his reign. In the portrait of Rudolf II, Arcimboldo also strays away from the naturalistic representation of the Renaissance, and explores the construction of composition by rendering him from a jumble of fruits, vegetables, plants and flowers. Another element of Mannerism which the painting portrays is the dual narrative of a joke and serious message; humor wasn't normally utilized in Renaissance artworks. File:Jacopo Pontormo 032.jpg, Jacopo Pontormo ''Joseph in Egypt'', 1515–1518; Oil on wood; 96 x 109 cm;
National Gallery The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director ...
, London File:Fontainebleau interior francois I gallery 02.JPG, Rosso Fiorentino, Francois I Gallery, ''
Château de Fontainebleau Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence ...
'', France File:AN00056627 001 l Caraglio Juno in niche.jpg, Juno in a niche,
engraving Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an in ...
by
Jacopo Caraglio Jacopo Caraglio, Giovanni Jacopo Caraglio or Gian Giacomo Caraglio (c. 1500/1505 – 26 August 1565) known also as ''Jacobus Parmensis'' and ''Jacobus Veronensis'' was an Italian engraver, goldsmith and medallist, born at Verona or Parma ...
, probably from a drawing of 1526 by Rosso Fiorentino File:Bibliotekarien konserverad - Skoklosters slott - 97136.tif,
Giuseppe Arcimboldo Giuseppe Arcimboldo (; also spelled ''Arcimboldi'') (1526 or 1527 – 11 July 1593) was an Italian painter best known for creating imaginative portrait heads made entirely of objects such as fruits, vegetables, flowers, fish and books. These wo ...
, '' The Librarian'', 1562,
Skokloster Castle Skokloster Castle ( sv, Skoklosters slott) is a Swedish Baroque castle built between 1654 and 1676 by Carl Gustaf Wrangel, located on a peninsula of Lake Mälaren between Stockholm and Uppsala. It became a state museum in the 1970s and displays co ...
. File:Arcimboldo, Giuseppe ~ Autumn, 1573, oil on canvas, Musée du Louvre, Paris.jpg,
Giuseppe Arcimboldo Giuseppe Arcimboldo (; also spelled ''Arcimboldi'') (1526 or 1527 – 11 July 1593) was an Italian painter best known for creating imaginative portrait heads made entirely of objects such as fruits, vegetables, flowers, fish and books. These wo ...
, ''Autumn'', 1573, oil on canvas, Louvre Museum, Paris File:Vertumnus årstidernas gud målad av Guiseppe Arcimboldo 1591 - Skoklosters slott - 91503.tif,
Giuseppe Arcimboldo Giuseppe Arcimboldo (; also spelled ''Arcimboldi'') (1526 or 1527 – 11 July 1593) was an Italian painter best known for creating imaginative portrait heads made entirely of objects such as fruits, vegetables, flowers, fish and books. These wo ...
, ''Vertumnus the god of seasons'', 1591,
Skokloster Castle Skokloster Castle ( sv, Skoklosters slott) is a Swedish Baroque castle built between 1654 and 1676 by Carl Gustaf Wrangel, located on a peninsula of Lake Mälaren between Stockholm and Uppsala. It became a state museum in the 1970s and displays co ...
File:Angelo Bronzino 037.jpg,
Bronzino Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or red ...
, ''
Portrait of Bia de' Medici The ''Portrait of Bia de' Medici'' is an oil-tempera on wood painting by Agnolo Bronzino, dating to around 1542 and now in the Uffizi in Florence. For a long time it was displayed in the Tribuna at the heart of the museum, but since 2012 it has be ...
'', c. 1545 File:Alessandro Allori - Susanna and The Elders - WGA00186.jpg,
Alessandro Allori Alessandro di Cristofano di Lorenzo del Bronzino Allori (Florence, 31 May 153522 September 1607) was an Italian painter of the late Mannerist Florentine school. Biography In 1540, after the death of his father, Allori was brought up and train ...
, ''Susanna and the Elders'', 1561 File:Elgreco.christ.200pix.jpg,
El Greco Domḗnikos Theotokópoulos ( el, Δομήνικος Θεοτοκόπουλος ; 1 October 1541 7 April 1614), most widely known as El Greco ("The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance. "El ...
, ''Baptism'', c. 1614


Architecture

Mannerist architecture was characterized by visual trickery and unexpected elements that challenged the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ide ...
norms. Flemish artists, many of whom had traveled to Italy and were influenced by Mannerist developments there, were responsible for the spread of Mannerist trends into Europe north of the Alps, including into the realm of architecture. During the period, architects experimented with using architectural forms to emphasize solid and spatial relationships. The Renaissance ideal of harmony gave way to freer and more imaginative rhythms. The best known architect associated with the Mannerist style, and a pioneer at the
Laurentian Library The Laurentian Library (Biblioteca Medicea Laurenziana or BML) is a historic library in Florence, Italy, containing more than 11,000 manuscripts and 4,500 early printed books. Built in a cloister of the Medicean Basilica di San Lorenzo di Firenze ...
, was
Michelangelo Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was ins ...
(1475–1564). He is credited with inventing the giant order, a large pilaster that stretches from the bottom to the top of a façade. He used this in his design for the Piazza del Campidoglio in Rome. The '' Herrerian style'' ( es, estilo herreriano or ''arquitectura herreriana'') of
architecture Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings ...
was developed in
Spain , image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = '' Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , ...
during the last third of the 16th century under the reign of Philip II (1556–1598), and continued in force in the 17th century, but transformed by the
Baroque style The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires includin ...
of the time. It corresponds to the third and final stage of the Spanish Renaissance architecture, which evolved into a progressive purification ornamental, from the initial
Plateresque Plateresque, meaning "in the manner of a silversmith" (''plata'' being silver in Spanish), was an artistic movement, especially architectural, developed in Spain and its territories, which appeared between the late Gothic and early Renaissance ...
to classical Purism of the second third of the 16th century and total nudity decorative that introduced the Herrerian style. Prior to the 20th century, the term ''Mannerism'' had negative connotations, but it is now used to describe the historical period in more general, non-judgmental terms. Mannerist architecture has also been used to describe a trend in the 1960s and 1970s that involved breaking the norms of modernist architecture while at the same time recognizing their existence. Defining Mannerism in this context, architect and author Robert Venturi wrote "Mannerism for architecture of our time that acknowledges conventional order rather than original expression but breaks the conventional order to accommodate complexity and contradiction and thereby engages ambiguity unambiguously."


Renaissance examples

An example of Mannerist architecture is the
Villa Farnese The Villa Farnese, also known as Villa Caprarola, is a pentagonal mansion in the town of Caprarola in the province of Viterbo, Northern Lazio, Italy, approximately north-west of Rome. This villa should not be confused with the Palazzo Farnese a ...
at Caprarola, in the rugged countryside outside of
Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus ( legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...
. The proliferation of engravers during the 16th century spread Mannerist styles more quickly than any previous styles. Dense with ornament of "Roman" detailing, the display doorway at
Colditz Castle Castle Colditz (or ''Schloss Colditz'' in German) is a Renaissance castle in the town of Colditz near Leipzig, Dresden and Chemnitz in the state of Saxony in Germany. The castle is between the towns of Hartha and Grimma on a hill spur over the ...
exemplifies the northern style, characteristically applied as an isolated "set piece" against unpretentious vernacular walling. From the late 1560s onwards, many buildings in
Valletta Valletta (, mt, il-Belt Valletta, ) is an administrative unit and capital of Malta. Located on the main island, between Marsamxett Harbour to the west and the Grand Harbour to the east, its population within administrative limits in 2014 ...
, the new capital city of
Malta Malta ( , , ), officially the Republic of Malta ( mt, Repubblika ta' Malta ), is an island country in the Mediterranean Sea. It consists of an archipelago, between Italy and Libya, and is often considered a part of Southern Europe. It lies ...
, were designed by the architect Girolamo Cassar in the Mannerist style. Such buildings include
St. John's Co-Cathedral St John's Co-Cathedral ( mt, Kon-Katidral ta' San Ġwann) is a Roman Catholic co-cathedral in Valletta, Malta, dedicated to Saint John the Baptist. It was built by the Order of St. John between 1573 and 1578, having been commissioned by Grand M ...
, the Grandmaster's Palace and the seven original auberges. Many of Cassar's buildings were modified over the years, especially in the
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including ...
period. However, a few buildings, such as
Auberge d'Aragon The Auberge d'Aragon ( mt, Berġa ta' Aragona) is an auberge in Valletta, Malta. It was built in 1571 to house knights of the Order of Saint John from the langue of Aragon, Navarre and Catalonia. It is the only surviving auberge in Vall ...
and the exterior of St. John's Co-Cathedral, still retain most of Cassar's original Mannerist design. File:Palazzo Te Mantova 1.jpg, One of the best examples of Mannerist architecture:
Palazzo Te or is a palace in the suburbs of Mantua, Italy. It is a fine example of the mannerist style of architecture, and the acknowledged masterpiece of Giulio Romano. Although formed in Italian, the usual name in English of Palazzo del Te is not t ...
in Mantova, designed by
Giulio Romano Giulio Romano (, ; – 1 November 1546), is the acquired name of Giulio Pippi, who was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-cent ...
File:3538MantovaPalazzoDucale.jpg, Giulio Romano, Pallazo Ducale in Mantova File:3579MantovaCasaGiulioRomano.jpg, Own house of Giulio Romano in Mantova File:Palazzo Massimo alle Colonne.jpg, Baldassare Peruzzi, Palazzo Massimo alle Colonne in Rome File:Biblioteca laurenziana, vestibolo 04.JPG, Michelangelo, vestibule of
Laurentian Library The Laurentian Library (Biblioteca Medicea Laurenziana or BML) is a historic library in Florence, Italy, containing more than 11,000 manuscripts and 4,500 early printed books. Built in a cloister of the Medicean Basilica di San Lorenzo di Firenze ...
File:St Johns Co-Cathedral.jpg,
St. John's Co-Cathedral St John's Co-Cathedral ( mt, Kon-Katidral ta' San Ġwann) is a Roman Catholic co-cathedral in Valletta, Malta, dedicated to Saint John the Baptist. It was built by the Order of St. John between 1573 and 1578, having been commissioned by Grand M ...
in Valletta, Malta File:Catedral Basílica Salvador 2019-6527.jpg, Cathedral Basilica of Salvador, Brazil, built between 1657 and 1746, a
UNESCO The United Nations Educational, Scientific and Cultural Organization is a List of specialized agencies of the United Nations, specialized agency of the United Nations (UN) aimed at promoting world peace and security through international coope ...
World Heritage Site. File:Iglesia de San Francisco, Quito, Ecuador, 2015-07-22, DD 152 (cropped).JPG, The large Basilica of San Francisco, in
Quito Quito (; qu, Kitu), formally San Francisco de Quito, is the capital and largest city of Ecuador, with an estimated population of 2.8 million in its urban area. It is also the capital of the province of Pichincha. Quito is located in a valley on ...
, Ecuador, built between 1535-1650.


Literature and music

In English literature, Mannerism is commonly identified with the qualities of the "Metaphysical" poets of whom the most famous is
John Donne John Donne ( ; 22 January 1572 – 31 March 1631) was an English poet, scholar, soldier and secretary born into a recusant family, who later became a cleric in the Church of England. Under royal patronage, he was made Dean of St Paul's Cathe ...
. The witty sally of a Baroque writer,
John Dryden '' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the p ...
, against the verse of Donne in the previous generation, affords a concise contrast between Baroque and Mannerist aims in the arts: The rich musical possibilities in the poetry of the late 16th and early 17th centuries provided an attractive basis for the
madrigal A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number ...
, which quickly rose to prominence as the pre-eminent musical form in Italian musical culture, as discussed by Tim Carter: The word Mannerism has also been used to describe the style of highly florid and contrapuntally complex
polyphonic Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, ...
music made in France in the late 14th century. This period is now usually referred to as the ''
ars subtilior ''Ars subtilior'' (Latin for 'subtler art') is a musical style characterized by rhythmic and notational complexity, centered on Paris, Avignon in southern France, and also in northern Spain at the end of the fourteenth century.Hoppin 1978, 472 ...
''.


Mannerism and theatre

''The Early Commedia dell'Arte (1550–1621): The Mannerist Context'' by Paul Castagno discusses Mannerism's effect on the contemporary professional theatre. Castagno's was the first study to define a theatrical form as Mannerist, employing the vocabulary of Mannerism and maniera to discuss the typification, exaggerated, and ''effetto meraviglioso'' of the ''comici dell'arte''. See Part II of the above book for a full discussion of Mannerist characteristics in the
commedia dell'arte (; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Charact ...
. The study is largely iconographic, presenting a pictorial evidence that many of the artists who painted or printed commedia images were in fact, coming from the workshops of the day, heavily ensconced in the maniera tradition. The preciosity in
Jacques Callot Jacques Callot (; – 1635) was a baroque printmaker and draftsman from the Duchy of Lorraine (an independent state on the north-eastern border of France, southwestern border of Germany and overlapping the southern Netherlands). He is an impor ...
's minute engravings seem to belie a much larger scale of action. Callot's ''Balli di Sfessania'' (literally, dance of the buttocks) celebrates the commedia's blatant eroticism, with protruding phalli, spears posed with the anticipation of a comic ream, and grossly exaggerated masks that mix the bestial with human. The eroticism of the ''innamorate'' (lovers) including the baring of breasts, or excessive veiling, was quite in vogue in the paintings and engravings from the second
School of Fontainebleau The School of Fontainbleau (french: École de Fontainebleau) (c. 1530 – c. 1610) refers to two periods of artistic production in France during the late Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming the No ...
, particularly those that detect a Franco-Flemish influence. Castagno demonstrates iconographic linkages between genre painting and the figures of the commedia dell'arte that demonstrate how this theatrical form was embedded within the cultural traditions of the late
cinquecento The cultural and artistic events of Italy during the period 1500 to 1599 are collectively referred to as the Cinquecento (, ), from the Italian for the number 500, in turn from , which is Italian for the year 1500. Cinquecento encompasses the ...
.


Commedia dell'arte, ''disegno interno'', and the ''discordia concors''

Important corollaries exist between the ''disegno interno'', which substituted for the ''disegno esterno'' (external design) in Mannerist painting. This notion of projecting a deeply subjective view as superseding nature or established principles (perspective, for example), in essence, the emphasis away from the object to its subject, now emphasizing execution, displays of virtuosity, or unique techniques. This inner vision is at the heart of commedia performance. For example, in the moment of improvisation the actor expresses his virtuosity without heed to formal boundaries, decorum, unity, or text.
Arlecchino Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque pronunciation ) is the best-known of the ''zanni'' or comic servant characters from the Italian ''commedia dell'arte'', associated with the city of Bergamo. The role is traditionally ...
became emblematic of the mannerist ''discordia concors'' (the union of opposites), at one moment he would be gentle and kind, then, on a dime, become a thief violently acting out with his battle. Arlecchino could be graceful in movement, only in the next beat, to clumsily trip over his feet. Freed from the external rules, the actor celebrated the evanescence of the moment; much the way
Benvenuto Cellini Benvenuto Cellini (, ; 3 November 150013 February 1571) was an Italian goldsmith, sculptor, and author. His best-known extant works include the ''Cellini Salt Cellar'', the sculpture of ''Perseus with the Head of Medusa'', and his autobiograph ...
would dazzle his patrons by draping his sculptures, unveiling them with lighting effects and a sense of the marvelous. The presentation of the object became as important as the object itself.


Neo-Mannerism

In the 20th century, the rise of Neo-Mannerism stemmed from artist Ernie Barnes. The style was heavily influenced by both the Jewish Community, as well as the African-American Community, leading to "The Beauty of the Ghetto" exhibition between 1972 - 1979. The Exhibition toured major American cities, and was hosted by dignitaries, professional athletes, and celebrities. When the exhibition was on view in 1974 at the Museum of African Art in Washington, DC, Rep.
John Conyers John James Conyers Jr. (May 16, 1929October 27, 2019) was an American politician of the Democratic Party who served as a U.S. representative from Michigan from 1965 to 2017. The districts he represented always included part of western Detroit ...
stressed the important positive message of the exhibit in the ''
Congressional Record The ''Congressional Record'' is the official record of the proceedings and debates of the United States Congress, published by the United States Government Publishing Office and issued when Congress is in session. The Congressional Record Inde ...
''. The style of Neo-Mannerism, as developed by Barnes, includes subjects with elongated limbs and bodies, as well as exaggerated movement. Another common theme was closed eyes of the subjects, as a visual representation of "how blind we are to one another's humanity". "We look upon each other and decide immediately: This person is black, so he must be ... This person lives in poverty, so he must be ...".


Theatre and cinema

In an interview, film director
Peter Greenaway Peter Greenaway, (born 5 April 1942) is a Welsh film director, screenwriter and artist. His films are noted for the distinct influence of Renaissance and Baroque painting, and Flemish painting in particular. Common traits in his films are th ...
mentions
Federico Fellini Federico Fellini (; 20 January 1920 – 31 October 1993) was an Italian film director and screenwriter known for his distinctive style, which blends fantasy and baroque images with earthiness. He is recognized as one of the greatest and most ...
and
Bill Viola Bill Viola ( , ; born 1951) is an American contemporary video artist whose artistic expression depends upon electronic, sound, and image technology in new media. His works focus on the ideas behind fundamental human experiences such as birth, d ...
as two major inspirations for his exhaustive and self-referential play with the insoluble tension between the database form of images and the various analogous and digital interfaces that structure them cinematically. This play can be called neo-mannerist precisely insofar as it is distinguished from the (neo-)baroque: "Just as Roman Catholicism would offer you paradise and heaven, there is an equivalent commercial paradise being offered very largely by the whole capitalistic effect, which is associated with Western cinema. This is my political analogy in terms of the use of multimedia as a political weapon. I would equate, in a sense, the great baroque Counter-Reformation, its cultural activity, with what cinema, American cinema predominantly, has been doing in the last seventy years."Greenway, Peter. Interview, "Cinema of Ideas" with Henk Oosterling, 2001


As a term of criticism

According to art critic
Jerry Saltz Jerry Saltz (born February 19, 1951, in Chicago, Illinois) is an American art critic. Since 2006, he has been senior art critic and columnist for ''New York'' magazine. Formerly the senior art critic for '' The Village Voice'', he received the P ...
, "Neo-Mannerism" (new Mannerism) is among several clichés that are "squeezing the life out of the art world". Neo-Mannerism describes art of the 21st century that is turned out by students whose academic teachers "have scared heminto being pleasingly meek, imitative, and ordinary".


See also

* Counter-Maniera * Mannerist architecture and sculpture in Poland * Timeline of Italian artists to 1800 * Mannerism in Brazil


Notes


References

*Apel, Willi. 1946–47. "The French Secular Music of the Late Fourteenth Century". ''Acta Musicologica'' 18: 17–29. *Briganti, Giuliano. 1962. ''Italian Mannerism'', translated from the Italian by Margaret Kunzle. London: Thames and Hudson; Princeton: Van Nostrand; Leipzig: VEB Edition. (Originally published in Italian, as ''La maniera italiana'', La pittura italiana 10. Rome:
Editori Riuniti Editori Riuniti is an Italian publishing house based in Rome that publishes books and magazines on the history of socialism, socialist thought, physics and mathematics theory, and the history of Central and Eastern Europe and the Balkans. Histor ...
, 1961). *Carter, Tim. 1991. ''Music in Late Renaissance and Early Baroque Italy''. London: Amadeus Press. *Castagno, Paul C. 1994. ''The Early Commedia Dell'arte (1550–1621): The Mannerist Context''. New York: P. Lang. . *Cheney, Liana de Girolami (ed.). 2004. ''Readings in Italian Mannerism'', second printing, with a foreword by Craig Hugh Smyth. New York: Peter Lang. . (Previous edition, without the foreword by Smyth, New York: Peter Lang, 1997. ). *Cox-Rearick, Janet. "Pontormo, Jacopo da." Grove Art Online.11 Apr 2019. http://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000068662. *Davies, David, Greco, J. H Elliott, Metropolitan Museum of Art (New York, N.Y.), and National Gallery (Great Britain). El Greco. London: National Gallery Company, 2003. *Freedberg, Sidney J. 1965. "Observations on the Painting of the Maniera". Reprinted in Cheney 2004, 116–23. *Freedberg, Sidney J. 1971. ''Painting in Italy, 1500–1600'', first edition. The Pelican History of Art. Harmondsworth and Baltimore:
Penguin Books Penguin Books is a British publishing, publishing house. It was co-founded in 1935 by Allen Lane with his brothers Richard and John, as a line of the publishers The Bodley Head, only becoming a separate company the following year.Yale University Press Yale University Press is the university press of Yale University. It was founded in 1908 by George Parmly Day, and became an official department of Yale University in 1961, but it remains financially and operationally autonomous. , Yale Univers ...
. (cloth) (pbk) * Friedländer, Walter. 1965. ''Mannerism and Anti-Mannerism in Italian Painting''. New York: Schocken. LOC 578295 (First edition, New York: Columbia University Press, 1958.) * Gombrich, E nstH ns 1995. ''The Story of Art'', sixteenth edition. London: Phaidon Press. . *Kaufmann, Thomas DaCosta. ''Arcimboldo : Visual Jokes, Natural History, and Still-Life Painting''. Chicago: University of Chicago Press, 2010. ProQuest Ebook Central. *Lambraki-Plaka, Marina (1999). El Greco-The Greek. Kastaniotis. . * Marchetti Letta, Elisabetta, Jacopo Da Pontormo, and Rosso Fiorentino. Pontormo, Rosso Fiorentino. The Library of Great Masters. Antella, Florence: Scala, 199 * Marías, Fernando. 2003 "Greco, El." Grove Art Online. 2 April 2019. http://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000034199. * Mirollo, James V. 1984. ''Mannerism and Renaissance Poetry: Concept, Mode, Inner Design''. New Haven: Yale University Press. . *Nichols, Tom. Tintoretto : Tradition and Identity. London: Reaktion, 1999. * Shearman, John K. G. 1967. ''Mannerism''. Style and Civilization. Harmondsworth: Penguin. Reprinted, London and New York: Penguin, 1990. * Olson, Roberta J.M., ''Italian Renaissance Sculpture'', 1992, Thames & Hudson (World of Art), *Smart, Alastair. The Renaissance and Mannerism in Northern Europe and Spain. The Harbrace History of Art. New York: Harcourt Brace Jovanovich, 1972. *Smyth, Craig Hugh. 1992. ''Mannerism and Maniera'', with an introduction by Elizabeth Cropper. Vienna: IRSA. . *Summerson, John. 1983. ''Architecture in Britain 1530–1830'', 7th revised and enlarged (3rd integrated) edition. The Pelican History of Art. Harmondsworth and New York: Penguin. (cased) (pbk) eprinted with corrections, 1986; 8th edition, Harmondsworth and New York: Penguin, 1991.*Stokstad, Marilyn, and Michael Watt Cothren. Art History. 4th ed. Upper Saddle River, NJ: Pearson/Prentice Hall, 2011.


Further reading

*Gardner, Helen Louise. 1972. ''The Metaphysical Poets, Selected and Edited,'' revised edition. Introduction. Harmondsworth, England; New York: Penguin Books. . *Grossmann F. 1965. ''Between Renaissance and Baroque: European Art: 1520–1600''. Manchester City Art Gallery *Hall, Marcia B . 2001. ''After Raphael: Painting in Central Italy in the Sixteenth Century'',
Cambridge University Press Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by King Henry VIII in 1534, it is the oldest university press in the world. It is also the King's Printer. Cambridge University Pr ...
. . *Pinelli, Antonio. 1993. ''La bella maniera: artisti del Cinquecento tra regola e licenza''. Turin: Piccola biblioteca Einaudi. *Sypher, Wylie. 1955. ''Four Stages of Renaissance Style: Transformations in Art and Literature, 1400–1700''. Garden City, N.Y.: Doubleday. A classic analysis of Renaissance, Mannerism, Baroque, and Late Baroque. *Würtenberger, Franzsepp. 1963. ''Mannerism: The European Style of the Sixteenth Century''. New York: Holt, Rinehart and Winston (Originally published in German, as ''Der Manierismus; der europäische Stil des sechzehnten Jahrhunderts''. Vienna: A. Schroll, 1962).


External links


"Mannerism: Bronzino (1503–1572) and his Contemporaries", on the Metropolitan Museum of Art's website
{{Authority control Architectural styles Art movements in Europe Renaissance art Mannerist architecture Western art 16th century in art 17th century in art