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Koster and Bial's Music Hall was an important
vaudeville Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition ...
theatre in New York City, located at
Broadway Broadway may refer to: Theatre * Broadway Theatre (disambiguation) * Broadway theatre, theatrical productions in professional theatres near Broadway, Manhattan, New York City, U.S. ** Broadway (Manhattan), the street **Broadway Theatre (53rd Stree ...
and Thirty-Fourth Street, where
Macy's Macy's (originally R. H. Macy & Co.) is an American chain of high-end department stores founded in 1858 by Rowland Hussey Macy. It became a division of the Cincinnati-based Federated Department Stores in 1994, through which it is affiliated wi ...
flagship store now stands. It had a seating capacity of 3,748, twice the size of many theaters. Ticket prices ranged from 25¢ for a seat in the gallery to $1.50 for one in the orchestra. The venue was founded by John Koster (1844-1895) and Albert Bial (1842-1897) in the late 19th century and closed in 1901.


History

The music hall featured many top performers of its day and is famous in cinema history as the site of the first public exhibition of the
Vitascope Vitascope was an early film projector first demonstrated in 1895 by Charles Francis Jenkins and Thomas Armat. They had made modifications to Jenkins' patented Phantoscope, which cast images via film and electric light onto a wall or screen. The ...
on April 23, 1896.Ramsaye, Terry (1926), ''A Million and One Nights: A History of the Motion Picture Through 1926,'' Simon and Schuster Essandess paperback reprint, 1964. Location at Broadway and Thirty-Fourth: p. 117; 20-foot screen and gilded frame, p. 232. Koster and Bial's Music Hall was the successor to Koster and Bial's Concert Hall. That earlier establishment was located on 23rd Street. At that location, Koster and Bial had taken over Bryant's Opera House, a venue for
minstrel show The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people spec ...
s. They offered food and drink along with
vaudeville Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition ...
, circumventing a law against serving alcohol in theatres by replacing the curtain with a folding fan. The last Koster and Bial's Music Hall originated when they moved uptown into the former Manhattan Opera House, a huge theatre built in
Herald Square Herald Square is a major commercial intersection in the Midtown Manhattan neighborhood of New York City, formed by the intersection of Broadway, Sixth Avenue (officially Avenue of the Americas), and 34th Street. Named for the now-defunct ''New ...
in 1892 by
Oscar Hammerstein I Oscar Hammerstein I (8 May 18461 August 1919) was a German-born businessman, theater impresario, and composer in New York City. His passion for opera led him to open several opera houses, and he rekindled opera's popularity in America. He was ...
in pursuit of his passion for
grand opera Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on o ...
. Quickly running into financial problems, Hammerstein decided to convert his theatre to a vaudeville format. He offered Koster and Bial a partnership under which he would manage the entertainment and they would manage the food. The new Koster and Bial's Music Hall opened on August 28, 1893 and proved to be very successful. Hammerstein however quarreled with his partners and lawsuits ensued. Ultimately Koster and Bial bought out Hammerstein and operated the theater solely on their own. The theatre finally closed in 1901 and was demolished to make way for Macy's Department Store.


The first Vitascope exhibition

A small advertisement, mixed in with dozens of other theatre ads in ''
The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
'' on April 19, 1896 read: :KOSTER AND BIAL'S MUSIC HALL, 34th st. :TO-MORROW (MONDAY) NIGHT. :THE ONLY CHEVALIER. :2---NEW SONGS---2 :Together with all the other :GREAT FOREIGN STARS. :EXTRA--Due notice will be given of the first :public exhibition of Edison's latest marvel, :THE VITASCOPE. (The Vitascope had actually been invented and developed outside of the Edison organization by
Thomas Armat Thomas J. Armat (October 25, 1866 – September 30, 1948) was an American mechanic and inventor, a pioneer of cinema best known through the co-invention of the Edison Vitascope. Biography Armat studied at the Mechanics Institute in Richmond, Vir ...
, but by mutual agreement Edison's Kinetograph company acquired, manufactured, and marketed it, and presented it as having been invented by Edison). The pictures were projected on a twenty-foot screen in an ornate gilded frame. On April 24, the ''Times'' reported: :EDISON'S VITASCOPE CHEERED. "Projecting Kinetoscope" Exhibited for First Time at Koster and Bial's. ... The ingenious inventor's latest toy is a projection of his kinetoscope figures in stereopticon fashion on a white screen in a darkened hall. In the center of the balcony of the big music hall is a curious object, which looks from below like the double turret of a big monitor. In the front of each half of it are two oblong holes. The turret is neatly covered with ... blue velvet brocade... The moving figures are about half life size. :...a buzzing and roaring were heard in the turret, and an unusually bright light fell upon the screen. Then came into view two precious blonde young persons of the variety stage in pink and blue dresses, doing the umbrella dance with commendable celerity. Their motions were clearly defined. When they vanished, a view of an angry surf breaking on a sandy beach near a stone pier amazed the spectators. A burlesque boxing match between a tall, thin comedian and a short, fat one, a comic allegory called "The Monroe Doctrine"; an instant of motion in Hoyt's farce, "A Milk White Flag," repeated over and over again, and a skirt dance by a tall blonde completed the views, which were all wonderfully real and singularly exhilarating.
/ref> A later ''Times'' article mentioned that " r. Edisonhas bought, for about $5,000, two ancient, but still serviceable locomotives and several dozen flat cars. He has built about a quarter of a mile of railroad track in a secluded spot, not far from his laboratory. In a few weeks he will start a train from each end of the track, and will run them to a crash... all the incidents of a train wreck will be caught by machines stationed at short intervals near the track."


References


External links


Koster and Bial's Music Hall at Cinema Treasures
{{Broadway theatres History of New York (state) History of film Theatres in New York (state) Vaudeville theaters