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A justacorps or justaucorps () is a
knee In humans and other primates, the knee joins the thigh with the leg and consists of two joints: one between the femur and tibia (tibiofemoral joint), and one between the femur and patella (patellofemoral joint). It is the largest joint in the ...
-length
coat A coat typically is an outer garment for the upper body as worn by either gender for warmth or fashion. Coats typically have long sleeves and are open down the front and closing by means of buttons, zippers, hook-and-loop fasteners, toggles, ...
worn by men in the latter half of the 17th century and throughout the 18th century. The
garment Clothing (also known as clothes, apparel, and attire) are items worn on the body. Typically, clothing is made of fabrics or textiles, but over time it has included garments made from animal skin and other thin sheets of materials and natural ...
is of French origin, and was introduced in England as a component of a three-piece ensemble, which also included
breeches Breeches ( ) are an article of clothing covering the body from the waist down, with separate coverings for each leg, usually stopping just below the knee, though in some cases reaching to the ankles. Formerly a standard item of Western men's c ...
and a long vest or
waistcoat A waistcoat ( UK and Commonwealth, or ; colloquially called a weskit), or vest ( US and Canada), is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. ...
. This ensemble served as the prototype of the
frock coat A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at th ...
, which in turn evolved into the modern-day
three-piece suit A suit, lounge suit, or business suit is a set of clothes comprising a suit jacket and trousers of identical textiles worn with a collared dress shirt, necktie, and dress shoes. A skirt suit is similar, but with a matching skirt instead ...
. The fabric selection and styling of the justacorps varied throughout time periods, as fashions frequently altered.


Development

In 1666,
Charles II of England Charles II (29 May 1630 – 6 February 1685) was King of Scotland from 1649 until 1651, and King of England, Scotland and Ireland from the 1660 Restoration of the monarchy until his death in 1685. Charles II was the eldest surviving child o ...
reset men's fashion in England by introducing a new garment, referred to as a vest or
waistcoat A waistcoat ( UK and Commonwealth, or ; colloquially called a weskit), or vest ( US and Canada), is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. ...
. The vest was knee-length, worn in conjunction with breeches and an overcoat of equal length. The coat became known as the justacorps or
cassock The cassock or soutane is a Christian clerical clothing coat used by the clergy and male religious of the Oriental Orthodox Churches, Eastern Orthodox Church and the Catholic Church, in addition to some clergy in certain Protestant denom ...
due to its similarity to the vestments worn by priests. This outfit is thought to be the prototype of the modern day men's three-piece suit. This outfit seems to have been a plainer "sober" take on the earlier but similarly cut justaucorps, veste and culottes outfit which had been imposed by King Louis XIV in the French court. King Charles gradually became more closely influenced by French fashions by the 1670s, and French fashion spread to the English public. The justaucorps, according to Susan Mokhberi, was modelled on a similar Persian coat, with similar floral embroidery and tight fitting body and sleeves. Like the Persian rulers did with the garment, King Louis XIV bestowed it onto key subjects as an emblem of his favour, and it came to be associated with French absolutism and the links and commonalities between the Safavid and Bourbon absolutist regimes. Similar coats known as
achkan Achkan ( ur, اچکن, hi, अचकन) also known as ''Baghal bandi'' is a knee length jacket worn by men in the Indian subcontinent much like the Angarkha. History Achkan evolved from Chapkan, a dress which earlier formed the costume of th ...
s and
sherwani Sherwani is a long-sleeved outer coat worn by men in South Asia. Like the Western frock coat it is fitted, with some waist suppression; it falls to below the knees and is buttoned down the front. It can be collarless, have a shirt-style collar, ...
s had been worn in
India India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the List of countries and dependencies by area, seventh-largest country by area, the List of countries and dependencies by population, second-most populous ...
for centuries, and could be either sleeved or sleeveless. These were often worn by wealthy travellers who visited the East during the early 1600s, and some may have been brought back to England. Another garment that came into fashion in Poland and Hungary at the same time was the zupan or
dolman The somewhat vaguely defined term dolman (from Turkish ''dolaman'' "robe" ) can refer to various types of clothing, all of which have sleeves and cover the top part of the body, and sometimes more. Originally, the term ''dolaman'' referred to ...
with its distinctive turn-back cuffs and decorative gold braid. The zupan started out as a long and heavy winter
gown A gown, from the Saxon word, ''gunna'', is a usually loose outer garment from knee-to-full-length worn by men and women in Europe from the Early Middle Ages to the 17th century, and continuing today in certain professions; later, the term ''gown ...
before becoming shorter and more fitted during the 16th century. These Polish garments (kontusz and zupan) were also based on oriental influences, due to the Polish cultural ideology of
Sarmatism Sarmatism (or Sarmatianism; pl, Sarmatyzm; lt, Sarmatizmas) was an ethno-cultural ideology within the Polish–Lithuanian Commonwealth. It was the dominant Baroque culture and ideology of the nobility () that existed in times of the Renai ...
. These Central European and Indian long coats probably influenced the design of the justacorps later favored by
Louis XIV Louis XIV (Louis Dieudonné; 5 September 16381 September 1715), also known as Louis the Great () or the Sun King (), was List of French monarchs, King of France from 14 May 1643 until his death in 1715. His reign of 72 years and 110 days is the Li ...
of France and King Charles due to their exotic appearance, comfort and practicality. In Scotland there are two similar garments: the "jeistiecor" (a jacket; a waistcoat with sleeves) and the "justicoat" "justiecor" (a sleeved waistcoat)


17th century

Despite the outfit introduced by Charles II in 1666, the justacorps did not establish itself as a popular component of men's dress until around 1680. It replaced the doublet, a previously popular shorter style of coat. The justacorps was worn to the knee, covering an equal length vest and breeches underneath. It opened center front, typically having many buttons and buttonholes lining the entire length of the opening. The sleeves were fitted, and featured deep cuffs. Some styles of the justacorps remained fitted throughout the bodice, though other versions feature a more accentuated, flared skirt through the addition of gores and pleats. Justacorps also featured decorative pockets, often placed too low for the wearer to take functional advantage. Worn primarily by aristocratic, wealthy men, justacorps were very ornate in design and made of luxurious fabrics. Colourful silk, satin, brocade, damask, and wool were commonly used textiles. Justacorps often were accented with contrasting fabrics of different colours and patterns, displayed through turned back cuffs or a decorative sash worn across the shoulders. By the early 18th century, the silhouette of the justacorps had become wider, with a fuller skirt, and laid the foundation for men's fashion throughout the rest of the century.


18th century

In the first half of the 18th century, the justacorps altered in appearance. The garment's opening remained at center front, however the buttons only extended to the waist area, allowing extra room for the extension of a fuller skirt. The cuffs became tighter and no longer folded back, and pockets were functional, located at a more accessible, hip-level region. The opening of the justacorps was rounded towards the mid chest, and flared away from the body. In the second half of the 18th century, the justacorps skirt decreased in fullness, becoming narrower. A straight edge, similar to 17th-century-style openings, replaced the rounded opening of the coat, and sleeves reverted to a deep, turned back cuff. Textiles for the justacorps varied by use. Durable fabrics, like wool, were used in ordinary, everyday situations, and typically had less ornamentation compared to ones worn in elegant, formal settings. These coats were made of ornate fabrics like silk and brocade, and decorated with elaborate embroidery and lace. The justacorps should be distinguished as different from the
frock coat A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at th ...
, which was less ornate, differed in cut and silhouette, and not worn popularly until the late 18th century.


See also

*
1650–1700 in fashion Year 165 ( CLXV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Orfitus and Pudens (or, less frequently, year 918 ''Ab urbe condita'' ...
*
1700–1750 in fashion Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese ...


References


Citations


Sources

*Condra, Jillian: ''The Greenwood Encyclopedia of Clothing Throughout World History: 1501 - 1800'', Greenwood Publishing Group, 2008, *Payne, Blanche: ''History of Costume from the Ancient Egyptians to the Twentieth Century'', Harper & Row, 1965. * Picken, Mary Brooks: ''The Fashion Dictionary'', Funk and Wagnalls, 1957. (1973 edition ) * Ribeiro, Aileen: ''Fashion and Fiction: Dress in Art and Literature in Stuart England'', Yale University Press, 2005, *Tortora, Phyllis G. & Eubank, Keith: ''Survey of Historic Costume''; 5th edition, Fairchild Books, 2010,


External links

* * {{Historical clothing, state=expanded 17th-century fashion 18th-century fashion Coats (clothing)