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Johann Pachelbel (baptised – buried 9 March 1706; also Bachelbel) was a German composer,
organist An organist is a musician who plays any type of organ. An organist may play solo organ works, play with an ensemble or orchestra, or accompany one or more singers or instrumental soloists. In addition, an organist may accompany congregational ...
, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and
secular Secularity, also the secular or secularness (from Latin ''saeculum'', "worldly" or "of a generation"), is the state of being unrelated or neutral in regards to religion. Anything that does not have an explicit reference to religion, either negativ ...
music, and his contributions to the development of the
chorale prelude In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach, who wrote 46 ...
and
fugue In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the co ...
have earned him a place among the most important composers of the middle
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including ...
era. Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D; other well known works include the Chaconne in F minor, the Toccata in E minor for organ, and the '' Hexachordum Apollinis'', a set of keyboard
variations Variation or Variations may refer to: Science and mathematics * Variation (astronomy), any perturbation of the mean motion or orbit of a planet or satellite, particularly of the moon * Genetic variation, the difference in DNA among individua ...
. He was influenced by southern German composers, such as
Johann Jakob Froberger Johann Jakob Froberger (baptized 19 May 1616 – 7 May 1667) was a German Baroque composer, keyboard virtuoso, and organist. Among the most famous composers of the era, he was influential in developing the musical form of the suite of dances in hi ...
and
Johann Caspar Kerll Johann Caspar Kerll (9 April 1627 – 13 February 1693) was a German baroque composer and organist. He is also known as Kerl, Gherl, Giovanni Gasparo Cherll and Gaspard Kerle. Born in Adorf in the Electorate of Saxony as the son of an organist, ...
, Italians such as
Girolamo Frescobaldi Girolamo Alessandro Frescobaldi (; also Gerolamo, Girolimo, and Geronimo Alissandro; September 15831 March 1643) was an Italian composer and virtuoso keyboard player. Born in the Duchy of Ferrara, he was one of the most important composers of k ...
and Alessandro Poglietti, French composers, and the composers of the
Nuremberg Nuremberg ( ; german: link=no, Nürnberg ; in the local East Franconian dialect: ''Nämberch'' ) is the second-largest city of the German state of Bavaria after its capital Munich, and its 518,370 (2019) inhabitants make it the 14th-largest ...
tradition. He preferred a lucid, uncomplicated
contrapuntal In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...
style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of
Dieterich Buxtehude Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707)  was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal a ...
, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his
chamber music Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small nu ...
and, most importantly, his
vocal music Vocal music is a type of singing performed by one or more singers, either with instrumental accompaniment, or without instrumental accompaniment (a cappella), in which singing provides the main focus of the piece. Music which employs singing but d ...
, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.


Life


1653–1674: Early youth and education (Nuremberg, Altdorf, Regensburg)

Johann Pachelbel was born in 1653 in
Nuremberg Nuremberg ( ; german: link=no, Nürnberg ; in the local East Franconian dialect: ''Nämberch'' ) is the second-largest city of the German state of Bavaria after its capital Munich, and its 518,370 (2019) inhabitants make it the 14th-largest ...
into a middle-class family, son of Johann (Hans) Pachelbel (born 1613 in
Wunsiedel (; Northern Bavarian: ''Wåuṉsieḏl'' or ''Wousigl'') is the seat of the Upper Franconian district of in northeast Bavaria, Germany. The town is the birthplace of poet Jean Paul. It also became known for its annual Festival and the Rudo ...
, Germany), a wine dealer, and his second wife Anna (Anne) Maria Mair. The exact date of Johann's birth is unknown, but he was
baptized Baptism (from grc-x-koine, βάπτισμα, váptisma) is a form of ritual purification—a characteristic of many religions throughout time and geography. In Christianity, it is a Christian sacrament of initiation and adoption, almost i ...
on 1 September. Among his many siblings was an older brother, Johann Matthäus (1644–1710), who served as Kantor in
Feuchtwangen Feuchtwangen is a city in Ansbach district in the administrative region of Middle Franconia in Bavaria, Germany with around 12,000 citizens and 137km² of landmass making it the biggest city in the Ansbach district by Population and Landmass. In t ...
, near Nuremberg. During his early youth, Pachelbel received musical training from Heinrich Schwemmer, a musician and music teacher who later became the
cantor A cantor or chanter is a person who leads people in singing or sometimes in prayer. In formal Jewish worship, a cantor is a person who sings solo verses or passages to which the choir or congregation responds. In Judaism, a cantor sings and lead ...
of St. Sebaldus Church (''Sebalduskirche''). Some sources indicate that Pachelbel also studied with
Georg Caspar Wecker Georg Caspar Wecker (baptized 2 April 1632 – 20 April 1695) was a German Baroque organist and composer. A minor composer of the Nuremberg school, Wecker is now best remembered as one of Johann Pachelbel's first teachers. Wecker was born an ...
, organist of the same church and an important composer of the Nuremberg school, but this is now considered unlikely. In any case, both Wecker and Schwemmer were trained by
Johann Erasmus Kindermann Johann Erasmus Kindermann (29 March 1616 – 14 April 1655) was a German Baroque organist and composer. He was the most important composer of the Nuremberg school in the first half of the 17th century. Life Kindermann was born in Nuremberg and ...
, one of the founders of the Nuremberg musical tradition, who had been at one time a pupil of Johann Staden.
Johann Mattheson Johann Mattheson (28 September 1681 – 17 April 1764) was a German composer, singer, writer, lexicographer, diplomat and music theorist. Early life and career The son of a prosperous tax collector, Mattheson received a broad liberal education ...
, whose ''Grundlage einer Ehrenpforte'' (Hamburg, 1740) is one of the most important sources of information about Pachelbel's life, mentions that the young Pachelbel demonstrated exceptional musical and academic abilities. He received his primary education in St. Lorenz Hauptschule and the ''Auditorio Aegediano'' in Nuremberg, then on 29 June 1669, he became a student at the
University of Altdorf The University of Altdorf () was a university in Altdorf bei Nürnberg, a small town outside the Free Imperial City of Nuremberg. It was founded in 1578 and received university privileges in 1622 and was closed in 1809 by Maximilian I Joseph of ...
, where he was also appointed organist of St. Lorenz church the same year. Financial difficulties forced Pachelbel to leave the university after less than a year. In order to complete his studies, he became a scholarship student, in 1670, at the ''Gymnasium Poeticum'' at
Regensburg Regensburg or is a city in eastern Bavaria, at the confluence of the Danube, Naab and Regen rivers. It is capital of the Upper Palatinate subregion of the state in the south of Germany. With more than 150,000 inhabitants, Regensburg is the ...
. The school authorities were so impressed by Pachelbel's academic qualifications that he was admitted above the school's normal quota. Pachelbel was also permitted to study music outside the Gymnasium. His teacher was Kaspar (''Caspar'') Prentz, once a student of
Johann Caspar Kerll Johann Caspar Kerll (9 April 1627 – 13 February 1693) was a German baroque composer and organist. He is also known as Kerl, Gherl, Giovanni Gasparo Cherll and Gaspard Kerle. Born in Adorf in the Electorate of Saxony as the son of an organist, ...
. Since the latter was greatly influenced by Italian composers such as
Giacomo Carissimi (Gian) Giacomo Carissimi (; baptized 18 April 160512 January 1674) was an Italian composer and music teacher. He is one of the most celebrated masters of the early Baroque or, more accurately, the Roman School of music. Carissimi established the ...
, it is likely through Prentz that Pachelbel started developing an interest in contemporary Italian music, and Catholic church music in general.


1673–1690: Career (Vienna, Eisenach, Erfurt)

Prentz left for
Eichstätt Eichstätt () is a town in the federal state of Bavaria, Germany, and capital of the district of Eichstätt. It is located on the Altmühl river and has a population of around 13,000. Eichstätt is also the seat of the Roman Catholic Diocese ...
in 1672. This period of Pachelbel's life is the least documented one, so it is unknown whether he stayed in Regensburg until 1673 or left the same year his teacher did; at any rate, by 1673 Pachelbel was living in Vienna, where he became a deputy organist at the Saint Stephen Cathedral. At the time, Vienna was the center of the vast
Habsburg The House of Habsburg (), alternatively spelled Hapsburg in Englishgerman: Haus Habsburg, ; es, Casa de Habsburgo; hu, Habsburg család, it, Casa di Asburgo, nl, Huis van Habsburg, pl, dom Habsburgów, pt, Casa de Habsburgo, la, Domus Hab ...
empire and had much cultural importance; its tastes in music were predominantly Italian. Several renowned
cosmopolitan Cosmopolitan may refer to: Food and drink * Cosmopolitan (cocktail), also known as a "Cosmo" History * Rootless cosmopolitan, a Soviet derogatory epithet during Joseph Stalin's anti-Semitic campaign of 1949–1953 Hotels and resorts * Cosmopoli ...
composers worked there, many of them contributing to the exchange of musical traditions in Europe. In particular,
Johann Jakob Froberger Johann Jakob Froberger (baptized 19 May 1616 – 7 May 1667) was a German Baroque composer, keyboard virtuoso, and organist. Among the most famous composers of the era, he was influential in developing the musical form of the suite of dances in hi ...
served as court organist in Vienna until 1657 and was succeeded by Alessandro Poglietti.
Georg Muffat Georg Muffat (1 June 1653 – 23 February 1704) was a Baroque composer and organist. He is best known for the remarkably articulate and informative performance directions printed along with his collections of string pieces ''Florilegium Primum'' a ...
lived in the city for some time, and, most importantly,
Johann Caspar Kerll Johann Caspar Kerll (9 April 1627 – 13 February 1693) was a German baroque composer and organist. He is also known as Kerl, Gherl, Giovanni Gasparo Cherll and Gaspard Kerle. Born in Adorf in the Electorate of Saxony as the son of an organist, ...
moved to Vienna in 1673. While there, he may have known or even taught Pachelbel, whose music shows traces of Kerll's style. Pachelbel spent five years in Vienna, absorbing the music of Catholic composers from southern Germany and Italy. In some respects, Pachelbel is similar to
Haydn Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led ...
, who too served as a professional musician of the ''Stephansdom'' in his youth and as such was exposed to music of the leading composers of the time. Although he was a Lutheran, his works were influenced by Catholic music. In 1677, Pachelbel moved to
Eisenach Eisenach () is a town in Thuringia, Germany with 42,000 inhabitants, located west of Erfurt, southeast of Kassel and northeast of Frankfurt. It is the main urban centre of western Thuringia and bordering northeastern Hessian regions, situat ...
, where he found employment as court organist under
Kapellmeister (, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term ha ...
Daniel Eberlin (also a native of Nuremberg), in the employ of Johann Georg I, Duke of
Saxe-Eisenach Saxe-Eisenach (german: Sachsen-Eisenach) was an Ernestine duchy ruled by the Saxon House of Wettin. The state intermittently existed at three different times in the Thuringian region of the Holy Roman Empire. The chief town and capital of all t ...
. He met members of the
Bach family The Bach family refers to several notable composers of the baroque and classical periods of music, the best-known of whom was Johann Sebastian Bach (1685–1750). A family genealogy was drawn up by Johann Sebastian Bach himself in 1735 when he ...
in Eisenach (which was the home city of J. S. Bach's father, Johann Ambrosius Bach), and became a close friend of Johann Ambrosius and tutor to his children. However, Pachelbel spent only one year in Eisenach. In 1678,
Bernhard II, Duke of Saxe-Jena Bernhard II, Duke of Saxe-Jena ( Weimar, 14 October 1638 – Jena, 3 May 1678), was duke of Saxe-Jena. He was the seventh child but fourth surviving son of Wilhelm, Duke of Saxe-Weimar and Eleonore Dorothea of Anhalt-Dessau. Bernhard attende ...
, Johann Georg's brother, died and during the period of mourning court musicians were greatly curtailed. Pachelbel was left unemployed. He requested a testimonial from Eberlin, who wrote one for him, describing Pachelbel as a 'perfect and rare virtuoso' – ''einen perfekten und raren Virtuosen''. With this document, Pachelbel left Eisenach on 18 May 1678. In June 1678, Pachelbel was employed as organist of the Predigerkirche in
Erfurt Erfurt () is the capital and largest city in the Central German state of Thuringia. It is located in the wide valley of the Gera river (progression: ), in the southern part of the Thuringian Basin, north of the Thuringian Forest. It sits in ...
, succeeding Johann Effler (c. 1640–1711; Effler later preceded
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wo ...
in
Weimar Weimar is a city in the state of Thuringia, Germany. It is located in Central Germany between Erfurt in the west and Jena in the east, approximately southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouri ...
). The Bach family was very well known in Erfurt (where virtually all organists would later be called "Bachs"), so Pachelbel's friendship with them continued here. Pachelbel became godfather to Johann Ambrosius' daughter, Johanna Juditha, taught
Johann Christoph Bach Johann Christoph Bach (baptised – 31 March 1703) was a German composer and organist of the Baroque period. He was born at Arnstadt, the son of Heinrich Bach, Johann Sebastian Bach's first cousin once removed and the first cousin of J.S. ...
(1671–1721), Johann Sebastian's eldest brother, and lived in Johann Christian Bach's (1640–1682) house. Pachelbel remained in Erfurt for 12 years and established his reputation as one of the leading German organ composers of the time during his stay. The
chorale prelude In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach, who wrote 46 ...
became one of his most characteristic products of the Erfurt period, since Pachelbel's contract specifically required him to compose the preludes for
church service A church service (or a service of worship) is a formalized period of Christian communal worship, often held in a church building. It often but not exclusively occurs on Sunday, or Saturday in the case of those churches practicing seventh-day S ...
s. His duties also included organ maintenance and, more importantly, composing a large-scale work every year to demonstrate his progress as composer and organist, as every work of that kind had to be better than the one composed the year before. Johann Christian Bach (1640–1682), Pachelbel's landlord in Erfurt, died in 1682. In June 1684, Pachelbel purchased the house (called ''Zur silbernen Tasche'', now Junkersand 1) from Johann Christian's widow. In 1686, he was offered a position as organist of the St. Trinitatis church (''Trinitatiskirche'') in
Sondershausen Sondershausen is a town in Thuringia, central Germany, capital of the Kyffhäuserkreis district, situated about 50 km north of Erfurt. On 1 December 2007, the former municipality Schernberg was incorporated by Sondershausen. Until 1918 i ...
. Pachelbel initially accepted the invitation but, as a surviving letter indicates, had to reject the offer after a long series of negotiations: it appears that he was required to consult with Erfurt's elders and church authorities before considering any job offers. It seems that the situation had been resolved quietly and without harm to Pachelbel's reputation; he was offered a raise and stayed in the city for four more years. Pachelbel married twice during his stay in Erfurt. Barbara Gabler, daughter of the Stadt-Major of Erfurt, became his first wife, on 25 October 1681. The marriage took place in the house of the bride's father. Both Barbara and their only son died in October 1683 during a plague. Pachelbel's first published work, a set of chorale
variations Variation or Variations may refer to: Science and mathematics * Variation (astronomy), any perturbation of the mean motion or orbit of a planet or satellite, particularly of the moon * Genetic variation, the difference in DNA among individua ...
called '' Musicalische Sterbens-Gedancken'' ("Musical Thoughts on Death", Erfurt, 1683), was probably influenced by this event. Ten months later, Pachelbel married Judith Drommer (Trummert), daughter of a
coppersmith A coppersmith, also known as a brazier, is a person who makes artifacts from copper and brass. Brass is an alloy An alloy is a mixture of chemical elements of which at least one is a metal. Unlike chemical compounds with metallic bases, an ...
, on 24 August 1684. They had five sons and two daughters. Two of the sons,
Wilhelm Hieronymus Pachelbel Wilhelm Hieronymus Pachelbel (baptized 29 August 1686 – 1764) was a German composer and organist, the elder son of Johann Pachelbel. He was born in Erfurt and spent the first four years of his life there. The Pachelbel family moved to Stuttga ...
and
Charles Theodore Pachelbel Charles Theodore Pachelbel (baptized Carl Theodorus, also spelled Karl Theodor, on November 24, 1690;Redway, "Charles Theodore Pachelbell, Musical Emigrant", p. 33 buried September 15, 1750) was a German composer, organist and harpsichordist of th ...
, also became organ composers; the latter moved to the
American colonies The Thirteen Colonies, also known as the Thirteen British Colonies, the Thirteen American Colonies, or later as the United Colonies, were a group of British colonies on the Atlantic coast of North America. Founded in the 17th and 18th centur ...
in 1734. Another son, Johann Michael, became an instrument maker in Nuremberg and traveled as far as London and
Jamaica Jamaica (; ) is an island country situated in the Caribbean Sea. Spanning in area, it is the third-largest island of the Greater Antilles and the Caribbean (after Cuba and Hispaniola). Jamaica lies about south of Cuba, and west of Hispa ...
. One of the daughters,
Amalia Pachelbel Amalia Pachelbel (29 October 1688 – 6 December 1723) was a German painter and engraver. She was born in Erfurt and was the oldest daughter of composer Johann Pachelbel. She was named after Amalia Oeheim, Johann's sister-in-law. According ...
, achieved recognition as a painter and engraver.


1690–1706: Final years (Stuttgart, Gotha, Nuremberg)

Although Pachelbel was an outstandingly successful organist, composer, and teacher at Erfurt, he asked permission to leave, apparently seeking a better appointment, and was formally released on 15 August 1690, bearing a testimonial praising his diligence and fidelity. He was employed in less than a fortnight: from 1 September 1690, he was a musician-organist in the
Württemberg Württemberg ( ; ) is a historical German territory roughly corresponding to the cultural and linguistic region of Swabia. The main town of the region is Stuttgart. Together with Baden and Hohenzollern, two other historical territories, Württ ...
court at
Stuttgart Stuttgart (; Swabian: ; ) is the capital and largest city of the German state of Baden-Württemberg. It is located on the Neckar river in a fertile valley known as the ''Stuttgarter Kessel'' (Stuttgart Cauldron) and lies an hour from the Sw ...
under the patronage of Duchess Magdalena Sibylla. That job was better, but, unfortunately, he lived there only two years before fleeing the French attacks of the
War of the Grand Alliance The Nine Years' War (1688–1697), often called the War of the Grand Alliance or the War of the League of Augsburg, was a conflict between Kingdom of France, France and a European coalition which mainly included the Holy Roman Empire (led by t ...
. His next job was in
Gotha Gotha () is the fifth-largest city in Thuringia, Germany, west of Erfurt and east of Eisenach with a population of 44,000. The city is the capital of the Gotha (district), district of Gotha and was also a residence of the Ernestine House of Wet ...
as the town organist, a post he occupied for two years, starting on 8 November 1692; there he published his first, and only,
liturgical Liturgy is the customary public ritual of worship performed by a religious group. ''Liturgy'' can also be used to refer specifically to public worship by Christians. As a religious phenomenon, liturgy represents a communal response to and partic ...
music collection: ''Acht Chorale zum Praeambulieren'' in 1693 (''Erster Theil etlicher Choräle''). When former pupil Johann Christoph Bach married in October 1694, the Bach family celebrated the marriage on 23 October 1694 in
Ohrdruf Ohrdruf () is a small town in the district of Gotha in the German state of Thuringia. It lies some 30 km southwest of Erfurt at the foot of the northern slope of the Thuringian Forest. The former municipalities Crawinkel, Gräfenhain and ...
, and invited him and other composers to provide the music; he probably attended—if so, it was the only time
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wo ...
, then nine years old, met Johann Pachelbel. In his three years in Gotha, he was twice offered positions, in Germany at Stuttgart and in
England England is a country that is part of the United Kingdom. It shares land borders with Wales to its west and Scotland to its north. The Irish Sea lies northwest and the Celtic Sea to the southwest. It is separated from continental Europe ...
at
Oxford University Oxford () is a city in England. It is the county town and only city of Oxfordshire. In 2020, its population was estimated at 151,584. It is north-west of London, south-east of Birmingham and north-east of Bristol. The city is home to the ...
; he declined both. Meanwhile, in Nuremberg, when the St. Sebaldus Church organist
Georg Caspar Wecker Georg Caspar Wecker (baptized 2 April 1632 – 20 April 1695) was a German Baroque organist and composer. A minor composer of the Nuremberg school, Wecker is now best remembered as one of Johann Pachelbel's first teachers. Wecker was born an ...
(and his possible former teacher) died on 20 April 1695, the city authorities were so anxious to appoint Pachelbel (then a famous Nuremberger) to the position that they officially invited him to assume it without holding the usual job examination or inviting applications from prominent organists from lesser churches. He accepted, was released from Gotha in 1695, and arrived in Nuremberg in summer, with the city council paying his per diem expenses. Pachelbel lived the rest of his life in Nuremberg, during which he published the
chamber music Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small nu ...
collection '' Musicalische Ergötzung'', and, most importantly, the '' Hexachordum Apollinis'' (Nuremberg, 1699), a set of six keyboard arias with variations. Though most influenced by Italian and southern German composers, he knew the northern German school, because he dedicated the '' Hexachordum Apollinis'' to
Dieterich Buxtehude Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707)  was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal a ...
. Also composed in the final years were Italian-influenced
concertato Concertato is a term in early Baroque music referring to either a ''genre'' or a ''style'' of music in which groups of instruments or voices share a melody, usually in alternation, and almost always over a basso continuo. The term derives from It ...
Vespers Vespers is a service of evening prayer, one of the canonical hours in Eastern Orthodox, Oriental Orthodox, Catholic (both Latin and Eastern), Lutheran, and Anglican liturgies. The word for this fixed prayer time comes from the Latin , mea ...
and a set of more than ninety
Magnificat The Magnificat (Latin for " y soulmagnifies he Lord) is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated into the liturgical servic ...
fugue In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the co ...
s. Johann Pachelbel died at the age of 52, in early March 1706, and was buried on 9 March; Mattheson cites either 3 March or 7 March 1706 as the death date, yet it is unlikely that the corpse was allowed to linger unburied as long as six days. Contemporary custom was to bury the dead on the third or fourth post-mortem day; so, either 6 or 7 March 1706 is a likelier death date. He is buried in the St. Rochus Cemetery.


Works

:''Apart from harpsichord suites, this section concentrates only on the works whose ascription is not questioned. For a complete list of works which includes pieces with questionable authorship and lost compositions, see
List of compositions by Johann Pachelbel Approximately 530 compositions have been attributed to Johann Pachelbel. , no standard numbering system exists for Pachelbel's work. This article presents a thematically organized list and provides catalogue numbers from three different catalogue ...
.'' During his lifetime, Pachelbel was best known as an
organ Organ may refer to: Biology * Organ (biology), a part of an organism Musical instruments * Organ (music), a family of keyboard musical instruments characterized by sustained tone ** Electronic organ, an electronic keyboard instrument ** Hammond ...
composer. He wrote more than two hundred pieces for the instrument, both
liturgical Liturgy is the customary public ritual of worship performed by a religious group. ''Liturgy'' can also be used to refer specifically to public worship by Christians. As a religious phenomenon, liturgy represents a communal response to and partic ...
and secular, and explored most of the genres that existed at the time. Pachelbel was also a prolific vocal music composer: around a hundred of such works survive, including some 40 large-scale works. Only a few chamber music pieces by Pachelbel exist, although he might have composed many more, particularly while serving as court musician in Eisenach and Stuttgart. Several principal sources exist for Pachelbel's music, although none of them as important as, for example, the Oldham manuscript is for
Louis Couperin Louis Couperin (; – 29 August 1661) was a French Baroque composer and performer. He was born in Chaumes-en-Brie and moved to Paris in 1650–1651 with the help of Jacques Champion de Chambonnières. Couperin worked as organist of the C ...
. Among the more significant materials are several
manuscript A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand – or, once practical typewriters became available, typewritten – as opposed to mechanically printed or reproduced i ...
s that were lost before and during World War II but partially available as
microfilm Microforms are scaled-down reproductions of documents, typically either films or paper, made for the purposes of transmission, storage, reading, and printing. Microform images are commonly reduced to about 4% or of the original document size. ...
s of the Winterthur collection, a two-volume manuscript currently in possession of the Oxford
Bodleian Library The Bodleian Library () is the main research library of the University of Oxford, and is one of the oldest libraries in Europe. It derives its name from its founder, Sir Thomas Bodley. With over 13 million printed items, it is the sec ...
which is a major source for Pachelbel's late work, and the first part of the ''Tabulaturbuch'' (1692, currently at the
Biblioteka Jagiellońska Jagiellonian Library ( pl, Biblioteka Jagiellońska, popular nickname ''Jagiellonka'') is the library of the Jagiellonian University in Kraków and with almost 6.7 million volumes, one of the largest libraries in Poland, serving as a public libra ...
in
Kraków Kraków (), or Cracow, is the second-largest and one of the oldest cities in Poland. Situated on the Vistula, Vistula River in Lesser Poland Voivodeship, the city dates back to the seventh century. Kraków was the official capital of Poland un ...
) compiled by Pachelbel's pupil , which includes the only known Pachelbel autographs). The Neumeister Collection and the so-called Weimar tablature of 1704 provide valuable information about Pachelbel's school, although they do not contain any pieces that can be confidently ascribed to him. Currently, there is no standard numbering system for Pachelbel's works. Several catalogues are used, by Antoine Bouchard (POP numbers, organ works only), Jean M. Perreault (P numbers, currently the most complete catalogue; organized alphabetically), Hideo Tsukamoto (T numbers, L for lost works; organized thematically) and Kathryn Jane Welter (PC numbers).


Keyboard music

Much of Pachelbel's
liturgical Liturgy is the customary public ritual of worship performed by a religious group. ''Liturgy'' can also be used to refer specifically to public worship by Christians. As a religious phenomenon, liturgy represents a communal response to and partic ...
organ music, particularly the
chorale prelude In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach, who wrote 46 ...
s, is relatively simple and written for manuals only: no
pedal A pedal (from the Latin '' pes'' ''pedis'', "foot") is a lever designed to be operated by foot and may refer to: Computers and other equipment * Footmouse, a foot-operated computer mouse * In medical transcription, a pedal is used to control p ...
is required. This is partly due to
Lutheran Lutheranism is one of the largest branches of Protestantism, identifying primarily with the theology of Martin Luther, the 16th-century German monk and reformer whose efforts to reform the theology and practice of the Catholic Church launched ...
religious practice where congregants sang the chorales. Household instruments like
virginals The virginals (or virginal) is a keyboard instrument of the harpsichord family. It was popular in Europe during the late Renaissance and early Baroque periods. Description A virginal is a smaller and simpler rectangular or polygonal form of ha ...
or
clavichord The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. Historically, it was mostly used as a practice instrument and as an aid to compositi ...
s accompanied the singing, so Pachelbel and many of his contemporaries made music playable using these instruments. The quality of the organs Pachelbel used also played a role: south German instruments were not, as a rule, as complex and as versatile as the north German ones, and Pachelbel's organs must have only had around 15 to 25 stops on two manuals (compare to Buxtehude's Marienkirche instrument with 52 stops, 15 of them in the pedal). Finally, neither the Nuremberg nor the southern German organ tradition endorsed extensive use of pedals seen in the works by composers of the northern German school. Only two volumes of Pachelbel's organ music were published and distributed during his lifetime: ''Musikalische Sterbens-Gedancken'' (Musical Thoughts on Death; Erfurt, 1683) – a set of chorale variations in memory of his deceased wife and child, and ''Acht Choräle'' (Nuremberg, 1693). Pachelbel employed white mensural notation when writing out numerous compositions (several chorales, all
ricercar A ricercar ( , ) or ricercare ( , ) is a type of late Renaissance and mostly early Baroque instrumental composition. The term ''ricercar'' derives from the Italian verb which means 'to search out; to seek'; many ricercars serve a preludial funct ...
s, some fantasias); a notational system that uses hollow note heads and omits bar lines (measure delimiters). The system had been widely used since the 15th century but was gradually being replaced in this period by modern notation (sometimes called ''black notation'').


Chorale preludes

Chorale preludes constitute almost half of Pachelbel's surviving organ works, in part because of his Erfurt job duties which required him to compose chorale preludes on a regular basis. The models Pachelbel used most frequently are the three-part
cantus firmus In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect tre ...
setting, the chorale fugue and, most importantly, a model he invented which combined the two types. This latter type begins with a brief chorale
fugue In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the co ...
that is followed by a three- or four-part cantus firmus setting. Chorale phrases are treated one at a time, in the order in which they occur; frequently, the accompanying voices anticipate the next phrase by using bits of the melody in imitative counterpoint. An example from ''Wenn mein Stündlein vorhanden ist'': The piece begins with a chorale fugue (not shown here) that turns into a four-part chorale setting which starts at bar 35. The slow-moving chorale (the ''cantus firmus'', i.e., the original
hymn tune A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony, a fast harmonic rhythm (chords change frequently), with or without refrai ...
) is in the soprano, and is highlighted in blue. The lower voices anticipate the shape of the second phrase of the chorale in an imitative fashion (notice the distinctive pattern of two repeated notes). Pachelbel wrote numerous chorales using this model ("Auf meinen lieben Gott", "Ach wie elend ist unsre Zeit", "Wenn mein Stündlein vorhanden ist", etc.), which soon became a standard form. A distinctive feature of almost all of Pachelbel's chorale preludes is his treatment of the melody: the cantus firmus features virtually no figuration or ornamentation of any kind, always presented in the plainest possible way in one of the outer voices. Pachelbel's knowledge of both ancient and contemporary chorale techniques is reflected in ''Acht Choräle zum Praeambulieren'', a collection of eight chorales he published in 1693. It included, among other types, several chorales written using outdated models. Of these, "Nun lob, mein Seel, den Herren" is based on the hymn by Johann Gramann, a paraphrase of
Psalm 103 Psalm 103 is the 103rd psalm of the Book of Psalms, beginning in English in the King James Version: "Bless the , O my soul". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In Latin ...
; it is one of the very few Pachelbel chorales with cantus firmus in the tenor. "" is a three-part setting with melodic ornamentation of the chorale melody, which Pachelbel employed very rarely. Finally, "Jesus Christus, unser Heiland der von uns" is a typical
bicinium In music of the Renaissance and early Baroque eras, a bicinium (pl. bicinia) was a composition for only two parts, especially one for the purpose of teaching counterpoint or singing. The term has had two usages in music history: # Recently, th ...
chorale with one of the hands playing the unadorned chorale while the other provides constant fast-paced accompaniment written mostly in
sixteenth note Figure 1. A 16th note with stem facing up, a 16th note with stem facing down, and a 16th rest. Figure 2. Four 16th notes beamed together. In music, a 1/16, sixteenth note (American) or semiquaver ( British) is a note played for half the du ...
s.


Fugues

Pachelbel wrote more than one hundred fugues on free themes. These fall into two categories: some 30 free fugues and around 90 of the so-called Magnificat Fugues. His fugues are usually based on non-thematic material, and are shorter than the later model (of which those of J.S. Bach are a prime example). The contrapuntal devices of stretto, diminution and
inversion Inversion or inversions may refer to: Arts * , a French gay magazine (1924/1925) * ''Inversion'' (artwork), a 2005 temporary sculpture in Houston, Texas * Inversion (music), a term with various meanings in music theory and musical set theory * ...
are very rarely employed in any of them. Nevertheless, Pachelbel's fugues display a tendency towards a more unified, subject-dependent structure which was to become the key element of late Baroque fugues. Given the number of fugues he composed and the extraordinary variety of subjects he used, Pachelbel is regarded as one of the key composers in the evolution of the form. He was also the first major composer to pair a fugue with a preludial movement (a toccata or a prelude) – this technique was adopted by later composers and was used extensively by J.S. Bach. The Magnificat Fugues were all composed during Pachelbel's final years in Nuremberg. The singing of the
Magnificat The Magnificat (Latin for " y soulmagnifies he Lord) is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated into the liturgical servic ...
at
Vespers Vespers is a service of evening prayer, one of the canonical hours in Eastern Orthodox, Oriental Orthodox, Catholic (both Latin and Eastern), Lutheran, and Anglican liturgies. The word for this fixed prayer time comes from the Latin , mea ...
was usually accompanied by the organist, and earlier composers provided examples of Magnificat settings for organ, based on themes from the chant. Pachelbel's fugues, however, are almost all based on free themes and it is not yet understood exactly where they fit during the service. It is possible that they served to help singers establish pitch, or simply act as introductory pieces played before the beginning of the service. There are 95 pieces extant, covering all eight church modes: 23 in ''primi toni'', 10 in ''secundi toni'', 11 in ''tertii toni'', 8 in ''quarti toni'', 12 in ''quinti toni'', 10 in ''sexti toni'', 8 in ''septimi toni'' and 13 in ''octavi toni''. Although a few two- and four-voice works are present, most employ three voices (sometimes expanding to four-voice polyphony for a
bar Bar or BAR may refer to: Food and drink * Bar (establishment), selling alcoholic beverages * Candy bar * Chocolate bar Science and technology * Bar (river morphology), a deposit of sediment * Bar (tropical cyclone), a layer of cloud * Bar ( ...
or two). With the exception of the three double fugues (primi toni No. 12, sexti toni No. 1 and octavi toni No. 8), all are straightforward pieces, frequently in
common time The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note val ...
and comparatively short – at an average tempo, most take around a minute and a half to play. Although most of them are brief, the subjects are extremely varied (see Example 1). Frequently some form of note repetition is used to emphasize a rhythmic (rather than melodic) contour. Many feature a dramatic leap (up to an octave), which may or may not be mirrored in one of the voices sometime during an episode – a characteristic Pachelbel technique, although it was also employed by earlier composers, albeit less pronounced. Minor alterations to the subject between the entries are observed in some of the fugues, and simple countersubjects occur several times. An interesting technique employed in many of the pieces is an occasional resort to ''
style brisé ''Style brisé'' (French: "broken style") is a general term for irregular arpeggiated texture in instrumental music of the Baroque period. It is commonly used in discussion of music for lute, keyboard instruments, or the viol. The original French t ...
'' for a few bars, both during episodes and in codas. The double fugues exhibit a typical three-section structure: fugue on subject 1, fugue on subject 2, and the
counterpoint In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tra ...
with simultaneous use of both subjects. Most of Pachelbel's free fugues are in three or four voices, with the notable exception of two
bicinia In music of the Renaissance and early Baroque eras, a bicinium (pl. bicinia) was a composition for only two parts, especially one for the purpose of teaching counterpoint or singing. The term has had two usages in music history: # Recently, the ...
pieces. Pachelbel frequently used repercussion subjects of different kinds, with note repetition sometimes extended to span a whole measure (such as in the subject of a G minor fugue, see illustration). Some of the fugues employ textures more suited for the
harpsichord A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ...
, particularly those with broken chord figuration. The three
ricercar A ricercar ( , ) or ricercare ( , ) is a type of late Renaissance and mostly early Baroque instrumental composition. The term ''ricercar'' derives from the Italian verb which means 'to search out; to seek'; many ricercars serve a preludial funct ...
s Pachelbel composed, that are more akin to his fugues than to ricercars by
Frescobaldi The Frescobaldi are a prominent Florentine noble family that have been involved in the political, social, and economic history of Tuscany since the Middle Ages. Originating in the Val di Pesa in the Chianti, they appear holding important post ...
or Froberger, are perhaps more technically interesting. In the original sources, all three use white notation and are marked alla breve. The polythematic C minor ricercar is the most popular and frequently performed and recorded. It is built on two contrasting themes (a slow chromatic pattern and a lively simplistic motif) that appear in their normal and inverted forms and concludes with both themes appearing simultaneously. The F-sharp minor ricercar uses the same concept and is slightly more interesting musically: the key of
F-sharp minor F-sharp minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has three sharps. Its relative major is A major and its parallel major is F-sharp major (or enharmonically G-flat major). ...
requires a more flexible tuning than the standard
meantone temperament Meantone temperament is a musical temperament, that is a tuning system, obtained by narrowing the fifths so that their ratio is slightly less than 3:2 (making them ''narrower'' than a perfect fifth), in order to push the thirds closer to pure. M ...
of the
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including ...
era and was therefore rarely used by contemporary composers. This means that Pachelbel may have used his own tuning system, of which little is known. ''Ricercare in C major'' is mostly in three voices and employing the same kind of writing with consecutive thirds as seen in Pachelbel's toccatas (see below). Pachelbel's use of repercussion subjects and extensive repeated note passages may be regarded as another characteristic feature of his organ pieces. Extreme examples of note repetition in the subject are found in magnificat fugues: quarti toni No. 4 has eight repeated notes, octavi toni No. 6 has twelve. Also, even a fugue with an ordinary subject can rely on strings of repeated notes, as it happens, for example, in magnificat fugue octavi toni No. 12:


Chaconnes and variations

Pachelbel's apparent affinity for
variation form In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve V ...
is evident from his organ works that explore the genre: chaconnes, chorale variations and several sets of arias with variations. The six chaconnes, together with Buxtehude's
ostinato In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include ...
organ works, represent a shift from the older chaconne style: they completely abandon the dance idiom, introduce contrapuntal density, employ miscellaneous chorale improvisation techniques, and, most importantly, give the bass line much thematic significance for the development of the piece. Pachelbel's chaconnes are distinctly south German in style; the duple meter C major chaconne (possibly an early work) is reminiscent of Kerll's D minor passacaglia. The remaining five works are all in triple meter and display a wide variety of moods and techniques, concentrating on melodic content (as opposed to the emphasis on harmonic complexity and virtuosity in Buxtehude's chaconnes). The
ostinato In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include ...
bass is not necessarily repeated unaltered throughout the piece and is sometimes subjected to minor alterations and ornamentation. The D major,
D minor D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed ...
and
F minor F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp mi ...
chaconnes are among Pachelbel's best-known organ pieces, and the latter is often cited as his best organ work. In 1699 Pachelbel published '' Hexachordum Apollinis'' (the title is a reference to
Apollo Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label= ...
's
lyre The lyre () is a string instrument, stringed musical instrument that is classified by Hornbostel–Sachs as a member of the History of lute-family instruments, lute-family of instruments. In organology, a lyre is considered a yoke lute, since it ...
), a collection of six variations set in different
keys Key or The Key may refer to: Common meanings * Key (cryptography), a piece of information that controls the operation of a cryptography algorithm * Key (lock), device used to control access to places or facilities restricted by a lock * Key (m ...
. It is dedicated to composers Ferdinand Tobias Richter (a friend from the Vienna years) and
Dieterich Buxtehude Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707)  was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal a ...
. Each set follows the "aria and variations" model, arias numbered ''Aria prima'' through ''Aria sexta'' ("first" through "sixth"). The final piece, which is also the best-known today, is subtitled ''Aria Sebaldina'', a reference to St. Sebaldus Church where Pachelbel worked at the time. Most of the variations are in common time, with Aria Sebaldina and its variations being the only notable exceptions; they are in 3/4 time. The pieces explore a wide range of variation techniques. Pachelbel's other variation sets include a few arias and an arietta (a short aria) with variations and a few pieces designated as chorale variations. Four works of the latter type were published in Erfurt in 1683 under the title '' Musicalische Sterbens-Gedancken'' ("Musical Thoughts on Death"), which might refer to Pachelbel's first wife's death in the same year. This was Pachelbel's first published work and it is now partially lost. These pieces, along with Georg Böhm's works, may or may not have influenced Johann Sebastian Bach's early organ partitas.


Toccatas

About 20
toccata Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtu ...
s by Pachelbel survive, including several brief pieces referred to as ''toccatinas'' in the Perreault catalogue. They are characterized by consistent use of pedal point: for the most part, Pachelbel's toccatas consist of relatively fast passagework in both hands over sustained pedal notes. Although a similar technique is employed in toccatas by Froberger and
Frescobaldi The Frescobaldi are a prominent Florentine noble family that have been involved in the political, social, and economic history of Tuscany since the Middle Ages. Originating in the Val di Pesa in the Chianti, they appear holding important post ...
's pedal toccatas, Pachelbel distinguishes himself from these composers by having no sections with imitative counterpoint–in fact, unlike most toccatas from the early and middle Baroque periods, Pachelbel's contributions to the genre are not sectional, unless rhapsodic introductory passages in a few pieces (most notably the E minor toccata) are counted as separate sections. Furthermore, no other Baroque composer used pedal point with such consistency in toccatas. Many of Pachelbel's toccatas explore a single melodic motif, and later works are written in a simple style in which two voices interact over sustained pedal notes, and said interaction – already much simpler than the virtuosic passages in earlier works – sometimes resorts to consecutive thirds, sixths or tenths. Compare the earlier D major toccata, with passages in the typical middle Baroque style, with one of the late C major toccatas: Sometimes a bar or two of consecutive thirds embellish the otherwise more complex toccata-occasionally there is a whole section written in that manner; and a few toccatas (particularly one of the D minor and one of the G minor pieces) are composed using only this technique, with almost no variation. Partly due to their simplicity, the toccatas are very accessible works; however, the E minor and C minor ones which receive more attention than the rest are in fact slightly more complex.


Fantasias

Pachelbel composed six fantasias. Three of them (the A minor, C major and one of the two D Dorian pieces) are sectional compositions in 3/2
time Time is the continued sequence of existence and event (philosophy), events that occurs in an apparently irreversible process, irreversible succession from the past, through the present, into the future. It is a component quantity of various me ...
; the sections are never connected thematically; the other D Dorian piece's structure is reminiscent of Pachelbel's magnificat fugues, with the main theme accompanied by two simple
countersubject In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete mus ...
s. The E-flat major and G minor fantasias are variations on the Italian ''toccata di durezze e ligature'' genre. Both are gentle free-flowing pieces featuring intricate passages in both hands with many accidentals, close to similar pieces by
Girolamo Frescobaldi Girolamo Alessandro Frescobaldi (; also Gerolamo, Girolimo, and Geronimo Alissandro; September 15831 March 1643) was an Italian composer and virtuoso keyboard player. Born in the Duchy of Ferrara, he was one of the most important composers of k ...
or Giovanni de Macque.


Preludes

Almost all pieces designated as preludes resemble Pachelbel's toccatas closely, since they too feature virtuosic passagework in one or both hands over sustained notes. However, most of the preludes are much shorter than the toccatas: the A minor prelude (pictured below) only has 9 bars, the G major piece has 10. The only exception is one of the two D minor pieces, which is very similar to Pachelbel's late simplistic toccatas, and considerably longer than any other prelude. The toccata idiom is completely absent, however, in the short Prelude in A minor: A texture of similar density is also found in the ending of the shorter D minor piece, where three voices engage in imitative counterpoint. In pairs of preludes and fugues Pachelbel aimed to separate homophonic, improvisatory texture of the prelude from the strict counterpoint of the fugue.


Other keyboard music

Around 20 dance
suite Suite may refer to: Arts and entertainment *Suite (music), a set of musical pieces considered as one composition ** Suite (Bach), a list of suites composed by J. S. Bach ** Suite (Cassadó), a mid-1920s composition by Gaspar Cassadó ** ''Suite ...
s transmitted in a 1683 manuscript (now destroyed) were previously attributed to Pachelbel, but today his authorship is questioned for all but three suites, numbers 29, 32 and 33B in the Seiffert edition. The pieces are clearly not without French influence (but not so much as Buxtehude's) and are comparable in terms of style and technique to Froberger's suites. Seventeen
keys Key or The Key may refer to: Common meanings * Key (cryptography), a piece of information that controls the operation of a cryptography algorithm * Key (lock), device used to control access to places or facilities restricted by a lock * Key (m ...
are used, including
F-sharp minor F-sharp minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has three sharps. Its relative major is A major and its parallel major is F-sharp major (or enharmonically G-flat major). ...
. Number 29 has all four traditional movements, the other two authentic pieces only have three (no gigue), and the rest follow the classical model (
Allemande An ''allemande'' (''allemanda'', ''almain(e)'', or ''alman(d)'', French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach ...
,
Courante The ''courante'', ''corrente'', ''coranto'' and ''corant'' are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era. In a Baroque dance suite an Italian or French courante is typically paired ...
,
Sarabande The sarabande (from es, zarabanda) is a dance in triple metre, or the music written for such a dance. History The Sarabande evolved from a Spanish dance with Arab influences, danced by a lively double line of couples with castanets. A dance c ...
, Gigue), sometimes updated with an extra movement (usually less developed), a more modern dance such as a
gavotte The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Pays de Gap region of Dauphiné in the southeast of France, where the dance originated, according to one source. A ...
or a ballet. All movements are in
binary form Binary form is a musical form in 2 related sections, both of which are usually repeated. Binary is also a structure used to choreograph dance. In music this is usually performed as A-A-B-B. Binary form was popular during the Baroque period, of ...
, except for two
aria In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompa ...
s.


Chamber music

Pachelbel's
chamber music Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small nu ...
is much less virtuosic than Biber's ''Mystery Sonatas'' or Buxtehude's Opus 1 and Opus 2 chamber sonatas. The famous Canon in D belongs to this genre, as it was originally scored for 3 violins and a
basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the ...
, and paired with a gigue in the same key. The canon shares an important quality with the chaconne and passacaglia: it consists of a ground bass over which the violins play a three-voice canon based on a simple theme, the violins' parts form 28
variations Variation or Variations may refer to: Science and mathematics * Variation (astronomy), any perturbation of the mean motion or orbit of a planet or satellite, particularly of the moon * Genetic variation, the difference in DNA among individua ...
of the melody. The gigue which originally accompanied the canon is a simple piece that uses strict fugal writing. '' Musicalische Ergötzung'' ("Musical Delight") is a set of six chamber
suite Suite may refer to: Arts and entertainment *Suite (music), a set of musical pieces considered as one composition ** Suite (Bach), a list of suites composed by J. S. Bach ** Suite (Cassadó), a mid-1920s composition by Gaspar Cassadó ** ''Suite ...
s for two
scordatura Scordatura (; literally, Italian for "discord", or "mistuning") is a tuning of a string instrument that is different from the normal, standard tuning. It typically attempts to allow special effects or unusual chords or timbre, or to make certain p ...
violins and
basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the ...
published sometime after 1695. At the time, scordatura tuning was used to produce special effects and execute tricky passages. However, Pachelbel's collection was intended for amateur violinists, and scordatura tuning is used here as a basic introduction to the technique. Scordatura only involves the tonic, dominant and sometimes the
subdominant In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdomina ...
notes. Each suite of ''Musikalische Ergötzung'' begins with an introductory ''Sonata'' or ''Sonatina'' in one movement. In suites 1 and 3 these introductory movements are ''Allegro'' three-voice fughettas and stretti. The other four sonatas are reminiscent of French overtures. They have two ''Adagio'' sections which juxtapose slower and faster rhythms: the first section uses patterns of dotted quarter and eighth notes in a non- imitative manner. The second employs the violins in an imitative, sometimes homophonic structure, that uses shorter note values. The dance movements of the suites show traces of Italian (in the gigues of suites 2 and 6) and German (
allemande An ''allemande'' (''allemanda'', ''almain(e)'', or ''alman(d)'', French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach ...
appears in suites 1 and 2) influence, but the majority of the movements are clearly influenced by the
French French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with Franc ...
style. The suites do not adhere to a fixed structure: the allemande is only present in two suites, the gigues in four, two suites end with a chaconne, and the fourth suite contains two
aria In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompa ...
s. Pachelbel's other chamber music includes an aria and variations (''Aria con variazioni in A major'') and four standalone suites scored for a
string quartet The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinist ...
or a typical French five-part string ensemble with 2 violins, 2
viola ; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite chordophone sounded by a bow , range= , related= *Violin family ...
s and a
violone The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted ...
(the latter reinforces the basso continuo). Of these, the five-part suite in G major (''Partie a 5 in G major'') is a variation suite, where each movement begins with a theme from the opening sonatina; like its four-part cousin (''Partie a 4 in G major'') and the third standalone suite (''Partie a 4 in F-sharp minor'') it updates the German suite model by using the latest French dances such as the
gavotte The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Pays de Gap region of Dauphiné in the southeast of France, where the dance originated, according to one source. A ...
or the ballet. The three pieces mentioned all end with a ''Finale'' movement. ''Partie a 4 in G major'' features no figuration for the lower part, which means that it was not a basso continuo and that, as Jean M. Perreault writes, "this work may well count as the first true string quartet, at least within the Germanophone domain."


Vocal music

Johann Gottfried Walther famously described Pachelbel's vocal works as "more perfectly executed than anything before them". Already the earliest examples of Pachelbel's vocal writing, two arias "So ist denn dies der Tag" and "So ist denn nur die Treu" composed in Erfurt in 1679 (which are also Pachelbel's earliest datable pieces,) display impressive mastery of large-scale composition ("So ist denn dies der Tag" is scored for
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880& ...
,
SATB SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harm ...
choir, 2 violins, 3
viola ; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite chordophone sounded by a bow , range= , related= *Violin family ...
s, 4 trumpets,
timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionall ...
and
basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the ...
) and exceptional knowledge of contemporary techniques. These latter features are also found in Pachelbel's
Vespers Vespers is a service of evening prayer, one of the canonical hours in Eastern Orthodox, Oriental Orthodox, Catholic (both Latin and Eastern), Lutheran, and Anglican liturgies. The word for this fixed prayer time comes from the Latin , mea ...
pieces and sacred concertos, large-scale compositions which are probably his most important vocal works. Almost all of them adopt the modern
concertato Concertato is a term in early Baroque music referring to either a ''genre'' or a ''style'' of music in which groups of instruments or voices share a melody, usually in alternation, and almost always over a basso continuo. The term derives from It ...
idiom and many are scored for unusually large groups of instruments (''Jauchzet dem Herrn, alle Welt (in C)'' uses four trumpets,
timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionall ...
, 2 violins, 3
viola ; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite chordophone sounded by a bow , range= , related= *Violin family ...
s,
violone The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted ...
and
basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the ...
; ''Lobet den Herrn in seinem Heiligtum'' is scored for a five-part chorus, two
flute The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedles ...
s,
bassoon The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuos ...
, five trumpets,
trombone The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate ...
, drums,
cymbal A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs soun ...
s,
harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orc ...
, two violins, basso continuo and
organ Organ may refer to: Biology * Organ (biology), a part of an organism Musical instruments * Organ (music), a family of keyboard musical instruments characterized by sustained tone ** Electronic organ, an electronic keyboard instrument ** Hammond ...
). Pachelbel explores a very wide range of styles: psalm settings (''Gott ist unser Zuversicht''), chorale concertos (''Christ lag in Todesbanden''), sets of chorale variations (''Was Gott tut, das ist wohlgetan''), concerted
motet In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Ma ...
s, etc. The ensembles for which these works are scored are equally diverse: from the famous D major Magnificat setting written for a 4-part choir, 4 violas and basso continuo, to the ''Magnificat in C major'' scored for a five-part chorus, 4 trumpets, timpani, 2 violins, a single viola and two
violas da gamba The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch ...
, bassoon, basso continuo and organ. Pachelbel's large-scale vocal works are mostly written in modern style influenced by Italian Catholic music, with only a few non-concerted pieces and old
plainchant Plainsong or plainchant (calque from the French ''plain-chant''; la, cantus planus) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text ...
cantus firmus In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect tre ...
techniques employed very infrequently. The string ensemble is typical for the time, three viols and two violins. The former are either used to provide harmonic content in instrumental sections or to double the vocal lines in tutti sections; the violins either engage in contrapuntal textures of varying density or are employed for ornamentation. Distinct features of Pachelbel's vocal writing in these pieces, aside from the fact that it is almost always very strongly tonal, include frequent use of permutation fugues and writing for paired voices. The Magnificat settings, most composed during Pachelbel's late Nuremberg years, are influenced by the Italian-Viennese style and distinguish themselves from their antecedents by treating the canticle in a variety of ways and stepping away from text-dependent composition. Other vocal music includes
motet In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Ma ...
s, arias and two masses. Of the eleven extant motets, ten are scored for two four-part choruses. Most of this music is harmonically simple and makes little use of complex
polyphony Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, ...
(indeed, the polyphonic passages frequently feature reduction of parts). The texts are taken from the
psalms The Book of Psalms ( or ; he, תְּהִלִּים, , lit. "praises"), also known as the Psalms, or the Psalter, is the first book of the ("Writings"), the third section of the Tanakh, and a book of the Old Testament. The title is derived ...
, except in ''Nun danket alle Gott'' which uses a short passage from ''
Ecclesiastes Ecclesiastes (; hbo, קֹהֶלֶת, Qōheleṯ, grc, Ἐκκλησιαστής, Ekklēsiastēs) is one of the Ketuvim ("Writings") of the Hebrew Bible and part of the Wisdom literature of the Christian Old Testament. The title commonly us ...
''. The motets are structured according to the text they use. One important feature found in ''Gott ist unser Zuversicht'' and ''Nun danket alle Gott'' is that their endings are four-part chorale settings reminiscent of Pachelbel's organ chorale model: the chorale, presented in long note values, is sung by the sopranos, while the six lower parts accompany with passages in shorter note values: The arias, aside from the two 1679 works discussed above, are usually scored for solo voice accompanied by several instruments; most were written for occasions such as weddings, birthdays, funerals and baptisms. They include both simple strophic and complex sectional pieces of varying degrees of complexity, some include sections for the chorus. The concerted Mass in C major is probably an early work; the D major
Missa brevis Missa brevis (plural: Missae breves) is . The term usually refers to a mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full mass is left out, or because its execution time is relati ...
is a small mass for an SATB choir in three movements (Kyrie, Gloria, Credo). It is simple, unadorned and reminiscent of his motets.


Posthumous influence

One of the last middle Baroque composers, Pachelbel did not have any considerable influence on most of the famous late Baroque composers, such as
George Frideric Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, ...
,
Domenico Scarlatti Giuseppe Domenico Scarlatti, also known as Domingo or Doménico Scarlatti (26 October 1685-23 July 1757), was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the devel ...
or
Georg Philipp Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hild ...
. However, he did influence Johann Sebastian Bach indirectly; the young Johann Sebastian was tutored by his older brother
Johann Christoph Bach Johann Christoph Bach (baptised – 31 March 1703) was a German composer and organist of the Baroque period. He was born at Arnstadt, the son of Heinrich Bach, Johann Sebastian Bach's first cousin once removed and the first cousin of J.S. ...
, who studied with Pachelbel, but although J.S. Bach's early chorales and chorale variations borrow from Pachelbel's music, the style of northern German composers, such as Georg Böhm,
Dieterich Buxtehude Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707)  was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal a ...
, and
Johann Adam Reincken Johann Adam Reincken (also ''Jan Adams, Jean Adam'', ''Reinken, Reinkinck, Reincke, Reinicke, Reinike''; baptized 10 December 1643 – 24 November 1722) was a Dutch/German organist and composer. He was one of the most important composers of the 1 ...
, played a more important role in the development of Bach's talent. Pachelbel was the last great composer of the Nuremberg tradition and the last important southern German composer. Pachelbel's influence was mostly limited to his pupils, most notably Johann Christoph Bach, Johann Heinrich Buttstett, Andreas Nicolaus Vetter, and two of Pachelbel's sons, Wilhelm Hieronymus and Charles Theodore. The latter became one of the first European composers to take up residence in the
American colonies The Thirteen Colonies, also known as the Thirteen British Colonies, the Thirteen American Colonies, or later as the United Colonies, were a group of British colonies on the Atlantic coast of North America. Founded in the 17th and 18th centur ...
and so Pachelbel influenced, although indirectly and only to a certain degree, the American church music of the era. Composer,
musicologist Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some m ...
and writer Johann Gottfried Walther is probably the most famous of the composers influenced by Pachelbel – he is, in fact, referred to as the "second Pachelbel" in
Mattheson Johann Mattheson (28 September 1681 – 17 April 1764) was a German composer, singer, writer, lexicographer, diplomat and music theorist. Early life and career The son of a prosperous tax collector, Mattheson received a broad liberal education ...
's ''Grundlage einer Ehrenpforte''. As the Baroque style went out of fashion during the 18th century, the majority of Baroque and pre-Baroque composers were virtually forgotten. Local organists in Nuremberg and Erfurt knew Pachelbel's music and occasionally performed it, but the public and the majority of composers and performers did not pay much attention to Pachelbel and his contemporaries. In the first half of the 19th century, some organ works by Pachelbel were published and several
musicologist Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some m ...
s started considering him an important composer, particularly Philipp Spitta, who was one of the first researchers to trace Pachelbel's role in the development of Baroque keyboard music. Much of Pachelbel's work was published in the early 20th century in the ''
Denkmäler der Tonkunst in Österreich ''Denkmäler der Tonkunst in Österreich'' (Monuments of Fine Austrian Music) (1894–) is a historical edition of music from Austria covering the Renaissance, Baroque, and Classical periods. The most recent volume in the edition was published in ...
'' series, but it was not until the rise of interest in early Baroque music in the middle of the 20th century and the advent of historically-informed performance practice and associated research that Pachelbel's works began to be studied extensively and again performed more frequently. Pachelbel's Canon, a piece of chamber music scored for three violins and
basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the ...
and originally paired with a gigue in the same key, experienced a surge in popularity during the 1970s. This is due to a recording by
Jean-François Paillard Jean-François Paillard (12 April 1928 – 15 April 2013) was a French conductor. He was born in Vitry-le-François and received his musical training at the Conservatoire de Paris, where he won first prize in music history, and the Salzburg Moz ...
in 1968, which made it a universally recognized cultural item. Its visibility was increased by its choice as the theme music for the film ''
Ordinary People ''Ordinary People'' is a 1980 American drama film directed by Robert Redford in his directorial debut. The screenplay by Alvin Sargent is based on the 1976 novel of the same name by Judith Guest. The film follows the disintegration of an uppe ...
'' in 1980. One of the most recognized and famous Baroque compositions, it became popular for use in weddings, rivaling
Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
's Bridal Chorus. Despite its centuries-old heritage, the ''Canon''s chord progression has been used widely in pop music in the 20th and 21st centuries. It has been called "almost the godfather of pop music"."Pop hits 'stealing ideas from classics'"
by Pav Akhtar, ''
The Daily Telegraph ''The Daily Telegraph'', known online and elsewhere as ''The Telegraph'', is a national British daily broadsheet newspaper published in London by Telegraph Media Group and distributed across the United Kingdom and internationally. It was f ...
'', 7 October 2002


Notes


References


Sources

* . Originally published as ''Geschichte der Orgel- und Klaviermusik bis 1700'' by Bärenreiter-Verlag, Kassel. * * * * *


Further reading

*Gauger, Ronald R. 1974. ''Ostinato Techniques in Chaconnes and Passacaglias of Pachelbel, Buxtehude, and J.S. Bach''. Diss., University of Wisconsin. *Malina, János. 1998. Liner notes to ''Pachelbel: Arias and Duets'', Affetti Musicali cond. by János Malina. Hungaroton Classic, HCD 31736 *Nolte, Ewald V. 1954. ''The Instrumental Works of Johann Pachelbel (1653–1706): an Essay to Establish his Stylistic Position in the Development of the Baroque Musical Art''. Diss., Northwestern University. *Nolte, Ewald V. 1956. ''The Magnificat Fugues of Johann Pachelbel: Alternation or Intonation?'', JAMS, ix (1956), 19–24. *Nyquist, Roger T. 1968. ''The Influence of South German and Italian Composers on the Free Organ Forms of Johann Pachelbel''. Diss., Indiana University. *Sarber, Gayle V. 1983. ''The Organ Works of Pachelbel as Related to Selected Works by Frescobaldi and the South and Central German Composers''. Diss., Indiana University. *Woodward, Henry L. 1952. ''A Study of the Tenbury Manuscripts of Johann Pachelbel''. Diss., Harvard University.


External links

General reference *
A list of Pachelbel's works with cross-references from Perreault's numbers to Tsukamoto, Welter and Bouchard and to selected editions
includes a complete catalogue of Pachelbel's works compiled by Hideo Tsukamoto * Scores * * *Free typese
sheet music
of Pachelbel's works from ''Cantorion.org''

* Recordings *ttps://www.youtube.com/watch?v=twrYmpY-7sM *Works by Pachelbel in MIDI and MP3 format a
Recording of ''Magnificat in D major'' – for voices only
by Canto Armonico. {{DEFAULTSORT:Pachelbel, Johann 1653 births 1706 deaths 17th-century classical composers 17th-century German composers 17th-century German people 17th-century keyboardists 17th-century male musicians 18th-century classical composers 18th-century German composers 18th-century German male musicians 18th-century German people 18th-century keyboardists Cathedral organists Composers for pipe organ German Baroque composers German classical composers German classical organists German Lutherans German male classical composers German male organists German music educators Male classical organists Musicians from Nuremberg Organists and composers in the South German tradition Pupils of Georg Caspar Wecker Pupils of Heinrich Schwemmer