Irish mythology

Irish mythology is the body of myths native to the island of Ireland. It was originally passed down orally in the prehistoric era, being part of ancient Celtic religion. Many myths were later written down in the early medieval era by Christian scribes, who modified and Christianized them to some extent. This body of myths is the largest and best preserved of all the branches of Celtic mythology. The tales and themes continued to be developed over time, and the oral tradition continued in Irish folklore alongside the written tradition, but the main themes and characters remained largely consistent.

The myths are conventionally grouped into ' cycles'. The Mythological Cycle consists of tales and poems about the god-like Túatha Dé Danann, who are based on Ireland's pagan deities, and other mythical races like the Fomorians. Important works in the cycle are the ''Lebor Gabála Érenn'' ("Book of Invasions"), a legendary history of Ireland, the '' Cath Maige Tuired'' ("Battle of Moytura"), and the ''Aided Chlainne Lir'' ("Children of Lir"). The Ulster Cycle consists of heroic legends relating to the Ulaid, the most important of which is the epic ''Táin Bó Cúailnge'' ("Cattle Raid of Cooley"). The Fianna Cycle focuses on the exploits of the mythical hero Finn and his warrior band the Fianna, including the lengthy ''Acallam na Senórach'' ("Tales of the Elders"). The Kings' Cycle comprises legends about historical and semi-historical kings of Ireland (such as ''Buile Shuibhne'', "The Madness of King Sweeny"), and tales about the origins of dynasties and peoples.

There are also mythical texts that do not fit into any of the cycles; these include the '' echtrai'' tales of journeys to the Otherworld (such as ''The Voyage of Bran''), and the '' Dindsenchas'' ("lore of places"). Some written material has not survived, and many more myths were probably never written down.

Figures

Túatha Dé Danann

The main supernatural beings in Irish mythology are the Túatha Dé Danann ("the folk of the goddess Danu"), also known by the earlier name Túath Dé ("god folk" or "tribe of the gods"). Early medieval Irish writers also called them the ''fir dé'' (god-men) and ''cenéla dé'' (god-kindreds), possibly to avoid calling them simply 'gods'. They are often depicted as kings, queens, bards, warriors, heroes, healers and craftsmen who have supernatural powers and are immortal. Prominent members include The Dagda ("the great god"); The Morrígan ("the great queen" or "phantom queen"); Lugh; Nuada; Aengus; Brigid; Manannán; Dian Cécht the healer; and Goibniu the smith. They are also said to control the fertility of the land; the tale ''De Gabáil in t-Sída'' says the first Gaels had to establish friendship with the Túath Dé before they could raise crops and herds.

They dwell in the Otherworld but interact with humans and the human world. Many are associated with specific places in the landscape, especially the ''sídhe'': prominent ancient burial mounds such as Brú na Bóinne, which are entrances to Otherworld realms. The Túath Dé can hide themselves with a '' féth fíada'' ('magic mist'). They are said to have travelled from the north of the world, but then were forced to live underground in the ''sídhe'' after the coming of the Irish.

In some tales, such as '' Baile in Scáil'', kings receive affirmation of their legitimacy from one of the Túath Dé, or a king's right to rule is affirmed by an encounter with an otherworldly woman (see sovereignty goddess). The Túath Dé can also bring doom to unrightful kings.

The medieval writers who wrote about the Túath Dé were Christians. Sometimes they explained the Túath Dé as fallen angels; neutral angels who sided neither with God nor Lucifer and were punished by being forced to dwell on the Earth; or ancient humans who had become highly skilled in magic. However, several writers acknowledged that at least some of them had been gods.

There is strong evidence that many of the Túath Dé represent the gods of Irish paganism. The name itself means "tribe of gods", and the ninth-century ''Scél Tuain meic Cairill'' (Tale of Tuan mac Cairill) speaks of the ''Túath Dé ocus Andé'', "tribe of gods and un-gods". Goibniu, Credne and Luchta are called the ''trí dé dáno'', "three gods of craft". In '' Sanas Cormaic'' ( Cormac's Glossary), Anu is called "mother of the Irish gods", Nét a "god of war", and Brigid a "goddess of poets". Writing in the seventh century, Tírechán explained the ''sídh'' folk as "earthly gods" (Latin ''dei terreni''), while ''Fiacc's Hymn'' says the Irish adored the ''sídh'' before the coming of Saint Patrick. Several of the Tuath Dé are cognate with ancient Celtic deities: Lugh with Lugus, Brigid with Brigantia, Nuada with Nodons, and Ogma with Ogmios.

Nevertheless, John Carey notes that it is not wholly accurate to describe all of them as gods in the medieval literature itself. He argues that the literary Túath Dé are ''sui generis'', and suggests "immortals" might be a more neutral term.

Many of the Túath Dé are not defined by singular qualities, but are more of the nature of well-rounded humans, who have areas of special interests or skills like the druidic arts they learned before traveling to Ireland. In this way, they do not correspond directly to other pantheons such as those of the Greeks or Romans.

Irish goddesses or Otherworldly women are usually connected to the land, the waters, and sovereignty, and are often seen as the oldest ancestors of the people in the region or nation. They are maternal figures caring for the earth itself as well as their descendants, but also fierce defenders, teachers and warriors. The goddess Brigid is linked with poetry, healing, and smithing. Another is the Cailleach, said to have lived many lives that begin and end with her in stone formation. She is still celebrated at Ballycrovane Ogham Stone with offerings and the retelling of her life's stories. The tales of the Cailleach connect her to both land and sea. Several Otherworldly women are associated with sacred sites where seasonal festivals are held. They include Macha of Eamhain Mhacha, Carman, and Tailtiu

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