Gurmukhī

Gurmukhī ( pa, ਗੁਰਮੁਖੀ, , Shahmukhi: ) is an abugida developed from the Laṇḍā scripts, standardized and used by the second Sikh guru, Guru Angad (1504–1552). It is used by Punjabi Sikhs to write the language, commonly regarded as a Sikh script, Gurmukhi is used in Punjab, India as the official script of the Punjabi language. While Shahmukhi script is used in Punjab, Pakistan as the official script.

The primary scripture of Sikhism, the Guru Granth Sahib, is written in Gurmukhī, in various dialects and languages often subsumed under the generic title ''Sant Bhasha'' or ''saint language'', in addition to other languages like Persian and various phases of Indo-Aryan languages.

Modern Gurmukhī has thirty-five original letters, hence its common alternative term ''paintī'' or "the thirty-five," plus six additional consonants, nine vowel diacritics, two diacritics for nasal sounds, one diacritic that geminates consonants and three subscript characters.

History and development

The Gurmukhī script is generally believed to have roots in the Proto-Sinaitic alphabet by way of the Brahmi script, which developed further into the Northwestern group ( Sharada, or Śāradā, and its descendants, including Landa and Takri), the Central group ( Nagari and its descendants, including Devanagari, Gujarati and Modi) and the Eastern group (evolved from Siddhaṃ, including Bangla, Tibetan, and some Nepali scripts), as well as several prominent writing systems of Southeast Asia and Sinhala in Sri Lanka, in addition to scripts used historically in Central Asia for extinct languages like Saka and Tocharian. Gurmukhi is derived from Sharada in the Northwestern group, of which it is the only major surviving member, with full modern currency.
Notable features:
* It is an abugida in which all consonants have an inherent vowel, . Diacritics, which can appear above, below, before or after the consonant they are applied to, are used to change the inherent vowel.
* When they appear at the beginning of a syllable, vowels are written as independent letters.
* To form consonant clusters, Gurmukhi uniquely affixes subscript letters at the bottom of standard characters, rather than using the true conjunct symbols used by other scripts, which merge parts of each letter into a distinct character of its own.
* Punjabi is a tonal language with three tones. These are indicated in writing using the formerly voiced aspirated consonants (gh, dh, bh, etc.) and the intervocalic h.

Gurmukhi evolved in cultural and historical circumstances notably different from other regional scripts, for the purpose of recording scriptures of Sikhism, a far less Sanskritized cultural tradition than others of the subcontinent. This independence from the Sanskritic model allowed it the freedom to evolve unique orthographical features. These include:
*Three basic carrier vowels, integrated into the traditional Gurmukhi character set, using the vowel markers to write independent vowels, instead of distinctly separate characters for each of these vowels as in other scripts;
*a drastic reduction in the number and importance of conjunct characters (similar to Brahmi, the letters of which Gurmukhi letters have remained more similar to than other scripts have, and characteristic of Northwestern abugidas);
*a unique standard ordering of characters that somewhat diverges from the traditional ''vargiya'', or Sanskritic, ordering of characters, including vowels and fricatives being placed in front;
*the recognition of Indo-Aryan phonological history through the omission of characters representing the sibilants and , retaining only the letters representing sounds of the spoken language of the time; these sibilants were naturally lost in most modern Indo-Aryan languages, though such characters were often retained in their respective consonant inventories as placeholders and archaisms while being mispronounced. These sibilants were often variously reintroduced through later circumstances, as was to Gurmukhi, necessitating a new glyph;
*the development of distinct new letters for sounds better reflecting the vernacular language spoken during the time of its development (e.g. for , and the sound shift that merged Sanskrit and /kʰ/ to Punjabi /kʰ/);
*a gemination diacritic, a unique feature among native subcontinental scripts, which help to illustrate the preserved Middle Indo-Aryan geminates distinctive of Punjabi;
and other features.

From the 10th century onwards, regional differences started to appear between the Sharada script used in Punjab, the Hill States (partly Himachal Pradesh) and Kashmir. Sharada proper was eventually restricted to very limited ceremonial use in Kashmir, as it grew increasingly unsuitable for writing the Kashmiri language. With the last known inscription dating to 1204 C.E., the early 13th century marks a milestone in the development of Sharada. The regional variety in Punjab continued to evolve from this stage through the 14th century; during this period it starts to appear in forms closely resembling Gurmukhī and other Landa scripts. By the 15th century, Sharada had evolved so considerably that epigraphists denote the script at this point by a special name, ''Devāśeṣa''. Tarlochan Singh Bedi (1999) prefers the name ''Pritham Gurmukhī'', or Proto-Gurmukhī.

The Sikh gurus adopted Proto-Gurmukhī to write the Guru Granth Sahib, the religious scriptures of the Sikhs. The Takri alphabet developed through the ''Devāśeṣa'' stage of the Sharada script from the 14th-18th centuries and is found mainly in the Hill States such as Chamba, Himachal Pradesh and surrounding areas, where it is called Chambeali. In Jammu Division, it developed into Dogri, which was a "highly imperfect" script later consciously influenced in part by Gurmukhi during the late 19th century, possibly to provide it an air of authority by having it resemble scripts already established in official and literary capacities, though not displacing Takri. The local Takri variants got the status of official scripts in some of the Punjab Hill States, and were used for both administrative and literary purposes until the 19th century. After 1948, when Himachal Pradesh was established as an administrative unit, the local Takri variants were replaced by Devanagari.

Meanwhile, the mercantile scripts of Punjab known as the Laṇḍā scripts were normally not used for literary purposes. ''Laṇḍā'' means alphabet "without tail", implying that the script did not have vowel symbols. In Punjab, there were at least ten different scripts classified as Laṇḍā, Mahajani being the most popular. The Laṇḍā scripts were used for household and trade purposes. In contrast to Laṇḍā, the use of vowel diacritics was made obligatory in Gurmukhī for increased accuracy and precision, due to the difficulties involved in deciphering words without vowel signs.

In the following epochs, Gurmukhī became the primary script for the literary writings of the Sikhs. Playing a significant role in Sikh faith and tradition, it expanded from its original use for Sikh scriptures and developed its own orthographical rules, spreading widely under the Sikh Empire and used by Sikh kings and chiefs of Punjab for administrative purposes. Also playing a major role in consolidating and standardizing the Punjabi language, it served as the main medium of literacy in Punjab and adjoining areas for centuries when the earliest schools were attached to ''gurdwaras''. The first natively produced grammars of the Punjabi language were written in the 1860s in Gurmukhi. The Singh Sabha Movement of the late 19th century, a movement to revitalize Sikh institutions which had declined during colonial rule after the fall of the Sikh Empire, also advocated for the usage of the Gurmukhi script for mass media, with print media publications and Punjabi-language newspapers established in the 1880s. Later in the 20th century, after the struggle of the Punjabi Suba movement, from the founding of modern India in the 1940s to the 1960s, the script was given the authority as the official state script of the Punjab, India, where it is used in all spheres of culture, arts, education, and administration, with a firmly established common and secular character.

Etymology

The prevalent view among Punjabi linguists is that as in the early stages the Gurmukhī letters were primarily used by the Guru's followers, Gurmukhs (literally, those who face, or follow, the Guru, as opposed to a Manmukh); the script thus came to be known as ''Gurmukhī'', "the script of those guided by the Guru." Guru Angad is credited in the Sikh tradition with the creation and standardization of Gurmukhi script from earlier Śāradā-descended scripts native to the region. It is now the standard writing script for the Punjabi language in India. The original Sikh scriptures and most of the historic Sikh literature have been written in the Gurmukhi script.

Although the word Gurmukhī has been commonly translated as "from the Mouth of the Guru," the term used for the Punjabi script has somewhat different connotations. This usage of the term may have gained currency from the use of the script to record the utterances of the Sikh Gurus as scripture, which were often referred to as Gurmukhī, or from the ''mukh'' (face, or mouth) of the Gurus. Consequently, the script that was used to write the resulting scripture may have also been designated with the same name.

The name for the Perso–Arabic alphabet for the Punjabi language, ''Shahmukhi'', was modeled on the term ''Gurmukhi''.

Characters

Letters

The Gurmukhī alphabet contains thirty-five base letters (''akkhara'', plural ''akkharā̃''), traditionally arranged in seven rows of five letters each. The first three letters, or ''mātarā vāhak'' ("vowel carrier"), are distinct because they form the basis for vowels and are not consonants, or ''vianjan'', like the remaining letters are, and except for the second letter ''aiṛā'' are never used on their own; see for further details. The pair of fricatives, or ''mūl varag'' ("base class"), share the row, which is followed by the next five sets of consonants, with the consonants in each row being homorganic, the rows arranged from the back (velars) to the front (labials) of the mouth, and the letters in the grid arranged by place and manner of articulation. The arrangement, or ''varaṇamālā'', is completed with the ''antim ṭolī'', literally "ending group." The names of most of the consonants are based on their reduplicative phonetic values, and the ''varaṇamālā'' is as follows:

The nasal letters ਙ /ŋəŋːaː/ and ਞ /ɲəɲːaː/ have become marginal as independent consonants in modern Gurmukhi. The sounds they represent occur most often as allophones of [] in clusters with velars and palatals respectively.

The pronunciation of ਵ can vary allophonically between // preceding front vowels, and // elsewhere.

The most characteristic feature of the Punjabi language is its tone system. The script has no separate symbol for tones, but they correspond to the tonal consonants that once represented voiced aspirates as well as older *''h''. To differentiate between consonants, the Punjabi tonal consonants of the fourth column, ਘ ''kà'', ਝ ''cà'', ਢ ''ṭà'', ਧ ''tà'', and ਭ ''pà'', are often transliterated in the way of the voiced aspirate consonants ''gha'', ''jha'', ''ḍha'', ''dha'', and ''bha'' respectively, although Punjabi lacks these sounds. Tones in Punjabi can be either rising, neutral, or falling; in the pronunciation of the names of the Gurmukhī letters, they are at the beginning of the word and as such produce the falling tone, hence the grave accent (à) as opposed to the acute. The tone on the stem vowel changes to a rising one (á) and precedes the letter when it is in syllabic coda positions, and is falling when the letter in stem-medial positions after a short vowel and before a long vowel, and when the tonal letter follows the stem vowel. The letters now always represent unaspirated consonants, and are unvoiced in initial positions and voiced elsewhere.

Supplementary letters

In addition to the 35 original letters, there are six supplementary consonants in official usage, referred to as the ''navīn ṭolī'' or ''navīn varag'', meaning "new group," created by placing a dot (''bindī'') at the foot (''pair'') of the consonant to create ''pair bindī'' consonants. These are not present in the Guru Granth Sahib or old texts. These are used most often for loanwords, though not exclusively, and their usage is not always obligatory:

The character ਲ਼ /ɭ/, the only character not representing a fricative consonant, was only recently officially added to the Gurmukhī alphabet. It was not a part of the traditional orthography, as the distinctive phonological difference between /l/ and /ɭ/, while both native sounds, was not reflected in the script; however, its usage, while still currently not universal, has been noted along with the other letters of the group among the earliest Punjabi grammars produced. Previous usage of another glyph to represent this sound, ��੍ਰ has also been attested. The Shahmukhi alphabet equivalent for representing the sound is ࣇ, "lam with tah above."
Other characters, like the more recent ��਼//, are also on rare occasion used unofficially, chiefly for transliterating old writings in Persian and Urdu

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